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John Stevens Dec 2013
© 9-18-05 J Stevens  3/4
   8    8       q       q       8       8        8       8     8 -  8       8        8         q
   1    2       3       3        3   -   2   |  1       1     2 -  1       1        7.         1  
Is   your heart now breaking, from the sorrows    in      your    life?

q   q    8    8     8    8     8   8    8        q     8  8    h
           1    1     2    3      3   3    3        3     2-1     2
        Are you de-feet-ed in your walk with Him?

1-2    3   3    3    3    1      2       1      1    7.       1
The Father above can heal your broken heart.

  1      1      2      3      3     1       2            1        7-1
And set your  feet on   the   path     once   again.
----------------------------------------------------------­-----

Are you tired    of    living    not knowing where you’re bound?
Do you  feel    desperation    all     around?
The Father above can give you  peace  again
And set your  feet on   the   road to Heaven bound.
----------------------------------------------------------­-----
Do you know of God’s grace and His mercy which is free?
Do you need a new touch of His love?
Just open the door of your heart and let Him in.
Receive the Joy and Love from above.

-- chorus -----------------------------
3    5   5      5        5      3     4    |   3    
Open up your heart and say – aah.

3     4    5  -  5     5-3     4      3
Let the Doctor above look in.

3    5    5     5       5        4    3    4     3 – 2      1
Open up your heart and let the sorrow out,

   1    2     3         3      1      2      1-7-1
And be filled with His love within.
---------------------------------------------------------­-----

3 - 5    5      5       5        3     4        3              q      q      q
Open up your heart and say – aah,   …  aah, aah, aah!

  3      5         3       5     5     3       q    q     q
Give Him your life this day.

  3 -4   3      2       1        1     1   2     3       2      1
Open up your heart and let the Son shine in

  1     2     3         3      1      2-1    7 - 1
And be filled with His spirit today.

Open up your heart…. Open up your heart.

He  will fill  you with His spirit……

He  will fill  you with His spirit again.
The top line with 8 q h | means eighth, quarter, half notes and bar.
The second line 8 1 2 3 4  is the note to play.  Example in key of C
7=B    1=C    2=D    3=E    4=F    5=G
I know... confusing.  Probably why this has not seen the light of day.
Àŧùl Jul 2013
Rhythmically Pulsing,
Unfailingly Beating,
Tirelessly Pumping,
It doesn't until last rest...
It doesn't rest until last...

The "Dag-Dag Dag-Dag Dag-Dag",
The "Boom-Boom Boom-Boom",
The "Bleep-Bleep Bleep-Bleep",
It doesn't get tired normally...
It doesn't normally get tired...

The heart-ache happens,
Aaah-aah-aah-aah-aah..!!
Tired-old rig starts failing,
The fading "Dag-Dag Dag-Dag Dag-Dag",
The failing "Boom-Boom Boom-Boom",
The fainting "Bleep-Bleep Bleep-Bleep",
The pain then subsides to either of the two...
Either it can take a loan of few more years or..
It halts ultimately to relieve itself & the bearer.
My HP Poem #352
©Atul Kaushal
Mateuš Conrad Dec 2016
sometimes you look at these people and think:
is it better me drinking whiskey, or is it better treating
them ontologically as zoological specimen
                                                  and worth of caging?
i think that the Aristotelian awe-principle
for the practice of philosophy was
overly-exaggerated with dues
that consider science, i think that science
confiscated the emotional
imprint of philosophy that's bound to awe
and said: willcommen unto die phobia-realm...
which i still ascribe to postcolonialism...
  the times' propaganda say:
             arachnophobia is perfectly suited
to match-up to a billionth remark of Islam,
which is why i find Islamophobia so weird...
   arachnophobia consists of only one spider...
minding the phobic in Islam?
                          it's not a case of one spider...
it's a case of spiders...
                             they can't reason with
the Big Brother opportunism, which exists...
turning the blind eye won't help...
  it will simply aggrivate such people...
and using this language has created such
frustrations... correctly? aggravate,
dance of vowels. phobias aren't big, they're small...
miniscule... tell people that something is
small when it's actually big enforcers
a postcolonial past more so...
   i see these children like the psychotic reaction
to a prophesy kindred ot Harold II's slaughter
of the innocents...
                  they're there to edorese someone...
      after all: who gives a **** about these people?
                                                         ­  (endorse)
the psychiatrist gets paid, the mental health nurse
gets paid... why would they give a **** in a way
that says: i wasn't paid for this bollocking!
  maybe up in Manchester... but down here in London,
they don't buy disguises, you're
labelled Romanian: you're bound home where
you could have been a plumber but are reduced
to a straitjacket because: some ******* said
you didn't **** her... Philip Collins and hey:
welcome to paradise.
                        down 'ere in Loon-town you get
your money's worth...      
                   i wish they took care of me...
   silence pays... you get your cringe's worth of ****
to the Kilimanjaro's worth of calling
               bottled crema-foam on a phallus
an anorexia... as i see it: anorexia in Freudian lingo
is an objection toward treating ****** artefacts
in culinary terms... means that paradox
of having a cake and eating it too...
                obviously you'll sexualise problems...
i think anorexia is a question of making
          ****** parts culinary aggregates...
                i'm not jotting: girl, aged, 16, ***-starved..
i mean in general... making ****** objects
equivalent toward a culinary status for a care
to make them more appealing in being ******...
the anorexic might start thinking: so i **** it,
and don't eat it?   penguin clap for an icecream cone!
ruffian yoga minus the slippers and the seal clapping...
the loudest revision of applause: i can guarantee....
cos the flippers were wet... hence the additional
aquatic acoustic.
                    this is very much akin to that quantum
theory of: tornado at coordinate a.,
         and a butterfly as coordinate b.,
          i can see anorexia as a substitute to sexualised
preferences in making body-parts partially edible...
            i see **** i think of the cow's ******-pouch / pillow...
    i don't know, maybe because being in my 30s
i can still fake arousal when looking at it...
       i am not the original alienist... some martian
took my title role...
          but i can understand anorexia as a way to rebel
against putting potato mash and a steak and a few
veggies with the same duty nod as one might put
a ******* object into one's mouth and having to
a Werther's Original suckling tactic on it and
never attach a bone to it, i.e. never eat it...
      anorexia by my standard is verily sexualised...
   you put something into an open space and
it's almost a trans-transgender movement...
      which is why i find the transgender "curiosities"
obstructs in art... post-transgender occupancies
           are not reserved for the easily pleased...
anorexics are such people...
             this is sexuality confused with dietary requirements...
this isn't a circumstance of pronouns politicised
and exploits of modern medicine...
                   i do tend to abuse seafood
whenever i am cringed by the suggested floral pattern
whenever i dare not see the benefits of cesarean...
and i just can't see islamophobia fitting the irrational
rationality of other conscripted phobias...
          poor choice of Greek to be honest...
                      i think they're referring to:
a subtler suggestion, minus the crusading empowerment
that's yet to be honed on...
                        well **** yeah...
once you've actually a philosophy book,
   you'll become immune to any writing advice...
                you'll actually become immune
to advice for writers.... bhy writers... because you'll
realise their opinions are disputable and therefore
disposable... because they forgot that the one thing
that democracy hates... is its subversion,
                     art is the foremost stealth-seeker of
despotism in democracy... because it simply loathes
plagiarism... art is despotism in democracy...
               and it knows it... it's just too "shy" (aah...
wee wee poo poo) to admit it...
                 from what i learned from athos?
the best advice? is to not give any advice.
                    athos? alex dumas, the three musketeers.
the moment you finish a philosophy book,
a creative writing workshop and a quote by
Hemingway will seems as nothing but a bad dream -
these quotes come from people who abhorred
the mere concept of spelling, due and through
it being an "inconvenience"...
this is from people who suggested you were always
an incapable narrator without a daydream to
escape into... these writers began sounding like
your english teachers...
              then again... is sexualising problem better
than abstracting them? personally, and
without due approval: and all the more happy for
such a circumstance having been presented for me...
            we know the sane are too numerous
because they are allowed to make too much sense
of their dreams...
                     i contend anorexia, not as an eating disorder,
but as a disorder of a culinary aversion toward
          sexualising non-culinary objects in culinary terms...
or adding cream to the phallus or melted chocolate
to the ****...
                 i find that certain culinary objects are
oversexualised...
   and this is the norm: that extends into what
quantifies as the norm, for the norm is always
a quantifiable parameter than a qualifiable
      exchange, since an exchange never appreciates
     a qualification, or a grocer's worth of norm
for a conversation of two quid's worth of earning
equates to 20 tomatoes...
    we have assumed to know it all
whereas we are congregating in a plughole
     of close proximity prefixes, i.e.
re-: reflect, reflection, reflexion, reflex,
  reiteration, reimagining, retraction, reaffirmation...
    it's a tsunami of language / lounging with too
many images... it's "lounging" with too many images...
it's the proximity of prefixes... twinned with
the opportunism of the genus of synonyms creating
a deaf-shaft of faking rhetoric...
     i still placard the whole circumstance
a dance of vowels, or the unforced deviation of
keeping up an aesthetic....
                     no, i can't claim schooling,
because i don't want to claim being indoctrinated...
     and perhaps my Freudian is a little-bit
copper-wired / ageist...
                  but isn't food for the anorexic
  a bit like turning a ****** object into food
          for the ennobled aggregational stereotype?
the jokes aren't jokes for anorexics...
  the cucumber is doubly manifest
                         as both edible, as both sexually
arrogant... and thirdly as "inspiration" for
an architectural project...
                      oh **** fame... little albino blondie
can **** on my testicular cancer for all i care...
               and say the bulge was: like
******* on a cowish ******...
                                      i like puppets anyway,
cos i'm a bit laxed in that way...
                         for all the things that might be
given, of the few things that can't be translated
from house or car, or a wife and 3.4 children statistic:
personal integrity.
        obviously certain people can only hum along
to the achievements of a zenith's worth of a house
and a car and a dog...
                            personal integrity is almost too much
for them, such "essential" components of being
a human rather than doing a human reaction
       later involve the cliche of the ultimate gamble...
and we all know how humans love to gamble...
well... few ever manage to gamble the stake of:
a leap of faith... and we all know how Nolan's inception
         ends...           that's me seeing the film a few years later...
      so how does man, the gambler fair
   when he's asked to gamble with the odds
  leap ratioed against a stumble?
                                      numbered is that 10:1?
it's just fascinating that vowels are the sole assured
                        proprietor of "dyslexia",
or as i care to mind: even with a language proficiency...
and tongue-tied waggle that's excusable for
anyone ready to write something down.
      i can appreciate being an individual,
but i can't celebrate it... i'll only utilise my individuality
to create a new plateau, a norm, the most
distinguished liberalism of my individualism;
     i will only utilise my individuality to create a new
norm - and anything that comes against it:
can burn in hell.
Mateuš Conrad Aug 2018
. i'm not against psychedelics... ****... syringe in excesses of LSD... but memory is also a psychedelic drug... albeit there is no excess of colors, and it's not b & w, but sepia tinged... i like the notion of a sepia curtain... maybe that's why i have my head ******* on so tight, and a hardened heart, to be able to write this... while others write, having drunk as much as i have, like kindergarten 5 year old, children!

i'm not here for the 80+ years that don't matter,
lying lethargic, semi-conscious,
demented, in a care home bed
where i'm abused for ******* my nappies...
i'm here...
   for the 16 or so years that really matter...
hence?
   i like to watch the metamorphosis of skin...
i never understood women who
cut and wait for some"magical" revelation
of internalized pain...
   those four stumps worth of knuckles
upon which i exhausted the amber of
a cigarette burning?
   second look?
      nice to see the many layers of skins,
prior to, and not including the bone...
     liver damage, whatever, bring it on...
i'm waiting...
  i can't, but i'm hoping...
to sow unto my skin the faint tincture
of a gangrene tattoo to
boast ink in Frankenstein green...
mingling with tongue numbing
yuck of bruise plum, and a dash of
Vishnu blue...
       oh i'm waiting: i can't wait...
   death is such a farce:
like i explained to my mother...
  you know... sometimes you're after
the pain: since you've reprogrammed
yourself, to enjoy it...
                  no, no *****-whipping
wimp diarrhea -
   i want the "furry" liver...
              i'm waiting, and i'm waiting...
and...
            nose-bleeds are past my worries...
i've had one in school, during
english class...
    no problem...
  can you believe it?
my neighbor's cat, Bella,
an albino climbed roofs, climbed into
chimneys...
   was knocked by a car,
presumably...
               and is in need of an operation,
might have one of her hind legs
amputated...
but she's also anemic...
so she might die during the operation...
poor ******, she...
                    heterochromic to boot...
      the sort of beast, which,
if being a Saudi Sheikh...
you'd love to put an Afghani burqa
over...
            Fonz... eeeeeeeeeee...
why bother with a counter argument?
the European variant of the niqab is
already in place...
sorry... the women you see in movies
or *****? ever see the same quality
shopping for underwear?
      not once...
                 it's such a sad little world
out there, jealous men...
who can't afford keeping
            castrato men for their, "harems",
and, evidently, don't poke enough
****** to keep the concubines entertained,
whole strap-on ******?
well... they're just strap-on ******...
ha ha!
                  ha ha ha ha!
        oh sure, i'm a loser, honey bee...
point being: i much prefer the company
of whiskey to that of a woman...
oops... did i say something, sheepish,
i.e. b'aah b'aah b'aad?!
   couldn't figure out the stuttering A
in diacritical markings...
since there isn't one...

   as i asked my Jewish convert into Islam...
i don't mind the Quran...
but what's your opinion on the, Hadith?
no answer... dumb look...
akin to: how do you know about that?
it's my eight's in a row right
to know what i consider, hostile.

         well, given that in Hindu...
the H... is a surd, rather than an authentic letter...
e.g.? dhaal...           that veggie
curry made from lentils?
there's no H in the name...
it's not a letter... it's an orthographic
inclusion of: consonant (d), surd (h)
                      vowel(s) (a, a), consonant (L)...
unless you of course deduce
there being a microcosm of the macron
hovering about one of the A,
deducing the other A is not necessary...
i drink...
because my excuse rests on the argument:
i'm not here for the 80+ years,
a life filled with an exhausted memory
bank,
    that is of no use
when it doesn't allow itself an
immediacy of convergence in
    what bicycles are founded upon:
teeth and chain, overlapping...
immediacy of overlapping -
memory... that alternative to psychedelic drugs...
some people take this over-bountiful
drugs to exemplify colors,
hyper-inflate them...
i just remember,
   and i know what memory is,
compared to the educational rubric
of, say, learning the Pythagorean equation,
how modern schooling is...
primarily?
   a memory erosion tool,
of a personal life, but more esp.,
  a childhood...
                  you want a drug more
potent than the Amsterdam legal mushroom?
RE-MEM-BER.
               like i said:
i can do what others won't do in
80 years... i can be content with
the zenith of doing what i do,
within a space of what excess drinking
allows me...
      the rest?
   either nostalgia... or regret;
i don't have the time preference to entertain
either...
esp. if what awaits me is
a sober case of dementia,
   and bedsores (odleżyny)...
             but sure, **** me,
go for it!
                   i pray to god that i managed
to fulfill my "evil genius" plan,
of drinking myself to death...
**** it... i have to match the sensible
life expectancy of the poorest of
the poorest African nations...
    don't really feel like living up
to the European turtle, neck,
demands for glorifying medicinal advancements.
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
Rambus Sep 2016
I remember not too long ago I was just a little boy playing ball in the park it was Little League in the heat anyone in south Florida will tell you “it’s normal” and it’s true it really is normal.

Then it began to rain lightning struck the adjacent field and left a **** in right somehow for some reason the lightning warning system never sounded its fifteen second alarm I wonder why.

Imagine this

A crash as loud as if you were wearing a stainless steel stockpot and someone struck it so hard with a metal spoon and soon you were knocked so silly you felt like the Liberty Bell the day it rung then cracked during the funeral of former Chief Justice John Marshall and you thought you were dead too.

I thought I was a goner so I bolted to the dugout like lightning no pun intended but I didn’t want to be toast.

As the team sat there each about eleven and twelve years old we counted seconds between lighting and thunder between light and sound and what we felt were going to be the very last seconds of our young little lives how naïve we were.

One lightning strike cracked so bright it flashed me to today and here I am at twenty-two not dead just yet and I’m not quite sure how or why maybe there’s a purpose maybe there’s a meaning to life it’s a philosophical thing to sit and contemplate existentialism is such a weird weird thing I think.

I have come to believe that there are multiple reasons for life and one’s to die one’s to survive one’s to figure out every answer to every question and acquiesce all that which satisfies our wants and needs and one’s to love and give and take and share a life and one’s to see all there is to see like cityscapes and oceans and stars and countries one’s to see even more like frowns and births and smiles and deaths and one’s to eat all there is to eat and to drink all there is to drink until we finally figure out a way to accept the inevitable.

Or is the inevitable not inevitable?

What if there’s a way to live forever and there are no consequences extraneous to those of regular everyday life and you can choose to accept the inevitable when you choose to realize that it sure is inevitable?

Ooh-aah! Ain’t that a concept?

This is not quite what I had in mind at birth I thought it would be smooth sailing between fits of crying and long hours of slumber and meals and short naps and diaper changes and seeing my parents’ faces and those of all others gazing about me in awe and wonder and amazement and pride and love I was a deity!

Relative to twenty-two years one figures out that being a god is very short-lived and that twenty-two years ain’t very long hardly even a quarter of the way to the brink of a timely death.

Maybe when we’re babies we’re gods and idols and think about this babies can rule the world if only they knew they command the highest of all expenses in the whole entire world and families and friends willingly shell out money and goods and services for such a tiny little sack of fat and muscle and fastly-forming bones and brains.
Babies are ******* gods.

But gods no less.

My God I wish I was a baby once again.

But I’m twenty-two and slowly but surely growing old living through each quickening day by day by day and so on and so forth it’s been a fun trip so far and I am sure not done so long as there isn’t another flash from the lightning to send me straight to forty-four or eighty-eight—it doubles every time ain’t that a ****** shame?
GoatWalker Dec 2012
My goat has a speech impediment
when the doctor checked her throat
she could only say "AAAAAAAAAAAhhh"
not "ahhhhhhhhh"

The doctor broke the news to me one day
'your goat....has an impediment' he bleated quietly

I dashed out of his AAhffice
AAhway from his AAhccusatory statements
AAhnd rushed into the legs of my goat

'Goat...what are your legs doing there?'
i asked

and I looked up
and saw the goat dAAhngling above my head
'what in the world?!' I AAhxclaimed
'dearest Goat-etha, I had no  AAhdea you could fly'

"every since AAh shAAhared mAAh secret, AAh felt so free, AAh could fly"
(she didn't sound like she had an impediment to me)

'but Goat-etha, you know you can't fly'

and she crashed to the ground
crushed by the knowledge
that not everything is possible

'dear Goath-etha, I still love you, you know'

and she stood back up
and ironed her previously-crushed legs
and walked to the doctor's office
and gave that man a kick in the bAAhlls
Kaley Kerchaert Dec 2016
"See You Again"
(feat. Charlie Puth)

[Charlie Puth:]
It's been a long day without you, my friend
And I'll tell you all about it when I see you again
We've come a long way from where we began
Oh, I'll tell you all about it when I see you again
When I see you again
(Hey)

[Wiz Khalifa:]
****, who knew?
All the planes we flew
Good things we've been through
That I'll be standing right here talking to you
'Bout another path
I know we loved to hit the road and laugh
But something told me that it wouldn't last
Had to switch up
Look at things different, see the bigger picture
Those were the days
Hard work forever pays
Now I see you in a better place (see you in a better place)

Uh
How can we not talk about family when family's all that we got?
Everything I went through you were standing there by my side
And now you gon' be with me for the last ride

[Charlie Puth:]
It's been a long day without you, my friend
And I'll tell you all about it when I see you again (I see you again)
We've come a long way (yeah, we came a long way) from where we began (you know we started)
Oh, I'll tell you all about it when I see you again (let me tell you)
When I see you again

(Aah oh, aah oh
Wooooh-oh-oh-oh-oh-oh)
Yeah

[Wiz Khalifa:]
First you both go out your way
And the vibe is feeling strong
And what's small turn to a friendship
A friendship turn to a bond
And that bond will never be broken
The love will never get lost (and the love will never get lost)
And when brotherhood come first
Then the line will never be crossed
Established it on our own
When that line had to be drawn
And that line is what we reach
So remember me when I'm gone (remember me when I'm gone)

How can we not talk about family when family's all that we got?
Everything I went through you were standing there by my side
And now you gon' be with me for the last ride

[Charlie Puth:]
So let the light guide your way, yeah
Hold every memory as you go
And every road you take, will always lead you home, home

It's been a long day without you, my friend
And I'll tell you all about it when I see you again
We've come a long way from where we began
Oh, I'll tell you all about it when I see you again
When I see you again

(Aah oh)
(Uh)
(Aah oh)
(Yeah)
(Wooooh-oh-oh-oh-oh-oh)
(Ya, ya)
When I see you again
(Uh)
See you again
(Wooooh-oh-oh-oh-oh-oh)
(Yeah, yeah, uh-huh)
When I see you again
https://m.youtube.com/watch?v=RgKAFK5djSk
Mateuš Conrad Nov 2016
co hytre pod skurą jest iglą
         (what's avaricious under the skin is a needle)
na wieków, amen - co gdyby lwem
(forever more, amen - what's apparently a lion)
czy niedźwiedźem, czy też wilkiem
(or bear, or even a wolf)
da tchu! Vlach! ti i ten pierdolony lis!
(will give breath! Vlad! you and that ******* fox!)
eine fuchs! ich! ja stokroć i nocy nadam
(a fox! i! i the fern who will give unto the night)
imion bez konstelacji Achilles'a,
(names without constellations' of Achilles)
pozorom wbrew: na haczyku brwi
(under no pretensions: on the fishing hook of the eyebrows)
na tle pod imion: dobre sumienie
(on the canvas of under-names: a sound conscience)
wramah chszestu.
(in the boundaries of a christening.)
  a co ładne niech paraduje ze
(and what is beautiful, let it parade)
rzołneczykami!           bo to tfu!
(with it's little soldiers! because it's disgusting!)
bo to harfa i hu i true i Polska podbudjed
(because it's a harp and a ha... lost in translation)
is Rosyja i Я: anglo tomme, niet Яck m'eh?
  no kurva: Mongoła trombone!
mi non sprechen Deutsche,
nor operatic, nien moon-sweep tsar -
lovely, lovely juggles the Peckham
in all of us jubbly: day for the awaiting Trotter -
         or the spin frame Jenny my dearest:
spin! spin my spinning dūbblé / double-blah-blah-eh!
plocker / plonker two sons within graft of a blue
Peter sketch for the youngsters whining: or how's that
****** housed and i'm the one that should be
saying: the 'un that neva'h woz?
bites the Barnickle, that 'un does.
               says as much about cubicle cockers
in née said: Varlance: such that it almost sounded like
Versailles, and it too almost sounded likened to
umbrella when saying Paris or parasol.
       or on par: cubicle cockney poetry:
appellation and ***** hairs: stairs -
       needy and scythed: the frightened bunch...
          why then Versailles and squire?
and not: that ol' chip frier -
     fry err, Brighton on marble: succinct slating -
that walk of shame toward the ****.
     they always made the best foster parents,
that **** bumping, **** dumping crowd pleasing
hush for a Lincoln into linguo as Oslo in
libido -
          trucker tongue tie - gears in reverse -
randomised language replenishing that chaos of
became focus of larynx not cubed
but eyes three-dimensional: or cubism.
             and you sort of wish you knew how to
knot rather than not not not -
                your way into a Wahabi Lebanese
sentiment for truancy -
   which you never, really had a chance to get a
hard-on over.
                       this is how art sorta doesn't feel
that much difficult, more of a diarrhoea rather than
a constipation: less a skiing holiday in the Swiss
alps and more weekends spent on the Southend pier.
    well, we all wish to fish in the spaghetti lake
of verbiage: some of us get to,
and what we end up doing is hoping for
a second as cobblers in China, or beef farmers in
Argentina,    or cigar-rollers from Havana -
b'aah.... blah.... b'aah: i say jolted,
i say unsure, i say nervous b'aah - sheep's surrender!
why? it would sort out and destroy our
claustrophilia: as ever a cranium and an elevator...
         and the congregation,
                    and the dry throat.
party zone with johnny brown



johnny’ hi dudes and welcome to another party zone

and we did well last week for our celebration to jon english

and tonight we are just being normal and here is olly with his

haiku poems

olly’  we are partying

in and out of cool nite clubs

drink heaps of bourbon



i really like beer

it gets me drunk all the time

i am really blind



johnny’  thanks olly for those poems and now here is robert with his jingle


let’s party right till the end

driving the oldies round the bend

making them really sick of us

you should take them for a ride on the moonlight bus

we sing rock and roll music

if you wanna party like you want to use it

swing your hips babe right to the end, dudes

partying is so much fun

except if your at your parents house

as they play taxi driver because they are drunk

ahhhhhh!  i want to party at every party event

whether it’s out on the lake or beach

to friday night in this classy club

johnny’  thanks robert and i want to party to,,how about tomorrow night at sky fire

robert’  i will be there with my picnic lunch, dude

johnny’   ok here here is fred with haiku about sky fire



sitting in the park

waiting for the fireworks

loud and wonderful


johnny’   thanks fred that was a great haiku poem and now here is roslyn with her jingle


roslyn’   hey, oh hey baby ooh aah ooh aah i want to party with you here every night

you see on my way to this niteclub yeah

i see a lot of people say

hey you cutie, you look so fine

my friends didn’t show up for dinner  and said do you wanna dine

i want to tickle yo baby team oh yeah dude

come on people the nite club is over there and there is no line

he said he wasn’t into clubbing and i called him a yuppee

and then i head straight to the club and i heard this voice

and it was coming from the fire man

i yelled out how much fire can you put in your mouth

he said 15, oops where is my manners, my name is ralph

i said my name was roslyn and then said come to this niteclub

after you finish

he said i won’t finish till 5 in the morning

i said what a shame and went into the nite club to dance pretty wild dance moves

and i feel cool man, cool you

roslyn’  before i go, i have a haiku

johnny’  ok tell us


roslyn’  


walking through civic

people partying in there

get down get down bop


johnny’  ok thanks roslyn and now here harry with his jingle


harry’   once a jolly party dude was going to the club yeah

buying beer and heaps of spirits

then he will show his moves on the dance floor

the foxtrot and disco and rock and roll

mrs fran belle said i love you to bits

i think you are the sexiest man

i said yeah i am fran and would you like to take me by the ****** hand

partying in civic partying in civic

getting heaps of alcohol down ya dude

partying in civic in the nite club

after having a slap up meal

in came the bouncer to see if we are behaving

one person isn’t and out he goes

he said, i didn’t mean it, please let me stay

the bouncer said no and threw him out

as we go

partying in civic partying in civic

getting heaps of alcohol down ya dude

partying in civic with the chicks yeah

every song is played with a good sound

it’s 4 am and last drinks were called

and you have collapsed near the dance floor

the girls say, just one thing to me that really makes sense

and that was come over to our house and sleep it off

as we go

partying in civic partying in civic

just from 11 to 4 am

partying in civic after drinking endless alcohol

now off to your mates house to sleep it off

johnny’ thank you harry that was a great party song, and i hope the copyrighters

don’t zoo you

harry’  they won’t, i hope

johnny’  ok that is it from party zone we will see you here next friday night

but i am going to sky fire tomorrow night, where we can have a lot of fun

CATCH YA LATER DUDES
brandon nagley Jun 2015
Mother, do you think they'll drop the bomb?
Mother, do you think they'll like this song?
Mother, do you think they'll try to break my *****?
Ooooh aah, mother, should I build a wall?

Mother, should I run for president?
Mother, should I trust the government?
Mother, will they put me in the firing line?
Ooooh aah, is it just a waste of time?

Hush now, baby, baby, don't you cry
Mama's gonna make all of your nightmares come true
Mama's gonna put all of her fears into you
Mama's gonna keep you right here under her wing
She won't let you fly but she might let you sing
Mama's gonna keep baby cosy and warm

Ooooh, babe, ooooh, babe, ooooh, babe
Of course Mama's gonna help build the wall

Mother, do you think she's good enough for me?
Mother, do you think she's dangerous to me?
Mother, will she tear your little boy apart?
Oooh aah, mother, will she break my heart?

Hush now, baby, baby, don't you cry
Mama's gonna check out all your girlfriends for you
Mama won't let anyone ***** get through
Mama's gonna wait up till you get in
Mama will always find out where you've been
Mamma's gonna keep baby healthy and clean

Ooooh, babe, ooooh, babe, ooooh, babe
You'll always be a baby to me

Mother, did it need to be so high
ABDUR RAHMAN Jul 2016
Aah! it was you  who did not discover:
Still love for you I have  like a lover.

I kept on peering you  like i always peered
And continued to do so till u disappeared.
But you did not turn around to see me
Just like the one who leaves
And i kept on believing , that you'll see,
Like the one who believes
https://insomniyadiaries.blogspot.in/ IT'S MY BLOG CONTAINING MY POEMS IN HINDI, URDU AND ENGLISH
ROHIT YADAV Apr 2018
Chamakte -damkate chehro main bhi
Uski thi pahchan mujhe
"Ek sanwali ladki se tha pyar mujhe

Wo pagal thi meri hokar'
Wo roti thi mujhse lad-kar'
Jaan waan toh baate thi""
Wo  kehti thi ( humsath) mujhe '
Ek sanwli ladki se tha pyar mujhe

Wo ladti' kuch kuch kahti thi mujhe
Par aah karu Jo toh samjh leti thi mujhe..
Uske pyar ka ikraar tha mujhe ...
Ek sanwali ladki se tha pyar  mujhe

karu Jo khata toh tok deti thi mujhe
Par jaane se pahle ROK leti thi mujhe ..
Main hasta tha""uske dil main kahi toh basta tha
Ye ahsas tha mujhe ...
Ek sanwali ladki se tha pyar mujhe ...

Par

Kab duri badhi,kab wo badle
Kab hum aade or wo lade
KUCH abhaas nahi mujhe ..

Chalo phir bhi ...

Uske dil pe dastak di
Kae baar minnat ki ke geenti tak na yaad mujhe ...
Ek sanwli ladki se tha pyar mujhe ...

Waqt ne kuch or karwat li
Sari kasme todi ***"
Meri yaado ko bhulaya"
Pyar,waade,wafa ko jalaya"
Uske hatho se mili bas raakh mujhe
Ek sanwali ladki se tha pyar mujhe


U toh uska ab kuch pata nahi ""
Beete kai saal toh rahi na kuch baate yaad mujhe ..
Par
ek dhadkan, ek saans, or uski aakhiri baat hain yaad mujhe ...
Ek sanwali ladki se tha pyar mujhe ..

Naaraj hua Jo ladta khudse ..
Tum kyu ** ab bhi yaad mujhe..
Kyu usse tha or abhi bhi hain ye anchaha sa pyaar mujhe ......
Ek sanwali ladki se (hain) pyar mujhe
The chase, sadly the blurr,
To say it eluded them would mare the reality.
Some had it in the morning, lost it at night.
Some begged for it in the day, but found it at night.
It was only a mirage never to behold for some.
While some never saw it as the chase.

The chase, the dream, the purpose.
They all chase.
Some like a wild dog.
Some like a gentle breeze.
And, some like a corny tortoise.
All chasing for that dream, that purpose, that chase.

The beauty of the chase.
Some found their souls.
A beckoning in reckoning.
A chase with grace, a sweet chase, a glorious chase.
The end is not certain from the day but not at night.
The sky holds sits for their beginnings at the right time.

The damning of the chase.
Some lost their souls, some found their souls in other souls, while some forgot the chase.
The chase then became the chaser.
What a travesty of reality?
An irony of reality, the chase would put it. Aah! Aah!! Aah!!!

You see the chase, you see the norm. Everyone is chasing something.
Though some chases nothing in something;
It's a race everyone is saddled to run.
The chase, the race, the something, the nothing; you had better chase.

The Chase, The Dream, The Purpose
Bintun Nahl 1453 Feb 2015
Desember bersambut hujan, menderas berlukiskan mendung. Sejuk menusuk tulang, yah hujan desember memang tak main
- main dan tak tanggung - tanggung, serius. Memelukmu dingin bertubi - tubi.
Belajar dari 'hujan desember'
Pengorbanan seperti apa yang akan kau ukir untuk membuka pintu kemenangan dakwah ?
Setergenang jalan setapak kah, dengan guyuran hujan ?
Atau, sesemangat hujan desember kah ? Dengan turunnya susul menyusul melembabkan tanah tahun depan, menyusun rencana agar tanah tak mengering dan gugurlah dedaunan karena cuaca tak menentu ..
Segemuruh deras hujan kah ? Berirama dan memberi isyarat bahwa lagi - lagi akan menggenang walau ada saja suara sumbang "aah, hujan turun lagi, sampai kapan "
Dan entah akan kembali kah ia, dengan desember yang sama atau justru tertelan waktu dan mati ..
Maka, prestasi apa yang telah terukir setahun ini dan rencana - rencana apa yang telah tersusun rapi untuk mendobrak peradaban kelam ini ?
Mengembalikan peradaban gemilang "KHILAFAH ISLAMIYAH" ..
Mengubur Demokrasi Kapitalisme Sekularisme dan tak bergairah lagi untuk bangkit ..
Jangan sampai waktu tak menggenapkan umur .
Jangan sampai terlanjur gigit jari, menyesal.
Dan, jangan pernah bosan untuk tetap menyeru walau terus dihujat . Demi terterapkannya syari'at islam dan hidup sejahtera dalam naungannya ..
Maka, jangan lupa sedekapkan kedua tangan dan berdoalah akan kemenangan islam dipercepat ..
Karena hidup adalah IBADAH, AMANAH, dan MUHASABAH ..
Allahumma Shayyiban Naafi'an ..
ME Sep 2013
Bowing into submission for the glory of a previous age, negating the present and future in the hollow name of pride.*

Once there was a country, “oh, what *******”, surely you must be thinking, yet, there once was a country. I will tell you about this country, though it shall remain the Unnamed Stand Alone. Like a woman you just met, she just told you her name, but while she was busy spelling out Candy, you were already hiking.

This country. The country of which, Candy was part. How else could you trail her glorious hills and conquer the mountaintop? Aside from the mountain this country offered a lot of things, it was the sole presenter of Liberty and Justice. Everything: bigger, better, stronger, sexier, bigger, better, bigger, better. It was downright incredible, the sheer greatness of this god destined country was the sheer wealth and population, given the road to finance and expend both men and material to the never-ending war, in their backyard, a cemetery of countrymen, all dying for different causes; freedom, revenge, rights, justice, money, territory, sovereignty, fear or even hope. Who knows why anybody fights anybody, did the past generation say the same, were they also innocent bystanders, not unlike ourselves, perhaps not so innocent, perhaps, neither are we, perhaps.

Where as all things were, and all things are, we have one constant; War. Ah yes, how delightful. Bombs, planes, guns and tanks. Bloodbaths and murders on women and children, from both sides of all participating spectrums, but who cares right. From pillage to plunder we came, to … to… Well to what exactly have we come? A highly developed, super organized, black budgeted mega state who controls its own, dominates the rest and yet continues to **** and ******, pillage and plunder. All a necessary evil to take charge of the wondrous and constantly elusive freedom.

Ah yes, freedom, such a nice word, it should ring bells in utopia and the city of dreams. Perhaps freedom is the country where those reside, who knows, maybe the doctor, then again, he might put you on prescription pills, what do you do? Run? Stay? Get an abortion? Good luck Candy, Yes oh yes, freedom, justice, revenge, money, whatever the cause might be, I am sure glad that there are no black clouds since the war was won, at least till the next one pops up, like a casino ad on the internet, “Never mind the old war son, the new one has begun”; ‘Aah, the soothing words of my faux grandpa – the old man on the corner named Bill, an old hippie who watched Nixon push the national guard on those hippy ****. It was only natural, not to mention in the name of.. of.. What name was it in again? I forget, so do you I guess?

Now, where were we? The Mojave dessert, this sure is some funky stuff, I just wish we had more of that snow, now we’re all wearing… Wait, wrong story there.

Aha, back on track, sometimes this machine bents me all out of shape, it’s as if I don’t recognize my own voice when I listen to the things I say, I could blame the T.V. but its my friend, I just wished it sometimes would tell me about the dumb **** I am about to ‘say, see or do’, but it doesn’t, like a real friend. Instead of going running, we hang out. Instead of eating at the table, I eat with TV, come to think of it, I see TV, Sleep TV, Think TV, Buy TV, Consume TV, heck I even Live TV, “Man TV, our relationship has really grown to become this weird ****** up thing, and I never noticed”, how about that.

So, while the wars go on, and the presidents are replaced with never, more appealing actors than their predecessors, me and the all unnamed home-grown sit and await the coming boom, the presentation of yet another, more devastating weapon than the one before. For fun I go see Candy, or TV.  We wait till the fight is over, to celebrate whatever we are fighting for and our victory, blissfully ignorant of the fact that we just robbed someone else of exactly that. Bent out of shape,
With no real family, other than the strange old man, who seems to understand down on the corner.
I guess its because he’s the only one who’s been here long enough who actively remembers to forget and not forget to remember like the rest. It is for these reasons, but not those alone, that I beg of the land I have once known, to get to your senses, reclaim the power, don’t believe the man in the suit for he is not one of ours, he is not; A man of the faceless crowd
Mateuš Conrad Feb 2016
.the crows' persistent croak undermines all attempts at man's adventure into universal fame, or one that might distinguish man's composition, from earth, as intended for adam, to air, as intended for odin, to water as intended for poseidon, to fire as intended for the tetragrammaton.

it fails, most of the time,
poetry is scarce,
too much fondness of the abstract,
hence residues of
distracted verse, whimsical,
overburdened pronoun usage -
such likes - complex punctuation
to replace diacritical marks in
france or germany or norway,
poetry doesn't have the impetus,
just doesn't have the impetus to
package fudge, package fudge paragraphs
of fiction, poetry isn't anything
unless it's anti-fiction,
there's no point idealising
how you would fit into a glass stiletto
when it doesn't allow a fitting: cindarella was first
two jealous sisters got their heel
and big toe cut off, you want to encode
that as .pdf or .jpeg?
technophobes ***-standing:
is that enough for a start-up religious cult?!
i'm just wishy washy wondering,
all bets on it taking off - congregation of
en masse suicide seems a fanciful expression,
mind you, i have no excuse.
where there's a middle there ain't no finger,
no message evaluation and furthered to
an execution, the middle has an eroteme:
not exactly erotically thematic, just
a hunch off huh...
so... poetry... it's scarce, tumble **** practice
of a lost joke...
poetry exhibits itself sometimes in tight-tangle prose
of a knausgård - fancy wording a mile apart
would make traffic accidents aplenty,
and it happens... ramble ramble ramble (worded),
then some poetic ecstasy like an unguided tour
of a gallery making you kneel in anti-catholic
gesticulation of a painting by francis bacon...
shouldn't happen, but it did...
so while prose writers are like things infused
with packaged designation of the right
digestion and right diet content of carbohydrates,
poets are like: what sustenance from air?
we ramble sometimes, **** naked i presume,
but we do, and when we do, we draft novels
for other people, we're not into nation building
or writing novels... we're the anorexia of prose...
and that's grand... because it means
that our readers have to be self-involved,
not ready to grasp the rooting of prose diction...
more fused to the open airs
of writings' scarcity...
we need strong readers not numbers...
we need people who are self-involved,
who would spit and kick a copper statue of
the poet represented in a public square with
people of the spoken tongue the real tourists
wondering: who's that?

that aside...
          i went to sleep thinking about chess...
into bed at around 1am
woke up at around 9am...
past two nights? interludes of
perhaps 2 / 3 hours...
    cutting on the alcohol is one thing...
keeping a tally?
proof: co-op sells 1liter labelled bottles
of scotch,
but as it turns out, according to my braille tally?
it's: ⠷⠷ (500ml) + ⠷⠷ (500ml) + ⠷ (250ml)...
they label it as a liter...
but it's actually 1.25liters...
three days later: you get the full picture:
-esque akin to 'and on the third day he rose
again, according to the scriptures...'

good luck to the men and their vanity
projects...
   i will never become as famous as
the man who "invented" stumbled upon
fermentation to produce beer / wine...
distillation to produce whiskey / *****...
dom perignon and albert hofmann
are known now... give it a few centuries later...
****! gone!
       but to overshadow the universal
stability of a woodland pigeon cooing,
a crow croaking, a fox laughing?
   my words are here: yet these examples
retain the future unchanged...
by void, crook, vogue or folly...

so i went to sleep thinking about chess...
there's the king: the point
of the game...
              to topple the king...
get ol' charlie firsty on the chopper...
distract charlie zee 'eck'und
with pseudo-harems and handel...
and fireworks on the thames...
little learning tool offshoot of louis XIV...
the king is just an elevated pawn...
it seems the king only controls the pawns
given his own movement rules...
the queen though?
   she's the bishop and the rook combined,
as she's also the king and pawn, combined...
the knight is the only odd piece
on the whole board...
   why? didn't queens feast their eyes
upon knights of old, at tournaments...
chivalry: the dropped oopsie handerchief moment
when the king wasn't looking?
the knight piece is the only outsider piece
on the board... hence it's ontological
grasshopper routine of jumping
outside the line of pawns and then
jumping back into line...
the king is a king in name only:
it would appear...
  while the most powerful piece on the board
is the queen: since if the king merely
control the pawns:
   at a battlefield a king command pawns
(soldiers)...
  in the background...
the queen will command...
   the bishops, the knights,
   the rooks (houses, castles) -
she's not on the battlefield with with pawns...
and soon knights become judges
and lawyers - merge with the bishops...
i never like playing chess -
but i liked thinking about chess...
  from the perspective of: the queen is
the most powerful piece on the board...

you could even rewrite chess by expanding
the board... so it would look like so:

1. denotes pawn         9. denotes king

2. denotes bishop        6. denotes queen
3. denotes knight        4. denotes rook.


1 1 1 1 1 1 1 1
         9 3               (battlefield formation)
      2 4 4 2             (behind the scenes formation)
        3 6    

but the board would have to be expanded from
64 to say... 100 squares... per board...
it's still chess... but with a twist...
it's what real life would look like...
one knight would be faithful to the king
and stand behind his army on the battlefield...
the other knight would be *******
the queen in secret surrounded
by castles and the clergy / the judicial system...
well: so many people have become so good
at the game of chess...
   kasparov vs. deep blue...
         so smart: and yet no imagination.

besides... i had more important things to do
today than remember what i fell asleep with...

1. making the perfect sausage rolls...
the most pristine invention of the english
and how the french fumed when their puff
pastry was "degraded"...
never use meat from sausages...
always minced pork...
and instead of adding carrots...
celery... and who would have thought
that fennel seeds are the secret ingredient...

2. watching india get their *******'
whipped and their ***** put into
a meat grinder by the new zealand side
at the cricket world cup...
**** me the last 5 overs!

3. lamenting the state of cinema...
the pursuit of "being" via distraction
with the end goal of fulfilling "happiness"...
so much for "being" and so much for "happiness"...
take two prime examples...
it only took 8 years to spare all the details
that seperate them...
1958's the inn of the sixth happiness
starring ingrid bergman...
those movies! mmm hmm!
i would gladly take away all the current
heavy editing and metallurgy scaled
CGI for a classical western panoramic view...
no dialogue... just an expansive camera
distance where the characters are dwarfed
by the grander scheme of things:
even if it's just a valley or a field...
cinema dropped the paranoramic
   interlude, resorting for the clausto-****
of heavy editing with multiple cameras
switching backwards and forwards
like watching a game of tennis...
    actually: both genres degraded themselves
dropping the panoramic view at times...
less in sport, more in cinema...
but this is 1958... the 1950s! the glory days of cinema...
fast-forward to 1966... and the film:
ALFIE...
       what's the difference between a lothario
and a ****? a self-employed ******...
or some other weird combition of 'not-a-joke'...
wait a minute... why are the women
so ******* dumb come the mid-1960s in cinema...
while back in 1958: they were so admirable?!
ingrid bergman learned mandarin,
she was ambitious, she was stubborn...
she was bossy...
  come the 1960s we're talking about
    beings without either soul or will
simply orientated at being dumpster *** toys...
i don't even know where the men
did that to them...
           the women in 1950s cinema
gained respected... they were commanding...
or at least decisive in giving
the least expected virtue: generosity
and on top - a sense of fairness -
                             a merit pyramid...
1960s cinema women, "women" are nothing
more than sloppy teenagers...
these women are not women...
1960s cinema doesn't depict women...
it's starting to depict one direction:
  pissy-pants teen girls...
               ******* at the sight of harvey styles
sighing and ****...
        plus... back in the day:
cinema used to be... engaging...
ben-hur? how long? 5 hours?
  gone with the wind? how long? 7 hours?!
cinema like opera: 15 minute interludes,
toilet breaks before the next part went on...
now? a quckie 1.5 hours long CGI ***** fest
of minimal dialogue and the heavy editing
juxtapositions of "angles"...
       people don't watch modern cinema
because it's engaging...
they watch it... because it's... distracting...
pretty bright lights! ooh! aah!
i love the fact that i'm being snarky
           and sarcastic... what else can you be?!
   i don't even think is missed that much
when it comes to the sub-culture of drugs...
psychadellic or otherwise...
i ****** well missed on a decent amount
of cinema...
   and when that happens...
       look at me...
                            what's that phrase...
a bitter old man... aged 33...
bitter doesn't even cut it...
              it's not even a bitterness...
it's an elevated sense of nostalgia...
   for me nostalgia is something i was present
at when it started going to ****...
late 1990s... cartoon network, early internet...
etc.,
              1990s date night movie quality
requiring adults to employ babysitters...
i was there...
1950s cinema? yeah: i wish i was nostalgic
about that... but i wasn't there...
hence the technical observations...
and how, objectively: movies were...
oh god so much better.
Ester Matsaba Jul 2014
My nandos bone
my sweet chocolate,
when I think of you
my heart goes jigijigi like a rail way line,
my slavit, you always put a smile on my face,
my fishy bone,
my sourish munch munch chocolate,
you make me whole each time I look at you,
and aah my deep voice will go singing,
'cause this undying kush kush love
is now not fading,

My sweet honey bee,
you buzz without being stingy,
oh my kush kush babe,
'ME LA VIEW' so well,
from the botox of my heart,
oh my KFC bone,
you are tasty by smile,
I love you so quickly.

My dove,
oh my sweety sour smoothies
I love you so tree much,
that my breathe gets taken away,
but my heart await your touch.
My kush kush babe,
Me la view till death comes.
I wrote this poem on a crazy day like today, to my crazy beloved babe. wherever he is I just hope he knows how crazy I am for him.
Martin Narrod Apr 2014
Wicked nether-land. Nether world, white, askance. Capitulating mangroves, verdant trees spliced with hyperbole, onomatopoeia, and manilla envelopes; her world is stuffed with secrets, she listens to gorillas cracking mussels a kilometer away, near a rill. Never she thought. Nothing that could provide....providence. Mangled heliographs  sprayed all over the everywhereworld.

"Don't be S.A.F.E.," she whispered. A bouquet of gorse, cistus, and pimpernels squished in her small fingers. She climbed her way through the pedimented stairway, then collapsing on the porch. Legs spent, and spread out upon the desiccate grayed four by four planks of the portico.

And as time elapses, the shuttering shake of the hemlock, which writhes through her skinny nimble dactyls, upwards straining the heart as its toxic bends appendages- crisp cerise lumens bend on the Titanium White walls, where only shadows bend time. The hour, still nine. Every adornment, furnished with red and its hues. Not purple, periwinkle, or any masked enhancement.

These are the symbols that reticulate splines, that curve temperatures, perverse hemispheres and debunk worlds. Upped antes, verbs that terns flirt worth, birth words. Ooh. Aah. Camera. The forest wraps her in its verdant pasture, where at last the moribund tamarisks disperse.

While at the plateau she is quiet and longing. Arms astride, dangling. Vaunt with highs and bliss- a kiss of withstanding pleasure serves her the cure for a lifetime of whining. This, yesterday where her body rattled through crooked vines. Square ships toasting her vocal melancholy in the sweet-waters of Time. So that all of her ripened limbs could grow, no more sheepishly than the magic she knew as a child. Stress free. First among the Earth-words, verbed-up and made jealous by pronouns that encompassed her joy-brimming hide. Closing down her voice and hugging her from behind.
Shrivastva MK Apr 2018
Dil ke ehsaas hote hain bhut khaas,
Shayad tabhi umadte hai bhut sawaal iske paas.
Tuta dil or tuta darpan hai ek samaan,
Jodne ki koshish karenge tou hoga kudh ko hi dard jiska nahi hai koi bakhaan.


Dil, Dil se milte hai tou pyar hota hai,
Dil, Dil ke liye hi beqarar hota hai,
Ye lafzon ki bhasha nahi samjhta saab,
Ye tou us nayno ke andaaz ko hi smjh leta hai


Yaaron dil kabhi kisi ka dukhana nahi,
Beshak tutne ki awaaz aati nahi.
Par khuda kasam dard bhut hai hota,
Jab ye nanha dil hai rota.

Jab kabhi hum khud se hi ruth jatey hai,
Dil rota hai aur aankhon se ashq tapak jaatey hai,
Ye bahut nadaan hota hai,
Bin soche hi pyar kr leta hai

Bin ankhiyon ke dekh leta hai bahut kuch,
Bin kaano ke sun leta hai har raag sach much.
Haal apne dil ka suna nahi sakte
Ujad gayi hai duniya jo thi khubsurat isme baste

Sab kuchh es chhote dil me chhipa ke bhi chup rahta hai,
Puri duniya ka dard bhi dedo tou aah tak nahi bharta hai,
Kabhi khush hokar muskura deta hai,
Tou kabhi taklifon ko dekhkar tut bhi jata hai.


Collaboration by Manish Shrivastva and Sonia Paruthi
Mateuš Conrad Nov 2017
get your ***** ******* grubs off of me,
i am not going to bargain
a cartesian dualism with the notion
that the body can overcome the mind
with exercise gimmicks:
you, *******, guinea nimwit!
        i used to slap my grandfather's
sheen on a bold, but otherwise
bald cranium for jokes,
  and flick his remaining hairs into
the air to reveal a hidden jack
nicholson, i also called the police
and had him institutionalised with
psychiatric aid, for throwing my
grandmother through a glass door and
breaking her arm...
       me?! you'll get more
apologetic "nuance" about drinking
from a priest than from, me!
         i turn ugly, silently,
       i just abhore this antique deal
with descartes,
               i don't know why why that
the body can overcome the mind...
or why blankety-blank trivia is to solve
the matter...
or whether pumping iron helps...
      by this point i''m not writing:
i'm coal-mining, i'm digging...
               the body, however perfect
will not unravel the problems of the mind,
attaining body antics perfected only
stalls the otherwise still present:
problems of the mind.
                       toxicology reports read:
adrenaline *****.
             sebastian mc'queer miss-match
between a cocktail waitress,
  a ******* bunny and a bartender named:
shteeve.
                 ******* waste of time
by my rubric of arithmetic...
  but at least ben affleck wasn't the worst
batman,
      we all know that george clooney was.
we have finally arrived at a loss
of mind-body dualism,
   we have achieved a dichotomy,
finally!
       we can, for the first time,
fathom clear segregating posits,
indicators,
                    membranes!
whatever noun you use -
                 the joke about schizophrenia,
is that it's not a joke concerning
        premature depression -
premature depression is more unusual
than premature dementia -
      there's the bicimeral theory
to begin with...
           unless of course you're dealing
with snowflakes who want languaage
as rigid as possible,
      readied for the acceptance of it,
like any type of i.k.e.a. put it together,
yourself, manual...
the mundane aspect of the whole affair
only breeds a gagging effect,
like choking on a 12" **** with your nose
pinched-shut,
  ******* disgusting;
  if i really wanted to draw a straight line
i wouldn't necessarily obligate language
to latex ******* *******...
           i'd be the one
adding oil to the fire, and wanting
unadulterated chaos,
  before the hell-fire focus of: inferno...
for language is just that:
   i abhor the term poet,
i prefer the term...
                               pyrotechnician...
i do not write poetry:
   i cement myself in pyrotechnics.
    i abhor this dualism -
            this notion that a sick mind can
be mended by being worked on by
a invigorated body,
      or that a sick body can be mended by
being worked on by an
invigorated mind...
   odd... to have such vehement emotions
surrounds a mere idea...
that there is no mind-body dualism,
but that there's a mind-body dichotomy...
and that there's only a mind-mind dualism
that, given the cartesian concept brideges
upon the res extensa: the extended thing,
whereby the mind-mind dualism
disintegrates when the notion of a, soul,
is involved / invested in,
perhaps as concrete rubric, or perhaps
as a mere cognitive, hobby...
  let us simply add:
   there are those who bow and pray and
pay due diligence to a god...
  while others, neither procrastinate themselves,
nor day allegiance to a, deity -
for there is so much more involvement in
entertaining the thought of a...
deity...
             and these cognitive
acrobatics never allow for a yawn
to be present, in their ritualistic endeavours,
with due need, or due, cause.

p.s. i think people really underestimate
schizophrenics, the abnormality of it
is fascinating...
      as is the case with the endeavour of
finding a soul, or as i like to call it:
the osmosis of psyche overpowering the mind,
and creating a mind-body dichotomy
rather than enforcing a mind-body "dualism"...
psychosis.
                   it's a shame how people
under-appreciate a mind-mind dualism...
a dualism, split, yet nonetheless whole...
     cf. julian jaynes...
                      but what isn't fascinating
is premature depression...
   that's just plain ******* tragic...
i can understand depression in old people,
who have actually accomplished something
in their lives...
but when it concerns youngsters?
completely unfathomable and
                    uninteresting to me,
on the basis that it's so abnormal that
it's suicidal and completely averted to
the otherwise schizoid exploratory tendency
of reintegrating a disintegrating form
of language structure... perhaps that's
a post-modernist statement...
but the "sane" always cite
being perplexed by language that's:
   non-instructive; b'aah b'aah...
******* herds, do we always have to whip
them into submission and cohort?
  yes, yes, the open end hyphen grammar
   -cohort-, that's transcendental grammar,
it's not supposed to be a noun,
rather, an adjective by-and-of-itself
revealing of the submissive character of
strict, military, discipline!
my ambition was never to write
a ******* i.k.e.a. manual for a: do it yourself
take on a folding chair!
David Ehrgott Dec 2014
I love 2do the Linda
and bunny prey on her
Love 2do the Linda
It's a California verb
Love 2do the Linda
Gimme sweetness through the night
Love 2do the Linda
One fantastic sight
Gimme Lin-Da!  Aah ah ah

I love 2do the Linda
like it's the only thing on earth
Love 2do the Linda
It's a California verb
Love2do the Linda
Soft pink bunnies on her head
Love 2do the linda
Love her happy head
Gimme Lin-Da!  Aah Ah
Mateuš Conrad Dec 2015
one reason why you're not read with a volume you
expected, jedi-know-how, you'll be easily plagiarised.*

when i first came to england i fell in love
with manchester united...
the 4 - 4 - 2 line-up


peter schmeichel (dane goalkeeper),
then ooh aah cantona (eric cantona baseball  cap),
original wembley white towers...
(white towers, charity shield
newcastle united)
so meh for the arch....
irwin... steve bruce... lee sharpe...
gary pallister... (7) eric cantona.... george best....
mcclair, ryan giggs,
cotton tomilisom, then roy keane...
then davies cole ****...
the neville brothers...
scholes and david beckham...
**** stuck to azkazam fudge, it's still perfectly refrigerated
in kazakhstan:

steve mcmanaman will tell you;
it's a random barricade question worth a shot
in the rubric of a sudden challenge.
onlylovepoetry May 2023
Save My Soul, (But First), Rub My Feet


thus a poem auditorialy conceived,
but!
the sexuality of the deceiving dualities,
irritates erogenous, exogenous perceptiveties,
plethora of intensifying variables, a not-serious,
harmless remark yet bring us to myriad of
marauding reversals, add-venturing into harm’s way…

much to discuss, but this
topic bettered by much
trading of traditional bantering
brevity bettering our wordless battering
insinuating, sensational signals bring
us backwards & forwards
to an exploratorium of wide boulevards

back to new unfamiliar venues,
narrowing alleyways & places we were before,
places before we were before where,
no unnecessary commas to separate,
distingué, distinct
tween the instinct of old and new,
an uncommon commonality experiential revisionism

now I understand what you said to me,
a tenderizing of
the sole synapses directing
the brain, the old ooh ‘s, aah’s
reigniting what what lay dormant,
at long last,
by opening doors to alternations,
ven diagram of digressing yet intersecting
old & new pathways,
from the souls of her feet,
to, too, two,
we become diamond
on souls of our heat
Tue May 30
4:42 PM
Tuesday Pixie Nov 2014
I have a vision
Of a future
Bright, joyous,
And the contrast of sorrow
Children skipping, giggling
Darkness and light
Musical notes drifting through
Dramatized passion, hilarity
Nature surrounding
Encapsulated in cobweb of love and support

Unfortuna-mentally
I am at once terrified of settling
- being tied down
Losing independence, individuality
Missing dreams
- at once terrified
And at once yearning
With all of me
For a family
For a dream of forever
To settle and begin such a masterpiece
To commit to
And be certain of
The depth there in
Something more important than me or mine
To dedicate self
Surrender
Sacrifice for
And again such a venture requires a partner
Who shares the dream
Enriches the dream
Supports the dream.

Contradictions, aren't we all?

Or am I just yearning for the erasure of self
Through divine love?

Aah~ maternal instincts!
Life of mine,
Live out the step you're in
Young one
Before you yearn and plan for the next!
So fresh and yet to begin
- Society's great work machine awaits
And the experience of other lands!

Life of mine,
Live the experience of now
Fully
Grow all the more for it
Feel each pain and joy
Clarify mind
Build strength of self
Claim a sense of identity
See where it takes you...
from dusk to dawn,
I wish I'd catch a wink of sleep
it certainly isn't pleasant to be going to sleep
when the rest of the household starts to rouse themselves
but such is the life of a closet insomniac
such is the life of one who lives in paranoia
such is, after all, the life of one who only ever comes alive
with the Night City, my Night City,
identified by the purplish-black clouds that blanket the city
and it's neon lights, for once again letting
us insomniacs become ourselves,
the ones who laugh and dance
and live and breathe when the world sleeps
the ones that return to existing as mere
shadows with the dawn of the sun
for us though, the awakening of the world is
with the appearance of starlight
with the quietening of most of
the sounds that plague daylight
random fires on streets are put out and we are left
to delight in the firey-orange neon lights.

aah. but what a sad time for us
when we become shadows
unable to do anything, with heavy weighted limbs
that refuse to obey any command,
with woolly heads and sleep deprivation,
almost-vampires for we don't sparkle
bruises under our eyes are barely noticed
for they are always there
during the day, shadows we become.
brushed aside and barely noticed, yet
in silence we choose to remain,
reveling in the knowledge that
night will return again.
I hope this wasn't cliche. :P
Sarah Clark May 2019
why drinking? Always!
i should try that
i love old knowable things
everything! Bigger out West
generalization, but ok (I do the same)
Phaedrus
morning person for sure
practical vs. artsy
is romanticism irrational, or just differently rational?

put ice under your hat
this whole thing is so **** Hollywood.
i dislike hierarchies- they’re simplifications
but they should!
superficially he’s not really here
ha! (Me)    
he’s trying, rather poorly, to fill the spaces with something other than thought

i see a maze where you take every left
metaphor
whoa guys whoa
but he doesn’t
thought for the sake of thought is dangerous
but what?
never truth, only conjecture
hmm?
but is it a human invention?
ah the perfect example

i am so intrigued by this unusual phrasing
building a base
quite bitter, this one
i’m bringing the whole thing down
the knife!
meet an old friend for the first time
i can’t draw a straight line
as he tries so hard to be
sounds like me when I’m vague
too much trust in technology

this reminds me of Ishmael
*** *** ***!
it’s all making so much sense now
familiar but ever-changing is what I want
a disciple!
when the only possible solution is go nuts- go nuts.
he’s a driven man
let me think
you need to narrow the lens
semi-aggro
yes yes yes yes yes

no immediate penalty
he’s typesetting
why do people need so many rules, rubrics and objectivity?
what’s wrong with a little mystery?
trying to define quality
the problem with philosophy is incomplete definitions to important words
hmmm, I disagree
using a lot more ellipses
a noble ambition

awe
some
should just bend and snap from this wind already
so much of the world is already inferred
i hate Socrates for this
the problem with words
an example, but what does it prove?
eliminate the knife!
hurts my head with its obviousness

aah, I see
a little cloudy, but there’s some sun
he’s entering rarified air
story of my life
he’s losing me
me gusta
numbers are a human invention, after all
this is over my head

be in the open country with someone
a generalist, too
i am most productive on coffee
a philosopher could write a 1000 page novel on the question “Are we alive?” And I could just say “Yes” and be done with it
let’s explode them
so monotone
beautiful  
up the mountain, down to the ocean
he’s getting absolutist again

here- have your cake and eat it too
back on track
getting tired of the lack of transition
like the houses on the way to Atherton
you’ve said this 500 times, let’s see it already
it’s slackening for me
how to BE the motorcycle
i hate twilight depression
i want a motorcycle

the *****
loves dividing things
this is all preparation
completing the flow chart

this used to be me, but I’m getting better
fix yourself before the machine
degrees of specificity, scope
a sense of the inner pressure
time away from noise and people helps him peer into that contradiction, that void
so ready to give in
intense… full of something
i know the problem-

        it’s wild, but safe

too long this has built up
part three was terrible
he’s experiencing universal loneliness
no more dams!
so much between the lines
battle of wits, I’m having fun
stop, eat, drive, eat, sleep, drive, etc
mans burden
never surrender

it’s moving too fast for me to keep up
but this requires a restructuring of thought and

       even

   society.




1988/2019
* Note to the reader. The below poem was 100% taken in order of page from the scribbled notes in an old copy of Zen and the Art of Motorcycle Maintenance. The author of the erudite scribbles is unknown and I am indebted to their depth, humor and zest.
By a dank , stinky waterway
Blowing off all my care
Swarms of tiny black insects
Biting me everywhere
Around the bend so listless
Hovers a barge's spotlight

Now I was feeling cold as a stone
So I knew that it was time for me to go
I roared down the highway
To that trucks diesel smell
Seeking shelter in the middle of the night
Somewhere , where they treat you well
A red light dangles from a window
Lady Nightly is leaning against the door
She says, "Won't you come on in and I'll
be your ***** ."

Oh , welcome to the Hotel , Alabama
Such a secluded place , "such a secluded place"
Such a must see place
Book a room at the Hotel , Alabama
Put away your fears , "put away your fears"
She'll be waiting there

She'll twist your time so swiftly
Make you taste all of her amends
She knows all the right moves
If not she'll call in her friends
The moon ago was arising
She covers all of your bets
Pure pale skin in the moonlight
A taste I can't forget

I call up the dispatcher
"I won't be in on time"
Lamenting he said ,"Where are you this time?"
But his voice just got more distant
As I turned away
Forgot all about him as I dove back in bed
(Then she turned over to say)

"Welcome back to the Hotel , Alabama
Such a lovey place, "such a lovely place"
Always has a place
"Welcome to the Hotel , Alabama"
What a pleasant rise , "what a pleasant rise"
No need for disguise

My senses now reeling
Gin and tonic would have to suffice
She said , "Once , twice , now let's make it thrice"
There in the muggy bedroom
We were joined like a beast
We slapped our steely bodies
But couldn't satisfy it in the least

The rising sun glared at me in the face
She was standing by the door
"Y'all have to stop by on your way back
And I'll give you more"
"Oooh , aah ouch !" said I to the lady of my night , "It's more than I perceived .
You got a facebook page , one that I could like ?"
(And all she said was),"It's time for you to leave"

So welcome back to the Hotel , Alabama
Such a distant place , "such a distant place"
Such a must see place
Welcome back to the Hotel , Alabama
What a pleasant rise , "no need for disguise"
You can always book a room at the Hotel , Alabama
Such a lovely place , "such a lonely place"
Such a distant place . . . . . .
A nickname I had when I drove trucks was Alabama .
Mateuš Conrad Sep 2016
the oddity of it all, i can sound like a 70 year old, writing in 2016, by simply writing about 2004 - and that's the excuse everyone gives for lazy English text form: 2 (abc), 3 (def), 4 (ghi), 5 (jkl), 6 (mno), 7 (pqrs), 8 (tuv), 9 (wxyz) - where you had to press a button several times to get the right letter (even with spellcheck helping you shorten the digit-bag sequence) - but that's no excuse with digital phones and a complete keyboard... but that's how it looks, after only 12 years... i'm actually aged 70 given the advances of the technology advent... let's forget the technology of the 1990s... i've circled round and met up with people who collected vinyls... that's how old i am in respect to my buying habits... we're the silver-compact-vinyl kids: the ghouls of the 1960s, born in the 1980s and not getting down with the kids... and to readdress just two books: all that stream-of-consciousness made the latter end of Ulysses a bit like writing by candle-light... as was reading the plagiarism of the above stated in Sartre's iron in the soul... or as the puritans said: we're filling for at least a ¶ (pilcrow) to be inserted: not to mess up the idea of a river and "thinking aloud" where punctuation marks mean: stopping suddenly because you become self-conscious... i just needed a ****** bookmark! the monks at the time of Charlemagne used the ¶ quiet often, condensed bibles, ink was worth 20 camels and paper was worth 20 dresses for a queen... ah, the times when paper was as precious as silk... so the puritans condensed writing, they weren't as sparing in their inner feng shui - a room the size of St. Paul's... and two words in it: Jesus Christ... they were like modern day delivery guys, packaging words together, they didn't have the luxury to write paragraphs with the now established spacing afresh, i.e.:

            and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.
             Florence was making a cup of tea when she heard Jimmy yell: 'my long lost golf clubs!' etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

i.e.

¶ and Jimmy went up a ladder into the loft etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc. etc.

alternatively the ¶ went out of fashion in the literary world, once writing became affordable and changed into a profiteering case of bravado... but i still think ¶ is a bit like using a clef.*

or how to keep one's intellectual integrity: have a drink or two,
and muster enough creative energy to use this encoding -
or... how to make poetry akin to computer
programming - a subtler way to encode
the now slothfully rising moon:
half of it, not full, nor scimitar crescent,
a half bitten honey biscuit, just above the forest
horizon, and the semi-detached houses
of English outer-suburbia - in a sense
transcendentalism, a box with many words
in it attributed to the cause,
as is the reason why Christianity became
the most schismatic religion that has ever
graced man's "good will" (ambiguity,
not an approximation) - in line with philosophical
whims of vogue: idealism, realism, transcendentalism,
existentialism, ism after ism after the Methodists
and the Baptists and other mongrels of current
affairs... already stated: populist Platonism
and the ransacked and burnt library of Alexandria...
yes, decidedly, poetry as a variation of
computer programming - although more akin
to: the tetragrammaton and the Noah's
checklist of paired onomatopoeia(s) (plural
form is underlined, Oxford hasn't picked up
the circumstance: there are neurotics out there
who'd send you to the guillotine for not
updating "spelling mistakes" that aren't
"spelling mistakes" quickly enough!) -
to the cause or as signatures of being easily
recognisable as: yes, that's that... a moustache
and a bowler hat...            alternatively
watch a stand-up show by Miranda -
the very typical English-ness inside out:
hysterical from the word go... the ministry of
funny walk from Monty Python ***
                      the two walks at the airport -
or the trip-up on skewed pavement slabs
checking the impromptu socially acceptable
version of the other seeing us -
comedians do it oh so well: the inside-out,
stern exterior, boy ******* a thumb and relating
to a blanket as if it were an umbilical chord...
what a tightly knit individual...
                          made complete with about a dozen
patches...
                       but it is! it is! it really is already
ready to be likened to computer programming,
perhaps there's no <xerox> or other commands,
but poetry deals with encoding sounds,
no man can encode a proper roar of a lion
or a squirt of a skunk, that's sheer travesty that
so many people can actually muster enough
encouragement to encode these sounds...
i imagine a world where we don't even care
to write knock, and knock on a piece of wood
and a noumenon is born, the sound isn't noted
down, it remains a thing in itself (synonyms,
in italics) - it's probably akin to getting a tattoo,
great if you have a short-term memory loss
like that guy in Memento... but it's going to
be hard to displace knock-knock -
again this is already an approximation -
onomatopoeia upon onomatopoeia -
it doesn't even sound akin or properly dressed
to mention Plato's theory of forms -
sounds can be forms: apparently they're waves...
no waves are forms (shapes) -
or that demigod who fell in love with his shadow,
rather than his image reflected in a lake,
he fell in love: because it gave him enhanced reflexes...
every single time... boom... shadow... boom...
shadow... and so much of language goes into
these nonsensical types of encoding -
blah for: talking a lot -
                                           hmm - when negatively
pondering something -
                                            i believe that
there should be a grammatical elevation of the onomatopoeia
to the status of nouns, verbs etc. -
                           but it is, it is, it really is
like computer programming,
               above and beyond the sheltering vacuum -
how would we ever write a word to encode the
sound of lightning, or a volcano erupting,
or the earth spinning - in these areas i find god -
       i will find man in these areas:
but i'll be hinged on mathematical explanation:
and mathematics is pure optics -
                       so what that we can write one and write
1, write two and write 2, three and 3, four and 4 -
    by now we can write to, too, free and for...
and this is just the start -
                             by acknowledging onomatopoeia
for something, we acknowledge our limitation
of encoding something in that realm -
this inability gave us the emergence of nouns -
   sooner or later when someone started
talking about an earthquake... a litmus test of:
brr grrm boom bah dobble aah! etc.
we got the picture - and why would a monkey
evolve from its conscious-sleep reservoir
to say just as much as with a simple grunt and ooh -
actually, some onomatopoeia(s) became sophisticated -
a grunt is a sophisticated onomatopoeia -
       as is weeping and crying and shouting -
as is shooing (or to shoo) -
well, that's how i see it... poetry as reality programming -
since there's more than just a computer -
at the moment it just resembles a game of
whack-a-mole -                 although there's more than
the mere 26 primary moles -
      and all this talk does relate to something,
something very important at the beginning of the
20th century... well, a century later, and something
similar is being discussed... Ivan Bunin?
noble prize winner from 1933, the first russian to do so...
  anyway... this goes beyond his concerns...
his concerns were akin to that dud i made
with the word mruwka -
                               personally? i feel that the "correct"
version of the word is aesthetically displeasing -
and anyone who says otherwise treats orthography
not as an aesthetic question, but a question
of rubrics and regime - so there we have the "correct"
version mrówka                               (ant)       -
anyone agree with me? well, the English language
doesn't have any concerns for orthographic
regulation - it has excessive spelling and that's that -
what bothered Ivan was the Bolsheviks rewriting
orthographic rules... the word in question?
izvestia - that really peeved him off...
                      everyone in intellectual circles was
disturbed by the changes (can't recall the original) -
but the changes were approved by the Russian Academy of
Sciences (immediately before the revolution) -
there would have been any dispute about the "evolution"
in orthographic terms if done prior to Feb. 1917 -
the war postponed the changes, and with the Bolsheviks
in power... then obviously the suspicion...
   now... such changes are but farts in hurricanes
in comparison with what happened in the realm of English...
i mean, ****'s sake, we're talking minor aesthetic tweaks
here and there - the changes still encompass the form
that's understood by the ear, and it's only a matter of
taste where you write the word ant as either mruwka
or mrówka - well, mind you, i'm already asking
for the incorporation of the Czech š (sz) and č (cz) -
but what's happening in English... my god: it's terrifying!
all these acronyms? all these emoticons?
        i know that English journalists are in favour of
:) and :( and ;) ;) [wink wink] - and next thing you know:
you're talking to a monkey... you soon realise:
the deaf have nurtured a superior system of communication,
as have the blind than these poor, healthy, ably nimble
*******...                   how they're superior, i don't know,
and in all honest? don't care...
         for goodness' sake: a heard a story that a girl
wrote her g.c.s.e. English language paper in text format:
   e.g. c (see) u (you) l8r (later)          -
now you see why i think that poetry is like computer
programming?
these people are scripts from a classical software program
that looks something like: 3;r/d]]aq"pk.0    etc.    
it's a complete and utter mess!
                         fair enough saying: O Shakespeare O
Milton... those guys are turning in their graves...
and they ain't showering the English language with
graces mind you: they're calling it the new
***** & Gomorrah - and it's not England was the sole
inheritor of the computer -
                                       that's what not having
diacritical accessories does to you...
                             you get hacked...
and this... pretty much... is a form of a hack:
you'll wake up tomorrow with a pair of sunglasses
or think you're looking down a microscope;
i swear to god...       me and Ivan are just laughing...
he's not drinking, i'm drinking, but we share
the same intuitive devices - the same puppet strings
pulled him in 1919 as they are pulling me in 2016...
the same ****** trials of a variation of zoology -
some look at monkey behaviour,
            others look at how language is cradled in people:
and i'm not even going to bother
elaborating on anything by Chomsky -
which brings me to the following conclusion
(back to Miranda) - i don't believe in fame apparent,
fame apparent, as in: tabloid crap and c.c.t.v.
and 20 nannies and 50 bathrooms, and not being
recognised wearing a virtual reality gear when walking
down a street when otherwise imprisoned on
a television screen rewind - that's not fame,
that's tyranny under the masses -
                         i don't believe in it... which answers
one famous English scientist's question:
why does posthumous fame exist?
                                    it's like that Camus question
about suicide - well... i guess it's a question of
endurance... a bit like a fail-safe mechanism about
why the pyramids are still standing even though
they experienced so much weathering by the elements -
well, as endurance has it: posthumous fame is
filled by introverts...
                                          i dare you to name that
famous Bolshoi ballet dancer, or that famous 1930s
actor or actress... they're part of the extrovert side of
what's called "fame" - but that's only a minor point
i wanted to make... the real zest i already explained -
ah crap, summary in maxim:
   the concept of modern fame is the result of a god
that has been attributed such qualities as omnipresence...
               well, aren't modern celebrities... a bit like that?
Shruti Atri Nov 2014
We live another complication everyday,
Adding another thread to bind us.

It's been so long...
Can't move my wings, my limbs--
How did I get stuck?
Did I do this to myself?
The *puppeteer
is pulling too hard!
I want to move,
But I can't
I'm twisted up,
The thread is too tight;
I can feel the dread of suffocation on the horizon.
I'm trying, I'm fighting,
I want to be free!

But I can't move anymore...

The thread won't let me,
The strings are being pulled too tight--
My prison, it cuts into my skin,
I can barely breathe enough to live on...
I want this suffering to end!

Aah! Yes...
I remember now,
I took the thread of my own free will!

It started that day...
When I heard them speak,
I did as they asked,
And the thread wound around me.

I didn't ask for answers and didn't speak of my questions;
I kept on going where their path lead,
And I ended up here:
Suffocated, stranded, in naïve ignorance.

Even though the puppeteer wants me to move,
Even though I can feel his anxiety to help;
He can't do a thing.

The thread has been wound too tight,
*If the thread won't snap soon,
I will.
Inspired by the dialogue: "I wear the chain I forged in life," replied the Ghost. "I made it link by link, and yard by yard; I girded it on of my own free-will, and of my own free-will I wore it. Is its pattern strange to you?" - from A Christmas Carol, by Charles Dickens.
Third Mate Third Jun 2014
Blood Orange Marmalade and Wild Blossom Honey
(a love song)

summer treats, sure,
but not of what we come to sing

no,
this a love story sung,
all about
a Sunday afternoon BBQ...

she knows I don't sleep,
cause I'm never there
when she awakens,
her worry~not~words don't soothe, sorry,
when ears are clogged
by fright and worry


so she does what
a woman does,
cooks me a meal
to soothe the
intemperate noises buried in the soil,
haunting this old soul
now on the downlo downward curve,
who wonders how
he got himself
into another
Laurel and Hardy^
fine mess...

so she will slide me into happy,
BBQ sliders will stop
the blood flow to a brain
that has not rested once all year,

she shops old fashion style,
wild blossom honey from Germany,
blood orange marmalade from where
I don't know,
to sweeten the barbie sauce,
her living loving way
(I add my salt tears right about here)

if this is not a love song,
then what is?

my ooh's exceeded by only my aah's,
music for her hearing,
far better than my poetry forlorn,
demonstrate my pleasure
bite by bite, giving her,
my love's loves delights

for she cooks love
and I write love poems
that won't be sung,
but nonetheless,
will be our shared repast
and banish temporarily all the
subterfuge gloom on a
blue green summer Sunday afternoon

if this is not a love song,
then what is?
^  http://www.stanlaurelandoliverhardy.com/nicemess.htm
Raegan Marie Oct 2011
I.
My parents don't drink.
They have their masters.
They both have jobs so that I don't have to.
They raised me the Christian way.
We eat as a family every night.
We live in a neighborhood where violence is ostracized.
To my friends, my house is the place for comfort.
They tell me not to take it for granted
just because I'm used to it.

So I took a walk through my house,
making sure not to take my life for granted.

Through the kitchen,
I remember the unrelenting fist curled around my wrist,
the ice blue eyes that I used to see as gray,
the tight lips and the seething words.
I shake my hand as I remember the bloodlessness,
the purple swelling as eyes welled with tears,
the way I raced out only to find that I could not open the door to escape,
with one hand broken and the other unable to curl around the ****.

Down the hallway,
I reach up to massage my neck,
for the memory of choked tears
never leaves;
the sudden unforgiving fist
the strength with which a five-year-old could not compete.
My body swings from the neck down,
and the fist released as the arm powered me onto the floor of my room.

II.
I catch my foot on the dining room chair I used to hold in front of myself,
growing up a fighter.
When I learned to defend myself with the strength of age and experience,
the strangling fist became biting words.
When I gave up the religion under which I was raised,
I was told that I must not love that fist or those words,
that I took my life for granted.
I was told that I was the key to our family's unity.
I was told to grow up.

I don't drink.
I get good grades.
I find money for college so they don't have to.
I believe in loving everyone like Jesus did.
I make dinner when they don't have time.
I never bring home fighting friends.
To my friends, I make my parents proud.
They ask me how we have such a good relationship,
they ooh and aah at our affection.

But you don't love me.
I am your failure.
I am your tax break.
I grew up a fighter,
and you gave up.

III.
I used to fight for you,
but they say indifference is worse than anger for a reason.

My mother used to wonder,
where did these bruises come from?
I always shrugged,
telling myself,
I'll deal with this alone.

I'll get a reaction somewhere else.
And that fist, those words,
became teenage promiscuity.
The sweet, unmerciful clutch,
the never ending cycle of discontent,
miscommunication and misunderstanding
and the familiar feeling of not being able to escape.

And every time,
as feelings of decreased personal value were overwhelmed by temporary pleasure,
I sunk deeper into that comfort.

You don't love me.
And I don't want you to.
This is the most rough poem I've ever written.
I think I'm writing it more as a slam poem than anything else, but we'll see.
If it's terrible, tell me, although including how I could make it better would be helpful as well.

— The End —