Friends, while composing the ‘Story of Italian Renaissance in Verse’, I read about the history of Mona Lisa, and had composed this poem on the 30th Dec 2010, posting it on various poetry
sites where it was liked. Hope you like it too, – Raj.

A TRIBUTE TO DA VINCI’S MONA LISA

BACKGROUND :
Unlike the legendary Helen of Troy, Mona Lisa’s
enigmatic smile,
Never launched a thousand ships as 'Dr. Faustus'
had said;
Yet she continues to inspire artists, poets, and
viewers alike till this day,
Even though five intervening centuries have passed
our way!
Leonardo Da Vinci who had left many of his paintings
incomplete;
Commenced painting 'Mona Lisa' in 1503 AD, taking
four long years to complete!
He had carried the portrait with him for sixteen
long years,
While seeking work in Milan, Rome, and during his
exile in France!
But after Leonardo's death in 1519, the portrait became
the possession of Francis the First, the French King.
But later, Louis the XIV had moved 'Mona Lisa' to his
Royal Palace at Versailles!
It had also adorned Napoleon’s bedroom, who hung
it over the mantelpiece for some time.
We learn from Art Historian George Varsi, that the
portrait belonged to one Lisa Gherardini.
She was the wife of a wealthy Florentine merchant,
Who had commissioned Leonardo to paint his
wife’s portrait.

AESTHETIC VALUE OF 'MONA LISA' :
Leonardo here creates an innovative painting style,
Using oil instead of tempera on poplar wood panel,
which was unique in his time!
The three quarter pose with a wide pyramidal base,
A ‘stumato’ blending of translucent colours with
light and shade ,
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Here, Leonardo’s passion and pre-occupation of a
life time came together,
As he waved his magic brush to create 'Mona Lisa'!
Lisa’s mystic smile with its play of light and shade,
Appears and disappear when viewed from different
sides,
Creating an optical illusion before the viewer's eyes!
Mona’s mystic smile and her gaze, creates a mixed
emotion on her countenance,
Mesmerizing the viewers as they stand before it to
admire and gaze!
Insurance Companies have declared that this portrait
is beyond Insurance, -
Since its value remains priceless!

SECURITY MEASURES ADOPTED :
In 1911, during broad daylight from Louvre in Paris,
The painting was stolen by an employee!
He hid it for two years in an attic, before smuggling
it to Florence in Italy;
And was apprehended trying to sell it to an art
dealer clandestinely!
Later in 1956, a mad man named Ugo Ungaza,
Threw a rock creating a patch near the left eye
of 'Mona Lisa'!
The Art Curators at Louvre now toil ceaselessly,
To preserve this fabulous painting for posterity!
Today the priceless 'Mona Lisa' is housed in a
dehumidified, air-conditioned container,
Protected in a triple bullet-proof glass chamber;
With six million tourists visiting her every year!
“It is the ultimate symbol of Human Civilization ”
  - exclaimed President Kennedy!
And with this I pay my tribute to Mona Lisa of
Leonardo da Vinci,
Thanks for reading patiently, from Raj Nandy of
New Delhi.

Dear Poet Friends. Some of my earlier poems like this one, - are  available on 'Poetfreak.com'. But since that site is likely to shut down by the year end, I have decided to post some of my earlier poems on this friendly Poetry Site, to give them a fresh lease of life! Hope you like them.  Best wishes, -Raj, New Delhi.

              A TRIBUTE TO MONA LISA

BACKGROUND :
Unlike the legendary Helen of Troy her enigmatic
face never launched a thousand ships as 'Dr. Faustus'
says,
But she continues to inspire artists, poets, and
viewers alike till this day,
Even though five intervening centuries have passed
our way!
Leonardo da Vinci who had left many of his paintings
incomplete,
Commenced painting 'Mona Lisa' in 1503, taking four
long years to complete!
He had carried the portrait with him for sixteen
long years,
While seeking work in Milan, Rome, and into exile  
in France!
But after Leonardo's death in 1519, the portrait became
the possession of Francis the First, the French King .
But later, Louis the XIV had moved 'Mona Lisa' to his
Palace at Versailles!
It had also adorned Napoleon’s bedroom, who hung
it over the mantelpiece!
We learn from Art historian George Varsi, that the
portrait belonged to one Lisa Gherardini.
She was the wife of a wealthy Florentine merchant,
Who had commissioned Leonardo to paint his
wife’s portrait !

AESTHETIC VALUE OF 'MONA LISA' :
Leonardo here creates an innovative painting style,
Using oil instead of tempera on poplar wood panel, -
which was unique in his time!
The three quarter pose with a wide pyramidal base,
A ‘stumato’ blending of translucent colours with
light and shade ,
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance !
Here, Leonardo’s passion and pre-occupation of a
life time come together,
As he waves his magic brush to create 'Mona Lisa' !
Lisa’s mystic smile with its play of light and shade,
Appears and disappear when viewed from different
sides,
Creating an optical illusion before the viewer's eyes!
Mona’s mystic smile and her gaze, creates a mixed
emotion on her countenance,
Mesmerizing the viewers as they stand and gaze!
Insurance Companies have declared that this portrait
is beyond Insurance, -
Since its value remains Priceless !

SECURITY MEASURES ADOPTED :
In 1911, during broad daylight from Louvre in Paris,
The painting was stolen by an employee!
He hid it for two years in an attic before smuggling
it to Florence in Italy;
And was apprehended trying to sell it to an art
dealer clandestinely!
Later in 1956, a mad man named Ugo Ungaza,
Threw a rock creating a patch near the left eye of
'Mona Lisa' !
The Art Curators at Louvre now toil ceaselessly,
To preserve this fabulous painting for posterity!
Today the priceless 'Mona Lisa' is housed in a
dehumidified, air-conditioned container,
Protected in a triple bullet-proof glass chamber;
With six million tourists visiting her every year!
“It is the ultimate symbol of Human Civilization ”
  - exclaimed President Kennedy !
And with this I pay my tribute to Leonardo da Vinci !
Thanks for reading patiently, from Raj Nandy of
New Delhi.
..........................................................­................................

To the rarest of the women
That my eyes had to behold
An undercover secret
That's worth more than any gold
  
So priceless, you can't find her
(or paint colors 'round her soul)
On a black and white impression
'til she's staring back stone cold
  
Moan, Mona Lisa moan
I'll rock you back and forth 'til dawn
Just to make that tone
Moan, Mona Lisa moan
I will be your daddy
When your daddy's dead and gone
Moan, Mona Lisa moan
My arms will be your cradle
To comfort you from harm
Moan, Mona Lisa moan
Now that I've declared my love
No more to be alone
  
You're under an umbrella
And a sweater keeps you warm
But, more than any rain could fall
My tears, so filled with joy
  
I haven't any joker friends
or live beside a mall
No, all I have are eyes for you
on which they do adore
  
Moan, Mona Lisa moan
..I will rock you all night long
If you make that tone
Moan, Mona Lisa moan
No need to call the painter
When your daddy's home
Moan, Mona Lisa moan
Now that you're beside me
I will keep you safe from harm
Moan, Mona Lisa moan
Come and let me comfort you
Be inside my arms
And moan, Mona Lisa moan
Mona Lisa moan

An enigmatic smile she’s dressed with to chant mystery,
Poets and bards with their magical poesy tried the mystery,
Philosophers and thinkers broke their minds to unravel the secrecy,
Scientists and law makers built hypotheses and verdicts to read hers,
Painters and sculptors fatigued with their colours and clay,
Actors and directors enacted to unknot the thread of obscurity.
Odes and epics, long-written, attempted to sing Lisa’s Smile;
But reflections of their beloveds’ smile read in their verses,
Philosophies and thoughts expressed in huge volumes;
But less understood even the painter’s invention,
Theories and laws built around Science and Law;
But little is the outcome of their propositions sans the mystery,
Colours and clay played on mighty imaginative realms;
But Mona Lisa ne’er spoke of her mystery Smile.
Enactments on massive stages thrilled the collective audiences;
But Mona Lisa hid the mystery of her Smile.

I walked around the garden of poetry with fragrance of mystery,
I saw a poem in her distinctive beauty ruling my mind’s eye.
She smiled at my heart and in turn my heart smiled at her,
Her smile taught me a mystery and it took time to read it;
Yet there was a veil betwixt us, and I took my plume to write.
She took my heart unto her, and I romped in joy.
She’s been decked with melody and rhymes,
And the string of verses stretched beyond the horizon,
Where the mystery of Lisa’s Smile be found.
She took me with her beyond the horizon,
And I followed her with no utterance till our destination.
She laughed at me for my silence;
Yet she smiled unto me; but her smile looked unfathomable.

She smiled and smiled at me; yet she had no utterance for me;
She looked a little bit puzzling unto me, and I had no answer;
Yet her smile dwelled in me, and I invoked the Muse of Poetry.
“Thou art to be a silent lover, and her smile is the answer unto thee,
She’s the Mona Lisa; she can’t speak, but smile and smile.”
I lay on the soil of the kingdom of poetry, imbibing Lisa’s Smile,
I adorn her smile; I worship her smile; I revere her smile,
Let me not move away from the garden of poetry
Till Lisa’s Smile is translated unto me.

I waited and waited and I found the answer:
Lisa smiles and her smile is the love of silence.
My heart rests in silence that her love is felt within.
She uttered into me:”Speak not, but love with smile,
And that the mystery of my Smile and my Smile lasts.”

I know why Mona Lisa smiles.
She loves me with her silent Smile.

Art, a smile like the one
on the face of Mona Lisa.
Curved like the waxing moon
above the sea.
Light a flame before a face
yet to be seen.
What will it prevail,
will it show once for all
a slow tilt on the smiling lips
—a curve softly locks on
a rose from the sun,
or a shadow beneath the moon?

An enigmatic smile she’s dressed with to chant mystery,
Poets and bards with their magical poesy tried the mystery,
Philosophers and thinkers broke their minds to unravel the secrecy,
Scientists and law makers built hypotheses and verdicts to read hers,
Painters and sculptors fatigued with their colours and clay,
Actors and directors enacted to unknot the thread of obscurity.
Odes and epics, long-written, attempted to sing Lisa’s Smile;
But reflections of their beloveds’ smile read in their verses,
Philosophies and thoughts expressed in huge volumes;
But less understood even the painter’s invention,
Theories and laws built around Science and Law;
But little is the outcome of their propositions sans the mystery,
Colours and clay played on mighty imaginative realms;
But Mona Lisa ne’er spoke of her mystery Smile.
Enactments on massive stages thrilled the collective audiences;
But Mona Lisa hid the mystery of her Smile.

I walked around the garden of poetry with fragrance of mystery,
I saw a poem in her distinctive beauty ruling my mind’s eye.
She smiled at my heart and in turn my heart smiled at her,
Her smile taught me a mystery and it took time to read it;
Yet there was a veil betwixt us, and I took my plume to write.
She took my heart unto her, and I romped in joy.
She’s been decked with melody and rhymes,
And the string of verses stretched beyond the horizon,
Where the mystery of Lisa’s Smile be found.
She took me with her beyond the horizon,
And I followed her with no utterance till our destination.
She laughed at me for my silence;
Yet she smiled unto me; but her smile looked unfathomable.

She smiled and smiled at me; yet she had no utterance for me;
She looked a little bit puzzling unto me, and I had no answer;
Yet her smile dwelled in me, and I invoked the Muse of Poetry.
“Thou art to be a silent lover, and her smile is the answer unto thee,
She’s the Mona Lisa; she can’t speak, but smile and smile.”
I lay on the soil of the kingdom of poetry, imbibing Lisa’s Smile,
I adorn her smile; I worship her smile; I revere her smile,
Let me not move away from the garden of poetry
Till Lisa’s Smile is translated unto me.

I waited and waited and I found the answer:
Lisa smiles and her smile is the love of silence.
My heart rests in silence that her love is felt within.
She uttered into me:”Speak not, but love with smile,
And that the mystery of my Smile and my Smile lasts.”

I know why Mona Lisa smiles.
She loves me with her silent Smile.

GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets

Mona sits on the school bus,
the noise of the other children
seems far away, she is indulging

in her thoughts. Lisa will get
on the bus soon. Her closeness
again. Sitting just here. Next to

me, Mona muses, patting the
seat next to her. The evening
before they had parted after

the tea. The bedroom romp
had filled her up. Each moment
seems to relive in her mind.

She looks out of the window,
passing countryside, cows in
fields, trees, birds. They had

almost drowned in the downpour
of rain from the woods to the
house the afternoon before.

Drenched to the skin. Get out
of those wet clothes, they had
been told by a parent. And they

did so. That started it all off.
Naked and drying. How had it
got that far? She thinks, watching

a ******* the other side of the
aisle of the bus talk about
watching such and such on TV.

She wonders how Lisa feels now.
The day after. After such things,
such sights, such deeds. The bus

draws to a stop. Others get on.
Lisa comes up the aisle and sits
beside her. She smiles and fiddles

with her school bag. Her fingers
nervous, like spiders on the run.
Sleep all right? Mona asks. Yes,

Lisa answers. Their eyes meet.
Mona feels a thump in her breast;
her heart seems to want to burst

open. Lisa leans closer. Dreamt of
you, she whispers. Did you? Mona
says, taking in Lisa lips moving, her

eyes, the nose. Lisa nods. Looks
around her. The bus moves on.
Mona wants to speak but her

mouth seems sealed. Lisa turns
again and looks at her. Seems
strange now seeing her clothed

after the nakedness and kissing
and holding. Lisa puts her hand
over Mona’s, squeezes, touches,

flesh on flesh. Mona breathes
in deeply. The touch, the feel
of her. She thinks of the last kiss

the night before. Not now of
course. Not with others about.
Not here. They seem in a different

world to the others. Adrift on
their own ship, wild seas. Waves
of passion inside. They look away

each to a different horizon. Love
locked. Hands touching, skin on
skin. Father O’Brien would call it sin.

Karapatang Ari 2016
WMSU MABUHAY ESU
DONWARD CAÑETE GOMEZ BUGHAW


Kung isa-isahin ang nangakaraan
Simula no'ng ika'y aking niligawan
Hanggang sa dumating ating hiwalayan,
Maikuk'wento ko ng walang alangan.

Unang kita palang, napaibig ako
Sa isang babae at Nimfang tulad mo;
Puso ko'y nahulog ng di napagtanto,
Siguro'y pakana ito ni Kupido.

Iyong itinanong, "Ikaw ba si Donward?"
Ako'y napatigil nang dahil sa gulat
Ako ay lumingo't ikaw ay hinarap,
Aking itinugon isang tango't kindat.

Nang ako'y lumabas na sa isang silid
Hindi ko mawari't ikaw ay nawaglit;
Ako ay nalumbay sa nasahing pilit
Ano't ang tadhana ay nagmamalupit.

Gusto ko pa namang ika'y makilala
Paanong nangyari't agad kang nawala,
Hindi tuloy kita natanong o sinta
Sa iyong pangalan na pang-engkantada.

Aking inusisa ang aking sarili:
"May pag-asa pa bang makita kang muli?
May tadhana kayang magtatagpo uli
Sa ating dalawa kahit na sandali?"

Hanggang isang araw, nang aking makita
Iyong kaibigang naglakad mag-isa
Agad kong tinanong kung ika'y nagsimba
Marahan n'yang sagot nasa tuluyan ka.

Pagkatapos niyon tinanong ko na s'ya
Sa iyong pangalan na may pagkad'yosa
Agaran niyang sagot, "Devina Mindaña,
Ang buong pangalan ng aking kasama.

Nagpatuloy kami sa pagkuk'wentuhan
Habang naglalakad sa tabi ng daan
Hanggang sa dumating ang aming usapan
Sa punto na ako ay kanyang mabuk'han.

Diretsahang tanong ay 'may gusto ka ba,
Sa kaibigan kong nanuot sa ganda?'
Sagot ko'y mistula isang tugong parsa,
Naging dahilan ko'y, 'Naku, wala! Wala!'

Imbis na makuha, siya ay natawa
At nang tanungin ko'y naging sagot niya:
"Subukan mo nalang ang ligawan siya
At baka maantig, batong puso niya.

Ni minsan ay hindi siya nagkaroon
ng isang siyota, pagkat umaambon
ang pangarap niyang gustong maisulong
ang makapagtapos at ang makaahon."

Pagkasabi niyon, ako ay nangusap:
"Diyata't parehas kami ng pangarap,
Kapwa puso namin ay nangangagliyab
Sa iisang nais na para sa bukas."

Nagpatuloy kami sa aming usapan
Hanggang sa tuluyang siya'y namaalam.
"Ako'y ikumusta sa 'yong kaibigan,"
Wika ko nang siya'y tumawid sa daan.

Nagpatuloy ako sa aking paglakad
Hanggang sa marating ang nagliliwanag
nating pamantasang nagtatahang huwad
ng dunong at puring nanahanang likas.

Nagdaan ang gabi't umaga na naman
Pagsulat ng tula'y aking sinimulan,
Yaong tulang handog sayo kamahalan
Nitong si Balagtas, Donward ang pangalan.

Ang iyong pangalan ang naiititik
Niyong aking plumang espadang matulis;
Ang tinta ay dugong may hinalong pawis
Nitong aking huli't wagas na pag-ibig.

Ngunit sa kabila, niyong aking katha
Aking nalimutan ang lahat ng bigla
Maging pangalan mo, sintang minumutya
Kung kaya't nagtanong uli ang makata.

"Siya ang babaeng aking naibigan,"
Pagkukuwento ko kay Jesang huwaran
Nang ika'y nakitang naglakad sa daan
Kasama ang dal'wa mo pang kaibigan.

At nang naguluha'y aking itinuro,
Pagkatapos niyo'y siyang aking sugo;
Si Jesang huwaran ay parang kabayo,
Ika'y sinalubong ng lakarang-takbo.

Agad kang tinanong sa iyong pangalan
Katulad ng aking naging kautusan.
Nang ika'y tawagin -- o kay saklap naman
Di mo man lang ako nagawang balingan.

Nang aking tanungin si Jesang huwaran,
Nang siya'y nagbalik sa pinanggalingan,
Kung ano ang iyong tunay na pangalan:
"Devina Mindaña," kanyang kasagutan.

Hindi lumalao't hindi nakayanan
Ng puso kong ito, ang manahimik lang;
Kaya't nagsimulang ikaw ay sabayan,
Kahit hindi pa man kilalang lubusan.

Ewan ko kung bakit ako'y tinarayan,
Gusto kong magtanong, pero di na lamang;
Sa sungit mo kasi'y baka lang talikdan
At bago aalis ay iyong duraan.

Subalit, lumipas ilang linggo't buwan
Tayo'y nagkasundo't nagkausap minsan;
Insidenteng iyo'y di ko malimutan,
Malamyos **** tinig, aking napakinggan.

Nang ako'y tanungin sa aking pangalan,
Sa telepono ko'y sagot ay Superman;
At nang mukhang galit, agad sinabihang,
"Huwag kang magalit, ika'y biniro lang."

Agad kong sinabi ang aking pangalan
Baka tuloy ako'y iyong mabulyawan:
"Si Donward po ito," sabi kong marahan,
Pagpapakilala sa 'king katauhan.

Patuloy ang takbo ng ating kuwento,
Ang lahat ng iyo'y aking naging sulo,
Sa papasukin kong isang labirinto;
Sa isang kastilyong nasa iyong puso.

Hanggang isang gabi, mayroong sayawan,
Napuno ng tao ang gitnang bulwagan;
Ang aking sarili'y hindi napigilan
Na ika'y hanapi't maisayaw man lang.

Ngunit ng matunto'y hindi nakaasta,
Ang aking nasahin ay naglahong bigla;
Imbis na lapita't dalhin ka sa gitna,
Ay hindi na lama't ako'y nababakla.

Aking aaminin ang kadahilanan,
Takot na talaga ang pusong iniwan
Na baka lang uli't ito ay masaktan
Tulad ng sa aking naging kasaysayan.

Kaya't hindi ako nagpadalos-dalos
At baka pa tuloy yaon ay mapaltos;
Ang mabulilyaso'y mahirap na unos
Nitong aking pusong may panimding lubos.

Akin pang naitanong sa isang pinsan mo
K'wento ng pag-ibig na tungkol sa iyo
At kung maaaring ikaw ay masuyo,
Naging tugon niya'y: 'Ewan ko! Ewan ko!'

"Huwag ikagalit kung ika'y tanungin,"
Sabi ng pinsan **** maalam tumingin
Di sa kanyang mata na nakakatingin,
(Kung hindi'y sa kanyang talas na loobin).

Aking naging tugon doon sa kausap,
Yaong binibining aking nakaharap:
"Hindi magagalit itong nakatapat
Hangga't ang puso ko'y hindi nagkasugat.

Pagkatapos niyo'y kanya ng sinabi
Ang ibig itanong na nangagsumagi
Sa kanyang isipang lubhang mapanuri,
Ang kanyang hinala ay ibinahagi.

"Ikaw ba'y may gusto sa kanya na lihim?
Huwag **** itago't ng hindi lusawin
Ang laman ng puso at iyong pagtingin
Ng iyong ugaling, pagkasinungaling!"

Pagkatapos niyo'y agad kong sinagot
Tanong niyang sadyang nakakapanubok
At ipinagtapat yaong aking loob
Ng walang alanga't maski pagkatakot.

"Ako nga'y may gusto sa kanya na lihim,
Subalit paanong siya'y maging akin
Gayung tingin pala'y akin ng sapitin,
Ang lumbay, ang hapdi't kabiguan man din?"

"Di ko masasagot ang 'yong katanungan,"
Naging tugon niyong butihin **** pinsan,
"Tanging payo ko lang ay pahalagahan,
Huwag pabayaa't siya ay igalang."

Aking isinunod nang kami'y matapos
Ay ang iyong ateng wari d'yosang Venus;
Agad kong sinabi habang napalunok
Yaong aking pakay at nang s'ya'y masubok.

Imbis na tugunin yaong aking pakay,
Ako'y di pinansin kung kaya't nangalay
Dalawa kong mata sa kanilaynilay
Ako'y nanghihina't puso'y nanlupaypay.

Aking iniisip sa tuwi-tuwina
Ay ang pangalan mo, mahal kong Devina;
At ang hinihiling sa bantay kong tala,
Hihinting pag-asang makapiling kita.

Kaya't hindi ako nakapagpipigil,
Iyong aking loob na nanghihilahil
Aking inihayag sayo aking giliw
Ng walang palaman at maski kasaliw.

Tandang tanda ko pa no'ng makasabay ka
Papuntang simbaha'y sinusuyo kita
Hanggang sa pagpasok ako'y sumasama
Kahit hindi alam ang gagawin sinta.

Bago nagsimula ang misa mahal ko,
Ang aking larawa'y iniabot sayo;
May sulat sa likod, sana'y nabasa mo,
Yaong pangungusap ay mula sa puso.

Di kita nakitang ako ay nilingon,
Sapagkat atens'yo'y naroong natuon
Sa isang lalaking pumasok na roon,
At sayo'y tumabi hanggang sa humapon.

At nang nagsimula'y umalis na ako,
Pagkat ako itong walang sinasanto;
Baka tuloy ako magsasang-demonyo
Sa aking nakitang katuwaan ninyo.

Hindi ko malaman kung bakit sumakit,
Nanibugho ako, ano't iyo'y salik?;
Ano nga ba ito't tila naninikip?
Lintik na pag-ibig, puso ko'y napunit!

Napaisip ako habang naglalakad
Hanggang sa isip ko'y nagkakaliwanag;
'Manibugho sayo'y hindi nararapat,'
Napatungo ako sa sariling habag.

Ilang saglit pa at akin ng pinahid
Luhang sumalimbay sa pisnging makinis
At saka nangusap ng pagkamasakit:
"Wag kang mag-alala't di ko ipipilit."

"Itong pag-ibig kong nagniningas apoy,
Nasisiguro kong hindi magluluoy;
Ngunit, kung hindi mo bayaang tumuloy,
Mas mabuti pa ang puso ko'y itaboy!"

Nang ako'y magbalik doon sa simbahan,
Sa dami ng tao'y di kita nasilayan;
Ngunit, nang tanawin sa kinauup'an,
Naroong Devina't kinaiinisan.

Nanatili ako't hindi na umalis,
Di tulad kaninang lumabas sa inis;
Ako'y umupo na at nakikisiksik,
Kahit patapos na ang misang di ibig.

Hindi ko nga ibig, pagmimisang iyon
At maging pagsamba't gano'ng pagtitipon;
Pagtayo't pagluhod di ko tinutugon,
Pagkat ako itong walang panginoon.

Araw ay lumipas mula ng masuyo,
Ika'y sinubuka't nang hindi malugo
Itong aking pusong namalaging bigo
Sa loob ng dibdib, namugang tibo.

Iyong naging tugon ay nakakapaso,
Masakit isipi't maging ipupuso;
Yaong tumatama'y animoy palaso,
Narok sa dibdib, sugat aking tamo!

Sa kabila niyo'y di pa rin sumuko,
Tanging ikaw pa rin ang pinipintuho;
Kaya't wag isiping ito'y isang laro,
Pag-ibig kong ito'y hindi isang biro.

Hanggang sa dumating gabing aking asam,
Sa lilim ng mangga, bago ang sayawan
Ay iyong inamin ang nararamdaman,
Ating tagpong iyo'y di malilimutan.

Ipinagtapat mo na ika'y may gusto,
Ngunit di matugon itong aking puso,
Sapagkat ikaw ay mayroon ng nobyo
Di mo kayang iwa't ayaw **** manloko.

Aking naging tugon sa iyong sinabi,
Ay handang maghintay at mamamalagi
Hanggang sa panahong ikaw ay mahuli,
Makita't malamang di na nakatali.

Sa mukha'y nakita, matamis na ngiti
Niyong Mona Lisang, pinta ni Da Vinci;
Ako'y natigilan ilan pang sandali,
Nang aking matanaw, gandang natatangi.

Bago pa nag-umpisa'y pumasok na tayo,
Sa hinaraya kong dakilang palasyo,
At sa lilingkuran tayo ay naupo,
Niyong maliwanag, loob ng himnasyo.

At nang magsimulang musika'y tumugtog,
Ika'y namaalam at para dumulog
doon sa bulwaga't makikitatsulok,
ng sayaw sa indak dulot ng indayog.

Bago pa marating ang gitnang bulwagan,
Ako'y sumunod na't di ka nilubayan
Hangga't di pumayag sa 'king kagustuhan
Na maisayaw ka at makasaliwan.

Lumipas ang gabi't umaga'y sumapit,
Ang araw at linggo'y tila naging saglit;
Ako'y nagtataka't biglang napaisip,
Ano at ang oras ay mukhang bumilis.

Hanggang isang gabi nang aking tanungin,
Sa iyo, o, mahal kung bibigyang pansin;
Hanggang kailan mo pagdudurusahin;
May pag-asa pa bang nadama'y diringgin?

Iyong naging sagot sa katanungan ko:
"Di na magdurusa't ngayo'y maging tayo."
Ang rurok ng saya ay aking natamo,
Lalo pa't sinabing mahal mo rin ako.

Sa kadahilanang gustong masiguro,
Aking naitanong kung iyo'y totoo;
Baka mo lang kasi ako'y binibiro,
At kung maniwala'y sugatan ang puso.

Iyong ibinalik, ating gunitain,
Doon sa manggahan 'sang gabing madilim;
Ipinagtapat mo ang iyong damdamin,
Ngunit, di nagawang puso ko'y tugunin.

Pagkat mayroon kang sintang iniibig,
Iisang lalaking namugad sa dibdib;
Di mo maloloko't iyong inihasik
Sa paso ng puso't bukirin ng isip.

Pagkatapos niyo'y sinabi sa akin,
Na ating pag-ibig, manatiling lihim;
Aking naging tugo'y 'sang tangong lampahin
Pagkat aking isip, gulong-gulo man din.

"Sigurado ka ba sa'yong naging pasya?"
Ang muli kong tanong, bago naniwala
Sayo aking mahal na isang diwata,
Yaong aking ibig at pinapantasya.

Iyong naging tugon sa aking sinabi:
"Kung ayaw mo'y huwag, di ko masisisi;
Ano pa't puso mo'y sadyang madiskarte,
Baka may iba ng pinipintakasi."

Agad kong sinabi sa iyo mahal ko:
"Ano at kay daling ikaw ay magtampo,
Nagtanong lang nama't ako'y naniguro
Baka mo lang kasi, ako'y nilalaro.

Lumipas ang gabi't umaga'y sumapit,
Unang araw natin ay lubhang mapait,
Pagkat di nakayang ako ay lumapit,
Sayo aking sinta't ewan ko kung bakit.

Ilang sandali pa't hindi nakatiis,
Sa pagkakaupo'y tumayo't lumihis
ng landas patungo kay Musa kong ibig,
pagkat aking puso'y lubhang naligalig.

Muli kang tinanong kung pasya'y totoo,
Di na mababawi't di na mababago;
Iyong naging tugon sa katanungan ko,
Pisngi ko'y hinaplos, sabay sabing 'oo.'

Kay sarap marinig, salita **** iyon,
Iisa ang punto at maging ang layon;
Para bang lagaslas ng tubig sa balon,
Ibig kong pakinggan sa buong maghapon.

Matapos ang pasko'y siyang araw natin,
Na kung gunitai'y araw na inamin,
tinugon ang puso at binigyang pansin,
at saka sinabing, ako'y mahal mo rin.

Aking gabing iyo'y narurok ang saya,
Ngiti niyong buwa'y nakakahalina;
Ibig kong isulat ay isang pantasya,
At ikaw Devina, yaong engkantada.

Araw'y nangaglipas, daho'y nangalaglag,
Ano at ang oras tila naging iglap;
Siyang araw natin ay muling lumapag,
Ano at ang panaho'y tila naging lundag.

Iyong regalo mo'y hindi malimutan,
At maging pagbating ibig kong pakinggan,
Sa bawat umagang araw'y sumisilang
At kung maaari'y mapawalang-hanggan.

Ngunit nang magdaan ilang araw't linggo,
Naging malungkuti't di na palakibo;
Puso ko'y mistula isang boteng tibo,
Nabiyak sa dusa nang itatuwa mo.

Sa tuwi-tuwina'y napaisip ako,
Talaga nga kayang tapat ang puso mo?;
Ulo ko'y sasabog, bulkang Pinatubo,
Bakit ba't isip ko'y nagkakaganito?

Ilang araw kitang hindi tinawagan,
Pagkat labis akong nagdusa't nagdamdam;
Malakas kong loob ay di nilubayan
Ng kapighatia't maging kalungkutan.

Tayo nga'y mayroong isang kasunduan,
Di maikaila't sinasang-ayunan
Ngunit, ang itat'wa'y di makatarungan,
Alalahanin **** ako'y nasasaktan.

Ako'y wag itulad sa makinang robot
Na di nakaramdam maski anong kirot;
Ako ay may pusong nakakatilaok,
Pumipintig baga'y putak ng 'sang manok.

Kaya't nang sadyain sa tinutuluyan,
Ika'y kinausap at pinagsabihang:
"Sakaling darating ating hiwalayan,
Huwag magpaloko sa kalalakihan.

At saka-sakaling sayo'y may  manligaw,
Isipin mo muna't wag agad pumataw;
Pasya'y siguruhin bago mo ibitaw,
Ang iyong salita, nang di ka maligaw."

Unang halik nati'y hindi malimutan,
At kahit na yao'y isang nakaw lamang,
Pangyayaring iyo'y di makaligtaan,
Naging saksi natin ay ang Taguisian.

Tila ba talulot ng isang bulaklak
Labi **** sa akin na nangangagtapat;
Animo'y pabango yaong halimuyak,
Ng iyong hiningang sa halik nangganyak.

Ika-labinlima, araw ng Pebrero,
Hindi malimutan ating naging tagpo;
Sa iyong tuluya'y nagkasama tayo,
Doon sa Kwek Kwekan, nagdiwang ang puso.

Ako'y isang taong lubhang maramdamin,
Ang hapdi at kirot siyang tinitiim;
Puso ko'y tila ba 'sang pagong patpatin,
Sa loob ng dibdib sakit ang kapiling.

Kaya't nang makitang may kasamang iba,
Marahang lumason sa puso ko sinta
Ay ang panibugho't sakit na nadama;
At para maglaho, alak ay tinungga.

Sa ika-tatlumpu, na araw ng Marso,
Akin pang naalala pagbisita sayo,
Sa inyong tahana't mapayapang baryo,
Nagmano pa ako sa ama't ina mo.

Ibig kong ang lahat ay di na magtapos,
Masasayang araw nating lumalagos
Sa isip, sa puso't maging sa malamyos,
Na kantahi't tulang aking inihandog.

Ngunit, nang lumipas ang ika-limang araw
mula nang makita't sa inyo'y madalaw
ay isang mensahe ang lubhang gumunaw
sa aking damdami't marahang tumunaw.

Animo'y balaraw yaong tumatama,
Nang ang mensahe mo ay aking nabasa;
Gusto kong umiyak, gusto kong magwala,
Ngunit, anong saysay gayung wala na nga?

Kung isaulan ko itong aking luha,
Masasayang lama't walang mapapala;
Kaya't kahit ibig, ako ay tumawa,
Wag lamang masadlak yaong pagdurusa.

Kung ang kalayaa'y siyang ibig sinta,
At ang saktan ako'y ikaliligaya
Aba'y payag ako't ikaw na bahala,
Basta lang ang akin ika'y liligaya.

Kay sakit isiping tayo ay hindi na,
Ngunit, kung ito man ang itinadhana,
Aba'y pag-ibig ko't pag-ibig mo sinta,
Di makakahadlang sa ibig sumila.

Mahal ko paalam sa ating pag-ibig,
Mahal ko paalam, kahit na masakit;
Mga alaala'y huwag ng ibalik,
Burahin ng lahat sa puso at isip.


~WAKAS~

Mona Lisa, mona linda,
O emblem of western beauty!
A hundred greedy eyes rest on you,
Drinking you in.

Crowds and crowds gather
To feast on your unsmiling face,
Your stiff posture, your
Lifeless gaze.

Within the golden frame you are
Frozen in time
And unable to escape those relentless gawks.

Life imprisonment
With an audience of 2 million.

Adoring fans, passers-by
Cry out in praise!
“Beauty, beauty, beauty!”

Do they know what they see?
Bland Western beauty standards served up on a plate.

Fresh from Ireland and ready to eat.
Dreams of wealth and success
Wrapped up in pale white skin
And short blonde hair.

Miriam completed her work promptly that day, cleaned up her workstation and stretched out her sore arms. She wanted to leave in time to take her photos from a studio close by her residence. She glanced out the window at the purple sky. She stared at the small photograph at her desk for a few seconds in silence.
Then she took her gold brown purse and crimson scarf and took off. When she stepped out of the building, her black boots sank into the ground. She cupped her red and cold small button nose with her small hands and looked up at the sky. It was snowing deep that day too, she pondered.

She passed by the studio and took her photos after a long chatter with the vendor, as the dark blue of the sky lurked above. When she reached her house with envelope in hand, at last, she did with her lips open.

“What’s the matter?” she said in bewilderment and little aggravation.
“Come and sit. I have something to tell you, dear.” her mother, Mona, said decisively.
Miriam went inside the house. She walked up the stairs to her room and closed the door. She put the brown envelope of her photos, carefully on her desk and sat on her chair and took a deep breath.

She opened her eyes at the sound of Mona knocking.
” Miriam, I need to talk to you. It is very important.” Mona said.
Miriam got up and opened the door, she followed after her mother downstairs into the living room and sat on a comfortable sofa by the inviting fireplace and looked at her mother.
They sat in silence for a minute.
“We got a call from…” Mona said in hesitation, with her lips wavering.
Now, Miriam’s eyes were focused on her mother’s face. On her brows. On the slight frown in her forehead. On the wrinkles that emerged and faded as she uttered every letter between her trembling lips.

“Joseph is dead. He’s dead, Miriam.” Mona said.

Miriam was not facing her mother anymore. She was gazing at the window, at the little white snowflakes swirling slowly with the wind.
“I see.” Miriam said.
“They said…he was killed in action. He was…” Mona said.
“There is no need to tell me anything more.” Mona said disrupting her.
All she did was stand up and walk to her room wordlessly. Tears streamed hot ardently down Mona’s cheeks, dripping from her bony jaw line.

Miriam locked the door. She threw herself in her bed staring at the brown envelope and reaching one arm to open it. She took out the photographs and took her time with each one.
She stared at each one with an indolent expression.
She frowned when she saw one photo of Joseph, striking a pose at an airport.
What a terrible sense of fashion. What was he thinking? She thought.
He was wearing an olive green knitted sweater with a red-nosed deer pattern, ill-fitting baggy jeans and a dark brown knitted scarf.
Then she beamed at the one dimple that appeared when he grinned.
She traced his features and expression; a long nose, a pointed chin and brown almond eyes. She traced them with her fingers. With her memory.

A tear dropped on Joseph. On his dark brown hair.

She shredded the photographs to pieces, slowly one by one and threw them very gently on the floor.

She clenched to her blanket tightly. She pressed her arms against her chest as hard as she could trying to hold something scorched in. She felt her ribs melting.
She kept gaping with her eyes wide-open, focused on the ceiling on the buzzing neon lights. After a while, her swollen eyes surrendered and her thick-lashed lids closed. Her breaths became deeper and her grip on the blanket loosened up a little.

It was long past midnight when she woke up. She got up and took off her clothes. She stared at the photographs on the floor with her mouth open. She opened the window and stood at the balcony at the break of dawn, unwary of her nakedness or the frosting cold. The heavens snowed generously as the sun rays glittered on the icy glass, on the white streets. She took the torn pieces of the photographs. She took a brief final glance at them, at a piece with almond eyes, then threw them off the balcony scattering them with the wind.

Take to the air away with the snow, just like it took Joseph away from me, Miriam thought.
She made a wish upon every snowflake to bear her grief and make her heart colder.

Filing robotically
Smiling like a million
(fake)
Mona Lisas
In a portrait that
has violently painted them
violently painted us
decided our landscape
(colors
design)
painted violently
smile smile smile
Mona Lisa smile
It demands that we smile
But
This is not art
Smile smile smile
But are you happy
Smile smile smile
But are you happy
Fall fall fall
crack the smile
serene Mona Lisa
is cursed
like us.

Too beautiful to be ashes.  

I felt jealous. I placed a flower in your casket and wept.

You had the courage to finish and they say those who do so are weak. But they don't understand how it feels to have a rope around your neck and a chair under your feet.

I admire you, but I wish you wouldn't have done it. But I understand how you needed to end your pain because it multiples the more you covet.

Your smile was a painting but I saw the pain in your eyes. And it's okay, Mona Lisa...I understand the pain you've disguised.

I know you didn't mean for us to hurt you just needed to end yours, but now  I'll always be afraid of what's behind silent doors...Mona Lisa.

No words. "Hang in there."
No words. Hanging there...

...Mona Lisa.

If I'm unlucky enough, I'll be lucky enough to see you in a little while.

Until then...smile, Mona Lisa.

Smile.

In 1852, an artist named Luc Maspero threw himself from the fourth floor of a Parisian hotel
Leaving a suicide note that read: "for years I have grappled desperately with her smile,
I prefer to die."

Then in 1910, one enamored fan
came before her solely to shoot himself
As he looked upon her Napolean crushed ******* her.
She has broken a lot of heart
Men have died loving her.

Last week Mona Lisa walked out of her frame
And out of the Louvre Museum
Straight to the terrace of the tallest builiding of Paris and cried.

The world is smudged with oil now
Paris streets smell of smoke and warm colours.
My mother knows nothing about mona lisa
And neither does my father.

But he steals some of the colour from mona lisa's cheeks
And put them across my mother's everytime he pronounces her name
Like it is the only word his tongue has ever known,
Like it is the only colour his eyes have ever seen.

Somedays, he steals stars from Gogh's starry night.
"A good lover is a good thief" he says.

I wonder probably the Italian man who stole Mona Lisa wanted to put some colour across his wife's cheeks
Or he just wanted to steal that smile.

Maybe his wife had left him
Or yellowed
Or died

Maybe his wife was a bad lover
And he, a good thief.

Maybe his wife was a good lover
And he, a bad thief
Who went gaga over Lisa.

What I want to say is,
This poem is standing on the fourth floor,
Of the same Parisian hotel,
With a suicide note in one hand
Smuged with oil and warm colours, And pistol in other.

This poem is the terrace of the tallest building of Paris.
This poem is Mona Lisa crying at 3am uncolouring herself while trying to forget French
And a thief trying to rob the colours and stars,
And a half asleep world smudged with oil and smoke

Which is to say,
This poem is a poor attempt to be everything,
But anything about you
Wondering what would be the first sentence of Mona Lisa if she ever walks out

Would it be,
"Where is Vinci?"
Or, "I wish
To run away?"

Here comes the sun little darling's
We all get burned
 Is it your turn
     "U-Turn"
Oh! Where I thou
"Green light Diner"
It's telling us to Go
    *       *       *
The Earth beauty faces
I will be your direct sunlight
In plain sight to the daylight
her blossom tree
All I ask come for me
Her face could eat
The divine flower laced

French brie
Tie a yellow ribbon on me
We have so much to see
Let it be sun-face Moms
apple pies
The Sun  "Watchtower"
Someone knocks you off
Your "Bill" on the Ice Queen

The Goddess rodeo waitress
She got you roped in between
The cigarette 1940 case hostess
             "Rose"
I suppose the sunflowers every booth
her smile sets in place

The stain-glass window Notre Dame
Rock and roll hall of fame
The earth kids rainbow chalk
Sun-fun treetops like a beanstalk
Napoleon Elementary Watson
New Jersey Diner capital admission
The Peking duck *** luck

European beauty hunter's menu
Any luck this will be awhile sip "Starbucks"

1-Antipasti cute Shiba Uni
2-Consomme Chicken soup
3-Sun-face to the soul fruit loop
4-Chicken pepper Salsa
Sun-face lights up Visa
5-Hearts of Artichokes Mona Lisa
6-Soy ginger salmon
My sun worshiper man

Fish tacos hummus
St Thomas
Rome was not build
In one day
The windpipes and
the tablecloths Oh! yikes
Full of dream pipes

Sun tan stripes and zebras
Couscous salad big star dipper
Egyptian Gods camels back
Sun-face diner no time
for the sun-chip snack
Diners from 1920-1940
Sun-face air force dresses

Medieval times two swords
Holy lords Easter parades
" Ice-cream Spumoni"
Dinner in the sky
Robin red breast fly
Italian artwork Coliseum
Look up in the sky
It's a bird shaped
Paper plane bad romance
going insane

Waffle House  jukebox rock and roll
Hall of fame whats in a food name
Cowboy steaks American Flags
Cajun chicken legs fruits and figs
At the caboose Ladybird jet lag
Valentine Diner chairs
got footloose homemade goose

Purple rain Prince maple
pancakes
Bananas and strawberry fields
lake sun in shape of a snowflake
Forest Gump changes to
Presidential Trump
Vitamin C  honey bunches of Oats

Yummy floats of egg cream
Open table Sun-face dream
Eggs light she's not finished
over easy
Pristine of carrots with
artful daisies
Thanksgiving turkey

Rings of napkins holding
A time well-bred marriage
Well known landmarks of
Carats
Long ago time she saw the light
Daylight Knight like a scale to weight

Whispers of wine and grapes
Sun face courtesan love escape
Sun Faces trillion times mansion
Sun-faces never go out of fashion

In 1852, an artist named Luc Maspero threw himself from the fourth floor of a Parisian hotel
Leaving a suicide note that read: "for years I have grappled desperately with her smile,
I prefer to die."

Then in 1910, one enamored fan
came before her solely to shoot himself
As he looked upon her Napolean crushed ******* her.
She has broken a lot of heart
Men have died loving her.

Last week Mona Lisa walked out of her frame
And out of the Louvre Museum
Straight to the terrace of the tallest builiding of Paris and cried.

The world is smudged with oil now
Paris streets smell of smoke and warm colours.
My mother knows nothing about mona lisa
And neither does my father.

But he steals some of the colour from mona lisa's cheeks
And put them across my mother's everytime he pronounces her name
Like it is the only word his tongue has ever known,
Like it is the only colour his eyes have ever seen.

Somedays, he steals stars from Gogh's starry night.
"A good lover is a good thief" he says.

I wonder probably the Italian man who stole Mona Lisa wanted to put some colour across his wife's cheeks
Or he just wanted to steal that smile.

Maybe his wife had left him
Or yellowed
Or died

Maybe his wife was a bad lover
And he, a good thief.

Maybe his wife was a good lover
And he, a bad thief
Who went gaga over Lisa.

What I want to say is,
This poem is standing on the fourth floor,
Of the same Parisian hotel,
With a suicide note in one hand
Smuged with oil and warm colours, And pistol in other.

This poem is the terrace of the tallest building of Paris.
This poem is Mona Lisa crying at 3am uncolouring herself while trying to forget French
And a thief trying to rob the colours and stars,
And a half asleep world smudged with oil and smoke

Which is to say,
This poem is a poor attempt to be everything,
But anything about you
Wondering what would be the first sentence of Mona Lisa if she ever walks out

Would it be,
"Where is Vinci?"
Or, "I wish
To run away?"

The Mona Lisa assaults my brain,
Acrid perfume polluting my lungs.
Does the Mona Lisa not care if I die?
I see her chuckling,
Waggling her finger,
Saying with bitter ****,
"You'll never be in the Metropolitan Museum of Art."

Your the one son being rebellious little darlings here comes
the sun drenching delicious but wait those cloudy days
watch out the hunters run ducking our heads like babies
wetting and water squirting beds getting too saucy
  ten O clock playpen the daring duck gourmet sauce
Orange you glad all her rich creme spread across
her penpals
Do you trust those gals too country slick on Newsweek

Getting paid he is the longest laid egg all grilled we are
not thrilled here is the "Chuckie Duckie" doll those *****
barbie collectors they are sitting duck Graphic Artist
Not one quack doll plastic surgeon duck lips she thinks
shes the hot stuff romantic "French" lips up the
"Eiffel Tower" splash splash she is out of cash
Those hot items presidential poll what a lost soul

Too much blue yes attention swan dancers Springtime
Not  the red attention yellow instead ****** please
I need a  journey not the "Attorney" such a ****** case
When you need them they always duck
When they have a new quack case they are ruining
my image
Duck tapesty Carol Kings youve got a friend

I'm feeling yellow homesick on your feather duck pillow
The same yellow tie a different atmosphere Go- Spa
She's flirting do you know where your going how is
life treating you he's giggling way too wild on her
goose chase
  Losing our grip down to her chicken bone hip
Duck season not much time for love being hunted

The Spa  la la ha have Merci' oh la la 'Disco Duck"
The wild ones the only ones quack- quack the
lonely ones
At the waterfront trip to "Chinatown" they let
them hang to dry but why Dad? They are better
like the delicacy shark finn soup we need a Spa
lucky green group Irish eyes are smiling stories
of ducks

I am  not buying do you see duck climb the
          "Eiffel Tower" yellow as a canary
All talk-talk is cheap lets talk French Mom walks
With her pretty duck handle umbrella we waddle
The penquin what a beauty swan feather pen
  But she's the"Prima Donna" look out!

The slingshot Marilyn Monroe wiggles out
                  The "Spa- Ma"
                 Don't  Scramble me darlings
                    Breakfast eggs cagefree
                     *          *          
My little chickadees organic brown on my gown
Spa duckies traveled the whole Atlantic town
The longest pond sleeping like "Rip Van Winkle"
twinkle twinkle
doublecrossed the street you get one dermerit
Sesame street Big bird how many words in duck
vocabulary quack- quack who get's the duck star

Mars from Men women go to the Spa like the bad
omen and they don't leave tap tap chop chop
I want it now!! Its now or never why does she always
get ugly duckling book delivered
Lazy goose she is the spoiled rotten egg how
do we love those  I apples
Carrots are for the eyes Mom always gets bird eyes

My little chickadees the Alaskan cute puppies
Big salute to the cutest duck feet "God Bless America"
  Visa  American Express Daffy Duck in Disney mess
the real picture "Mona Lisa" getting the duck
         Prime  chop minister
"Parliament Spa" prices so sinister
"Eat Duck and Pray" the  southern biscuits
more recruits

My cute rookies those duckier cookies another Spa day
So prim and proper teatime with "Queen deck"
  Alice in rabbit hole-Santa candycane poles cute chick
is homesick you better sent her money quick
The ducky bib the Chinese duck soup won ton
The feather fan she loves her Sushi roll Hollywood
Style California all duck drama
The best treatment duck made carpet

On the "Disney Hollywood" deck "Epcot"
On the futon what diction for a duck "My Fair lady"
Got the whole fortunes bed
The duck on the hill what a fool but the monk
Is the whole spiritual existence
The peacock's longest wait for lobster tails
centerpieces red bird Robin fly Robin Fly

Disco ball fancy tails she ended up up up to the sky
Her duck sunglasses a dozen ***** spin's the disco
The Duck Pop singer wants him back
High price or a short mack duck shooter attack
Food for thought homesick all saucy duck tie waiter
Cinderella rags to ducklings I went to "Woodstock"
Imagine me the teenager chick the duck split

Fill wing concert sky made a hit
The blues love is strange chick-lets are yellow
Like clock work what a duck work out orange          
        Duck handle umbrella               
 Duckies I pledge to you College Preppies
The chick feeder Ain't nothing but a hound dog
      Elvis heart breaker bird-brain feeder

  Moms duck sugar cookies
******* Jack one prize quack quack
 Huckleberry Finn paper boat old billy goat
  In the drowned mans eye holy ducks he delivered
I will blow you down duck horn the day you
were born
Having a third eye one duck Wendy 4 for a 4

Notre Dame church tragic but saved
   The  Easter yellow chicks
To Rome lend me your feathers no secret ears
Sticky Fingers she lost her writing finger in the
pond  OH! look whats beyond so kind
With her duckling apron dress he ducked
The chatty cat "City Dr Seuss"

Wearing duck boots those duck lips played her
like the fancy feast
The teachers pet the ducklings cute darlings
Spa cream she quite the flabber belly dancer
The ballet swan achiever "Spa One Day tripper"
The ugly duckling changed to beauty witch
Holy-land or duck pond Mickey's ears
                   Disneyland

Stand up daffy duck comedian Las Vegas
Godiva Peking duck soup flapping swishing
mess
The Big Ben red whose been sleeping in my
duck wing bed
The car stops he hiccups cute bebops
The guardian angel quack quack any luck
Yummy raspberry pie someone delivered

Christmas Scrooge all tears
New York lights camera I love my
        Serendipity chandeliers
Those duck tear drops last stop
Or you die__your still quacking
       Just in time said I
           Fly Robin Fly

     Saved my baby chick lovely
     Cradled her to love her
          Dr Seuss read

I POURED MY ACHING HEART INTO A POP SONG
WHERE YOU WERE MY MISSING PIECE AND I
WAS MERELY A FRAGMENT OF YOUR THOUGHTS,
A BITTER WHISPER YOU GAVE NO THOUGHT TO

I POURED MY ACHING HEART INTO A SHOT OF
***** AND LEMONADE / AND THOUGH IT
MADE NO SENSE TO ANYONE, IT SEEMED LIKE
THE PERFECT COMBINATION AT THE TIME

I POURED MY ACHING HEART INTO A GLASS
OF WATER / AND GAVE IT TO YOU, BECAUSE
YOU SAID YOU WERE DYING OF THIRST- BUT
I DID NOT KNOW BACK THEN, THAT YOU
WERE COLD AS ICE ANYWAY

I POURED MY ACHING HEART INTO THIS
POEM / IT SEEMS TO BE THE MONA LISA
OF THE EMPTY ROOMS / BUT WHAT GOOD
IS THE MONA LISA / WHEN DA VINCI WAS
NEVER THERE IN THE FIRST PLACE?

Mona Lisa
Eyeball pleaser
My lady of the lake
Kissing your lips
Touching  your ****
I'll even bake you a cake.
Squeeze of lemon
Some orange peel
eyeball ingredience
To make me feel real.
sweet mona sweet mona
A frozen file
open up and blossom
Please Stay awhile,
Still dreaming of my Mona Lisa
Elegant chic one eyeball pleaser,
Walk down the high street
All heads would turn
But stuck in that frame
I shall always yearn

She resembled the Mona Lisa. The shape of her lively honey brown eyes. The fullness and curve of her lips. It almost seemed Da Vinci painted her instead, a spitting image they call it. I could not believe my eyes, I was looking at My Mona in the flesh. She smiled like she knew what I was thinking. Her name was Theresa though, and I had one short evening with her. I only paid for 5 hours until she had to leave me in my misery and be with another man. This was her job but she will always be My Mona.

.
I am the man that's she's drivin' wild,
but Mona Lisa never smiled
as an adult or a younger child--

She was wild as the wind
on the western plains;
could run much faster than the driven rains.

Trains ran through her with whistles blowin',
you couldn't tell if she were comin' or goin'.
She'd clip rose stems and arrange them in a vase--
still...I never seen a smile alight on her face.

I'd spit out a joke,
her smile wasn't half.
I felt I lived
to make this girl laugh.

So I pulled out my brush
and asked her to sit for awhile.
She looked so pretty in her paint by number smile.

still... Mona Lisa never smiled.

I’m not a picture of perfection,

But I am the Mona Lisa of imperfection,

This distorted picture which you view,

This picture which you judge,

Which you question,

Is my only reality,

A picture hanging in a museum wall,

Being watched, examined, analysed, criticized,

I am that picture,

The one you so often seldom walk pass,

The one which may catch your eye,

The picture that when you stop to stare at,

Haunts you,

The glazed complexion over the eyes,

The somewhat distant smile,

And the disheavled hair,

It’s not a picture of perfection,

But it’s the Mona Lisa of imperfection,

It’s a representation of all those beings walking this earth trying to hide their flaws,

They are not Mona Lisa’s,

They hang on the wall of museums,

Pretending that no one sees through them,

Little do they know, they are barely paintings but pieces of glass,

So transparent and fragile,

That any moment now, when that passing strange stops,

Stares,

And opens there mouth,

That glass, will shatter into tiny little brush strokes,

They will float away into the air,

Leaving nothing but a distorted image of perfection,

Whilst I’ll hang in my glory of imperfection