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A sportin' death! My word it was!
An' taken in a sportin' way.
Mind you, I wasn't there to see;
I only tell you what they say.

They found that day at Shillinglee,
An' ran 'im down to Chillinghurst;
The fox was goin' straight an' free
For ninety minutes at a burst.

They 'ad a check at Ebernoe
An' made a cast across the Down,
Until they got a view 'ullo
An' chased i'm up to Kirdford town.

From Kirdford 'e run Bramber way,
An' took 'em over 'alf the Weald.
If you 'ave tried the Sussex clay,
You'll guess it weeded out the field.

Until at last I don't suppose
As 'arf a dozen, at the most,
Came safe to where the grassland goes
Switchbackin' southwards to the coast.

Young Captain 'Eadley, 'e was there,
And Jim the whip an' Percy Day;
The Purcells an' Sir Charles Adair,
An' this 'ere gent from London way.

For 'e 'ad gone amazin' fine,
Two 'undred pounds between 'is knees;
Eight stone he was, an' rode at nine,
As light an' limber as you please.

'E was a stranger to the 'Unt,
There weren't a person as 'e knew there;
But 'e could ride, that London gent--
'E sat 'is mare as if 'e grew there.

They seed the 'ounds upon the scent,
But found a fence across their track,
And 'ad to fly it; else it meant
A turnin' and a 'arkin' back.

'E was the foremost at the fence,
And as 'is mare just cleared the rail
He turned to them that rode be'ind,
For three was at 'is very tail.

'Ware 'oles!' says 'e, an' with the word,
Still sittin' easy on his mare,
Down, down 'e went, an' down an' down,
Into the quarry yawnin' there.

Some say it was two 'undred foot;
The bottom lay as black as ink.
I guess they 'ad some ugly dreams,
Who reined their 'orses on the brink.

'E'd only time for that one cry;
''Ware 'oles!' says 'e, an' saves all three.
There may be better deaths to die,
But that one's good enough for me.

For mind you, 'twas a sportin' end,
Upon a right good sportin' day;
They think a deal of 'im down 'ere,
That gent what came from London way.
Mateuš Conrad Mar 2017
i fear that constantly redefining poetry gets no poetry done...
        i don't mean it as: primarily
performance art,
                 i meant it as: composition art...
but the curret theme (counter to
philosophy's concept of form)
         has been lost... to be trapped in
an art-form where the only theme is refining
the art: without actual output...
                    i don't know how many misnomers
i might have used,
     or haven't used...
                     i'm drinking white *** and i'm like:
*****'s sweety juices are like choc when downing this...
i turn to brown cane liquids?
              it's almost like whiskey...
         i'm starting to hear bagpipes... but they're not
scottish... n'ah ah! there's a distinction!
   they're not only scottish...
there's the dudelsack... and there's the dudy
or the kózoły...
                         etymology? kozioł / sagittarius...
the male goat...
    velkopopovický kozel?    the word doesn't matter,
the diacritical mark does, the acute sign above
the y, i.e. via linguistic dissection:
             velko (great, large / wielki) -
          po po (after after) - vický... the **** of ι...
               it is derived from this... vicki...   but it's more
or less vickee...
               english without diacritical marks
can soon turn ugly and acronym...
                                    the great after father victor...
and kozel? father goat.
                        ***** ******* after they
downed a few beers and were like: *******!
     oh the picture isn't pretty... but i see western
  birthrates decline because you've stopped treating
dogs as instruments of protection... cuddles! cuddle!
you lived on a farm, you had a dog hut and a dog
on a chain... and when a thief came along in the night...
you let the dog off its chain... and whether a rottweiler
or a doberman... the dog would morph into a hart...
and it was more effective than a gun...
      you know what they call haggis in eastern europe?
czarna kiszka (charn'ah keesh'kah)...
of you think the thing originates in scotland?
                depends what you mix intestines with -
in the east it's made from pork... in england the same
things is made (black pudding) - but they don't
add carbohydrate grains...
                                      'ullo oo'rho'pa'h!
seriously though... when did poetry come to
resemble: i need to write poetry about writing poetry...
but never actually writing any poetry...
i can understand lyrics...
                like you'd might sing auld lang syne...
but what about the narrative vein of it
akin to homer or virgil?
                                  la i mbealtine! - dudas!
begpies aren't a scottish invention!
                           they're just different whereever you
go on the continent...
                          they have different tuning...
like drop-d or standard blues guitars...
                       la e mm beel tain...
                                         hence the need to differentiate
the concept of the logos from the phonos...
                       it's needed, it came about
when the greeks started incorporating diacritical
marks... and the last romans didn't do anything about it!
doughnut proper that crap...
           i'll see how long the *** appeal of the english
accent in america would take me,
or how far the american accent would take me in
england... while calling scots: indecipherable...
     dudahy!
                               bagpipes in eastern europe...
    begpies!
                             dudam: verb, playing the bagpipes.
it's not a scottish "thing"... the scottish bagpipes
probably have the worst tuning... they're like
beavers farting...
                               while whistling through their
buck-teeth...
                   with that gap in between their frontal teeth...
fizzle... thistle... thizzy... oh the glory
    of the cultural export of americanism...
                     i've already started pledging allegiance
to russia... imagine that!
              i'm hearing opinions that actually
think arizona or colorado or nevada are
actual countries, equivalent to croatia, serbia,
or god forbid germany... apart from the former's
homogeneousness... and with the latter example:
             the e.u. isn't some x-men prologue narrative!
it's one thing that they're not speaking flemish or french
in the european parliament... it's that they're talking
with these terrible accents!
        ugh... i literally have no real magic trick akin
to being astounded as to why the english decided to left...
it's one thing dealing with the welsh, the irish and scots...
but these belgians with their version of english
that undermines east london accents?
                                                   who you fooling?
they left because it was a bit like:
1, 1, 1, 1, 1... and then the belgians... and the english
turned neurotic with the accents...
                            (ireland, n. ireland, wales, scotland,
england) -
                     these are very sensitive people...
   they're a people with insomniac tendencies...
                       it's not even like a billion chinese people
with only 3 time zones...
                    they cover the whole spectrum of a day:
'ere a minute,
                                                    'ere 'ive 'our 'ater
(there five hours later);
                 and they say that the state of Levant
is on amphetamines... yeah, and i'm an a.d.h.d. squirrel;
   skinning those nuts like eating out a *******'s *****.

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