I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.

The thought of Justice
Given rights in the Constitution
RBG
It’s Judge Ruth Bader Ginsberg you see
She fought for Women’s Rights
It was at a time being a Women’s plight
Judge Ginsberg voice of persuasion
Her determination showing representation
Judge Ginsberg will be a legacy loss
She was one of Supreme Court’s victorious contributing force
The world will remember
Now Judge Ginsberg rests in Heaven’s slumber
Heaven has laws for her look at
Judge Ginsberg is now the Spiritual fact
Her work on Earth complete
Now her soul is in Heaven’s in God’s retreat
The Sundown was Judge Ginsberg work done
She is no longer among
Sunrise to Sundown being her footsteps
A Judge’s life in Heaven
Judge Ginsberg’s legacy is look up
I will be watching from Heaven above

My Second Letter to Allen Ginsberg
Dear Allen,
Almost five years ago, I wrote you a letter, and in
That letter, I purged my drunkenly woeful cries
That seem so first-world now and naïve –
The things I grimed over with luxuries I didn’t
Realize that rubbed against my plump limbs
Like millions of felines poised at the
Tombs of pharaohs.

Oh, Allen, I’m so tired –
These politics, and poly ticks, so many ticks that
Annoy my tics. Allen! I smear your name so liberally
Against this paper like primer because the easiest way
To coerce someone into listening to you like
A mother
or predator
tugging or nibbling on your ear –
Swatches of velvet scalped from a ****’s coat
Are you and I talking to ourselves again?
Candid insanity : Smoky hesitance.

Dear Allen, I’m so tired –
Yes, I love wearing my ovaries on the outside like
Some Amazonian soapbox gem glistening from beneath
The iron boots of what the newspapers tell me while
I cough at them with the hurdled delicacies of alphabet soup.
Give vegetables a gender and call them onions, Allen.
Sullied scratch-hicks pinioned feet from slapping
Society’s last rung on the ladder.
Ignore the swerve of small-town eyes.
Scapulas, stirrups, pap smears, and cervical mucus – now do you know who we are?

That fingernail clipped too short, Allen. We’ve all got AIDs
And AIDs babies, haven’t you heard? Hemorrhaging from the political
****** and out – they haven’t reached the heart.  
Since when have old white men given a **** about some
13 year old’s birth control? I’m riding on the waves of the
Parachute game and I swear this abortion-issue is just a veil outside Tuskegee University
Being further shove over plaintive eyes, swollen and black.
Pay up and
shut up.

I still remember my first broken *****, Allen.
Can you tell me all about your first time?
The vasodilatation that made veins rub against skin,
Delirious brilliance : unfathomable electricity.
I made love during an LSD experience, Allen,
And I am not sorry. I see cosmic visions and
Manifest universal vibrations as if this entire world is
A dish reverberating with textiles and marbles, and
All are plundering the depths of the finished wine
Bottle roasting in the sink like Thanksgiving Turkey.
The patience is in the living. Time opens out to you.
The opening, between you and you, occupied,
zoned for an encounter,
given the histories of you and you—
And always, who is this you?
The start of you, each day,
a presence already—
Hey, you!

Ah, Allen, if you are not safe, then I am not safe.
And where is the safest place when that place
Must be someplace other than in the body?
Am I talking to myself again?
You are not sick, you are injured—
you ache for the rest of life.

Why is it that I have to explain to my students that
sometimes what I'm spouting is prescribed by a pedagogical pharmacy --
but all they want to know is "what do the symbols on the television mean?"
I am completely aghast against the ghosts of future goners --
I am legitimately licensed to speak, write, listen like some mothers --
I am constantly cajoling the complex creations blamed on burned-out educators --
I am following the flagrant, fired-up "*******"s tagging lockers --
Pay up and
shut up.

Yes, and it’s Hopeless. Allen.
Where did we get off leaping and bounding into
The dogpile for chump change jurisdiction, policing
The right and the left for inherent hypocrisies when
Poets are so frightful to turn that introspective judgment
Upon ourselves?
We didn’t see it coming and I heard the flies, Allen.
Mean crocodile tears. Flamingo mascara tracks
Up and down : up and down: bow – bow – bow – bow
Buoyant amongst the misguided ******* floating around
In the swirlpool of lackadaisical introspection.
What good is vague vocab within poetry?
Absolutely none.
Would you leave the porchlight on tonight?
Absolutely, baby.

Dear Allen, would you grow amongst the roots and dirt
At the knuckles of a slackjawed brush of Ever-Pondering Questions
Only to ask them time-and-time-and-time-and-time-again.
Or pinch your forehead with burrowed, furrowed concentration upon those
Feeble branches of progression towards something that recedes further
And further with as much promise as the loving hand
Attempts to guide a lover to the bed?

Allen, I wish to see this world feelingly through the vibrations of billions of bodies, rocking and sobbing, plotting and gnashing like the movement of a million snakes, like the curves collecting and riding the parachute-veil.

Ah, Allen! Say it ain’t so! Sanctified swerve town eyes.
And everything is melting while poets take the weather
Too personally
And all the Holden Caulfields of the world read all the
*******’s written on the walls and all the Invisible Men
Eat Yams and all the Zampanos are blind and blind
And blind and blind and blind and blind
Yet see as much as Gloucester, as much as Homer,
As much as Oedipus.

Oh, Allen, do you see this world feelingly
and wander around the desert?
Colored marbles vibrating on the curtailed parachute paradox.
Lamentation of a small town’s onion. Little do we know, Allen,
That what you cannot see, we cannot see, and we are bubbling
Over in the animal soup of the proud yet weary. I can see,
However, how the peeled back skulls of a million
Workboots and paystubs may never sully the burden
Of an existential angst in miniscule amounts.
Pay up and
shut up.  

My dearest Allen, there is always a question of how
The cigarettes became besmirched with wax to complement
What was once grass, and
What was once a garish night drenching doorknobs.
The night's yawn absorbs you as you lie down at the wrong angle
To the sun ready already to let go of your hand
As you stepped, quivering, on to
The shores of Lethe.

If I were doing my Laundry I'd wash my ***** Iran
I'd throw in my United States, and pour on the Ivory Soap, scrub up Africa, put all the birds and elephants back in the jungle,
I'd wash the Amazon river and clean the oily Carib & Gulf of Mexico,  
Rub that smog off the North Pole, wipe up all the pipelines in Alaska,  
Rub a dub dub for Rocky Flats and Los Alamos,
Flush that sparkly Cesium out of Love Canal

Rinse down the Acid Rain over the Parthenon & Sphinx, Drain Sludge out of the Mediterranean basin & make it azure again,
Put some blueing back into the sky over the Rhine, bleach the little Clouds so snow return white as snow,
Cleanse the Hudson Thames & Neckar, Drain the Suds out of Lake Erie  

Then I'd throw big Asia in one giant Load & wash out the blood & Agent Orange,
Dump the whole mess of Russia and China in the wringer, squeeze out the tattletail Gray of U.S. Central American police state,
& put the planet in the drier & let it sit 20 minutes or an Aeon
till it came out clean.




                                                     Allen Ginsberg
                                                    Bou­lder, 26 April, 1980








.

I lie on my back at midnight
hearing the marvelous strange chime
of the clocks, and know it's mid-
night and in that instant the whole
world swims into sight for me
in the form of beautiful swarm-
ing m u t t a worlds-
everything is happening, shining
Buhudda-lands,
bhuti

blazing in faith, I know I'm
forever right & all's I got to
do (as I hear the ordinary
extant voices of ladies talking
in some kitchen at midnight
oilcloth cups of cocoa
cardore to mump the
rinnegain in his
darlin drain-) i will write
it, all the talk of the world
everywhere in this morning, leav-
ing open parentheses sections
for my own accompanying inner
thoughts-with roars of me
all brain-all world
roaring-vibrating-I put
it down, swiftly, 1,000 words
(of pages) compressed into one second
of time-I'll be long
robed & long gold haired in
the famous Greek afternoon
of some Greek City
Fame Immortal & they'll
have to find me where they find
the t h n u p f t of my
shroud bags flying
flag yagging Lucien
Midnight back in their
mouths-Gore Vidal'll
be amazed, annoyed-
my words'll be writ in gold
& preserved in libraries like
Finnegans Wake & Visions of Neal

( i )

I lucked out
on table 4 last night
window seat
baseboard heat
with intimate passages
from Ginsberg
in his purest
and most evident form

Cover-all Carl was draped
in his usual garb
(turning pages
of yesterday's news)
animating, culturing, bantering
on the fate of the
Greek barber
(in an accent of which
I'm not so sure)

His cronies
looked on
(with a twisted conviction)
countering
with their own tales
of ingovernance and woe
did you know that Panasonic
lost 5 billion last quarter?

The evening moved
in time lapse...
with painted winds,
streaming lights
and a host of
high school girls
running cold

Maleah passed
on her late shift
(checking the pile and trough),
patronized the boys
and called it a night

( ii )

The bald man
is back at it again
bickering at the till
(something about
a cold free coffee
or 99 cents
or the coloured guy
behind him who got it hot)
a kind Filipino
is trying to get it done
(at 8 bucks per)
losing her cool
and shedding a quiet tear

Wonder what the Purewals
or Haitians or Cossacks
would have to say
about this grim public reminder,
wonder what
this sad f*ck
will do tonight...
without his
bus pass
or sling sack
or broken Turkish stems

He picked me up hitchhiking on Tylerfoote Xing
My years were twenty, headphones on and moshing
I sported cut-offs and my "Docs" on that stubborn hot day
My Mohawk was three colors, I was an obvious gay

Allen Ginsberg 1984 in front of Ma Trux
He pulled over in a dust cloud, this was my luck
"Where are you headed?" said he, "I'm on my way to SF"
"Just to town." said me, "that's far enough."

"Where are you from?" came a chortle with this query
"From New Jersey I hail, how 'bout you my deary?"
A gaff of a laugh came then and two words, "me too."
"Oh really?" came my sarcasm, "How lucky for you."

"To escape," I finished then a gaffing  stabbed further
He looked so odd, my fear was, " I hope I'm not murdered."
Obviously much older, a bit pudgy and bald
When he told me his name it meant nothing at all

Said he was from Newark, this did not impress me either
"Me? Camden," though he might guess from my wife-beater
"What's that music you've got?" said my chauffeur
"A mixed tape. The Clash, DK's and Psychedelic Furs"

"Pop it in the dash, lets have a listen my friend."
As he glared at my flesh, I thought, "this is my end"
He popped it out almost immediately and declared
"This is awful and loud, your generation makes me scared!"
  
We argued a bit about music and art
"Patti Smith is the greatest poet!" I told the old ****
"She's from Jersey too, like Walt Whitman and us."
Allen's reply, "Oh really, what's the fuss?"

"Whitman comes from Camden, I'm a poet like him"
Ginsberg said, "oh yeah, well let's hear some Slim"
So I began to recite from "Leaves Of Grass"
"Not Walt! Give me yours kid, I don't want to hear him, you ***."

So I threw at him my most recent, "Angel With A Pool Que"
He complimented me so nicely, I believed he spoke true
"Ever hear of Howl? I'm a poet too."
He recited dozens of lines and I thought "p-u"

My offer was, "It needs some work"
His exclamation was, "Do you know who I am, you ****?
I'm Allen Ginsberg, you mean you haven't heard of me?"
I exclaimed my name back, boldly emoting "don't you see?"

We laughed together it was a joyous moment in time
Then his hand moved to my knee as he blurted some rhyme
I picked it right up and placed it back on the steer
"If that's what you want Sir, I can walk from here"

He stopped his car there in the middle of the 49 highway
"I mean you no harm young man, I assumed you were gay"
I explained, "Of course I am, but we are not going there"
He was a perfect gentleman then on, with out even a swear

I inquired with my friends when I got to town
Of this charming old poet I left with a frown
They jumped and spun and called me "**** crazy"
One handed me Howl in hard cover; I felt dim as a daisy

In the dream Ginsberg tells me I am beautiful,
he moves his stool a little closer to mine
to see me in the dull glow of the bar.
I sip at my cocktail as he takes Howl from his briefcase,
tells me Jack loves my baby-blue eyes.
Somewhere at the back of the bar
I can hear the jazz men munching sandwiches,
chatting to the girls who bring them empty beer glasses
for coins to be dropped into, for requests to fill.
The old poet with his Buddhist waistcoat
wants to change the world with his masturbatory atom bomb,
wants the President of the United States
to be silent, to be silent, to be
silent.

So Ginsberg calls the barman Moloch,
wants him to find himself in a wounded page
filled with Christmas catalogues that make the children sing.
It’s a bald-guy thing he tells the beer puller,
‘Look at the jazz boys **** the metal,
sweet sounds, Jimmy The Joe makes , sweet sounds.’
The barman wants the music to end
just long enough for him to miss the woman he loves.
‘So get your heart in a sonnet,’ Ginsy tells him
‘Get your heart in a ******* sonnet, gypsy caravan boy.’
I put my fingers to my temples, try to bring the poems together,
try to imagine the perfect microphone in the Kaddish hand.
Tell me another three line joke, Alan,
tell me the one about the Arabic love call you never heard
when your papyrus was just desert dust.
You know the one, Allen.  You know the one.

The jazz boys find their lips as Ginsberg finds his tear ducts;
I want him to chant his evolution into the mind of the sax solo.
‘It’s just us,’ he tells me, ‘we’re saving the world, Johnny Boy,
the greatest minds of my generation were ****** up the ***
so you ungrateful rhyming ******* could put colour on your book covers;
you see Lawrence throwing his spanners into the printing press?
That’s our little revolution: cherubic haiku page numbers
just waiting for the computer evolution to do something worthwhile.’
So Alan sorts his papers and gives that little attention-seeking-cough
the barman has been waiting all night for.
He pours the drinks, cuts the lime,
lets the poets supply their own anecdotes for this one-night-stand
that’s going to set every ******* pulse racing,
every heartbeat breaking for the goatee beard going grey.

In the dream Ginsberg tells me I am beautiful.
I tell him his spotlight is shining.

(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.

Oh Allen, the moment I read Howl I fell in love, Oh Allen the moment I read Kaddish I cried in beauty. Oh Allen the moment I read an article about so called beat poets I was content.
Allen for no man may ever be as beautiful as you. For no man may ever be as wise as you.
At night I sit reading obbsesevly over the big book named "collected Poems. 1947 to 1997, Allen Ginsberg.
Oh Allen for I love your gayness, oh Allen for I love your talk of obscenety, oh Allen for I love your poems which ring threw my mind during everyday caseual conversation.
I wish for that death could have delayed the taking of your beautiful soul, so we could sit down at Weeds cafe drinking coffee as we read 1861 by Walt Whitman. Or sit down in A new York Jazz club listening to A trio as we read each other's newest work.
When I daze in the light of the day I dream of you Allen. For some dream of ***,hourses or streak I dream of you Allen Ginsberg... I dream of you.

Ellie. My name is Ellie.
I want to be a writer. I want to be a star. I want to be free.
I imagine myself riding on wide open roads,
on the back of a motorcycle with a boy
who is as much of a ghost as he is a person.
I imagine myself dazed in rooms
filled with a purple glow.
I imagine pills, lust, liquor, leather.
I want to live forever
and I want to die young.
My name is Ellie.
I don’t know what home means;
I don’t want to.
I need people to love me.
I will break all of their hearts.
I imagine late nights in underground clubs…
Marlboro, rock & roll, Howl by Allen Ginsberg–the bible.
Tanqueray;
falling down in a graveyard muttering in Romanian,
hoping for salvation,
but while I’m called an angel night after night
I’ve got the devil in me.
Rosewater runs through my veins,
the blood has already been spilt.
I won’t ever belong to anyone, not even myself.
When you have the knowledge that nothing’s real
it’s hard to do what’s expected of you.
I relate to flowers a lot.
They’re beautiful, but they don’t last.
Sometimes no matter how hard you try to take care of them,
they just run out of life.
I think I ran out of life the day I was born.
Everything is nothing.
The gods don’t want you to know that,
but that is the one truth.

And it's difficult to remember something as the very name of Eisenhower
Or flowerbaskets
And tired movies made of silicone and
Aftersex
Or sixteen candles echoing out of an imaginary suite with cigarettes at every table
And green lawns
Barbershop conversation
The reflection of the sun in special trees
Or my best friend Jesus Christ
Or the smell of the theater that one day with the cynics who just got back from a tennis match and barbwire still laced delicately around their thoughts and
Nihilism
And automotives
And priestess Jane or Henry's gloomy doppelganger who reads alternative magazines and loves the aesthetics behind broken glass
And fine tuned musical instruments

It's difficult to remember
Lonesome Fridays smoking on a park bench trying to finish the puzzle
Or synagogues you've never been in
Or insurance
Or newspaper articles detailing the misadventures of Mr. City
(Of course of course! Take your shoes off at the door and make yourself at home)
We're tossing all our sewage into the ocean
that's far from clean as it
LOOKS anymore these days
That's anything
And everything except for the glowing mountains seen faded and wintry behind Apartments and the
"Glorious Mexican House of Spices"
Never been in there either

It's difficult to remember
Times of Mr Twin Sister
Or Joan Jett in the hallway
In a highschool who's psychology classrooms have become a time capsule in the ground/
Or the gentle skinny ******
Wearing Broadway makeup and
Kafka tattooed on his shoulder
I like his hat
He looks at me suspiciously
Or the guy who is yelling his order at the counter when it's quiet here anyways
Or the mariner who has a hobby of the saxophone
Or 1970s *******
Or the sheepskin bikeseat fad that's yet to come but I'm predicting it now!
Or two dollars and twentyseven cents at the beginning of Allen Ginsberg's America
"I've given you all and now I'm nothing"

It's difficult to remember
The Oriental
Sacramento flies
Midnight Moon
Quarter to four
"The Immortalization Commission"
Remodelled hotels downtown
Where mandalas on the floor became a
Tiger lily luminous
And the kimono is yesterday's painting/
Dearest Darling
When I was feeling down!
A staircase in reverse (??)
The sound a kiss makes
It's difficult to remember
Colleen's earrings
Or Washington State
Or air conditioners in Bali
The Indian ocean's daybreak hymn
To Seminyak
Or whatever happened to Steve from the Airplane out of Taiwan
On 3 days awake
Hello Kitty nursing stations
****** (Kubrick's version)
Cardboard taking up half my bedroom
It's difficult to remember until I jot it down and then its a sudden forever
Sunshine Superman in a cafe spontaneous
drawings with someone I just met who has some ******* attitude/
Who hops fences and has feral ideas
People! En Masse! Te Amo!
You're all in wolven liberty
And vague postulators
And holy prostitutes for the dollar
Sad eyed intellectuals
With undergarments made of breakfast cereal/
Seaferry poetry is different from
Trestle in August poetry
Or henna handshakes
Or the Napoleonic era
Sweet Cherry Pie
The tulip's tongue
Garabajal
Cloudy first day of July
Was hotter yesterday
But not too hot

It's difficult to remember
Antiquity
The pale horse Studebaker outside the clinic
With a glossy red trim and **** I wish that was my ride
Andy Warhol's exploding plastic inevitable
Nearsightedness
Angels and their ability to shower with a a snap of their fingers
Distant harp music
Better him than me
Bananas almost ripe
Green aquatic
Reclusive junkies
Palomo's appliances
Questions for the next time
How much I like what you like and how I like that you like what I like
Ahh that's not my bus
I'm trying to get to the city!
That one quote Socrates is known for about knowing nothing as true wisdom
Supermarkets being built on top of liquor stores burned down a while back
Monopolies
Tragedies
"No Love Lost"
THE HOUSE ON HAUNTED HILL
Your guess is as good as mine
Never tried to eat Asian food in Asia
It was all pasta and good cider that tasted like pineapple
Rain hitting the window and I'm
Drowsy again
God Save The Trees!
Curly hair looks good on boys
Torn up blinds
Queer as a three dollar bill
If Bill costs 3 dollars I'm sure he's caught something better safe than sorry
Sage advice
I'm the very model of a modern major general
Golden yen and international currency
Incense in the bedroom and how good it smells
There's my bus! Applying for a better job than the one I got now
But that's how it always is right?
Chasing satisfaction
1007 apt
Porch ornaments
Unique names
Unique style le style
The extra charge on foreign ATMs
Cordoroy polo shirts
Flooding in New York!
When someone's face screams *******
"Slippery when wet"
Dine N Dash
Grass gone yellow
Confidence in dyed hair and capes as long as wedding gowns
But less expensive
Doors that always seem to be locked and I'm wondering 20 year later what's behind them?
Albino animals
White thoughts as clouds or
Abstractions
Weathers nicer in Florida but who cares
Festivities this early in the day
Automatopeia
Do sad orphanages still exist?
Just like the movies
Midnight in mirrors
That sick puppet at the shoe shop used
To know how to really hammer it down
And now he's weak and forgotten
Never heard the words of a true prophet only Oceania
Or the private temple near Apollo Bay
Like Japanese gardens behind that gate
Will I ever see it
Make a proud example outta ya misbehavior
Form without function
Exhausted spiritualism
*** Kettle Black
negative photographs of dark rooms
And there's laughing coming from SOMEWHERE
Essays on kleptomania
Had a bad dream I became a cliche
Surrounded by other freaks and there was a lovely ***** I fell in love with her
We married in Oregon by the sea her name was rosy
***** rosy
Check your mailbox for nails
And what you don't wanna hear/
If you were a vegetable you'd be organic!
Empire
Satirical bubble gum
Satori
Linda Lovelace and her special party trick
That's someone's fantasy
Diamond in the rough
Mister guy with two black eyes frequents the adult playhouse
Hes fully stocked on fishnet leggings
He's too proud to put them on himself but
Has nobody else around
Boo hoo
Swigs back the whiskey and trips down the stairs getting a third black eye in the process
Marion came by with her dog the other day
Wanted her box of clothes back but he loved to sniff them to remember her
But she wouldn't have it

"Honey I'm going to call the police!"

"Ah they don't give a **** they have bigger things to worry about"

"Yeah you got that right shrimp **** enjoy my unwashed *******"

And she never came back again
He started losing the vertebrae in his spine 1 by 1 and you know where this is going
I won't say he was a poor man because he had it all coming to him the *******
But he coulda had a better start if you ask me.

It's difficult to remember
And even more difficult to forget
After the fact

Seagull opera
Giganticism
Portrait of the artist as a young man
Losing one's pencil when the best idea of your life drops down from heaven and into your sorry head
Signs graffitied to have funnier meanings
Cruelty
Impassive
The Loyal Lioness
And Bangladesh has too many kitchens
And not enough dishes
When I was young I used to say Island as "is-land"  
Which is true it is land
But the Europeans probably stole it from somebody else anyways/
I left my future behind
And objects in the mirror are closer than they appear
Im no illusionist
I'm terrified of the cracken
Father feels the same way about
Hotels
Why bother/
This has been going on and on for a while are you tired yet
Is your patience being tested
Mine isn't because this wasn't an all-at-once kind of rambling
It's extremely important to laugh at least
Once a day
Otherwise you'll find yourself a politician
In no time at all
Rockefeller
(         ) Quaint home to die in
I think
Trains create great music
Float on
Sink into yourself
Roses in a crooked alley
That's people
Busy busy busy busy
Let's describe a situationist
I'm not a fan of bright colors on clothes
Your best shade is blue
Bricklayers transcription of Don Quixote to a skyscraper
Rocket thyme
& Garden
Erratic children's
Insomnia
The doorbell repeatedly
Vancouver riots/ I saw that live on the news!
Pictionary with the surrealists
N Dada TV set MC Escher
Antenna
You're in the Twilight Zone now
Dear Ramona
I'm trying to make it up to you
With a brightness only seen when you're ready to see it so please for the love of God don't blame me when it's not appearing
The tapestry hidden
Keep your blankets clean
And avoid hospitals unless you're fine with fishbowls & the halogen
The water gestapo
Storage lockers full of unacted plays and
Antique microwaves
Emitting the nostalgia of the cold war era
And what a waste of time that was /
Walter Wanderleys presence in Autumn universities
The opening of Vivre sa Vie
Salvador Dali's pluvial taxi
Lightbulb epiphanies
Aquariums and their protestors
Zebras in the shade
Two wrongs dont make a right
Elizabethan theater
Saloon shootouts in a fever dream
I lost and bled out all over the rustic wooden floor
A maiden reached out for me and El Paso did play I woke up and pretended nothing happened/
Funerals for bad People who did bad things
My first memory of a cat beneath the mattress
Hello Dolly!
Auditory learning
Psychotherapy
Lillian the landlady lost her ladle and labeled little Lyle as a lair
The Black panther movement
Reading symposium some years ago and
Making note that Phaedo was still my favorite dialogue/
Zen Buddhism
Xoxo xoxo
The day Gypsies were replaced with
Surface ****** appetite
And not the real thing
Newspaper clippings
Hypnotism when all other options are out
Mystical visions of sidewalks
And the love of your life stepping through a door you've never seen
Maybe Yes No I Don't Know
Creature comforts
Che Guevara's problem is that his beard made him too easy to recognize
(Also that little hat!)
Chinese cough medicine didn't work
For long I still wheeze sometimes
Domestic violence thru the wall
Ceiling fan probably doesn't even work!
Dimpled laughter
Yankee Hotel Foxtrot
In skytrains to Commercial
Bermuda in her mind
And courtesy in her voice
I'm no Arthur Rimbaud
But you already knew that
Alcazar of Seville
Filling up the shipbottle
Here's your paradise
Now relinquish it as it is
False!
Hare Krishna
Nowhere Fast
El Diablo and the
Portofino loaf left rotting on the countertop
Latin children speak of the sacred viper
You'll hear of it after this but we'll never see what the ******* meant
Heads alternating round the social current
Of my lively city
There's a dog soaking up the rain
And songs are made in honor of
Recent catastrophes
Trials are dealt
Cards cast to the gutter
New York quiets down for the news of another war
You scratch my back I'll scratch yours
Skeleton key
Ballad of the last wailing zoo
THE ATRIUM
Complexity in simplicity
That's how Brainard got me!
Elderly overcoats
Hiding purest LSD
Is a fan of Hawaiian T shirts
And a communist
What if I was a Freemason
Or owned a tanning salon
Faint crimson
What did Marv look like again?
"You're surrounded by people who love you"
Coffee when one needs it
GOODBYE BLUE MONDAY
Tattoos on the wandering man
Oriental chimes and the people who own them
Bus stop regulars
Vines overtaking power lines
The hypnogogic state
Strawberry light softening
The mind
Sister Ray LOUDLY PROCLAIMING
doitdoitdoitdoit
Passing the graffiti n Pluto neon
Halal wide awake another Saturday
Where's the Karaoke
Flashing by here
Those who find comfort in a bridal scavenger hunt
Or expensive beer
And here comes the hooded clown
Clamoring about his favorite
Loudspeaker
Telling me my time is soon and the noise
Drowns out the drowsy bliss
After hour spirits the perfect time for
Writing and trying to read distant Chinese
Indecision on the tip of the tongue
"NOW WHO IS THAT KNOCKING
ON THE CHAMBER DOOR?
COULD IT BE THE POLICE?"

I'm completely off the topic
And into Apartment lobby photosets
Low battery phone calls
Confessions
Nauseated reverb
Trying to see the attachment people got with bingo halls
And moving companies
Ah no luck again
Eve is at it with her showtunes
Halfway methodology
Triage
Paisley headbands left
Distraught on the quivering
Heater
Dwindling sunsets
We're truly disciples of the moon spirit which grants us more energy
(This is according to a drunk I met one night)
Or ***** old men
When the horizon is engulfed with
A winking cinder
Suitcase at the door
Last time
First time
Magician never reveals his fetishes
(They all have to do with bags under your eyes)
Employment office dramas of my friend the one who blinded a social worker
And the one who blamed Islam
And the one whos philosophy entirely consisted of Spooky Action at a
                                            DISTANCE
Parisian riots
Queer youth
Didn't make the team! Jester
'cross the hall who's beard suggests
Ishmeal n car battery n expired vegetables n rain which crosses the line n
***** cranberry n
Poorly fitted suits n
Harsh pigment n incense shops n
Bocca     secret towns
With churches more beautiful than any you'd find in your own city
n the cultural market
Xylophone ear to ear
Soul cleansing starting at only
$89 (with a 6 month guarantee)
Sophie's birthday and her picnic at Victory Park
The nearby bums trying to sell tea mugs and
Loose wires beside gated convenience stores
I'm an Island away attempting a poem
And never bought a scratch n win
Or heard the same song more than seven times in a row or been in a column
Or escaped the washhouse
Invested in a birdcage for next year
Been to a palm reading
Visited Oasis
Smoked salmon
Told anyone else about Montana
Screamed the things I'd like to scream
** Word of the day
Or kissed a lunatic or swallowed the corpse of yesterday
I keep her on my neck until
I'm too anxious to let go
Counting streetlights
Jeans worn in and faded to be sent off to
A lonely caffeine addict
Christmas Eve I'll be reading a postcard from San Francisco
Asking the same questions
My imagination is made of a different material than last week
Now it's the same color as your hair
HEY that's a good pickup line to use in the heart of the Canadian Embassy
Drinking discarded music resembling a sweater you may have said YES to if it wasn't so unsure of itself
And now Mr. Acker Bilk ascends thru the window of an August home
Like a lazy hornet
I'm still lost without identification
Or a nice belt
As happens when one uses a quality item too casually
How did uphill suddenly seem so downhill?
I'll claim a waterfall
For SALE that inevitable Indonesia
Greyhound O another greyhound O another greyhound
I'm fretting too much about not enough
Delayed the Airport and the yellow question

????

II

What if I knew how to read the curb?
Or translate drunken droll
What if I was never tired again and could
REALLY do anything I set my mind to?
What if I was the first cigarette that cured cancer instead of caused it?
What if I could end superstition
And walk underneath any ladder I wanted?
What if I could make it with a young Audrey Hepburn!?
What if I stopped pretending to be a microphone and got on with "it"
What if the grocery store closed later
And I opened earlier?
What if parking lots werent so sad
All the time?
What if gravity simply had enough of exotic birds and specifics?
What if we stopped trying to recreate what is truly lost?
What if foreign children embraced
Wasting time instead of
Midnight starry bicycles
And the antics of a monk
Disguised as a romantic?

There are those that worship God
And those who worship the Sun
And those who worship nothing at all
But I suppose on the last bus
We're all the same exhausted
Voice who can't wait for next pay day
What is an empty bank?
Or authenticity
What is there to prove anymore?
I hope I don't die tonight and regret
Being impulsive for once
You're a smart shadow
And a dull character
Pushing the last of the daisies
Get the lamp to turn on again
Give the pavement something to look forward to with your walk
Be consistent in being inconsistent
If there's a word there's a ***** and a poem for it!
We all oughta worship
Nothing at all except
Clarity
Compassion with ones neighbor who either forgot the pay the electricity bill or couldn't afford to
We're a swimmin

I grew up in suburbia-
With picket fences as white as the faces
Who say they're godly enough to save babies
(As long as they're not queer)
Because we don't have to live with the fear
Of corpses lining the sidewalks
Of our perfectly landscaped yards
We have no guards firing on peaceful protestors
Because our children are filed into orderly lines
Laid out for them at birth
But for what it's worth, we teach them of racism
From a white textbook that lies about founding fathers
Where segregation is just a word and
Oppression is hardly even mentioned.
Our children, who play at the age of 6
And lose their innocence at the age of 16
Suburbia is a life of it's own,
Gangly arms and legs
Like the teenagers who starve themselves
And steal their parents liquor
Just to get drunk quicker
Ignorant of those on the streets dying of hunger
No wonder I yearn to be far from this hell I call home.

Allen Ginsberg once said
“America I’ve given you all and now I am nothing”
The Wonder Years once said
“Suburbia I’ve given you all and now I am nothing”
But I’ve found fallacies in both of these,
I feel it’s more like
Suburbia I’ve given you all
And now I’m an awkward 20 year old
Who doesn’t know how to talk to black people
Suburbia I’ve given you all
And now I’m way too confident walking around the city at night
Because I forget there are communities
Where people actually have to lock their doors,
Suburbia I’ve given you all
And now I have a 16 year old brother
Who thinks the word *** and **** jokes are funny
Suburbia I've given you all
And now my father hates that I'm for gender equality
Well dear daddy,
I hope this offends you.

Because I am offended
By a community that tells **** victims they were asking for it
I am offended by a community
That tells my best friend Liam
That he's just confused, that
His love for Adam is an abomination
I am offended by a community
That offers equality as thinly veiled oppression,
With houses decorated in the decadence of degradation,
All the while their perfect sons and daughters
Are dying of depression because
The hilt of a gun is so much quicker
Than the drugs of their addiction

Suburbia, you are the seed of suicide
Feeding off of your violent silence,
Your white fences slice our tongues
And leave us mindless.
Suburbia, you have betrayed us.
Taught us ignorance is bliss with
Algebra instead of how to do taxes,
Spent more time worried about
Girls' shoulders instead of *** education,
Taught me not to speak unless
My hand was raised as if praise
Is given to authority without question,
Funny how they forgot to mention
Our country was founded on rebellion.

But suburbia, I forgive you
And so I humbly ask of you,
Find the keys of compassion within the heart and
Shed the lock of ignorance that grips your mind
The door may be rusted but it can open with time
Suburbia, I beg of you
Join us in the war of love
Let us all raise our fists and
Paint peace signs on our wrists,
We are disobedient dandelions swaying in the sun,
Words of kindness rolling off our tongues
Like pacifistic shots of a gun
Firing respect instead of rounds
And burying hate instead of bodies in the ground.

Beneath the Roses,
Down stairs of bone,
the Twilight has fled,
and I am home

At the Nightclub Carnival,
Six-Six-Six Feet Under,
Morphine Martyrs dance with
******* Thunder

Lost among the Nocturnal Nymphs,
the Wildflower Cannibals eat
Innocence.

Violet Vapors
Scholars of Marijuana
Let's **** the Beatnik Babes
into a different genre.

We are New York Fairies and
their ****** Brothers.
Our hearts play on vinyl,
we're the Devil's lovers.

I've become my own Altar,
for the dead pray to None
Under Ginsberg's Grave,
The Party's just begun.

- M.R

"who scribbled all night rocking and rolling over lofty
incantations which in the yellow morning were
stanzas of gibberish,"
            --Allen Ginsberg, "Howl"

I scream into the night
or perhaps I
howl, knowing nothing save
that I am, because I feel
which is, ignoring philosophies
of nothingness, enough for me

I am, scientist, poet, eater,
drinker, knower, lover
thinker
thinking
not knowing, but
believing

in laughter, a curse because
it is strong, sounds corrupt
as it curls away from my bitter tongue
like the smoke from a fire
that burned uncontrollably
through the night and in the morning
we awoke to the ash

consuming poison knowing
hoping that we may see
what our healthy, clear minds cannot
a world in which we comfortably
belong, can say “home”
and mean it wherever we stand

from your house at R’lyeh*, in
your tomb forever ensconceed
your laughter echoes and sours
the night which I call home
a gentle scorn upon my past
apocolyptic loves
destroying (or *******)
reason and care

the sober-now mind
completes the thoughts
of my past abstractions
calling me ever back
to the nights in which I was built

Last nite I dreamed of T.S. Eliot
welcoming me to the land of dream
Sofas couches fog in England
Tea in his digs Chelsea rainbows
curtains on his windows, fog seeping in
the chimney but a nice warm house
and an incredibly sweet hooknosed
Eliot he loved me, put me up,
gave me a couch to sleep on,
conversed kindly, took me serious
asked my opinion on Mayakovsky
I read him Corso Creeley Kerouac
advised Burroughs Olson Huncke
the bearded lady in the Zoo, the
intelligent puma in Mexico City
6 chorus boys from Zanzibar
who chanted in wornout polygot
Swahili, and the rippling rythyms
of Ma Rainey and Vachel Lindsay.
On the Isle of the Queen
we had a long evening's conversation
Then he tucked me in my long
red underwear under a silken
blanket by the fire on the sofa
gave me English Hottie
and went off sadly to his bed,
Saying ah Ginsberg I am glad
to have met a fine young man like you.
At last, I woke ashamed of myself.
Is he that good and kind? Am I that great?
What's my motive dreaming his
manna? What English Department
would that impress? What failure
to be perfect prophet's made up here?
I dream of my kindness to T.S. Eliot
wanting to be a historical poet
and share in his finance of Imagery-
overambitious dream of eccentric boy.
God forbid my evil dreams come true.
Last nite I dreamed of Allen Ginsberg.
T.S. Eliot would've been ashamed of me.

When the fat ***** spat in my face
and called me a hippie,
I wasn't sure if it was
better or worse
than being called a hipster poser
in the city.

The fat ******,
the ****** poets,
the lesbians,
and the saliva
are all the same.

Pointless plot twists in
a headache of trite storytelling.

And you can ask Plato if his
"is-ness" really meant all that much,
and you can ask Bukowski if he
found the celestial kissing the *******,
and you can ask the drunken Catholic dukers
if the clover has a **** thing to do with it,
and you can ask the caterpillars that
don't want to be butterflies,
and they'll all bark the same interwoven tune:

nobody is right,
God is a coward,
my boss owes me reparations ,
and any dumb dog spouting off superiority
needs a steel muzzle and a molecular transfusion.

California highway buzzes and the searing sun shines on the beach towel as I stroke Walt Whitman's beard
Transcendent and alive, but dead, still dead as my brother and his brothers, the 19th Century posse
We know the world better than them but are less learned, as the schools are a failure
and the business is us, but not the same as the industrial business of yesteryear
We are here to consume, consume and as we're dying of consumption , we consume more.

Alcohol, cars, phones and laptops, tablets, tablets, pills and more pills, condoms, liquor, ***** and brews, women, men, more women, more men, razors, lasers, heaters, coolers, snacks, rucksacks, ex lax and nick-knacks. They sell us dreams and nightmares, movies and bomb scares, they sell us news by the hour and power as they exert their own power. They give us gifts and incentives, draw us in so they they can stick us with a pin or a bracelet, and we too can sell to our friends on group hangs or as we stand still listening to our favourite bands. Billboards scream for our attention, or the buses stop at the intersection, and we're supposed to open our little phone and buy whatever is advertised. Why? Y?

They call us the Y generation too, why? Perhaps we ask the question  too much, perhaps we haven't asked enough. Perhaps the X generation simply ponder why we are so consumed with the technology they feed us. Why? Why must they question us, when we are the next great generation, we do laugh at that too. The internet is the new religion, bow down before Google and drink from the pixelated chalice, my child. Any question one could need answering is answered by the internet. The Bible is irrelevant in our society, burn it and download a bible app on the latest smartphone, the Qur'an too, hell, try the Tanakh, the Smriti and the Pāli Canon, for we are enlightened ******* It. And we want more.

somenonamesarcasticasshole@yahoo.com
RE:PARTY TONIGHT!!!!!

Hey yo mane some warehouse downtown has this dubstep DJ from like ******* Iraq or some ****. *** down, gonna be hella ******* there
xo

What music do you like?
All of it
Films?
All of them
TV
I don't own one but I watched every episode of The Wire on Netflix
...
I am a pansexual being riding the ever changing dunes of the Sahara, like so many great poets before me.

Digital immigrants and immigrants of empathy too
How serious do you believe us to be?
I am not using sarcasm as a form of wit for I have no wit.
Stoicism and rejection of education, employment and training.
We surly are the neatest generation, how can we make a mess if we are not awake most days?
Save for the endless party that is life, as we throw used glow sticks at women we desire
and ***** over car windows before getting blown on the lawn

lol dat wuz cray last nite
xo

Die young poets we have no desire for your kind, pacify us with Kerouac and Ginsberg so that we may emulate intelligence and impair the senses, for we care not about the real world either
Our world is the only one that exists, yours will soon crumble
We have trained for the end with extensive views of zombie flicks in coffee houses

@SomeFacelessJerk Follow for follow

Hey OP, you are a ******.
Why yes, yes I am. Does that bother you.
No, OP. You see I too am a ******.

Do away with your hurtful words they have no meaning today
White man died and lost control of his precious dictionary
We are here to save language by replacing all vowels with X's and O's
We are here to consume and in turn consummate this marriage,
the marriage of ignorance and bliss.

America, you are corrupt
America, you feed fuel to the fire that diminushes the lower class
America, why are you so obsessed with power?
America, why do you insist on shaming the human body?
Is it because the government is scared of being naked itself?
That if the government let some skin show all its secrets would show with it?
America, why most you antaognize me?

America, why are you so obsessed with war?
America, you don't need to be so obsessed with war.
Your manhood is so offended that you take all the men from their hoods and send them off to fight in your pity wars.
America, land of the brave.
America, land of the men who are so terrified of the color red that all they see is red.
Red, white and blue.
America, are you a communist?

America, why can't I smoke some trees in peace?
America, you cut down trees:
Are we any different?

America, are we any different?
You and your Americans shame everything that isn't white
No wonder it took so long to perfect the color television
America, why do you hate rainbows
You'd have it rain like bombs before you'd let in a new kind of beautiful
America, you are not beautiful
America, you are not beautiful
America, look into the eyes of the American people and take a look at your own reflection
America, you can be beautiful.
America, you truly can be beautiful
America, one day I hope you are beautiful

Backstory: A Memoir

For Vicki

By AT

5

While I was downstairs, folding laundry in the basement, I heard my sister Vicki stomping upstairs to the room that used to be mine, slamming the door, and locking it shut.

I was a ****** older brother. And Vicki learned that action from me.
Then, I heard more footsteps. Louder stomping. And I knew, with certainty, it was Mom coming after her.

I'm not an omniscient narrator, so I don't know what Vicki does when the door is locked.

But I do imagine she is reading. Vicki’s been using her Kindle that Mom got her for Christmas. She adores Gillian Flynn and Suzanne Collins. She's starting to get into Philip Pullman which is swagger. I remember reading His Dark Materials when I was in elementary school.

The Golden Compass ***** you into that world, like during June when you're hitting a bowl for the first time and you're 17, late at night on Bethany beach with your childhood best friend, and the surf is curling against your toes, and the smoke is trailing away from the cherry, and you begin to realize that life isn't all about living in NOVA forever, because the world is more than NOVA, because life is bigger than this hole, that to some people believe is whole, and that's fine, that's fine because many of our parents came here from other small towns, and they wanted to do what we wanted to do, which is to pack up our stuff into the trunk of our presumably Asian branded car, and drive, drive, until they reach a destination that doesn't remind them of the good memories and the bad memories, until memory is mixed in with nostalgia, and nostalgia is mixed in with the past.

Maybe I'm dwelling on backstory, maybe you don't need to hear the backstory.

But I think you do.

Life isn't an eternity,
what I'm telling you is already known, known since there was a spider crawling up the staircase and your dad took the heel of his black dress shoe and dug his heel into that bug. And maybe I'm buggin’, but that bugged me, and now I'm trying to be healthier eating carrots like Bugs. Kale, red onions, and quinoa, as well. Because I want to be there for my sister, Vicki my sister. All we got is a wrapped up box made from God, Mohammad, and Buddha.

Soon, I heard Vicki’s door handle being cranked down and up, up and down.

Mom raised her voice from a quiet storm to a deafening concerto.  
Then, there was silence, followed by a door slamming shut.

Welcome to our life.
Later on that night, Vicki sped out of our cul-de-sac in her silver Honda Accord—a gift from Mom to keep her rooted in Nova—and even from the front porch of my house, I felt a distance from her that was deep and immovable.

I sank deeper into my lawn chair and lit a jack, but instead of inhaling like I usually did, I held it out in front of me and watched the smoke billow out from the cherry.

I always smoked jacks when she was not there, because I didn’t want her to see me knowingly do this to myself, even as I was making huge changes to my life. It’s the one vice I have left, and it’s terrible for me, but I don’t know if she understands that I know both things. Maybe instead of caring about what jacks do to my body, I should care about what she thinks about what I’m doing to myself. This should be obvious to me, but sometimes things aren’t that obvious.

4

As we grew older Vicki and I forged a dialogue, an understanding. She confided in me and I confided in her, sharing secrets, details about our lives that were personal and private, as if we were two CIA agents working together to defeat a totalitarian government—our tiger mom.

But seriously our mom was and still is swagger as ****—rocks Michael Kors and flannel Pajama pants (If I told you that last article of clothing she'd probably pinch my cheek and call me a chipmunk. Don't worry I'm fine with a moderation of self-deprecation).

The other day Mom talked to me about Vicki and explained that she was upset and irritated with Vicki because of her attitude. I thought that was interesting, because I used to have the same exact attitude when I was my sister’s age and I got away with a lot more ****, being that I'm a guy and the first-born. I understood why she would shut the front door, exit our red brick bungalow, and speed away in her Honda Accord, going towards Clarendon, or Adams Morgan, spending her time with her extensive circle of friends on the weekdays and weekends.

Because being inside our house, life could get suffocating and depressing.
Our Grandparents live with us. Grandpa had a stroke and is trying to recover. Grandma has Alzheimer’s and agitates my mom for rides to a Vietnamese Church. Besides the caretakers, Mom, Dad, Vicki, and I are the only ones taking care of my grandparents.

Mom told me that she believes that Vicki uses the house as a hotel. Mom didn't remind me of a landlord, and I believe that Vicki doesn’t see her as that either.

I didn't believe Vicki was doing anything necessarily wrong.

She had her own life.

I had my own life.

Dad had his own life.

Mom had her own life.

I understood why she wanted to go out and party and hang out with her friends. Maybe she was like me when I was 21 and perceived living at home as a prison, wanting to have autonomy and freedom from Mom because she was attempting to make me conform to her controlled system with restraints. But as Vicki and I both grow older I believe that we see Mom not as an authority figure; but, just as Mom.

Vicky and Mom clash and clash and clash with each other, more than the Archer Queens of The Hero Troops clash with the witches of the Dark Elixir Troops.

They act like they were from different clans, but they're both on the same side in reality.

The apple does not fall far from the tree. And in this case the tree wants to hang onto the apple on the tip of its rough, and yet leafy bough.
Because the tree is rooted in experience and has been around for much longer than the apple.

But the apple is looking for more water than the tree can give it. So the apple dreams about a summer rain-shower that will give it a chance to have its own experience. A similar, but different one, to the darker apple that hangs from a higher bough, an apple that has been spoiled from having too much sun and water.

3

During Winter Break, Vicki scored me tickets to a game between the Wizards and the Bucks. From court side to the nosebleeds, the audience at the Verizon Center was chanting in cacophony and in tempo. Wall was injured. But Gortat crashed the boards, Nene' drained mid-range shots, and Beal drove up the lane like Ginsberg reading Howl.

Vicki and I both tried to talk to each other as much as we could; unfortunately, Voldemort—my ex-gf—sat in between us and was gossiping about the latest scoop with the Kardashians.

Nevertheless, Vicki and I still managed to drink and have an outstanding time. But I should have given her more attention and spent less time on my smartphone. I was spending bread on Papa John's Pizza and chain-smoking jacks during half-time, and even when there were time outs. When I would come back and sink into my plastic chair, I'd feel bloated and dizzy.
And I'd look over at Vicki and either she was talking to Voldemort, or typing away on her smartphone. I didn't mind it at the time, but now I wished I had been less of a concessions barbarian/used-car salesman chain-smoker, and more of an older brother. I should have asked her about her day and her friends and her interests.

But I didn't.

Because I was so concerned about indulging in my vices like eating slices of pepperoni pizza and drinking overpriced beer. There's nothing wrong with pizza or beer. But as we all know the old saying goes, everything is about moderation.

Vicki scrunched her nose and squinted her eyes when I would lean forward and try to maneuver around Voldemort, trying to talk to her about the game and the players in it. I imagine that when she smelled the cigarette smoke leaking away from my lips, that she believed I was inconsiderate and not self-aware.

After the game, we went to a bar across the street from the Verizon Center, and bought mixed drinks. Voldemort was D.D., so Vicki and I drank until our Asian faces got redder than women and men who go up on stage for public speaking for the first time.

I remember this older Asian guy was trying to hit on her.
I took in short breaths. Inhaled. Exhaled. I cracked my shoulder blades to push my chest forward.  

And then, I patted him on the back and grinned. The Asian guy got the message. You don’t **** with the bodyguard.

Vicki had and still has a great boyfriend named Matt.

I guided Vicki back to our table and laughed about the awkward situation with her.

The Asian guy craned his head toward me and did a short wave. And then he bought us coronas. Either, you’re still hitting on my sister, or it’s a kind gesture. She and I better not get... Or am I overthinking it?

But seriously, I wished I had been the one to spend money on her first—she had bought the first round of drinks. Because at the time, my job was challenging and low-paying. Or maybe I just wasn't being frugal enough and partying way too often.

I still remember the picture that a cool rando took of us, drinking the Coronas, and how I was happy to be a part of her life again. Our eyes were so Asian. I had my lanky arm around her small shoulders, like a proud Father. She had her cheek propped up by her fist, her smile, gigantic and beaming, as though she had just won Wimbledon for the first time.
I was wearing a white and blue Oxford shirt that she had gotten me for Christmas with a D.C. Rising hat. She had on a cotton scarf that resembles a tan striped tail of a powerful cat.

My face was chubby from the pizza. Her face was just right like the one house in Goldilocks. The limes in the Coronas were sitting just below the throat of the bottles, like old memories resurfacing the brain, to make the self recall, to make the self remember how to treat his family.
Or maybe this is just a brand new Corona ad geared towards the rising second-generation Asian American demographic? I'm playing around.
But end of commercial break.

Vicki pats me on the back and we clink bottles together. Voldemort is lurking in the background, as if she's about to photobomb the next picture. Sometimes I don't know if there's going to be a next picture.
Either we live in these moments, or make memories of them with our phones. And like sheep following an untrustworthy shepherd, we went back to our phones. She made emails and texts. I went on twitter in search of the latest news story.

2

Before Vicki and I opened each other's presents, I remember I blew up at Mom and Dad, and criticized everyone in the family room including Vicki. It was over something stupid and trivial, but it was also something that made me feel insecure and small. I was the black sheep and she was the sheep-dog.

I screamed. Vicki took in a deep breath and looked away from my glare, looked away to a spot on the hardwood floor that was filled with a fine blanket of dust and lint. I chattered. She rubbed her fingers around the lens of her black camera and shook her head in a manner that suggested annoyance and disappointment. I scoffed. She set the camera down on the coffee table and pressed the flat of her hand against her cheek, and glanced out the window into the backyard that was blanketed with slush and snow.
Drops of snow were plunging from the branches of the evergreen trees and plopping onto the patches of the ground, plunging, as though they were little toddlers cannonballing off of a high-dive.

She turned back and looked at me straight in the eye, so straight I thought she was searching for the answer to my own stupidity.

I cleared my throat and said, “I need a breath of fresh air.”

Vicki bit her bottom lip, sat down, and put her arms on her knees, a deep, contemplative look appearing on her face.

I stormed into the narrow hallway, slammed the front door back against its rusty hinges, and trundled down my front driveway, the cold from the ice and the snow dampening the soles of my tarnished boots. I lit a jack at the far end of the cul-de-sac and counted to ten. I watched the cigarette smoke rise, as the ashes fell on the snow, blemishing its purity and calmness. I inhaled. I exhaled. I could feel it in the pit of my stomach that Vicki knew I was having a jack to reduce my stress, stress that I had cause all by myself. I ground the jack against the snowy concrete, feeling the cold begin to numb my fingers that were shaking from the nicotine, shaking from the winter that had wrapped itself around me and my sister.

When I came back inside of the house, I told Mom and Dad I was being an idiot and that I didn’t mean to be such an *******. I turned to Vicki and put my hand on her shoulder, squeezed it, and smiled weakly, telling her that I didn’t mean to upset her.

She nodded and said, “It’s okay bro.”

But her soft and icy tone made me feel skeptical; she didn’t believe me. I didn’t know if I believed my apology. Minutes later, I gave my present to her.

Her face brightened up with a smile. It was a gradual and cautious smile, a little too gradual and a little too cautious. She hugged me tightly, as though my earlier outburst hadn’t happened.

She opened the bank envelope and inside was a fat stack of cleanly, pressed bills that totaled a hundred. Being an arrogant, noob car salesman at the time, I thought it was going to be a pretty clever present. I could have given her a Benjamin, but I thought this would make her happier, because it showed my creative side in a different form.

I remember seeing her spread the dollar bills out, as if the bills were a Japanese Paper fan. Vicki told me not to post the picture I had taken on insta or Facebook. I smiled faintly and nodded, stuffing my smartphone back into my sweatpants pocket. I understood what she wanted, and I listened to her, respecting her wishes. But I also wasn't sure if she was embarrassed and ashamed of me. And maybe I was overthinking it. But again, maybe I wasn’t overthinking it. Social Media, whether we like it or not, is a part of life. And in that moment, I actually wanted social media to display this a single story in our lives. I wanted to show people that Vicki was the most important person—besides my parents—in my life. Because I was so concerned with how people viewed me and because I lacked confidence, lacked security, and lacked respect for myself

Vicki's present to me was a sleek and blue tie, a box set of mini colognes, and refreezable-ice-cubes. I think she called it the car salesperson kit. But I knew and still know she was trying to turn me into an honest and non-sketchy car salesman. And you know what, I was genuine, but I also couldn't retain any information about the cars features—to reiterate my Grandma has Alzheimer's, my mom writes down constant notes to remember everything, and I forget my journal almost every time I leave the house.

After Christmas I wore the tie to work a few times, but the mini colognes and ice-cubes never got used by me. They stayed in the trunk of my Toyota Avalon. I should have used the colognes and the ice-cubes, but I was too careless, too self-involved, and too ungrateful.

1

Back in the 90’s, when we were around 3 and 6 years old, Vicki and I shared the same room on the far left end of the hallway in our house. She had a small bed, and I had a bigger bed, obviously, because at 6 foot 1, I was a genetic freak for a Vietnamese guy. I read Harry Potter and Redwall like crazy growing up, and I would try to invent my own stories to entertain her. Every night she would listen to me tell my yarn, and it made me feel that my voice was significant and strong, even though many times I felt my voice was weak and soft, lacking in inflection, or intonation.

I had a speech impediment and I had to take classes at Canterbury Woods to fix my perceived problem. I wanted to fit in, blend in, and have friends.
Back then Vicki was not only my sister, but my best friend. She used to have short, black bangs; chubby cheeks, and a dot-sized nose—don't worry she didn't get ****** into the grocery tabloids and get rhinoplasty. She wore her red pajamas with a tank top over it, so she looked like a mini-red ranger, and her slippers

& now I know we share Oscar Peterson in common
I want to love you all the more,
till the world ends
Let our beloved rain fall
Let our days howl of our Ginsberg
Plath, Eliot & Dylan
& others, more obscure
Let us buy that Edward Hopper
we both love
& let us sleep in your car
out on the Yorkshire Moors
You're the milk in my coffee
Let me be the billboard
you advertize our love on
lets be breathless metaphors
of each other
the quotation marks
around each others words
high on the ******* of stars
& always read
each others poems
drag each other to open mics
& drink too much
let's make Cupid jealous
of the fiery arrows
we use to stab
one another
if it doesn't work out
& make the Angels
jealous of our heaven
if it does
lets be a restless breeze
that blows
through the world
& stirs each leaf
with our words
lets just be us
fellow hermit
fellow poet
Soulmate
that's
the word

Brush your teeth 'til ya gag
psychosomatic spitting
hock out your spirit
watch it swirl down the drain

flush your **** down
the throne of silence

out of sight
out of mind
out of mind
out of sight

Allen Ginsberg was a **** machine

What thoughts I have of you tonight, hidden friend, for I skipped through the grey with a head full of brightness that managed to seep on through.
In one of my short wanders, I passed by dreaming of a future with you filling up the void.
What rules to break, what numerous revelations to be sought after,
the safety net has a tear the size of a watermelon.

I saw you, my little trapeze *******, doing a balancing act fit for the judges. Who are you trying to impress, who else would you dance for?
Are you the wolf at my door?
I wandered between those strings, pressed back from fear of spiders.
We couldn’t there’s too much guilt, a dead swan on the lake,
Never is there room for another prodigal’s son.

Where are we going with all this, is there a light you're following that I don’t see? You’re being called elsewhere, I understand,
but if i never see you again let me feel the lack.
Meanwhile we will tame the tigers with whips and chairs, we will shout into microphones from across the room. Crowds before us, all hungry for a show, to see the performance of our lives. Ah Pandora, you may leave your box closed for now as I fear this ballerina has caught a bad case of stage fright, along with the tigers.

When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St. Patrick's Cathedral, St. Mark's Church, the largest synagogue in
        Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother
        96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
        in-law blonde Connie, five nephews, stepbrothers & sisters
        their grandchildren,
companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--
Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche,
        there Sakyong Mipham, Dalai Lama alert, chance visiting
        America, Satchitananda Swami
Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche,
        Katagiri & Suzuki Roshi's phantoms
Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau
        Roshis, Lama Tarchen --
Then, most important, lovers over half-century
Dozens, a hundred, more, older fellows bald & rich
young boys met naked recently in bed, crowds surprised to see each
        other, innumerable, intimate, exchanging memories
"He taught me to meditate, now I'm an old veteran of the thousand
        day retreat --"
"I played music on subway platforms, I'm straight but loved him he
        loved me"
"I felt more love from him at 19 than ever from anyone"
"We'd lie under covers gossip, read my poetry, hug & kiss belly to belly
        arms round each other"
"I'd always get into his bed with underwear on & by morning my
        skivvies would be on the floor"
"Japanese, always wanted take it up my *** with a master"
"We'd talk all night about Kerouac & Cassady sit Buddhalike then
        sleep in his captain's bed."
"He seemed to need so much affection, a shame not to make him happy"
"I was lonely never in bed **** with anyone before, he was so gentle my
        stomach
shuddered when he traced his finger along my abdomen ****** to hips-- "
"All I did was lay back eyes closed, he'd bring me to come with mouth
        & fingers along my waist"
"He gave great head"
So there be gossip from loves of 1948, ghost of Neal Cassady commin-
        gling with flesh and youthful blood of 1997
and surprise -- "You too? But I thought you were straight!"
"I am but Ginsberg an exception, for some reason he pleased me."
"I forgot whether I was straight gay queer or funny, was myself, tender
        and affectionate to be kissed on the top of my head,
my forehead throat heart & solar plexus, mid-belly. on my *****,
        tickled with his tongue my behind"
"I loved the way he'd recite 'But at my back allways hear/ time's winged
        chariot hurrying near,' heads together, eye to eye, on a
        pillow --"
Among lovers one handsome youth straggling the rear
"I studied his poetry class, 17 year-old kid, ran some errands to his
        walk-up flat,
seduced me didn't want to, made me come, went home, never saw him
        again never wanted to... "
"He couldn't get it up but loved me," "A clean old man." "He made
        sure I came first"
This the crowd most surprised proud at ceremonial place of honor--
Then poets & musicians -- college boys' grunge bands -- age-old rock
        star Beatles, faithful guitar accompanists, gay classical con-
        ductors, unknown high Jazz music composers, funky trum-
        peters, bowed bass & french horn black geniuses, folksinger
        fiddlers with dobro tamborine harmonica mandolin auto-
        harp pennywhistles & kazoos
Next, artist Italian romantic realists schooled in mystic 60's India,
        Late fauve Tuscan painter-poets, Classic draftsman *****-
        chusets surreal jackanapes with continental wives, poverty
        sketchbook gesso oil watercolor masters from American
        provinces
Then highschool teachers, lonely Irish librarians, delicate biblio-
        philes, *** liberation troops nay armies, ladies of either ***
"I met him dozens of times he never remembered my name I loved
        him anyway, true artist"
"Nervous breakdown after menopause, his poetry humor saved me
        from suicide hospitals"
"Charmant, genius with modest manners, washed sink, dishes my
        studio guest a week in Budapest"
Thousands of readers, "Howl changed my life in Libertyville Illinois"
"I saw him read Montclair State Teachers College decided be a poet-- "
"He turned me on, I started with garage rock sang my songs in Kansas
        City"
"Kaddish made me weep for myself & father alive in Nevada City"
"Father Death comforted me when my sister died Boston l982"
"I read what he said in a newsmagazine, blew my mind, realized
        others like me out there"
Deaf & Dumb bards with hand signing quick brilliant gestures
Then Journalists, editors's secretaries, agents, portraitists & photo-
        graphy aficionados, rock critics, cultured laborors, cultural
        historians come to witness the historic funeral
Super-fans, poetasters, aging Beatnicks & Deadheads, autograph-
        hunters, distinguished paparazzi, intelligent gawkers
Everyone knew they were part of 'History" except the deceased
who never knew exactly what was happening even when I was alive

                                                February 22, 1997

In the burning right hand of the bald city,
denizens frame calories and count instagram blessings
while beacons of hope refund inspiration in USADA *** cups.

Abyssinian maids wail over yesterday lovers
who wore Ginsberg’s skirt with less  pizzazz
and watched bedbugs **** blood off knee caps
wondering, what if Jesus Christ drove a Nissan?

As bullets of paragraphs fall Vietnamese pesticides on my head,
The dusts off my breath sing homilies
With letters of broken leather whiskey,
For even in the most dishonest jest,
clandestine toothbrushes are overrated
and every first false lie is the only truth.

Sing me to sleep, Allen Ginsberg
The entire fluorescent universe pulses and breathes in your chest
Or mine, or his, or Hers, particularly Hers
And I wish nothing more than to be nothing
Or everything
Tell me, were our souls cut from the same stars?
If I trace the hieroglyphics of our scars will I reach some understanding?
Will I ever look upon your papier-mache mountains or caress your Mohammedan angels?
Will the blood red sun burn my bitter heart out before the Benzedrine kicks in?
Tell me, will I touch the face of God or grasp at phantoms forever?
If this is the apocalypse why do I feel such discontent?
I wish nothing more than to be the center of gravity
At which all things meet, and break, and fall away
To drift in to emptiness like crumpled up phases of the lonely moon
Tell me, are my veins pumping gasoline?
Was I born to die on the road, and what manner of Valkyrie will lift me to my rest once I do?
And who will I thank, once I am there
For the opportunity to sleep?

To Allen Ginsberg and Frank O’Hara


Come out, ye boys of my literary dream
Frank, stop discussing this Rembrandt painting
Take a good drag like I never did, and come out
Down the street, down the ***** ***** days of madness
Allen, talk some sense into these selfied statuses
Come out, ye boys and talk into the microphone
Loosen your tie, Frank, show us some real art
Lose it on the sidewalk ye boys and let’s break
The rules, the locks, the prisons of the soul
Addictions, fears, anxieties, inanities.

Come out, ye boys and throw some rhymes to us
So we can think about ourselves while worshipping you
So that some people out there can stop *****-shipping
Sending our lukewarm bodies and fluids against the wall
What would you say Frank, of all the Rivers who
Try to reproduce the beauty of the human body on screen
Without the aesthetics, without the knowledge
Of what love means. Garter belts and welts, is that all?

Come out, ye boys and let’s be graphic, let’s be artistic
Teach us how to spread your love your legs and your legacy
Pass on this fearless gait, this adamant will to keep on
Despite the junk of our cities down the ***** ***** streets
Come out ye boys, admirers of poetry and people
Come out under a rainbow or a ring, SM fans or prudes
Let’s march on an on an on down our ***** ***** streets
With ye, boys.

June 21, 2017
Lyon. 10:36 pm.

last night I posted a twelve bar salute to my homies in The Black Mountain Crew,
you know, creeley, olson, the rest
jack kerouac and that road trip
all over a dope *** beat
for real tho
shout out to nateive son
idk why but as I was writing this
I was reminded of him
**** game tight
with my yacht-master 2
18-karat on a jesus piece
i roll with my rolie
i ***** with my homie
Allen Ginsberg on Instagram
If you can believe it
but god dam Harry Styles has like 20 million more followers
so **** that
idk tho
Al told me we was gonna get a face tat
i bet he'll be swimming in clout

i only started collecting a library, because, would you believe it, my local library was a pauper in rags and tatters; apologies for omitting necessary diacritic marks, the whiskey was ******* on icecubes to a shrivel.*

ernest hemingway, e.m. forster, mary shelley,
aesop, r. l. stevenson, jean-paul sartre,
jack kerouac, sylvia plath, evelyn waugh,
chekhov, cortazar, freud, virginia woolf,
philip k. ****, dostoyevsky, aleksandr solzhenitsyn,
oscar wilde, malcolm x, kafka, nabokov,
bukowski, sacher-masoch, thomas a kempis,
yevgeny zamyatin, alexandre dumas,
will self, j. r. r. tolkien, richard b. bentall,
james joyce, william burroughs, truman capote,
herman hesse, thomas mann, j. d. salinger,
nikos kazantzakis, george orwell,
philip roth, joseph roth, bulgakov, huxley,
marquis de sade, john milton, samuel beckett,
huysmans, michel de montaigne, walter benjamin,
sienkiewicz, rilke, lipton, harold norse,
alfred jarry, miguel de cervantes, von krafft-ebing,
kierkegaard, julian jaynes, bynum porter & shephred,
r. d. laing, c. g. jung, spinoza, hegel, kant, artistotle,
plato, josephus, korner, la rochefoucauld, stendhal,
nietzsche, bertrand russell, irwin edman,
faucault, anwicenna, descartes, voltaire, rousseau,
popper,  heidegger, tatarkiewicz, kolakowski,
seneca, cycero, milan kundera, g. j. warnock,
stefan zweig, the pre-socratics, julian tuwim,
ezra pound, gregory corso, ted hughes,
guiseppe gioacchino belli, dante, peshwari women,
e. e. cummings, ginsberg, will alexander, max jacob,
schwob, william blake, comte de lautreamont,
jack spicer, zbigniew herbert, frank o'hara,
richard brautigan, miroslav holub, al purdy,
tzara, ted berrigan, fady joudah, nikolai leskov,
anna kavan, jean genet, albert camus, gunter grass,
susan hill, katherine dunn, gil scott-heron,
kleist, irvine welsh, clarice lispector, hunter thompson,
machado de assisi, reymont, tolstoy, jim bradbury,
norman davies, shakespeare, balzac, dickens,
jasienica, mary fulbrook, stuart t. miller,
walter la feber, jan wimmer, terry jones & alan ereira,
kenneth clark, edward robinson, heinrich harrer,
gombrowicz, a. krawczuk, andrzej stasiuk, ivan bunin,
joseph heller, goethe, mcmurry, atkins & de paula,
bernard shaw, horace, ovid, virgil, aeschyles,
rumi, omar khayyam, humbert wolfe, e. h. bickersteth,
asnyk, witkacy, mickiewicz, slowacki, lesmian,
lechon, lep szarzynski, victor alexandrov, gogol,
william styron, krasznahorkai, robert graves,
defoe, tim burton, antoine de saint-exupery,
christiane f., salman rushdie, hazlitt, marcus aurelius,
nick hornby, emily bronte, walt whitman,
aryeh kaplan, rolf g. renner, j. p. hodin, tim hilton... etc.

I

Whom bomb?
We bomb them!
Whom bomb?
We bomb them!
Whom bomb?
We bomb them!
Whom bomb?
We bomb them!

Whom bomb?
You bomb you!
Whom bomb?
You bomb you!
Whom bomb?
You bomb you!
Whom bomb?
You bomb you!

What do we do?
Who do we bomb?
What do we do?
Who do we bomb?
What do we do?
Who do we bomb?
What do we do?
Who do we bomb?

What do we do?
You bomb! You bomb them!
What do we do?
You bomb! You bomb them!
What do we do?
We bomb! We bomb them!
What do we do?
We bomb! We bomb them!

Whom bomb?
We bomb you!
Whom bomb?
We bomb you!
Whom bomb?
You bomb you!
Whom bomb?
You bomb you!

                                        May 1971
                                        
II

Why bomb?
We don't want to bomb!
Why bomb?
We don't want to bomb!
Why bomb?
You don't want to bomb!
Why bomb?
You don't want to bomb!

Who said bomb?
Who said we had to bomb?
Who said bomb?
Who said we had to bomb?
Who said bomb?
Who said you had to bomb?
Who said bomb?
Who said you had to bomb?

We don't bomb!
We don't bomb!
We don't bomb!
We don't bomb!
We don't bomb!
We don't bomb!
We don't bomb!
We don't bomb!

                                        for Don Cherry and Elvin Jones
                                        New York, June 16, 1984

III

Armageddon did the job
Gog & Magog Gog & Magog
Armageddon did the job
Gog & Magog Gog & Magog
Gog & Magog Gog & Magog
Armageddon does the job
Gog & Magog Gog & Magog
Armageddon does the job

Armageddon for the mob
Gog & Magog Gog & Magog
Armageddon for the mob
Gog & Magog Gog & Magog

Gog & Magog Gog & Magog
Gog Magog Gog Magog
Gog & Magog Gog & Magog
Gog Magog Gog Magog

Gog Magog Gog Magog
Gog Magog Gog Magog
Gog Magog Gog Magog
Gog Magog Gog Magog

Ginsberg says Gog & Magog
Armageddon did the job.

                                        February - June 1991

I'm leaving.
Less like, Peace the **** out,
more like, I gotta go.
I'm leaving the way ships are wooed by waves,
under the pretense of more promising continents.

I can see where countless hands have pulled at my shoelaces,
wrapped my arches in ribbons of origami,
left me second guessing how well holes burn through soles.
It's been a long day of finding breathing space between double-knots and bending
broken fingernails back into place;
the self-constrained chaotic embrace of something supposedly so
straight as string brings forth beckoning ghosts of
those figure-eight souls who laid themselves
horizontal
to waste their Sundays tracing the Hills
on the breath fogged side of some painted-shut window sill;
trading the promise of Infinity
for the Religion of Monotony.
Praying through agoraphobic day-dreams
raining across the night sky of their eye lids
with the brilliance of meteorites,
imagining how earth-shattering they could be
if only these tyrannosauruses would just look up.

I have come here;
Less like, conquest
more like, exploration.
--Abandoned the comfort of quaint, suburban
ruins of the American Dream, which buckled
like widows knees mid frail-voiced eulogy
mourning the death of their Salesman--
and wandered aimlessly into the improvisation of some story-book jungle,
wishing I was better rehearsed.

I have come here
to congregate with the snakes and beasts; to feast beneath
the din of carnal sin and primal instincts. I've chosen to begin jumping
from stump-to-stump like stepping headstones
in a graveyard of fallen trees, where men,
                     who grew up too quickly and forgot the importance of pretend,
                     who learned early on how to black-market trade
                              the need to imagine for something a little bit more
                                                      tangib­le,­
                     who, smiling through serrated teeth,
saw it fit to clear this wilderness for something a little bit more
domesticated.

But thank god, these brambles grow so thick!
For every hail Mary their metal tongues would lick
into the trees' skin, a hallelujah of vines and branches and roots
would erupt in confused medley,
and their finest mathematics couldn't begin to calculate
the thriving division of a place so ungoverned by logic.       
In a jungle plucked straight from storybook pages
I'll band together with these untamed brutes
--these feral barbarians and unbroken monstrosities--
to howl at the moon with the effervescence of a Ginsberg poem.
We'll forge a tinsel-town crown and take turns
playing king of Where the Wild Things Are found.

See, unlike concrete cities
The Wild of Atavism has never forgotten that
Tradition is a catalyst for change
and that nothing is permanent.
Hell, I've been having laughing contests with a mountain
because every now-and-again he will crack
A smile, and when a mountain laughs
He does so, so gutturally,
From deep within his catacomb chest that
the whole Earth quakes -- everything shifts--
And I'm not gonna lie to you right now,
I've sort of got my heart set on being a part of something so
significant.

So if you follow,
shipwrecked and mapless,
Keep your shoelaces strapped tight
and run off the infinity of double knots.
If you go looking for me, continue
past the paint chips, through
the open window;
Set your sights to the far treelines.
And don't strain yourself listening for
the laughter of mountains,
Because when that stoic disposition
Finally does crack, you'll feel it in your feet
no matter where you are.
And from the way his ridges are crumbling,
I think I've almost got him beat.

Where'd you wander off to? I was one lonesome night-shift from writing another piece entirely – Allen y Federico, chasing Whitman as he climbs the paywall guarding Bohemia, ashen fog of beard left trailing in his wake. Ah, but here you are, my High Court of Muses! Lavender castoffs of two mechanical empires, camped outside on the supermarket pavement: awaiting a dawn delayed by the skyscrapers it hides behind. The Best Minds Left Standing... Lorca’s feet beating faraway Gitano rhythms; Ginsberg spouting love-letters re: the weeds’ anarchic growth from the concrete cracks... and one smaller sycophant.

I’ve offerings of oranges – Spanish nostalgia reduced to contraband – ‘stolen’, bruised, saved from dumpster fates. Wouldn't you have done the same? Isn’t food waste just state-sanctioned sacrilege? Naranjas, clementinas, full miniature moons split into crescents: I figured (halved) you'd (quartered) be starved (eighths). You savour each sacred drop of juice in ways I've yet to master. I’d always been preoccupied with expiry dates... Moloch who sets up shop inside my brain... yet time melts between my lips and I am with You under UV floodlights. I am with You where the overhead glow may not be starlight but it’s not the worst alternative. I am with You – until the checkout boy steps out for a cigarette and when Allen’s eyes follow in pursuit, I’ve lost him again. Holy, he mutters into his final segment of fruit; holy, I repeat, imagining Eve’s overeager sprint into the wide-open prisons of thought.
    I am a woman cloved in two, better half wrapped in citrus peel and tied with string – para tí, maestro Lorca. Does it bother you that these buildings stand closer to the Sun than you could have ever reached? Yet you were nothing short of an Icarus, and how close you came! Abstract wings borne from words and notoriety! Your mythology was written to fit a flamenco guitar – if they don’t know that, they don’t know you – through musical folklore, Franco tried to **** that which was immortal. His legacy is a nation of graves and a granddaughter in the gutter press.
    I begin to feel that history is a ripple-effect of looking over one’s shoulder and deciding “you’d hate it here.” There’s always the dawn. You wait for it with practised patience – pervasive optimism – the ability not to end an “always was” with “and always will be”. Is it all you’d waited for? Has time diminished its novelty? Will you write it down and tell me what I’d slept through?
    Out cold, you turn me onto my side so I don’t choke when Moloch finds his way out.