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cecelia Nov 2014
the miniscule, crystallized phenomena
floating down on their zephyr gondola
to the little children's enchantment.
the wintriness nipping at their stamina
produced petite gloved hands pulling tightly at their jacket.
to rollick the day away was their only commandment.
fast forward a few years, and they'll be learning algebra,
their minds drifting away during lectures on parabolas
to the forgotten days of freedom; they lament
the loss of their fragile frostwork taffeta.
Kayla Whipple Nov 2012
I saw you from across the gym and the second my eyes laid on you I knew I was never going to be the same.
Is it possible to fall in love with a stranger, because I think I just did.
Your posture resembled the self-confidence that filled your *****
Your hair a blonde hue that I have never been attracted to before.
How could it be, you already have a piece of me.

I couldn’t take my eyes off of you, you see.
For you were already starting to seep into me.
Maybe it was the idea that I can feel love like this, for someone I don’t even know.
Or maybe it is that I looked into your blue eyes from across the room and felt like I knew you.

My emotions were wired, and my thoughts gambled.
I had to remind myself  how to walk and remember that staring in awe isn’t generally socially acceptable.
I can’t believe I just fell in love with a stranger.

You tossed the basketball with such grace, it sliding off your fingers so effortless. Your shoulders broad and your stamina grounded.
The way you slid across the floor so smoothly chasing after the ball that went perfectly into the net.

When the smile grew on your face as your friend shot the ball, my soul felt warm as I looked into the happiness of yours.
Your teeth, strategically placed by God’s fingers. Resembling how perfect we will all soon be.
I can’t believe this is me.

Falling in love with a stranger, what else is new.
The second I saw you I knew
My confidence was back and I began to come to life again.

So maybe you were an angel sent from God.
Teaching me that I still do have hope.
Showing me that my heart is still in enough pieces to love.
What ever the case and outcome of this, I feel happy.
I feel at peace that maybe, just maybe, someday I will lay eyes on someone and know they will embrace me for the rest of eternity.
Fah May 2014
Sweat coats us both

as animal sounds emerge

inside each others ears.

kiss after kiss falls onto my lips and shoulder , neck and lips , lips and cheeks , cheeks and chest.

hungry , we dine on one other.
background music , is the lily pad fountain and our outward reaching vibrations.
we are wolves who have not eaten for weeks
we devour each other
breaking down constructs of what can and can not be , we waiver the space-time laws and escape to the cloud castles where a lightning storm rains down golden pink hues of sunrise, shaded by the brilliant blue of a new dawn .... illuminating us from within.

Whenever we gently land onto Earth  , oh so crystalline ,
we are coated with serenity.

                                                      ­~

My mind meanders to how this may be...?
....... that love would so shyly creep up on me , to break on me like a thunderstorm finally filling the humid air with heavy, anticipated raindrops.

   I eagerly tell my 12 year old self that she doesn't need to worry....
Disney is a fraud and what is passion without strength and stamina?

Fruition of a growing closer that is only achieved with patience , time  a willingness to overcome the fears of oneself
so the other may see you, in your already perfect brilliance
as you come to terms with your own magnificence,
jad Jul 2014
My ascent into adulthood was just that, an ascent. It has come slowly with little consistency and massive amounts of determination, stamina, and a reassuring trust in the universe. But the idea of adulthood has slipped its way into my expanding comfort zone with ease, which I think has come from the preparation I received throughout my childhood. The importance of perseverance and hard work in achieving anything at all was beyond emphasized in the parenting techniques of my immigrant mother and father. They sent the babies straight from their unemployed bellies into the best forms of higher education they could find because
My achieving of adulthood was more of just a gradual shift in mentality and perspective that developed into my addiction to change and new experiences, distaste for dependence, and denial of my previous nostalgic tendencies.
With more maturity also came a more logical understanding of the world around me. The more I understood the working ways of my surroundings, physical and psychological, the better I could feel my drive to achieve. The achievement I sought was not economic or career oriented in any aspect. It was based off of my ceaseless search for something new or for the rad or for the gnar or for swagger or for living a life that could inspire a minimum of 3 people including myself. The seed of this search was planted in me during my childhood by my five older siblings who all held within their bellies a fire of the same breed.
Gwen Whitmoore Apr 2013
I am not in the business of being you
or him or her or they
we doesn't even really interest me.

you hated me within the first 20 minutes
like a shallow predator
experiencing virginal danger
you have the limbic system of a prey
obvious to anyone in touch with their senses.

you were threatened-
you cracked a joke and among
the robotic laughter and among
the generic thoughts
I stood back, blank-faced
a novel piece of art you haven't the ability
to muster up the courage to understand.

aloud, I said it wasn't funny
which I'm sure your emptiness already betrayed
in a booming, and terrifying fashion
(I'm an intellectual sadist-
I get off watching you squirm)

you know enough, that you have no basis
that the status quo is the stale stream you do nothing but soak in.

you're superficiality is so pervasive
that your thoughts are unfilled, plastic
discarded long ago by anyone with stamina
(you're a carbon-copy of a Xeroxed person)
looking the same as the others of your degenerate breed
with much less vibrancy than the original
and far less worth.

your boundaries have been in place for so long
passed down by
generations
of
generations
of
generations
great-great-granddaddy's barbed wire is the only thing protecting your prejudice.

you're not funny- you're scared
ashamed and lonesome.

ashamed of the person you wish you could be
but don't have the strength-or the guts
to morph into
lonesome because even yourself is someone you don't feel close to
you are so basically human.

I have no pity.
**for you are no Muse.
Mateuš Conrad Aug 2018
.guess i must have hit the vein, nay, a ******* artery, must have gobbled down an oyster, muscle and brains altogether, simultaneously!

i have one, only one pet peeve...
that casual mainstream media
expression...

    but it's the 21st century!

i get the bollocking frizzle of
***** hair, translated into Janissary ******
attire... excited...

what the **** are you talking
about?

   21st century, what?
we're in our infancy!
            and what came prior?
you seem to forget the first half
of the 20th century,
and bulk in cultural
              expropriation of other
nations...

   us Poles had 100 years if liberty,
thank you very much...
we're not about to do the German
hip Berliner St. Vitus dance
magic, just yet...

******* hippies...

       Solidarity movement
pamphleteers, migrants of Florida,
bias, you name them...
yeah... "heroes"...

                    ******* usurpers,
Judases...
             and from the city i was born into...
where's the ******* metallurgy?
export of cheap labor,
originating in Spain!
      how's the youth unemployment
working for the Spaniards?
good? good good...
goof ******* *****!
   no say cheese in Swiss German
and show us the 42 teeth of over-perfecting
that schmile!

        Swiss guard, up & ****!
*******...

       i hate the sophistry,
loath it, baron over it...
this but it's the 21st century...
what sort of excuse is it?!
   there's not excuse!

                 reverting back to covert
popularization of prostitution?
even the Bulgar prostitutes lie,
about being Romanian,
i never tell them,
even though the word, dobrze...
   o.k,
    хорошо...
   is not a romanian word...
    you lie, you fry...
         i'm actually fond of making
chicken hearts, and pork liver sauces...
i can work the stoves...
             **** it... give me any meat,
i'll fry it... make a garlic onion sauce
out of it...
    nee bother...
   strawberries?
perfect fruit for smoothies...
tried it, just today,
with nein (nine) passiot fruits,
and an arithmetic for the one hand
including strawberries...
         crème fraîche replacing
yoghurt...
                          milk,
milk milk milk milk...

but...

what's the ******* excuse,
for making excuses of the 21st century
as the ******* pinnacle?
will the 22nd century look
fondly on us?
  
i'm only looking fondly for the death
of Lizzy II with much
anticipation, because of,
what i assume will not be the case
of Chuckles III,
rather, Georgie VII...

the 20th century passed...
what sort of excuse, in liberal terms...
is there to posit,
for keeping the Greenwich Mean Time?
frankly?
  the ******* excuse i've ever, ever,
heard!
         it's the 21st century...
whoop-tee-doo-daa
                        (H)    (H) -
told you... without the (YW) -
a god that's a vowel catcher...
or pivot for laughter...
can't get more hebrew-philic than i.

i ******* loath the: but it's the 21st century
argument...
    lost the italic lettering and the colon
from the use of bold -
monarchy?
  well, suit up & boot up
for the transgressive pomp & circumstance,
that alternative
to pride & prejudice...

  ha ha!
            god... laughing at oneself
is probably the only cure there ever will be...

but come on!
the: but it's the 21st century!
  
what sort of, argument, is that?
  it's not like ontology begot
an x-men algebraic variation,
an exponential derivative,
    a Holmes' hound of a bag of
necessary excuses!
      some ******-evolutionary leap
of benevolence
to excuse a connection of peer-to-peer
connectivity,
somehow erasing the 20th
century, and ennobling a... "fresh start"
with 21 as the fore!

i might be a peasant,
and i might drink to excesses some
people would wish they could
muster a stamina for...

  but please, leave the fairy tales to
the Danes,
  hans christian andersen and their
Grimm bro. counterparts...

but it's the 21st century...
**** me...
    you mean the ****-up century?!
Rob Sandman May 2016
Playin' games.
=============
Jay Text Sandman aka Skitz Text

Set the timer click click now the clock is tick tockin'.
I came to play the game. Like a KNIK KNAK knockin'.
Your rhyme flow is slow you know like PLAYDOUGH.
I gobble up fine rhymes like a HUNGRY HIPPO.
Like SUBBUTEO I kick it.
Shruggin' off your challenge like BUCKAROO kickin'..
..up ****. I sunk your BATTLESHIP.
You played out your game of CHARADES. That's it.
I dig deep in me rhyme dictionary.
You scrawl on the the wall like palsy PICTIONARY.
Not strugglin'. I'm jugglin' the rhymes in me head.
Slam dunk. KERPLUNK. Nuff said.
No, never. No way. Who am I kiddin'?
You know I got the rhymes. And I got the rhythm.
I confess. Like a game of CHESS.
Checkmate. No debate. Not a pretty pawn missin'. *  

It’s the end of the games like RIP,
I Multikill MC’s like COD,
Keep your mind on your MINECRAFT can’t catch me,
Cause Skitz is EC's Artillery,
droppin bombs watch the FALLOUT or you’re Dogmeat
FAR CRY from the old days of CRT
So your attempt is DOOMed best clear the room,
SWAT’s get Swatted Mic shotgun BOOM!,
Blast backdraft will destroy your CIV,
No cheat codes PAC em up MAN time to give,
RESPEC- to the PORTAL gun hangin’ on me hip,
You’ve got HALF a LIFE left faster than NO CLIP
But I said no cheatin’ Hackers get Hacked up,
No Multiplayer,cause you’ve no backup,
I’m glorying in the games we play,
Checkmate VS XBOX  pass to Jay.


Chorus
Not mentionin' names. We're playin' games.
Energetic and poetic and it's Jay to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.  

When I flex it's hectic. Like SCALEXTRIC.
Switch lanes to PERFECTION.
I've a MONOPOLY in this game.
Don't pass go. Go straight to jail.
You fall like DOMINOES. I leap like a salmon.
Tisk tisk. Big RISK. Now I have BACKGAMMON.
Stamina. A steady hand OPERATION.
Ace up me sleeve and I'm just playin' PATIENCE.
Got me POKERface on.
Read 'em and weep as the game plays on.
I got a dead mans hand but I animate the mic.
BULLDOGS charge. You know I'll reach the other side.
Back to me den.
Repeat after me like SIMON SAYS.
RED ROVER, RED ROVER. I call Jay over.
You think it's over ?
No my friend. *  

Not mentionin' names. We're playin' games.
Energetic and poetic Schizophrenic to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.  

This Steam Machine is heatin' up a treat
So don’t be TEKKEN the ****,just feel the beat,
This KOMBAT’s MORTAL to enemies,
But it’s a full HEALTH PACK to Fans of E.C.,
So OverClock your CPU,
get your Soundcard Jumpin like chimps in SIM ZOO,
drop DICE on ICE from here to Timbuktoo,
STREET FIGHTER’s and Writers BIOSHOCKin' you


Not mentionin' names. We're playin' games.
Energetic and poetic Schizophrenic to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.  

I SPY with my little eye.
Somethin' beginnin' with J. I let fly.
As your JENGA tower wobbles.
I smile. You drop tiles. Dropped your poxy box of SCRABBLE.
Look out. That could spell disaster.
Triple word score as the rhymes rip past ya. Blast ya.
Quick out the trap like The Flash playin' SNAP.
Check the lyrical master. *
As the Dungeon Dragon spreads his wings-lets fly
playin' the game the pied piper pies,
catch you rats in me MOUSETRAP its a snap,
"cause I wrote the rhymes that broke the bulls back"
I'm the KING OF THE HILL I got ya QUICKSCOPIN'
in THE SHADOWS OF MORDOR prayin' and hopin'
for a hero like MARIO to bust you loose,
Jay's SNAKE'n' up the LADDER time to twist the noose


Not mentionin' names. We're playin' games.
Energetic and poetic E.C. to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.  

What ya think ?              
Me rhymes kink, bend and fold like TWISTER.
A wicked rhythm like DOUBLE DUTCH. Skip, skip.
Like EVEL KNIEVEL. Flywheel spinnin'.
Rev it up. Dump the clutch.        
See me grinnin'. Knockin' down the pin and..
SPIROGRAPH lines in me rhyme. I'm spinnin..
..out of control. You can't cope with me GYROSCOPE.
I bring you back to the beginnin'.*

Not mentionin' names. We're playin' games.
Energetic and poetic E.C. to blame.
Set the mic aflame. We burn it up now.
Set the timer click, click.
Jay came up with this idea and tried to mention as many games we played as kids as he could fit in,when  he invited me onto the track I went more down the PC/Console game route,
let us know how many we missed!.
To Sing a Song
Of Love, full of Life
Consumes your Inner Carefree
And Compassion.

A Distinct Act of Tones
Bond into One
Notes which blend those Tunes
And squeezes Music-Juice.

A Happy Sound for All
To which when Played,
And Played,
And Played again
It is Finished. But not all.

It stands Forever; Lurking always
In your Memory
A Dainty Feeling to One's Heart
From the very Start
Till the End of your Time.

A Magical Compensation
To Children, Men
Or even to Animals
And Plants who could Hear,
And Feel,
The Warmth of a Song.

The Feelings it Brings,
Is Now and Forever,
Joy and Happiness to All
To Summer, to Fall,
To Winter, to Spring,
And to Everyone's Ears can hear,
And wear,
Like a Ring.

A Gem from your Mouth,
Eaten in Past Times
As One Grows and Improves
The Stamina
It becomes a Jewel
Which can sparkle when opens,
And closes,
And opens again.

It's Fun to know
Why many People would Show,
And Portray,

A Song,
A Grace,
A Feeling,
A Wonder,
A Mystery,
A Medicine for Sadness to All.
The piper coming from far away is you
With a whitewash brush for a sporran
Wobbling round you, a kitchen chair
Upside down on your shoulder, your right arm
Pretending to tuck the bag beneath your elbow,
Your pop-eyes and big cheeks nearly bursting
With laughter, but keeping the drone going on
Interminably, between catches of breath.



The whitewash brush. An old blanched skirted thing
On the back of the byre door, biding its time
Until spring airs spelled lime in a work-bucket
And a potstick to mix it in with water.
Those smells brought tears to the eyes, we inhaled
A kind of greeny burning and thought of brimstone.
But the slop of the actual job
Of brushing walls, the watery grey
Being lashed on in broad swatches, then drying out
Whiter and whiter, all that worked like magic.
Where had we come from, what was this kingdom
We knew we'd been restored to? Our shadows
Moved on the wall and a tar border glittered
The full length of the house, a black divide
Like a freshly opened, pungent, reeking trench.



**** at the gable, the dead will congregate.
But separately. The women after dark,
Hunkering there a moment before bedtime,
The only time the soul was let alone,
The only time that face and body calmed
In the eye of heaven.

Buttermilk and *****,
The pantry, the housed beasts, the listening bedroom.
We were all together there in a foretime,
In a knowledge that might not translate beyond
Those wind-heaved midnights we still cannot be sure
Happened or not. It smelled of hill-fort clay
And cattle dung. When the thorn tree was cut down
You broke your arm. I shared the dread
When a strange bird perched for days on the byre roof.



That scene, with Macbeth helpless and desperate
In his nightmare--when he meets the hags agains
And sees the apparitions in the ***--
I felt at home with that one all right. Hearth,
Steam and ululation, the smoky hair
Curtaining a cheek. 'Don't go near bad boys
In that college that you're bound for. Do you hear me?
Do you hear me speaking to you? Don't forget!'
And then the postick quickening the gruel,
The steam crown swirled, everything intimate
And fear-swathed brightening for a moment,
Then going dull and fatal and away.



Grey matter like gruel flecked with blood
In spatters on the whitewash. A clean spot
Where his head had been, other stains subsumed
In the parched wall he leant his back against
That morning like any other morning,
Part-time reservist, toting his lunch-box.
A car came slow down Castle Street, made the halt,
Crossed the Diamond, slowed again and stopped
Level with him, although it was not his lift.
And then he saw an ordinary face
For what it was and a gun in his own face.
His right leg was hooked back, his sole and heel
Against the wall, his right knee propped up steady,
So he never moved, just pushed with all his might
Against himself, then fell past the tarred strip,
Feeding the gutter with his copious blood.

*

My dear brother, you have good stamina.
You stay on where it happens. Your big tractor
Pulls up at the Diamond, you wave at people,
You shout and laugh about the revs, you keep
old roads open by driving on the new ones.
You called the piper's sporrans whitewash brushes
And then dressed up and marched us through the kitchen,
But you cannot make the dead walk or right wrong.
I see you at the end of your tether sometimes,
In the milking parlour, holding yourself up
Between two cows until your turn goes past,
Then coming to in the smell of dung again
And wondering, is this all? As it was
In the beginning, is now and shall be?
Then rubbing your eyes and seeing our old brush
Up on the byre door, and keeping going.
Mateuš Conrad Jul 2018
.does the concept of a misnomer, exist, within the confines of synonyms?

                       poets began complaining:
if we're not rewriting
         the brother grimms'
fairy tales...
   we're writing: about reading...
so what the hell
is up with the modern revamping
of journalism?
  journalism about...
journalism?
   and this legalißation of
homosexuality...
and the standardißing of
of transgenderißm?
i'm living inside a society,
that has abolished the concept
of the asylum...
      and i'm like:
oi! garçon! noch eine tee
   für mich...
             an dis verrückt
                  engländerteeparty!
- since writing about reading
is the consequence of
a landfill site ergonomics...
what is alt and Samson
journalism?
            oh look... another set
of people, who've entered
a problematic posit of plagiarism,
having to wrestle with,
yet another cul de sac scenario...
the nuestasi...
      i agree, there's a healthy
canvas of competition...
but... after a while?
  it's basically people slagging
each other off...
    journalists "doing" journalism
for the front-liners -
journalism as simply
     the editorial sections
of newspapers...
     opinion avenues, rubrics...
there's no longer a journalism
within the regards of:
what's happening in the world...
but...
  there's a journalism,
within the confines of:
what's happening in journalism...
the day had to come,
when the times newspaper...
had to run a page 2 story...
about a Toff Tinder dating app.,
about pseudo-eugenics -
minus the strict Nazis,
and more:
   those annoying English
aristocrats,
   who received, much more
than a circumcision when
     ruling over the Indian Raj...
mind you... it always bewildered
me...
   most european languages...
do not actually allow noun ascription
to letters...
   like the greeks might with
O being omicron,
   or A being alpha...
    hence me, among the "losers"...
well... because i have
a roof over my head,
and there actually exists a class
of employed
people in england,
that are, nonetheless, homeless!
    the latin alphabet,
with its Ah Be(e) Ce(e)...
                      ****...
just before they cut his ***** off,
the castrato at the Vatican: sang!
sang! ****** sang like a
Modena tenor... having his *****
squeezed, before having them cut off...
sung the alphabet...
   and... couldn't fathom
ascribing a noun... to a single letter
in the encoding metric...
            no surprises...
but it's not like tyrants didn't
need eunuchs to keep harems...
back when the plastic industry
wasn't in full swing...
   and you wanted to keep 200 women...
you basically needed walking ******
to keep the women occupied...
     so... a walrus bollocking
within the grasp of a, "sudden"
loss of stamina?
                 evolved...
like a tree made into a toothpick...
because... only some make
it into the kingdom of god,
imitating the monogamy of
the nobles, that are... notably swans...
the concept of
     widowhood exists among
swans...
                 sometimes...
among people...
        but hell...
                      this Bulgarian
******* asked me:
do you have a girlfriend?
   nope.
              - and the "affair" was over
within the confines of an hour...
the same emotional investment
as one might take...
   in killing a mosquito -
   omni corpus - nulla cor vel mens...
was that said, plaintively?
not really...
              no bogus drama -
   the sheep was still intact,
when the wolf left, satiated.
Nolan Davis Oct 2011
An artist,

Bleeding his heart into the canvas

Carefully planning his masterpiece

Dutifully paying attention to every detail.



Emotionally drained,

Forced to finish his work

Grueling over an uninviting crowd

Helpless to the impending backlash



Inspired, the artist continues

Just to prove his critics wrong

Knowing that his work will be amazing

Loving himself even more



Meticulously painting his beautiful image

Never letting stamina get to him

Opening his mind to a grand illusion

Presented to him by an transcendent figure



Questioning if what he saw was true

Reveling in the moment of it all

Slowly, the artist comes to a finish

Trapping the moment inside of his easel



Unveiling to the crowd was his final test

Vociferously, he explained his masterpiece

When all of a sudden, the artist begins to run

Xenophobia had stricken him



You now know why most artists are obscure.

Zealous fans always ruin everything.
MA Montgomery Apr 2018
you have the
nerve
to say that women are
squeamish

when we see blood
month after month

you say we are too emotional
to hold office,
too fragile
to be independent,
too unpredictable,
to be on our own

but you forget
we are bulletproof.

you forget
we have stamina
and fire inside of us

because we are fighting
twice as hard
to be recognized
as the amazing,
successful people we are.

we are fighting
to be seen
as more
than our appearance,
to be valuable
because of our brains
instead of our *****.

we are bulletproof.
I've been ogled too many times, and skipped because I am seen as less worthy to my male peers, and I'm angry and tired and I have to fight twice as hard when I am more qualified and ready to do a good job.
Joseph Childress Sep 2010
The root
Of ambition
Is ambivalent

There's no “one cause”
No one causes
A man
To make life decisions
In a day

It takes
Much more
For
A man to be successful
And real
With his inner-self
Accepting
The cards dealt
With the stamina
To play through
Exercising his will
With the feel
Lingering in every pore

Unsure
Of obstacles ahead
Headstrong
Through barricades
Bearing the bruises
Trampling
Over your own
Feet
Defeat
Seen in battle
But the war’s on

And the war zone
Isn’t limited
To a few
Years
Like ages 19-22
Whose to do
Worse
Who has more

Money
CARS
Clothes
And hoes

And whose vision
Is so small
To tack them
with success
All in all

And attack those
Who lack the
Wills
To move forward
And ignorantly
Attach it
With a phenomena
Of
Your unknowing

Root of ambition
Can spread
Like weeds

And weeds
Can **** ambition
Or spread
Like seeds

How many men
Dive
Head first under the influence
Or rise above
High
From the same drug

Barack Obama
Michael Phelps
William Shakespeare
Bill Clinton
Lebron James
Pablo Picasso
The Beatles
Jay-Z
Bob Marley
Conan O’Brien
Dr Francis Crick. (Nobel Prize Winner)
Samuel Taylor Coleridge
Salvador Dali
Victor Hugo
Kareem Abdul-Jabar
Snoop Dogg
Dr. Dre
Stephen King

Just to name a few
Maybe
Just maybe
It has nothing to do
With success

Or you.
You think you know me.
I think I know you.
We know nothing
As we move forward
Slouched in our office chairs of despair
Some moving full throttle, the others stay still
Still
All in the same place
All at the same level
The illusion of movement
Competitiveness run amok and awry
An experiment gone wrong
An experiment in our endless longing, our search
Our eventual journey
As we seek greatness and perfection
While shattering the thought of it.

We have been taught to question
Questions bring greatness
Greatness is what we long for

Greatness has been subjugated
No longer an aspiration, but a trade
Not a product of inspiration
But a product of greed

Art is dead
Love is dead
All is dead

What once was an abstract concept
Is now concrete
And invisible
Nothing
A black hole
Constructed from the shattered hopes and dreams
Of millenials and those who felt like we do throughout history

What does "millenial" mean anyway?
In every context it encapsulates
Consumerism
Greed
Selfishness
Hypocrisy

Art is dead
Love is dead
All is dead
And we killed it

We dealt the death blow.

We lack heart
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with greatness
Greatness comes from accomplishments
Accomplishments come from knowledge
Knowledge comes from aspiration
Aspiration comes from inspiration
Inspiration...
comes from the metaphysical heart

The hollow men had no soul
and neither do we

We lean together
We do not embrace
We do not take the next steps
Only leaning
We lack what we need to see it through

We are incapable of maintaining relationships.
For our stamina is gone
In its place, divorce, infidelity,
shallowness
relationships based on looks and dreams
dreams of perfection
based on the wrong definition

We are the hollow men

We are hollow
We are... despairing

Despair
why would we despair?
if we did not care?
are we then hollow?
if we worry,
is that not out of concern?
is concern
not out of love?
does love...
not stem from the heart?

Sometimes I wonder
Can you still have a heart
If you have a mind in the way?
I myself am a huge fan of The Hollow Men by T.S. Eliot.
My use of the term "greatness" mocks speakers like Jordan Belfort, who claim that they have risen to it.
My use of the line "Art Is Dead" references the song of the same name by Bo Burnham. It's brilliant, and I would suggest you check it out. The line "You think you know me" references Bo's song/piece "We Think We Know You," as well.

This poem was written 'all at once,' meaning that there were no edits made. This was simply my stream of consciousness.
Poetic T Jun 2014
She was hunted by a witch,
Who was to **** her
By the name of white.
She sent the woodsman
To put an end to her young life.

Caught up in the woods,
She begged for her life,
On her knees, she did the deed.
Wood was in her mouth,
  Down the back of the throat licking
Lips after the deed.

Be gone said the woodsman,
She had secured her freedom.
She did run, into the woods
she found a home,
She smashed a window to escape
the cold.

She undressed and lay on the bed.
Asleep she did fall, then awoken,
She was startled as seven little men
Stood around the bed.
Do you like what you see?
If you let me hide here,
I will thank you in ways that a princess is taught,
I can be naughty as well as nice.

They talked and said all right,
She pleasured most of them through out the night.
Happy was used and abused,
But he left the room smiling from left to right.
One did leave the room with a grumpy face,
He liked his kin and sleeping with a woman
Had never felt right.

So through the night,
She showed them things
That only princes usually get to see,
And for a while they lived all happily.

Her name was white,
But she was anything but that.
She had the stamina
To keep these little men all happy,
Content they could live with that.

But time went on,
The queen had found by rumour,
Where she not so pure was at.
A plan was made to
End her life.

A candy apple sold at the door,
She said her thanks an shut the door.
She liked hard things in her mouth,
Licked with her tongue,
Took a bite and passed out.

She was found
When the little men came home.
In tears they where,
As they would once again
Have to use the wooden doll.
Splinters were never fun to pull out,
Used by many it was cleaned a lot out.

She was put in a casket made of glass,
Still a beauty to behold.
As word spread,
Princes from across did try to find.
But only one had found white,
A kiss on the lips
Would break a curse out right.

His lips pressed hard,
and a confused look,
as the kiss was salty on his lips.
Happy smiled as he didn't have a care,
A mouth is a mouth warm it was
When he pushed it in and out.
So he used it to satisfy his urges,
No one would know
As he did it in the dark of night.

She awoke startled,
So much time had past.
I am your prince,
I heard tale of a gargling princess
named as white.

They travelled the land
To avenge her near death,
By the queen of night.
Swords drawn,
The seven little men by her side,
They confronted the queen.

She said do you know what she did?
This woman called white.
She slept with my son,
My husband and me.
Turning each against the other,
Until I was the only one left out of three.

Her name is white,
But she is any thing but that.
She will turn one against the other.
She must die for her crimes against me.
With that the prince looked on,
As she said all is true.

But queen you liked what I did
Before you found out,
That I played your family.
You all got what was deserved
I have no regrets with that.

Then with sword in hand
She killed the queen
With a sword through the heart.
She turned her sights
On the eight men.
The prince fought well
But she was too good.
His head left his shoulders
Ending his life.

The seven were no match for her.
Drenched in red,
But named white,
As all were slain.
She smiled sitting at her rightful place,
The queen of white
That went on to conquer many lands
 Dressed in red but named white.
I thought I might be a musician
Mom couldn’t afford my lessons
My eyesight wasn’t great
I couldn’t read notes fast enough
Practicing annoyed the family
I only managed last chair, 2nd violins
              But still
I got to play in High School concerts
In shiny dresses with glitter in my hair
              However
I haven’t held a violin in years
I loaned mine to a Bluegrass band
The leader died - and it was gone

≈≈≈≈≈≈≈≈

I thought I might become a dancer
But my fingers can not touch the floor
I couldn’t kick much higher than my waist
Choreography was hard for me to learn
I had the stamina if not the skill
My partner wanted someone else
                But still
I danced on stage in a college play
And Morris Danced at the Old Globe Theatre
                However
I’ve forgotten how to keep the beat
And all the dance floor moves I made
I’m too self conscious now to try

≈≈≈≈≈≈≈≈

I fancied I could be a singer
I knew the words to all the songs
And I could keep the melody in tune
But I had a voice with no vibrato
And the quality was thin
My range was very limited
              But still
I sang Blueberry Hill at a talent show
In a black lame’ dress and surprised a few
              However
I couldn’t get the hang of harmony
And found I fit best in a choir
My family wouldn’t hear my solos

≈≈≈≈≈≈≈≈

I thought that I was born an actress
I practically got that one right
I had a lead in an Ibsen play
And toured the state with Macbeth
But Hollywood was one big casting couch
And I could see no way around it
          But still
I got to be on TV  shows
Winning games and merchandise
          However
I sold the Firebird Convertible I won
I needed rent money more than a car
And rules allow you only three shows in a lifetime

≈≈≈≈≈≈≈≈

I always thought I was a poet
I started young and never stopped
But family ignored and scoffed
Then I got trapped inside my mirror
And only wrote when all was beak
Somebody said my stuff was dreary
          But still
I stumbled on the HP website
And found a group who like the words I write
          However
When I read the others’ writes
I realize how limited my skills
And fight the need to run away and hide.
    ∞
It seems I dabbled in all the arts

Looking for the one that fit me
And finding they all needed alteration
And I never had the proper needle
  ∞  
Still, a moment in the sun
Is better than a lifetime in the shade
I had a taste of everything
Though the banquet was not mine.
ljm
I give new meaning to the phrase "Jack of all trades, master of none" !
But I've  had an interesting life so far.
Nigel Morgan Apr 2013
Honourable Younger Sister,

This village is a world of stone. Lanes, houses, courtyard walls, towers, pavilions, tables, benches are all hewn from ancient red rock. The stone streets are lustrous with the passage of feet and shine in the moonlight; tomorrow they will glisten in the morning rain. After six days on the path into the mountains I finally rest at this inn. Here I can buy light: to write in this loft whilst the house sleeps, though a dutiful daughter dozes against the foot of the stair-ladder to serve me should I require sustenance. Frightened by my ugliness I summoned up my sweetest voice for her and soon there was a shy smile and downcast eyes. These are long nights for the village poor, but few here as poor as those whose shelters I sought on the path. Tonight I miss the steaming breath and ceaseless rustle of the animals brought indoors for warmth and security. My travelling robes are already filthy, but my body remains clean. As soon as I depart each night’s shelter I search for a stream to strip and wash thoroughly in the ice-cold water.

Dear sister, we have both been taught that the function of letter-writing is to unburden the mind of its melancholy thoughts in the form of elegant colours; its purpose to state one’s feelings without reserve. My thoughts turn constantly on whether I have it in me to ‘summon the recluse’. Have I the stamina, the patience, the resolve to seek out these elusive souls? Such thoughts induce fear rather than melancholy, fear of failure.

Already my journey into these mountains has crossed the season of late autumn into that of early winter. I am told the russet-red leaves and pink berries of the Ash, the deceptive Rowan and speckled-leafed Lace set the mountainside alight as the sun rises into a clear sky. For me clouds hang all day in the steep valleys, and so hide the heights where the solitary ones are believed to live. They alone see with the dawn the mountain peaks aflame   It is only in the very late afternoon that the sun melts the clouds, breaks through, and enlivens the landscape, turning it gold, then amber, and a final dull red before the blue blackness of dusk descends. Beyond this village my sources tell me there is real wilderness, and paths are few. I am to be my own guide.

You and I are so adept at the play of words. Our honoured father encouraged us, and as custodian of the Imperial Archives he knew how words could be arranged to both conceal and reveal; we played with the characters as other children played with coloured stones. So with the poems we call “Chao Yin”, let us play with verb “Chao” as both to seek and to summon. Chu Hsi, a courtier of that prince of Huai-nan, was sent into the wilderness to summon an errant official back to his post. His poems speak of terrors of the mountains, their ‘murky depths sending shivers of fright’ of ‘the caves of leopards and tigers’, and of the deep forest where ‘a man climbs from fear’. The poetic form uses “Chao” as in the ancient ceremonial song “Chao ***”. This calls on a dead person’s soul to re-enter the body, so ‘a summoning of the soul’. In those times such poems argued against the recluse, the withdrawn one, and sought a return. Today there is this feeling abroad that we need to consort with the recluse, to taste his solitude. Does the solitary life speak of the ineffable Way? Or is it in the search for the solitary one that a moment of enlightenment may present itself? As the saying goes: ‘to travel one must surely uncover truth’. In my bones I feel ready to invert this old poetic form. I must summon the spirit of the recluse out of the mountain fastness, but not seek his return. I need to touch his ways, see evidence of his mountain life, for a while to walk his paths breathing the same air. In my heart I expect nothing but his absence. I foresee I may reach his shelter and find his gate ajar, though the embers of the hearth still warm. He will be on some distant peak gathering herbs. If on a precipitous path I was to turn a corner and find him before me I have no words prepared. For the moment it seems I am exploring an idea through this summoning and seeking, not a living, breathing body.

Tomorrow I shall reconnoitre. My official hairpin and staff will command any audience, but for reliable answers, I am far from confident. There is always talk, rumours, sightings. The common people respect these beings as kindly mountain spirits and guardians of the wilderness. At the fork in a path, by the crossing place of a stream, corn, persimmons and millet are left for them. Such offerings will be replaced in time by the rarest mountain herbs, wild fruits, the skin of leopard or bear.

Your last letter spoke of ‘following my path into the mountains’. You have always defied convention, so it would be no surprise to find you here on my return, although I think your Lord would not sanction it. He would find such a request unfathomable. I am still perplexed at your situation, that you, the most homely of women should be so favoured, so adorned, and yet so free. It is that confidence you hold to yourself.  

To me, you have always been the essence of woman. What knowledge I possess of your kind comes from you alone. The infrequent gropings that occasionally present themselves I have only dismissed. An hour in your company smoothes and stills both soul and body. Your movements and gestures are always quiet and true, as are your woven words that sing in my memory on the path.

I read your letter
And savoured your words,
Your sorrowful songs of separation.
I can almost imagine your face before me
And I sigh and sob out of control.
When will we meet again
To amuse ourselves with prose and verse?
How can I tell you of my misery
Except with these woven words?


Have I remembered your poem correctly? I expected no response to my own lines on our separation. On the very morning of my departure your scroll arrived. I delayed to read it, delaying further to know your words: to carry them in my memory on my journey. In our respective verse we follow the way of tradition: the lonely woman in her room; the man travelling far from home. How many thousand poems describe this antithesis?

My life has always been sheltered by the expectations of scholarship, the requirements of official rank, and more recently acclaim due to my songs and poems. This journey begins a new page, as a seeker and summoner. Follow my path deeper into the mountains, be at my side when I rest, calm my fear of the heights and the depths of dark ravines, reveal to me the words to paint the scene. Know that I share with you everything that is to come, without reservation.

Remember the words of Lun Yu: ‘The good man delights in mountains. The wise man delights in water’. In these mountains the sound of water is present everywhere.

A stony spring rinses bits of jade
Minnows now and then emerge, and disappear.
Here what need of my silk-strung gujin? –
The mountain water has its own crystal song.


Your brother Zuo Si
Ma Cherie Oct 2016
Somewhere,
out in the middle of nowhere,
there is a space,
where bare bones performance's
are nightly taking place,
like theatre at its best,
thrilling energy
a chill in the air,
you are creating
unique worlds on a stage
& I hear it's all the rage
a modest audience,
captivating you are
so utterly charming and memorable,
I can get lost in your woods
in that beautifully familiar rural spot,
harvesting &
catching hay fever,
running through the barns
in empty old bays
of long vacant farms,
while the cattle graze placidly,
my usung heroes beckon,
along split rail fences,
haunting..
along the old railroad beds,
down unknown highways
& on little know by ways
& drifting in skyways
through the years & the tears
as the last of the Summer flowers,
bloom and bow their head,
in the rain & the pain,
and the words you gently hear
whispered softly in your ear,
spoke clearly to the sky
as they sadly say goodbye
& promised I wouldn't cry,
I listen to exactly what they said
as they are applauded for their stamina,
& bravery, as the chlorophyll,
chokes out the beauty
in everything else,
a way to take in the natural beauty,
**** a big breath in
& waiting to exhale,
I'm hiking home, ...
to my poetic theater,
with tables scattered  about,
& mushroom stools,
a wonderland of  creatures
around weaving arts,
threads spun in gold,
of my everyday life
again it  is told,
like in a romantic candlelit
dinner date,
we sit beneath an glowing
incandescent Moon,
we are a rare & lucid,
sighting, two stars
two colors merged
from a Gods crayon box,
or a well thought out picnic
with a very special friend
farm to table wonders
delicious in every way,
you close your eyes to dream,
& all you ever need,
is an element of trust,
a sense of adventure,
appreciating the sacrifices
the pleasure fills the air
I'm traveling past,
as is if without a care
swimming in the frigid clean
& cold waters,
rolling mountains protect me on every side
come along for the ride,
down grey gravel roads,
with the heaviest load,
where trees still have some color,
as the pines & ever-greens brag,  
& envious poison ivy,
climbs the silo
in burning fiery furnace red,
golden amber browns
& deep golden mustards
crunch beneath tires
as wood is drying out
& is readied for the fires,
beyond ****** meadows
& the bog where the Moose hide
that mysterious house,
perched pretty on the hill
weathered perfectly,
seasoned & mature,
looking wise & reminiscent,
of a different era,
and a show like this
would only cost 55 cents...
World War 2
in the Pacific just after it...
you moved to Vermont
and live like a hippie,
smoking our chimney
sitting silently
in classic melodious splendor,
a tune is playing
as wheat is swaying,
a fiddle, out in the middle
of my favorite fields
counting the bounty yield,
admiring the tractors parked
for the year
some think,
your just a farce
though I know the fear,
you're not a a travesty,
in shambles
your multi tone shingles
craving a dose of stain,
your old rocking chair
never earning the critical acclaim
you deserve & desire,
  so lovely in your period costume,
as you sit there,
with ease and comfort,
awaiting patrons,
with your zany characters,
with open doors & cracking windows,
a sadness radiating,
from a broken style,
looking out at everything
glad with a frozen smile,
waving at yesterday's poets,

Getting ready for another show
and time is now, for another snow,
your solid pane's,
cheering others on saying
"way to go"...
and if...

If you ever find this place,
you don't know exactly,
what all the fuss is about,

ignoring the change of weather
pulling out that old red sweater
coming to this wonderful,
magical time
a little homestead theater
generationally strong
and melodramatic
with perfect comic timing
a delight
in the night,
I'll happily play the housemaid
delivering a tray of tea
with honey and cream
answering the doorbell
inviting you in
have a seat
giving you something to eat
and this is my treat,
I'll gladly greet the guests
make them comfortable
at our beautiful little venue
our ***** little nest
as the curtains open and close
for the shows,
730 it comes and goes
in the center of my universe
caught in a time warp,
so much good fun and laughter
inspired moments in a perfect ensemble
cast by my ancestors,

I had no idea it would taste,
so amazing,
this bittersweetness,
and so very delicious
my feet ache...
worn,
tired, relieved at last
I am,
coming home to you,
at last I hear,
you say,
welcome back.

Cherie Nolan© 2016
Wow, idk inspired....
So beautiful love & life...could be... ; ):
Paul Butters Jan 2013
With swirling serves and
Arcing,
Lashing loops,
The Table Tennis King
Of spin,
Attacks his foe.

In gladiatorial combat
He reigns supreme,
Sweeping and swirling,
Smashing,
And feather-touching,
That gyrating ball.

For many hours he’s trained and sweated,
Perfecting skills from very youthful days.
He started in the youthie playing “Ping-Pong”,
To rise, a phoenix, from the local flames.

His coaches now sit very proudly,
Having made him sweat and toil.
With all that stamina-work behind him,
No way will he go off the boil.

At last he stands victorious,
Having made that final ****.
There is no game like Table Tennis,
And winning’s such a glorious thrill!

PAUL BUTTERS
Just thought I'd write a poem about something different...
The Black Beast Mar 2020
Candle 1

Part 1

A lonely standing candle
Burning slow and dancing free.
It flickers light across the room
On a naked, you and me.

Our eyes are locked together,
Shadows dancing everywhere.
I lightly graze your cheekbone
As I brush aside your hair.

Your lips quiver in waiting,
Sending shivers to your toes.
Your breath begins to quicken
As our distance starts to close.

Oxytocin fills your body
And you feel yourself set free
As you feel my lips make contact,
And surrender yours to me.

Part 2

Soft and warm as candlelight.
Moist as summer rain.
Our lips divide for one last breath
Before they join again.

A rush now overcomes us
As they merge together fast.
Our teeth, like little soldiers
As our tongues race to get past.

Your arms grab my head tightly
As they don't want me to leave.
My beard tickles you slightly
As our heads just bob and weave.

As the candle wick burns lower,
My lips lower down your skin.
First the neck and then the chest.
Let the escapade begin.

Part 3

With my lips above your cleavage
My hands graze along your side,
'Til they softly cup your *******,
Which are beautiful and wide.

You feel a soft massage start as
Your underboob is tight.
My lips stil slowly falling
'Til your ******* are in sight.

Your fingers knotted in my hair,
Your legs around my waist.
As my tongue begins to circle
Before getting its first taste.

A quiet moan as my lips kiss
And **** upon your nips.
A few more moments, then it's time
To move down to your hips.

Part 4

This candle, nearly finished,
So, the lower I must get.
Your leg lock loosens on me
As you start to pant and sweat.

It starts with long sweet kisses,
Then a jiggle of the ****.
As my arms lock round your thighs and
Pull my face right into it.

My fingers spread you open
As I take on one last breath.
And dive in to taste the sweet treat,
'Til ****** or death.

A loud moan and long shiver
As my tongue now finds its mark.
And so, the candle burns away,
With us breathless in the dark.



Candle 2

Part 1

You light a second candle
And announce that it's my turn.
That I should lay upon my back
And let this candle this burn.

This view of you beside the light,
I simply, cannot speak.
My eyes and jaw snap open as
My muscles all fall weak.

Half lit by waltzing ambers, while,
The shadows claim the rest.
Not to jump up now and take you
Is a difficult request.

My time to wait is over as
You join me on the floor.
Making sure that as you fall our
Yearning lips collide once more.

Part 2

The wave of kissing deepens.
Your hand scrapes me as it falls.
First, my chest, and then my abs,
And then it ends up on my *****.

Our mouths pay no attention to
What's happening below.
As your hand now grips my shaft and
Starts the rhythm off real slow.

My wood becomes pure iron as
I feel your tempo surge.
And my breath becomes more stuttered
As you hold me on the verge.

You kindly ease down on your pace
And pull from one last kiss.
And as your head gets lower down
I know I'll enjoy this.

Part 3

You lick along the shaft and then
You loosen up your grip,
As your eyes engage my member
And you spit upon the tip.

Your mouth now claims it's dinner
As you gobble up my taint
And the sudden ******* motion
Makes me start to feel all faint

The slurping noises louden as
Your neck goes to and fro
With each mouthful getting deeper
As you find a steady flow.

My fingers link around your hair.
Your throat feels my quick ******.
Then while you gag and catch your breath
You turn and then adjust

Part 4

Your lip service keeps coming
As you keep your stable pace.
The only difference now is that
You're sitting on my face.

My mouth now back to action as
My tongue begins to weave.
My hands spread your cheeks open so
My nose has space to breathe.

Your flattened ******* lay dormant as
Your **** now starts to twerk.
And you grind your **** pumpum
Over one ecstatic smirk.

Our need for foreplay, over,
As we finish on our snack,
As the candle wax runs empty and
The room returns to black



Candle 3

Part 1

I vanish in the darkness and
You roll onto your spine.
You hear the sound of a match strike,
And see the candle shine.

You see me jump towards you as
You spread your legs apart.
You giggle as you clearly see
I cannot wait to start.

Your lips begin to open as
My tip begins to breach.
My arms hold on your waist as you
Soon lose the skill of speech.

The steadfast pump continues with
No need to yet go fast.
Let us endure every moment
As we feel each second last.

Part 2

Your eagerness is striking as
You push me to the ground.
As you start the task of riding
And regain the gift of sound.

Your moaning echoes round us as
You struggle to pronounce,
Now your pace sets out to quicken
And your ******* commence to bounce.

As your stamina decreases you
Decide to turn about.
And you pull a full 180
Without letting me slip out.

You then continue bouncing with
More power in each ******.
As our minds are lost to time and
Our control is lost to lust.

Part 3

I sternly lean you forward then
I kneel behind your rear.
Quickly getting back to business
But I take it up a gear.

I hold on tightly with both hands.
You feel me deep inside.
As your ******* hang low and jiggle on
With each and every stride.

Your head now rests on your crossed arms.
No strength to hold your pose.
As the ramming still continues
In the dimly lit shadows.

Our breaths are long and staggered with
Our bodies drenched in sweat.
So I choose to change position as
It isn't over yet.

Part 4

I lift you to the wall and hold
My fingers to your throat,
As I resume the insertion
And your brain begins to float.

A gasp of air revives you as
My hand loosens its grip.
But an intense rush consumes you
As you start to twitch and drip.

I let you sit upon the floor
And offer out my *****.
You swiftly take it in your mouth
And suckle on this load.

A ****** overcomes me and
I blow inside your jaw.
As the light begins to flicker
And the candle burns no more.



Candle 4

Part 1

The final wick ignited as
Together, we lay still.
The time of action, over as
We both have had our fill.

Our ribcages expanding as
Our lungs almost break out.
Overworked and undernourished as
We rest from our workout.

Your head is resting on my arm,
Your eyes stare at my chest.
They mark out a new spot for you
To use as an armrest.

A light cascade of fingertips
Caress across my side
As your hand takes its position
At the place that you had eyed.

Part 2

I see your cheeky smile as
I feel your tickle too
As i let out a quick giggle
And then try to tickle you.

A quick under and over as
Your hand comes up to block
Within moments it is over
As our fingers clasp and lock.

A sudden change of vibe now as
Our pupils lock as one.
As we both, within this moment,
Have been hit with shock and stun.

Our heads both drawn together as
We again lose control.
As our lips are reunited
And our tongues start their patrol.

Part 3

With our bodies spent and aching
The smooch doesn't last too long
As you lift your head and smile at
The thought of nothing wrong

I can see the candle dancing as
Your eyes reflect its glow
As our hands continue clutching as
We both will not let go.

My brain records this moment that
I never will forget.
How beautiful you look right now
Still covered in your sweat.

You rest your head below my neck,
An ear upon my frame.
As you listen to my heartbeat
And you hear it call your name.

Part 4

Your eyelids start to weaken and
Your breaths start to extend
Soon you feel your body slipping
And your consciousness, transcend.

A light snore soon escapes you and
I cannot help but grin,
As I don't want to disturb you
As you sleep upon my skin.

My arm is dead and stinging so
I try to change my stance.
I slide it out as I try not
To wake you up by chance.

I cuddle up beside you as
The room goes void of light.
I kiss your hair and then I wish
Sweet dreams for you tonight.
HotSauceMcPoetry Sep 2015
Stunt ****

He can be your lover lady,  ima be your stunt ****. He can be your boyfriend mommy, ima be your stunt ****. He can be your husband ****, ima be your stunt ****, stunt **** fluid swap, yep when them ******* drop. Lights, camera, action ,I’m your stunt ****, stunt ****. Lights camera, action, I’m your stunt ****, stunt ****. Ima be your stunt **** girl and beat it up, yep ima beat it up, that man there can eat it up. We don’t need no scrip for this act or no monolog, you can adlib, improvise on my microphone. We can do the box spring boogie all night long, we can get *****, coz play like its Comic Con. Tag your girlfriend in, we can do a menajahtwa , pile drive that nannie, Macho Man Wrestle Mania. Petting that *****, Doctor Claw, go go gadget pennies, working your equation ,*** notation like a mad genius. If I nut prematurely , don’t you worry I got ******, it’s not superman, but stuntman with all the stamina, Ima beat it up like Van Dam   at the Comitia ,finger, lick and kiss each other while I *******. It’s ocean spray ,whale watching like in Monterrey.
softcomponent Feb 2015
What made Anthony so elaborately cold in those early autumn months? What made him glare so sourly at my exhaustion whenever I slithered past his adonis figure in our overwhelmingly ***** kitchen? Was I the quintessence of a terrible roommate? Irresponsible? Ditzy? Was the kitchen—in its pig-trough pig-sty bacon-grease glory—tacitly my fault, despite the observation it'd been I who had purged the mess last? Or was it my drug habits and the fact that on the night Anthony returned from his impulsive trip to Alaska, I was with Chris—blasting Bob Dylan and the Tallest Man on Earth—cradling my chin on the jean-sand islands of my cramping knees, high as a shuttle in the ketamine nebula? These were all questions that stoked the fires of internal doubt whether I liked it or not. People pretend to talk themselves out of status anxiety as if it were possible to entirely neutralize such a natural reaction—as if it were possible not to wonder what earned such irrational disfavor in the eyes of another. Especially when “another” is a roommate, an almost omnipotent staple in day to day life even if efforts are taken to ignore or avoid—a constant weave of growing atmospheric pressure and a pang of anxiety at the sight of his shoes or the sound of his grunts and clangs while at work on a meal in the kitchen—of course, as is obvious, I can take things far too personally. But there were points in which his silence or indifference would scare me—as if he might've wound up a psychopath and broke my neck in a fit of overboiled passive-aggression.
To be fair and give the reader a clearer picture of Anthony, he had—historically—been an incredibly generous fellow and a relatively close friend long before we approached one another on the idea of potential roommates. He was large in build—not overweight in any sense—but incredibly fit with an active agenda to exercise and eat right, both habits of which I had never had the stamina to maintain. Girls loved him. Physically, he was gorgeous—puffy curled hair deliberately stylized into a modern European pompadour; dark hazel eyes with a constantly evolving dynamism in the way they gazed... and a masculine stubble that seemed to naturally grow-out to look as posh as David Beckham, just without all the effort and pomp. Mentally, he was the perfect synthesis of adorable geek, thoughtful philosopher, and strikingly suave, dapper, athletic, and goofy 'good-guy'—he was always out with his friends or at home reading Terry Goodkind's fantasy novels, and on occasion I would see that his looks were almost burdensome to him. As if they were a superfluous gift and a personal curse—constantly forcing him into social over-exertion as an extrovert when he, at heart, was a closet introvert unable to disentangle his self-reflective image from his internal reality. As if he were unable to process the amount of attention he received.
I had tacitly wondered, at times, if he was also in-the-closet regarding something else as well, though I had always admired his effeminate qualities and mannerisms as he never once hinted at a negative self-consciousness about their strange manifestations in open view of the world. Externally, at least, he never acted like they were problems or indicative of some internal lack of found-definition, even on the comical occasion when I walked in on him bathing on his lonesome, quietly listening to Miley Cyrus and playing with a troupe of three rubber duckies—the bathroom light off and several candles burning in aesthetically strategic corners of the room. He also constantly brewed tea using an adorable teapot designed to look like an elephants head, with the hot liquid pouring from the Disney-like characters trunk. This—I reflected—was most certainly connected to his love for the 1941 children's classic, Dumbo. It was a movie he and I held in common, having watched it together on multiple occasions before our cohabiting turned sour. Of course, what was most indicative of this private wandering judgement of mine was the fact that he worked at the city's only gay bar as the youngest bartender employed. At 1 AM every night, all the bartenders (whom were pre-screened eye candy for the patrons' sake) would peel off their skin-tight neon tops and romp around shirtless, shouting last-call through the bright-eyed frey of top 40 hits and cannonading flirtations.  
Not that I wish to put him under the microscope, as if any feminine qualities in a man were something strange or problematic to me—nor do I wish to study his mannerisms like a condescending anthropologist of imperial Britain, establishing pathological definitions for what was never an illness to begin with. No... I ask these questions because he decided, one day, that he didn't like me. I ask these questions because I came upon him in the living room multiple times listening to Alan Watts's lectures on taoism—a strange anxious-emptiness behind his eyes—and when I began to worry he was dipping into some sort of existential depression, I approached him with an Alan Watts book—The Wisdom of Insecurity—in order to make a recommendation and strike up therapeutic conversation on the basis of  a philosopher we had in common. As I did so, he would frantically nod and avert eye-contact, hiding any perturbation well enough for me to assume he was still with me as I spoke. I later found the book on top of the fridge and placed it back on my shelf thinking, 'he probably has a ton to read as is.' It only became apparent when I finally decided to ask him if he was unhappy with me—this was about 2 weeks before he finally moved out—and he responded with, “I've definitely been annoyed that you use my stuff and eat my food all the time without compensation or asking,” which I understood at first until I realized I only did so because he did the same—constantly eating my cereal, using my milk, reorganizing my couches in the living room—but I didn't mind because I assumed it was a reciprocal arrangement and thus took his eggs and his bacon on the assumption (and belief) in pooled communal resources. But he continued: “And you talk at me all the time about things I have no interest in which is kinda frustrating,” which confused me even further when it was only friendly concern I was tacitly attempting to translate into his feeling wanted and liked by the person he lived with. These words, in the end, released the built-tension between us like a bursting pressure valve. He eventually apologized for how he'd behaved, and then largely disappeared from my life.

Sometimes I'll be brushing my teeth, and I'll wonder if he's doing alright. I'll wonder if he found his taoist balance in either silence or speech.
originally written as a personal assignment for my Creative Nonfiction class.
Em MacKenzie Oct 2018
I see you everywhere but beside me,
the one place that I need you the most.
I don’t know if you’ve just felt like hiding,
but it feels like I’m being stalked by a ghost.
I think of my life consisting of just time biding,
with parasitic emptiness and I’m the host.
This hits me like waves I am meant to be riding,
and it follows me persistently from coast to coast.

The grass didn’t seem so green back then
I guess all that constant rain did pay off,
‘cause now this little future’s just a casual friend,
and my god looking back the past was soft.
It’s not like I always want to be drenched in sorrow,
I find I look much better in brown, blue or grey,
you know I’d trade in every tomorrow
for just one more yesterday.

I hear every voice but yours in my ears,
the deafening noise has made me forget that sound,
since I’ve heard that sweet melody it’s been too many years,
and every other pitch makes my static brain pound.
I’m always biting my lip but now I’m fighting tears,
I shake my head side to side and around.
I’m quickly losing stamina from battling my fears
and now looking forward to my hole in the ground.

The skies never seemed clear and blue back then,
it turns out that I was the creator of each cloud,
I’m hoarding past calendars so that I can pretend
that I’m back in time and making everyone else proud.
If you’ve got a hour or two that I can borrow,
I swear I’m good for it and whatever price; I’ll pay,
‘cause you know I’d trade in every tomorrow
for just one more yesterday.

I feel you all over, laced in everything,
if it wasn’t such a curse, it’d be a gift.
You’re the peace in winter and the hope in spring,
you’re the summer sun and autumn’s winds so swift.
I’m relieving every memory, looking for a place to cling,
I remember all of the details but the clarity is now adrift.
Side to side, back and forth, I constantly swing,
it pulls and drags me down but it can also give the highest lift.

The sun never seemed to shine right back then,
but maybe I was just too busy looking for artificial light.
I was never one for second looks but I should’ve searched again,
because everything I wanted was already in my sight.
So I plant a seed hoping it will eventually grow
and I sculpt all I wish for with clay,
‘cause you know I’d trade in every tomorrow
for just one more yesterday.
Waverly Aug 2012
Thai China
buzzes
because
we
buzz.

It quiets
because
we
quiet.

I'm at the end of my stamina,
me and you,
we've had a few beers;
got to talking;
and BAM!!!:

WE"RE MOROSE.


The business crowd
goes crazy
for some Thai China.

The tempers
calm
over hot bowls of white rice
(costing $5)
that steam up into
hooked noses.

Our lips,
juicy by now,
are so numb
that
we gave up talking a minute a go.

And got into a *****, male mood.

We just stare at the girls,
the waitresses,
wanting to **** them
in our nasty dreams.

Wanting to stick
our *****
in EVERY HOLE,
but we just get drunker
and drunker
and stir over
our bowls of rice.

The business
of business
commences;
our suppressed urges
and office angers
dull
by the mouthful.
NitaAnn Nov 2013
You get what you get and you don’t throw a fit.

Like it or lump it.

The only constant is change.

Stop crying or I’ll give you something to cry about!

Life isn’t fair!

If life gives you lemons…make lemonade.

I feel trapped. Trapped in this life I don’t want to be in, trapped inside my head, inside this messed up, used up body. Trapped by the conflicting voices that argue and debate constantly…never a minute of peace and quiet! Trapped!!!

I continue to live inside this chaotic crazy world of confusion and I don’t know which way is up anymore. I cancel appointments, I lash out at DT, tell him he isn't helping me and I hate him. I dissociate, to **** the pain, I abuse the drugs that have been prescribed, SI to try to get the bad out of me, I don’t sleep, most weekends I don’t even have the energy to go out of the house…but none of it matters….because “it’s all part of the process”…perhaps DT could provide me with a bullet point of the ‘process’ so I can see where I am now, and how many more bullet points there are to go…so I’ll have all the evidence and be able to make an ‘informed’ decision of whether I have the stamina to do it. Isn’t that part of the ‘discovery’ process?

Nothing gets processed, it never gets better. I don’t think I even understand the concept anymore. I mean I’ve read so much about it…treatment approaches; behavioral, psychodynamic, cognitive, eclectic, holistic, existential, person focused, CBT, DBT, and more! I’ve researched and studied trauma symptoms and what to expect, how to handle them. I’ve read about the long-term effects of childhood abuse…the fear of abandonment, inability to trust or feel safe, inability to self-soothe or regulate emotions, depression, anxiety, eating disorders, self injury, suicide ideation, the tendency to ‘repeat the trauma’.… oh, I “understand” it well, from an educational perspective. I have good insight. I can explain it to someone else…but emotionally, and physically…personally, I don’t comprehend it, I can’t apply it to me. It’s all just words, I have no personal connection to them. Just like the terms: mom, dad, safety, trust, intimacy…all words in a dictionary. I understand them, I know the ‘meaning’ of the words but I have no real human connection to them, they have no personal meaning to me. Like reading a physics book…all words and terms and models and notions and things…I sit and observe externally, but none of it is part of my internal world.

That’s my problem right now…(well, one of) is no one listens! *NO ONE HEARS ME!!!
Everyone just shoves information at me – techniques, tools, lists, print outs, videos, cds, diary cards, words…and I see them, and hell, I’m pretty sure I could teach them all to anyone with an IQ over 50 – but how does it relate to me, to my life? The stupid exercises in DBT…”practice them” go to class, talk about them…
DBTC says, *“Don’t you feel better/happier/distracted/grounded/soothed now?”
And I just pause and take an internal inventory and say, “NO!” I don’t because it doesn’t do what it’s supposed to do.
“Oh, well, then you must be doing something WRONG. You are a failure – you aren’t trying hard enough.” Yes, it’s my entire fault. I will try harder. And I try harder, and it doesn’t work, and then I become more frustrated, like a 1 year old trying to fit a round toy into a square hole. It doesn’t fit! And I try it over and over and over, and it still doesn’t fit. And I become more and more frustrated and feel more and more worthless and stupid…and no one listens because it’s my fault. I’m not trying hard enough! I should be able to do this! I should be able to ‘soothe’ myself and ‘ground’ myself and ‘feel safe’ and make him go away when he comes to me at night, and be happy when I’m sad…and pretend, pretend, pretend, fake it. Shut up and behave yourself, young lady, so everyone can see how much better you're doing...another DBT success story!

Nothing is shifting and I’m still stuck. Read it, live it, apply it, love it! I read the material like it’s a prerequisite class in college. I study it, I learn it, I recite it, I ace the exam, I can tutor others on the material…but like finite math – I’ll never use it, I don’t apply it in my own life. I don’t incorporate it on a personal level – it’s just a class I have to pass to graduate.

Nothing is stable, nothing is safe, there’s nowhere to turn, no one to turn too. There’s no one here – no one listens – no one cares about what I say is working or isn’t working. The echoes of my screams just resonate through the cavernous canyon. I look around for the Verizon network and there’s nothing – no one. No one HEARS ME! DT used to hear me, but not anymore because now you don’t have time. “Sure I do,” says Dear Therapist, “I have a whole hour.” And you can call me until 10pm each and every night, if you need too, and if I’m available and not (enter: in session,  at the hospital working, running…or just plain not wanting to answer the phone) I will listen. In other words, if everything else falls through, then 'maybe'. Gee, I should jump on that.

Truly, I should take it, run with it, put it in the blender with some water, and make lemonade for EVERYONE!

Yes, my world today is so much different now than it was then. The only difference is the scenery.

Everything is still there: the fear, the lack of trust, the lack of safety, the ED, the SI, SIB, the pieces of me, the unfamiliar woman in the mirror looking back at me.

There's no where to run to… no where to hide....from myself. That's what it comes down to in the end, I can't hide from myself, and I can't seem to help myself either.
eatmorewords Apr 2017
the rain wet floor
the man with a birth mark in the shape of Pangea

the backwards baseball cap

the re-used meme

the re-used meme

the idea of “retro”

cumulus clouds floating

heavy &

overhead

all electrical goods just sitting on stand-by

waiting

the machines are waiting

the blueprints that are 1mm out
at right angles to the rest of the world neon lights flash downtown

reflected on wet concrete

arriving at a destination and not knowing how you got there
my glasses leave an indentation on the side of my head
my children are asleep and I can see the signs

a new Netflix series that goes on for 125weeks – I have no stamina for this –

the mundane beauty of a leisure centre
the perfection of the shopping mall
I once was told
In Broooklyn New York
I had a lackadaisical attitude.
It was the first time I was hearing
That whimsical adjective !
So lackadaisical I was !
Looked like an illness
The way they said it
It seemed I could contaminate.
So I stopped a few seconds to think  and dissect the word
Lackadaisical
I lacked a daisy somewhere !
Sounded like I lacked a fuse in my brain !
Next thing I know I was checking the word
In my reminiscences of the Oxford English Dictionary
Or may be it was Webster's
And  it said in black and white ferns I lacked purpose
I wasn't properly lazy, I just lacked directions
I lacked enthusiasm, stamina
I was devoid of zest
I was blasé
Insouciant
Careless.
Translated into  more French I was nonchalant and better said
Jemenfoutiste.
It was during an encounter group
And they threw that lackadaisical attitude ******* to my face
And guess what i did ?!
I just kept on smiling
Jemenfoutiste to the extreme.
And they kept saying
See what I mean, you 're so ******* lackadaisical , man !
You're so pathetic !  You're so apathetic !
It was Winter in America like Gil Scott-Heron would say
And it felt so good, so warm,
As far as I could see,
To be called lackadaisical
And not laconical.
I not only lacked a daisy
I lacked a bunch of tropical flowers indeed !
Like bouganvillea, orchid or hibiscus
Anthurium, jasmine or bromeliad
I lacked sun and sea
Strange as it was
Even though I was near Atlantic Avenue, Coney Island
So I was lackaseacal and lackasuncal
But what I didn't lack was ants in my pants
And until today they make me dance
My forever lackadaisical dance.
Brent Kincaid Aug 2015
Sitting in my fifty six Chevy
The top down and feeling good.
I love driving in the city
Like I never believed I would.
Girls and guys scope my car
And they wish they had one.
It has a few primer spots but
The car is far from a bad one.

I love my fifty six Chevy
The best one ever made.
Three speeds, six cylinders
Ford never made the grade!

The don’t make them now
They way that they used to.
They’re not made of solid steel
Like the older classic used do.
You kept up with the fluids
Changed the tires when had to.
Give up my wonderful Chevrolet?
Dude, I’d be absolutely mad to.

I love my fifty six Chevy
Never a bit of car trouble.
It’s so much like driving in
A mid-century auto bubble.

It doesn’t have the modern stuff
Like air bags and cruise control
But, still it comes fully equipped
With clout and a whole lot of soul.
Punch it on the straight-away
And watch the other cars go by.
It runs better after half a century
Than most modern cars I can buy.

I love my fifty six Chevy
Much more fun than all the rest.
Back then they made the cars
With stamina and a lot of zest!
It’s a beauty from another day.
Don’t try to take my car away.
It’s bigger, and a bit more heavy,
But I still love my fifty six Chevy!
Robin Carretti May 2018
No time for having

withdrawals_
All friendship
click
Lets 
 Click-bank it

Gratitude
so thanks

Just mail it
My mind
chocolate
clustered
Wounded
like a
bullet
_

Postcard
Like
E- Allen Poe
related

Polluted by
Naked Gun
My heart was
fully loaded

"My Psyche"

Glossinidae so
****** "Red"

Women Wartime
she knits

Wildflowers
in her bed
He was more
worried
about the
postcard

Split Banana
personality
Plain Monkey
***
Crazy on Sunday

Sundae's
on Fridays
Yes we have no
bananas
Postcards laid
T-L-C cared for
cabana

But Gina
Loco?
Crazy bridge
Lollobrigida
Postcards
Just
Like Lazy
Susans
Georgiana
Or Brianna
Bella Bella

Leaving notes
with few
good men
Nicholsons
Nicole with
her Kidman

Construction
hard paper
Snip here
Pulled into his
psyche
All cliche's
The fondue
French talk
face to face
Jack snapped
beanstalk

In front, words
fingered
Her words
of roue'
Catch up with
Ketchup
Pretty but Petty
petticoats
"Billy Goats"
Titanic ships
Beguiled
by
him

Cottage home
bacon bits
of
Salad postcards
from
Egypt
The holy land of
Mohammid
Dancing like an
Egyptian

Rumi
of all
Gods
in vain
Your so
vain I betcha
you think
the
postcards
about ya

"Psyche Monday"
Coming to grips
(Girl Friday)
versus
(Man Friday)
with his lips,

The Postcard
postpartum
depression
((What Moves))
on my hips
Strawberry
jam and
my biscuit
"His Girl Scout"
recruit
Being pursued
shortcake
So ironed
longed for

Postcards
floating
through
"Spa dream"

Highlighted
*
Crazy in love
hallucinating
being flirtatious

Oneself
But she doubted
therefore
My psyche
wanted more
(Danger=Hunger)
after you
Darling
Civil war
Loves don't finally
meet someone
They are in each other
all the time-----

Double crossed-Star

Trying to pass the bar

Fair lady or the
distinguished
Gentleman

"Aircraft"
Postcards came with
ownership
Bombs stay funds

So Psyche
The future
Be smart
"Smartphone"
Like a rope and
silvered computer
links
The chain- chain gang

The train blue-skying
Crazy skywriting
A strange device
(UFO) now BOO
requiem in a dream
Royal lips
A plus postcard
Deeply within
The hundred's
of lovers tongue
Going once but twice,
The Postman stamps
psychic
"Auction house
My postcard
Peanuts and
Charmed by Charlie
Brown
The Tarot elephant
pants
Double talk Parrot
Superbowl
the postcard
intellectual

"Hallucination Beware"
Strong accusation to
compare

An app "Activation"
Star Wars  may the force
be with you one and
only card
British fine tea guards

The love red tip
matches
The new
postcard
the
new black
Mary Mack
Stamped and
smacked
Smashbox eyes
like crazy lunatic

(Dora Explorer)
New Orleans
Nasty stickers
Richness of bourbon
Sweet Caroline
Graphic art turban
8 sides
of the moon

Such
consequences?

My hair
ponytailed
You mailed
words short
Styled pixieish

Dots.....crazy points

Oh! Gosh
The
Hoarder
of
postcards
Crazy Gorilla
Mozilla
"Queen of Sheba"
I rather walk my
Shiba Inu doggy

Miss baby jane shoes
French connection my
La Femme
Oh La La
Haha
Funnybone
I refuse to be
loved like
a postcard
Self-assurance
love is frozen
and stamina
Postcards back
in the future

((Wonder all drama))
Psyche ward she got
hammered
Stacks of postcard
Her wrist got cut
Cold cuts
Irish Spring soap
VIP Postcards RIP
Replacing her hip
Her crazy lips kissed
the postcard
her bodyguard
Those maneaters
and deadly hitters
Mega babes babysitters
To be so loved and read

Postcards speak to us
listen
Glisten
Crazy Bitch__ is in
The innie or outy
Paper towels Minny
Mouse
She cleans up
her postcards
When the postman rings
twice

Pass it on

Has it troubled you
papercut you
Was this postcard
meeting
your  card
expectation

All you?
Postcards are so nice when they get delivered but when they come to your mailbox that's another postcard. The postman becomes crazy twice so out of wack Psyched
Robin Carretti May 2018
What happens
_ to space_
between us
This is the
human race
Ah, Vey?
Just pray

Overly smitten
But not seeing
  clearly picture-prey
He or she runs!!
Little darlings
here comes the sun

The lime doing the time
Falling trees of coconut
Feeling- overloved
Deviant artist
splat coconut milk

No Security Cat
comfort box
So out of recession
Killer fox__

Chocolatey coconut
Cleanse my mind detox
Almond Joy concession
Rise up Face Botox

He cannot
read you
Haywire always
wired up his words
Hurried Hazelnut
coffee if you mind
Over-sugared
Increased brain
functions bitter rinds
So commercialized
The Cocoa Puffs
Going bananas
monkey ***
Lexie Vamp Vex

Mr. Ed overload
of Oz colors baboon
Going up Air Balloon
So many airheads
The  Rainforest
GQ  he's gone IQ
((Quarterly Neck of the woods))
Not orderly Outback
Steakhouse
Dinosaurs
******
Vicarious

No shortcut
The nervous system
The fast have a drink
furious
Cracking a coconut
Her Safe__
*
6-6-6 combinations
Could crack her
Coconut oil neck her
City Girl call her

Intellectual brain
Singing
Gene Kelly
umbrella
Raining coconuts

(On Overload)
Strawberry Fields
This will be short
Yeah right forever
shortcake, not any sort

The trend of
coconut
Nearer because
of you I am
further
She was the
Brazilian Nut
With her
blind gut

((Coconut Houdini))
Island of Bali
Beauty of Judy
Somewhere so over it
rainbow

King Kong
Hairy chest banging
coconut drink slurping
Of girl talk
Strong New Jersey
Stamina


***** of Venezuela
Overload of
Prima, Donna's
Instant Karma
going to get them
Knocked them off
there feet
Where is my
John Lennon
He has the best beat
You will be tasting my coconut drinks every line your on to read
So take this trip please don't ask him for a sip you have the best drinks
with men of GQ what divine coconut  winks
History repeats itself in the best
     and
worst of ways.
Déjà vu is a haunting time
     with ghosts and wonder
of the
      been there done that.
Try to make sense of it....
      Time
awkward and nonsensical
becomes yesterday before today
holding tightly to
tomorrow's promise and disappointment.
Mathew P Nangolo Nov 2018
The morning was still
young when i woke up
and i was full
of life

I thought i had all the
stamina in full package
the stamina to face
the world

Oh, it seemed as though the
world i knew better
is totally transformed

I have started
feeling the weight
of the world on my shoulder
the whole **** world on my shoulder

The stamina disappeared
into thin air
i need it but disappeared into thin air
i need it to withstand the power
of dark cloud

Dark cloud, stole my strength
dark cloud, stole my peace
dark cloud, stole my friend
dark cloud,left me lonely
            ugly truth
judy smith Jun 2016
Having style doesn’t necessarily depend on the size of one’s budget but on the breadth of one’s mind and creativity. Likewise, enjoying the rewards of philanthropic giving is not only for the rich and famous. The lovely philanthropist, style icon, and socialite, Jean Shafiroff continues to encourage people to practice strengthening their generosity muscle—inspiring others with her grace, style, and her first book, “Successful Philanthropy: How to Make a Life by What You Give.“

“I believe we all have been given so many gifts. We must discover what they are and share them. Philanthropy is not just about writing checks, but it’s about giving of yourself—your time and your knowledge. Anyone and everyone can be a philanthropist,” Shafiroff said during her book signing party in her Park Avenue apartment.

An inspiring and practical guide to becoming a philanthropist, her book includes quotes ranging from Audrey Hepburn to Albert Einstein; a foreword by Scott Elkins, the U.S. Campaign Director of the Margaret Thatcher Scholarship Trust at Oxford University and CEO of SE Advisors; and a special introduction by Georgina Bloomberg, who started her own charitable organization, The Rider’s Closet, with her love for equestrian sports.

“First, you must start with yourself—start with your passions,” Shafiroff said during the interview for this article at her home, just a few hours before she would prepare to go to the American Ballet Theater Gala. She had a rack of designer dresses waiting for her to choose from.

After you find your passion, “then try to find a cause and a charity that is a good fit,” she said. It’s comparable to finding the right outfit. “When it comes to style and fashion, it’s very important to feel comfortable in what you are wearing. Otherwise don’t wear it,” she said. So when it comes to philanthropy, make sure to contribute in alignment with your passions, your values, and with your vision of the legacy you would like to build.

I always try to be kind—this is very important. I’d like to be able to build people up, in anyway that I can.

— Jean Shafiroff

“Successful Philanthropy” is the kind of book she wishes she could have read when she was younger. While her generous sensibility, like her sense of style, was already well entrenched before she even thought of becoming a philanthropist, Shafiroff now hopes her book will effectively influence anyone, and especially younger generations, to take the essential steps for creating a more philanthropic culture in general.

“There is great reward in knowing that you are helping to make the world a better place,” she said. She then coyly pointed out that being a philanthropist may be seen as a little selfish in that regard. But she said, “I see nothing wrong in building up our members of society. Those who give, build themselves up in the process because they will feel fulfilled, and those who receive will grow. It’s a great gift to be in a position to give,” she said, smiling.

“If people, at any age, are just starting to get involved, hopefully they will get some useful tips from the book. I would never say that I have all the answers, but this is based on solid research and on my experience,” she said.

For years Shafiroff has raised funds for charities, including the New York City Mission Society, New York Women’s Foundation, and Southampton Hospital, and the Couture Council. She serves on seven charity boards, organizes and hosts charity luncheons for various causes—all voluntarily. Having traveled extensively to places as far as Cambodia, China, and Nicaragua, she’s very aware of how much need and suffering people experience all over the world, including New York. “There is poverty everywhere. In New York, one out of three children live at or below the poverty level. These are very serious statistics,” she said.

The antidote to not turning a blind eye to such need, she says, is first and foremost in valuing oneself. It’s the starting point. “We live in a society now where many people are depressed or sad and most of it is because they don’t understand their own value. But everyone has so much to offer to society. Everyone matters—that’s vitally important.”

She explained that most of us participate in acts of philanthropy every day. “If you make the effort to reach out to someone by lending emotional support or showing kindness to someone in need, you are beginning your journey as a philanthropist.”

Shafiroff’s way of defining and reframing philanthropy targets every level of society, from those who barely have any savings but who can offer their time and knowledge to those from the extremely affluent, who may be in need of exercising their generosity muscle more. Overall it brings more meaning in life.

“I believe I can continue to live a good life, but it’s my obligation to give back. When you see people starving and who are barely making ends meet, I think it’s wrong not to do anything. We are not just here to take. Rather we are here to give. If you have resources then you must give, and ultimately we should give more than we take,” Shafiroff said.

While she enjoys dressing up in stunning gowns to attend various social charity-related events, she carries herself with profound purpose, quite apparent below the surface of fashion frivolity. “When I wear a beautiful gown, I feel good. But what is most important is what you try to do to be of help. Also when you go to an event and you dress well, it is a sign of respect and a reflection on what you think about that charity,” she said.

She also pointed out that because black tie events are so formal, people are willing to spend more for the ticket, which means more money for charity.

Fundraising is a tough job, but Shafiroff has all the social graces, stamina, and wisdom to do it well and has done so for many years.

“Volunteer fundraising can be very difficult. Sometimes people can be rude. They do not realize that you are not asking for yourself. There can be a lot of rejection associated with asking. However, a ‘no’ today can be a ‘yes’ in the future. Always believe in the work of the charity—and make sure it is well run—before you do any volunteer fundraising. If you are uncertain, then back away,” she said.

Still Shafiroff wishes she could do more. “I always try to be kind—this is very important. I’d like to be able to build people up, in anyway that I can,” she said.Read more at:http://www.marieaustralia.com/cheap-formal-dresses | www.marieaustralia.com/****-formal-dresses
Kimberly Clemens Aug 2013
Music is blaring in my ears and my breathing is becoming staggered
You're invading my mind and I need to run
But I can't run from what's inside of me
And I can't run from what I feel
So I listen to the rhythm of my feet on the pavement
Steady, now.
And I match my breathing to every other step
Even though my mind is racing 100 paces ahead
I know it will eventually lose stamina
And begin retreating
But my thoughts have no intention of stopping
No desire to cooperate
And off they go again.

I'm feeling too much
I'm running in a straight line
But going in circles trying to catch myself
Steady, now.
I can only mask my insanity for so long
I can only run for so long before my pace diminishes
Along with my drive to cap my thoughts
I'm being taken over by my own self
Engulfed in an ocean of emotions
That won't stop trying to drown me
I listen once again to my feet on the pavement
And the tempo of my breathing
Ears picking up the echo of my heartbeat
My heart feels so much
But it still beats its rhythmic cadence in my chest
I want my mind to adapt to that same stability
I am running, but from what?
Steady, now.

— The End —