Turn the corner
Hand tenses
Looking down the iron sights I see an object fall
"Tango down" I call over the radio
what was his name? Tango, Threat, Terrorist, doesn't matter.
Explosion
Mud brick wall vaporized into dust
Keep going
Out of breathe
Keep going
Hand tenses
"Tango down"
Does it have kids? A Family? Threat eliminated
Round the corner
Hand tenses
"Three tangos on west building roof top"
Bullets from my brothers **** by my helmet
Return fire
"Take Cover!"
Sweat drenched face fogs up my goggles
Explosion
Brick pieces pummel my back
Ears ringing, faintly hearing
"Alpha down, Medic!"
Blurred vision, equilibrium thrown off
Raise my rifle
Hand tenses
Silhouette falls
"Medic!" heard faintly
Hand tenses
"Are you okay?" sounds distant
Hand tenses
"babe?" getting louder
Hand tenses

Hand tenses

Wake up
Sheets heavy with sweat
"Babe, are you ok?"
Throwing the blankets I jump back to the edge of the bed
Her frightened face
I've seen before
I look down
Hands tense
Same look, no tangos
No threats
Just Ghosts

Dear Poet Friends, I conclude this series on The Enigma of Time by mentioning few important features about the concept of Time according to Modern Philosophy and Science. I have used a
simple format, and also tried my best to simplify the concepts for your kind appreciation. Unfortunately, there is no provision on this Poetry Site to show Diagrams to elucidate! If you like this one, kindly repost the same for wider circulation! Thank you, Raj Nandy, New Delhi.
            
       CONCLUDING THE ENIGMA OF TIME IN VERSE:
                      PART THREE – BY RAJ NANDY
              
              TIME ACCORDING TO MODERN PHILOSOPHY

UNREALITY Of TIME : Mc Taggart’s ‘A’ and ‘B’ Series:
Now skipping through the pages I come to Modern Philosophy, with Mc Taggart the British philosopher of the 20th Century.
He had acquired a substantial following with his 1908 paper on the ‘Unreality of Time’ initially.
With his quibbling argument he states, that moments in his ‘A’ Series of Time are either of past tense, present tense, or of future tense.
It is all about human perception, since we experience the past through our memories;
Become aware of the present through our senses, while future is pretty unknowable.
Here time appears to be flowing through us, as nothing remains stable around us!

In his ‘B’ Series of Time Mc Taggart expresses differences in moments of time as either Before or After,
Without using the tenses used in his ‘A’ Series of Time.
All parts in time can be expressed equally as points along a time line, in the absence of past, present, and future tense;
While here we appear to be flying through time in a metaphorical sense!
Thus in the ‘A series’ time appears to be flowing through us, but in ‘B series’ we seem to be flying through time on a timeline created by us!
Therefore, Mc Taggart finds both the ‘A’ and ‘B’ Series describing Time to be inadequate and also contradictory;
And he finally concludes that Time is unreal and does not exist in reality!

How Mc Taggart’s Theory Was  Updated :
Modern Philosophers have re-casted Mc Taggart’s theory in term of findings of Modern Physics.
His A-Theory is updated into ‘PRESENTISM’, which holds that only thing that is real is the ‘present moment’.
In ‘Presentism’ time has no past or future, and time has no duration either!
All things come into existence and drop out of existence, and past events no longer exist;
And since the future is undefined or merely potential, it too does not exist!

His B-theory is re-formulated into ‘ETERNALISM’ or the ‘Block Universe’, influenced by the later Theory of Relativity.
‘Eternalism’ holds that past events do exist even if we cannot immediately experience them, and future events also exists in a very real way.
The ‘flow of time’ we experience is just an illusion of consciousness.
Since in reality, time is always everywhere in an eternal sense!

Theory of Growing Block Universe:
It was proposed by the Englishman CD Broad in 1923, as an alternative to ‘Presentism’ where only the present exist;
And also as an alternative to ‘Eternalism’ where past, present, and future together also exist.
In ‘Growing Block Universe’ only the past and the present exist, but not the future.
Since the growing of the block happens in the present, with a very thin slice of space-time continuously coming into existence;  
Where consciousness as well as the flow of time are not active within the past,  
But they can occur only at the boundary of this ‘Growing Block Universe’!
Few scholars this concept did criticise, saying that in this theory the word ‘now’ can no longer be used to define Time!

But according to Einstein, this perception of ‘now’ that appears to move along a timeline, creating the illusion of ‘flow of time’, arises purely as a result of human consciousness;
And the way our brains are wired due to our evolutionary process, enabling us to deal with the world around us in a practical sense.
“People like us, who believe in Physics, know that the duration between the past, present, and the future is only a stubbornly persistent illusion,’’ said Einstein.

A poem on ‘The Paradox of Time’:
Now to lighten up my Reader’s mind, I present only the first three stanzas from ‘’The Paradox of Time’’, composed by the British poet Austin Dobson:
  “Time goes, you say? Ah no!
   Alas, Time stays, we go;
      Or else, were this not so,
  What need to chain the hours,
  For youth were always ours?

  Ours is the eye’s deceit
  Of men whose flying feet
     Lead through some landscape low;
  We pass, and think we see
  The earth’s fixed surface flee,
     Alas, time stays, we go!

  Once in the days of old
  Your locks were curling gold,
     And mine had shamed the crow.
  Now, in the self-same stage,
  We’ve reached the silver age,
  Time goes, you say? - ah no!
       Alas, time stays, we go!”
            
HOW LIGHT IS CONNECTED WITH THE CONCEPT OF TIME:
Brief Background:
I commence with quotes from the ‘Book of Genesis’ - Chapter One, along with my thoughts about Light and Time,
Before concluding this series with Albert Einstein’s concept of Space-Time.

“And God said, “Let there be light,” and there was light. God saw that the light was good, and he separated the light from the darkness. God called the light “day,” and the darkness he called “night.” And there was evening, and there was morning—the first day. ……And God said, “Let there be lights in the vault of the sky to separate the day from the night, and let them serve as signs to mark sacred times, and days and years, and let them be lights in the vault of the sky to give light on the earth. And it was so.”
                                                      - BOOK Of GENESIS Chapter One.

Since ancient days, Light had acquired a religious and a spiritual significance.
Since Light became associated with goodness, intelligence and ultimate realty;
Light accompanies transcendence into Nirvana of Buddhist religious philosophy.
In due course the Sun began to be worshipped as an important live-giving deity.
As seen in the symbolic form of Egyptian Sun God Ra, and the Greek gods Helios and Hyperion as the Sun god and god of Light respectively.
In Hindu mythology Surya is the Sun god, and Ushas the goddess of Light.
Huitzilopochti, both the Sun god and god of War of the Ancient Aztecs was kept pleased with human sacrifice!

SOME PROPERTIES OF LIGHT:
Plato, during the 5th Century BC said that God was unable to make the World eternal, so gave it Time,  - “as the moving image of eternity.”
While some seven hundred years later St. Augustine in his ‘Confessions’ said,
That when God created the universe out of darkness with light, “the world was also created with Time, and not in time.”
Thus along with light, time also began to flow, while our scientists discovered a connection between the speed of light and time, few centuries ago!
To understand this connection between light and time, we must first understand something about the properties of light.
Light is the visible part of the electromagnetic spectrum* which can be perceived by our human eye.         (See Notes Below)
As seen in the red, orange, yellow, green, blue, indigo, and violet colors of the Rainbow in the sky,
When water droplets acting like countless prisms break up white sunlight!
Now this electromagnetic spectrum also contains the ultra violet and infra red spectrum which our eyes cannot see.
But this entire electromagnetic spectrum contains Photons, which are discreet packets of zero mass less energy.
In a vacuum light photons travel at 186,000 miles for second, which Einstein declared as the cosmic speed limit, and as an universal constant.
When a photon strikes the eye, it is turned into electrical energy that is transmitted to the brain to form an image which we call sight.

NOTES : Gama-rays, X-rays, Ultraviolet lights, have shorter wave lengths & more energy than Visible light. But Infrared, Microwave, Radio waves, with larger wave lengths are less energetic than the Visible spectrum of light. Sir Isaac Newton using a prism had discovered the spectrum of visible light, & used the word ‘spectrum’ for the first time in his book ‘Optick’ in 1671.

EINSTEIN'S SPECIAL THEORY OF RELATIVITY 1905 :
In his Special Theory of Relativity of 1905, he stated that nothing can move faster than speed of light which is 186,000 miles per second.
This speed of light always remains the same, irrespective of its source and frame of reference.
Now the mass of an object would double if it travels at 90% of light’s speed.
But if the speed of light is reached, mass of an object would become infinite!
Since photons, the quantum particles that make up light have a zero mass, they move at the speed of light.
Even inside the World’s Largest Particle Collider (LDC), located near the French-Swiss Border,
Experiments are carried out only around 99.99% of Light’s speed, in accordance with the Laws of Physics.
Einstein had also shown mathematically that on reaching Light’s speed, Time will come to a standstill!
And should this Light’s speed be exceeded, then Time would start to travel backwards, which becomes a mind boggling concept!
Here we enter into the realm of science fiction, which has been described by HG Wells  in his popular novel ‘The Time Machine’.
But to become a time traveler shall always remain our cherished desire and dream!

NOTES: Only mass less particles like the photon can travel at light speed, photons experience no time, they do not age. Objects with mass cannot reach the speed of light since in that case its mass will become infinite. Also, one cannot see the fourth dimension because of Lorenz Contraction, which is also related to stopping of time, for at the speed of light an object will shrink to zero length! Also, particles interact with the Higgs' Field present all around to pick up mass, excepting photons which do not interact with this Higgs' Field.

Now Einstein’s theory of 1905 is called ‘Special’, because it explains how space and time are linked for objects that are moving in a straight line at a greater speed but which is constant.
Time moves relative to the observer, and objects in motion experience ‘Time Dilation’.
Meaning, time moves slowly when it is in motion, as compared to one who is standing still, -  a relative comparison.
This can be further explained by the ‘Twin Paradox’, where a 15 year old travelling in a spaceship at 99.5% speed of light for a period of 5 years,
Returns back to Earth to find himself to be only 20 years old.
But to his surprise he finds, his twin brother on Earth who was left behind, has reached the ripe age of 65 !

Limitations of Special Theory of Relativity:
It was confined to non-accelerating bodies only, and after ten years of deliberation,
Einstein added gravitational force field, space-time curvature, and acceleration, -
To formulate his General Theory of Relativity with satisfaction.

   SPACE-TIME & GENERAL THEORY OF RELATIVITY 1916 :
Isaac Newton during the 17th Century spoke about 'absolute time' and 'absolute space', accordance to the understanding of science of his Classical Age.
Space was the arena where the drama of the universe was played out, and this arena was passive, eternal, and unchanging no doubt.
Time too was absolute with an independent existence, and continued to beat independently like the heart beat of Space!
Newton also gave us the Laws of Motion, and Gravity, with more massive objects exerting more Gravity than a less massive one in reality.
Now one aspect of Special Relativity is that space and time are merged into a four-dimensional space-time entity,
They do not exist as separately as envisaged by Newton and Descartes during the 17th Century.
Some 250 years later Albert Einstein, defined Gravity as a curvature of Space-time.
Einstein also tells us that gravity can bend light, which travels along the curvature of this space-time.
Gravity is flexible, it could stretch like a fabric warping of space-time caused by objects present within it, in fact Gravity is the shape of space-time itself!
The Moon rolls around the curvature created in space-time fabric by the heavier object the Earth,
Just like the massive Sun which creates the depression and curvature around it for the planets of our solar system to orbit round the Sun. *
Einstein’s space-time has been likened to a stretched out vast rubber sheet,
Where heavier the planet, more depression it creates on the fabric of space-time along with its own gravitational field.
Einstein’s Space is not passive like that of Newton, but has a dynamic presence.
Interwoven with Time, Space tells Matter how to move, while Matter tells Space-Time how to curve - in this dynamic presence!
The constant speed of light at 186,000 miles per second, is just a measure of space of something which travels over time;
But both space and time had to adjust themselves to accommodate the constant speed of light!
Thus space, time, and the speed of light are all unified in the General Theory of Relativity,
We owe all this to Albert Einstein, one of the greatest scientists of our Century.
NOTES: **Planets orbiting the Sun do not fall back into the void of space due to the attraction of gravity, and also due to their individual speed of acceleration maintained in orbit as per Kepler's Second Law of Planetary Motion. Mercury has the fastest orbital speed of 48 km per second, Venus at 35 km per sec , and Earth at 30 km per sec. as their orbital speeds. Planets further from the Sun require lesser orbital speed.

UNFINISHED WORK OF EINSTEIN:
During his later years Einstein was secretly working to find a ‘Theory of Everything’,
Which would ultimately replace the erratic tiny micro world of Quantum Mechanics.
His Theory of General Relativity had dealt with the functions of gravity at the greater macro level of the universe only.
So he hoped to extend this theory to find an all embracing Unified Field Theory.
For at the subatomic quantum level, as the Englishman Thomson discovered in 1897,
The electrons inside an atom at times behaved in an alien fashion and were very unstable!
This world of the subatomic particles is a wondrous world where time becomes chaotic;
Where the position of the electrons cannot be predicted with certainty!
Einstein called this unpredictable and unstable behaviour of electrons as "spooky action at a distance"!
In the ‘double-split experiment’ it was seen, that the light photons behaved both like waves and as particles, -
Even though the speed of light remained constant.

EINSTEIN'S NOBLE PRIZE For PHYSICS AWARDED IN 1921:
Now despite Einstein's dissatisfaction with Quantum Mechanics it is rather ironical,
That the Nobel Prize in Physics was awarded to Einstein for his work on the ‘Photoelectric Effect’ at the Quantum level;
Which for the first time had suggested that Light travelled in Waves and also as Particles ( i.e. as photon)!
This observation led to the development of electron microscope, solar panels, night vision devices, at a later date.
Since his Special and General Theory of Relativity considered as ‘The Pillars of Modern Physics’, was still being examined by the Scientific Community;
And they could be proved and accepted only subsequently.

'STRING THEORY' PROPOSED AS THEORY FOR EVERYTHING:
During the 1970s the proponents of ‘String Theory’ had claimed, They found a Theory of Everything, following Einstein’s quest.
They claimed that micro vibrating open and closed looped strings gave rise to some 36 particles at the subatomic level;
But also required 10 dimensions for this 'String Theory' to operate!
In our Standard Model of Physics we have only 18 particles as on date, therefore due to lack of scientific evidence,
There was no Noble Prize for those ‘String Theory’ proponents!
Efforts are on to find a Unified Theory of Everything, and to understand the mysteries of God’s infinite universe, -
We finite humans have just made a beginning!

Now, to reduce the length of my composition I conclude with a short verse by the famous novelist and poet DH Lawrence, -
Who had shocked Victorian England with his explosive ****** novel “Lady Chatterley’s Lover”,
Which later inspired Hollywood, and a film got made.

               RELATIVITY
“I like relativity and quantum theories
because I don’t understand them,
and they make me feel as if space shifted about like
a swan that can’t settle,
refusing to sit still and be measured;
and as if the atom were an impulsive thing
always changing its mind.”  – DH Lawrence.

Thanks for reading patiently,
‘All Copy Rights Are With The Author Only’, - Raj Nandy of New Delhi.

Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.

Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.
Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner

Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.

I am acutely aware that I
changed tenses in that story.
It is better for me in past tense;
his face was beautiful.
I know that he will not
talk to me. Not until
his time frame has come out.
I don't know what that frame is.
But I know him,
and that there is one.
I still love him.
It defies what I know
about the love mechanism.
It defies my past experience.
It is not unlikely that we
will not speak again
until I am over him,
and it is possible that
that will be never.

I make myself stop writing of you
present tense
because if you aren't here
I find
I am romanticizing a confused memory
past tense
and you never were that great
or strong enough
to pull me out of
this sinking ship
perfect tense
I didn't think that a lover
could do anything except
but even jesus turned tables
in his anger
and I've found that wanting
leads to speaking in tenses
not yet intact
so I have been waiting on
a new day
a new feel
a new touch
future tense

The past a millstone of regrets
permeating, like a rosary-beads
of penance, the present.
The future a misty dream
of fading ideals.

The things I’ve done haunt me.

The choices I’ve made disgust me.

Do our actions define us.

Or do they redefine our directions.

be* [verb]- to exist
been (past)

You should have been there.
You should be here.
You should be there in the future.

[introductory note: This is not a conversation. Alternate segments are A/ statements made by a Spanish teacher in a lesson, and B/ the reaction of a young man listening but interpreting in a different way as he is entranced by a girl in the class]

As far as actions in the past are concerned,
if you give the matter your attention,
you will recall various tenses:
the Past Continuous, the Past Definite,
the Imperfect, the Perfect, and the Pluperfect,
which we might call the more-than-Perfect;
we need not concern ourselves at the moment
with the Past Anterior.

I, at the moment, am not concerned with the past at all,
for you are very much Present, and your action
of brushing the hair from your cheek
requires all my attention.

Take, for example, this sentence –
“I was looking for a word, and found it
in a dictionary which I had.” You will notice
the action of looking for the word
extends over a period of time, and is Continuous.

What I notice is the luminosity of your skin
where the sunlight strikes your shoulder, for in my case
the action of looking at you is Continuous.

The action of finding the word is complete
and fixed in time,
and requires the Past Definite...

And I observe how beautifully complete you are,
and I am fixed in this moment
which is now and forever.

...while the action of possessing a dictionary,
in this sense, has no beginning and no end,
leading us to the Past Imperfect.

Your eyes, at which I continue to gaze,
are more than Perfect, having depths in them
which seem to lead towards an Indefinite Future.
And the Past Anterior and the rest of them
do not concern me at all,
for you see me looking at you,
and the corners of your eyes crinkle
as you smile at me, and in my case
the action of being in love with you
has no beginning and no end.

It is not just a simple continuous present
that I want to have with him
It is more until the future continuous
Like I am now loving him
until he will always be the one I am loving
for the rest of my roller coaster life
You got me?

your past isn't a suitcase; you need to stop carrying it with you everywhere you go.
and your future? regard it as hand luggage. don't forget that it is there but be sure to carry it lightly
now for your present. it's the suitcase, one you pack yourself and it is up to you what is in it. i would encourage you to prepare for the holiday of a lifetime though

I thought I heard
               Canadian slang
from the opposite bed-side
Like it's 2009, rub some lines off my face.
Inner space bleeding outward,
deep red, a nosebleed,
angled points on white of The Maple Jack.
               A Nip at the Sal's on Esplanade-Riel.

Grab your runners and toque,
               it's warm, but not forever
and these legs are sore. Polar bears
on the sweater you wore in the Fall--
Churchill, Manitoba, the streets are full of teeth and claws.
Awoke and wanted warmth lacking.
I thought I heard Canadian slang.

I thought I heard "it'll be okay"
from the voices of feathers fletching arrows falling.
     they whisper and screams sink deep behind
                                     eyelids
                                     closing.
A sentence unfinished,
                sinking in flesh
                              in time
                sinking
                              in snow and ice
                sinking
                              in water in Summer
                sinking
                              in memory.

I thought I heard
               plans being made
and shy laughter.
I heard it 5 times. Didn't I?
Days fade, ears dull*
Walking on streets, in the cold
towards her home
I thought I heard laughter--
                                   heard something
                        like laughter--
I thought I heard rain, as the Lodgepoles drank water.

I thought I heard laughter.

I thought I heard wax melt.
I thought I smelled fairness.
I thought you wanting more time
to bleed and blur tenses.
I thought I heard rivers rushing and roaring
                                                 their battle cries--
--asserting their presence.
I thought I heard cars pass and sounds of the daytime
                    and late March walk along bridges.

I could swear I heard something
     Like Canadian slang,
                 sweet
                     water
                  light
                      laughter.
Som­ething.

there is no value in a poem that reads
_____
_____
____­
M M l i f e s u c k s x x x n o p o e m i g o t

just

nerve; crap bs, a denial of craft

seek the intelligent intelligible,
kiss the sensational thrill that
emotion harvests with resonating tenses
that beg our brains to differ, sense

this claims,
there is no value in no words is
a hoax cloaked as art by the weak,
make thy metaphors metastasize,
my every cell, a preposition,
preposterous and precious and
comforting in their
privations and provocations

speak to us in alpha and
line our eyes wide,
with pictures at an exhibition
of a faun immobile and beauteous

let me hang on every word of yours and
let it be the raft that sees me happily
unsafe home

take your bs line poem  
shove it down your silent voice

this is not avant garde; this is insulting

p.s.  write me a smile and all will be_____.

The room is painted green; a soft green, so subtle that it almost isn’t green. Everything about this room is subtle. As if it isn’t even there. There’s all of the necessary furniture. A dresser, filled with neatly folded jeans and t-shirts and every sock has a match. There’s a small desk, laden with paper and pens and notes and every item we just carelessly toss there because they have no proper place. There’s a bedside table, with a lamp, an alarm clock, a pair of useless reading glasses that neither of us ever need. There’s a bed, a large bed, maybe a queen sized, I’ve never noticed. The room is quite full, but everything is where it should be. There is no tension.

I sit beside the bedroom door. The paint on the frame is starting to chip and I want to peel it off. I want to slowly scrape my fingernails down it, watch it slip to the floor in little white sheets. The same way I want to rip the carpet up from its edges, the sheets of the bed, my skin from my body. Slowly, tantalizing, with great care, leaving a perfectly intact shell, as if nothing has changed and everything has changed all at once.

The seconds tick by, my heartrate leaving them in the dust, while the dust in the room is visible only by the beams of light streaming so cleanly through the gap in the curtain. I don’t dare look at the clock. It’ll only make the time slow further, a dull whisper, unheard beneath my racing thoughts.

My knees are sore and my legs are cramping, there is no draft in the room. I always endeavour to hear footsteps, but it’s just the foundation shifting beneath my tiny, kneeling frame. I think a lot when I’m in this position. I think about the past, avoid the present, and allow myself the briefest glimpse into the time that follows. Everything is calm, all noise is dulled. Cars passing on the street, speeding along to wherever they’re going, a siren in the distance, maybe there’s a bird chirping or a dog barking. They fall upon deaf ears. I allow myself the simple pleasure of relishing in the feeling of air in my lungs. Slowly and serenely, in and out, it’s the only way.

My internal monologue was louder than I thought, it took me by surprise when the door opened and he stood before me. I glanced up, quickly, in shock, before averting my eyes and dropping my chin. Just like that, the atmosphere changed. The room, subtle as ever, fell away from me. The dust molecules, held, suspended in the air by the palpable anticipation that comes with him. I focus on my breathing again and I feel his eyes on the top of my head, down my arms to my skyward palms resting on my thighs. I feel my ******* harden as the heat from his gaze reaches them. My breathing hitches slightly and he inhales so softly I can hear the words before they’ve been spoken.

“Little one.” A chill runs from my neck to the base of my spine. He reaches down to stroke my hair gently, instinctively, I shift towards his hand. He pulls it away, “stay still.” His voice is stern, but not hard, “and breathe.” I release the breath I didn’t know I was holding and shift back into position. He moves past me and I don’t dare to let my eyes follow. I stare at the floor, which is still in fact there, despite how vast this subtle room feels around me.

He removes his tie, his watch, and I hear him deposit them atop the desk. I know these things without seeing them, I know him without seeing him. His presence is a feeling, an electric current I feel run through every strand of hair, every eyelash, every single joint in my body. He approaches me from behind, with purpose he gathers my hair into his hand and fastens an elastic band around it, exposing the sides of my face, the back of my neck, allowing him to see my nervous swallowing and the breaths that hitch in my throat. He pulls my ponytail gently causing my head to tilt back and my eyes to lock on his.

I can feel him reading me, gauging where I am inside my own head. Eye contact restrictions were never a rule I had a problem with, especially with him. I feel almost guilty looking into his eyes; they give nothing away, like two book ends neatly holding everything in place. I can see myself reflected in them, thoughts and emotions fliting rapidly, back and forth; I turn my eyes towards the wall. Seeing nothing reflected back at me in the pale green paint.

“Look at me.” My eyes are back on his before he’s finished speaking. It’s incredible, the control this man has over my body. Like a second nature, just this visceral reaction to comply, to allow him complete control. We remain staring at one another for what feels like hours. His eyes boring into mine is another thing that affects the speed and passage of time, only in an entirely different way. In this place, this moment, every nerve ending in my body is on fire, like becoming paralyzed and injected with adrenaline all at once.

He releases my hair and moves around me, my eyes never leaving his. He crouches in front of me, “how are you feeling, little one?” My insides light up further with his use of my name, “Fine, Sir, thank you.” He strokes my face gently and I make a mental note to stay perfectly still. He stands up and makes his way to the bedside table, opening the drawer he produces a black leather collar. I glance at his back out the corner of my eye, and a pang of nervous excitement courses through me. Standing behind me again, he fastens the collar around my neck, tight enough to remind me that it’s there, and exactly who put it there.
He reaches down, wraps his fingers around it and pulls me to my feet. Dragging me quickly to the bed, he sits himself down and effortlessly pulls me across his lap. I gasp and kick my legs without thinking. The sting across my *** is instant and harsh. I gasp again, “Not a sound until I tell you to. Understand?”

     “Yes, Sir!” I gasp inwardly. His hand makes contact in the exact same spot as before, I cry out before I have the chance to bite my tongue. He pulls me off his lap by my hair so that I’m once again kneeling beside him. He grabs my face tightly with his other hand. “What part of ‘not a sound’ was confusing to you, ****?” I stare at him, keeping my mouth firmly shut, hardly even daring to breathe. “That’s better. Now, do you know why I’m punishing you?” I look down in shame and nod sullenly.

     “Tell me.” His tone is even, this is when he is his most menacing. No anger, no betrayal of any emotion besides purpose.

     “You’re punishing me because I disobeyed you, Sir.” My voice feels small and I can feel the flush in my cheeks.

      “I want specifics, ****. I need to know you understand or else this is pointless.” I breathe in deeply and let out a shaky breathe. “You’re punishing me because I deliberately disobeyed your orders. I went out after work when I was told to come right home. I didn’t call or text or let you know where I was, and I came home well after my curfew.” My voice began to falter, “I’m so, so sorry Sir, I’m sorry I disobeyed, I never should have gone out. It was wrong, and you know best, and I know you only want what’s best for me and it’ll never happen again, I promise Sir, I’m sorry, I’m sorry.” The words came out in a huge rush and probably would have continued if he had not silenced me with a sharp pull of my hair.

     “That’s enough. All I wanted to hear was if you knew why you were being punished. As you keep demonstrating, you’re not very good at following instructions.” The disapproval is evident in his voice and all I can do is hang my head. “Now, to aptly punish you, I’m going to count your misdemeanours. Firstly, you blatantly disobeyed me by going out after work. Second, you failed to let me know where you were or what you were doing, or at the very least, that you were safe. Third, you came home three hours past your week night curfew. And just now, you failed to follow simple instructions.”

     Disappointment in myself washes over me in waves. I hate letting him down, I know he cares, and wants what’s best for me, and even though it seems unfair, there’s always a reason. I’m cursing my own stubbornness when his voice brings me back to the here and now. “I am going to spank you 40 times, hard; Ten for each instance that you knowingly disobeyed me. Do you understand?”

     I nod my head rapidly, nearly giving myself whiplash trying to prove to him that I can listen, I’m a good listener. He says a soft okay before pulling me back across his lap. He places me across his left knee, using his right leg to hold my legs down, and with his left hand gripping my ponytail tightly, I feel the sting of his hand crashing against my right *** cheek. “What do you say, *****?” He growls at me.

     “One. Thank you, Sir.” I whimper. He hits me hard in the same spot before the words have finished leaving my mouth, I gasp, “Two. Thank you, Sir.” And again, four in quick succession, so quickly I can hardly keep up. I know he’s doing this on purpose. I know because he knows that I’m well attuned to the fact that if I lose count, he starts over.
The blows are merciless, and by number 23, it feels like he’s holding a welding torch to my ***. He’s switching, right and left, right and left, rhythmically striking me over and over.

     “Thirty-two. Thank you, Sir.” “Thirty-three. Thank you, Sir.” I cry out, sputtering the words out in one long breath, “Thirty-Four-Thank-You-Sir.” The last six are the hardest I’ve ever felt, and by the final one the tears are streaming down my face and I’m choking on my own sobs. At this point I can’t even tell which is worse, the sharp pain of his hand on reddened ***, or knowing that I’ve disappointed him and have done so by my own choice. I’m sobbing so hard I can’t even make out my own words. I begin to panic, trying to recall if I thanked him for the last one. His answering smack, though much lighter than the previous ones, confirm my fear.

     “Forty, forty, forty. Thank you Sir, Thank you, forty!” I sputter without thinking. I’m shaking and crying, bent across his knee, my stinging *** settling into a dull, warm, ache.

     Before I have time to take in the respite, he’s flipping me over and pulling me into his arms. Careful of my sore bottom, he holds me close and kisses my temple, “Are you okay, little one?”

     I nod my head quickly before burying it into the crook of his neck. The tears have stopped flowing so freely but the sobs still wrack my shaken frame. He kisses me gently and rubs tiny circles on my back, “Speak to me, I need to hear that you’re okay.” His voice is much softer, tinted with a gentle concern.

     “Yes,” my voice is hoarse and I clear my throat, “yes, I’m okay. I’m so sorry, I’m sorry.” I begin to cry again. He holds me tighter, nuzzling my hair with his nose and kissing me so softly. “Sh, sh, it’s okay, you did great, and you’re a very good girl.” I look up at him, and am instantly filled with a small sense of pride; pride at hearing those words, at making him happy, and being held, safe and cared for in his arms.

     He leans back slightly and uses his hand to tilt my chin up, forcing me to meet his eyes, “you’re sure that you’re okay?” I nod slightly, my eyes no doubt displaying my sincerity, “Yes, Sir, I’m okay, thank you.” He kisses my forehead and instructs me to lie on my stomach on the bed. I do so right away, albeit slowly in my current state. He stands and returns quickly with a bottle of lotion. He climbs on top of me, straddling my legs and uses the lotion to massage my stinging ***. As he does, he asks, “so, what have you learned today, little one?”

     “Forty is a lot higher of a number than I thought?” I can feel him smirking behind me but he gently flicks my bottom in response, Ouch! I cry out softly, and then giggle. “That you always know what’s best and though I may not agree with every rule, I belong to you and what you say, goes, and that I need to be a better listener, and most importantly, communicate.” He can sense my sincerity because he leans down to kiss the back of my head.  

     “Good girl.” The words are murmured into my hair and my skin prickles with goosebumps, I smile into the covers and dig my fingers into it. He notices immediately and grasps both of my hands firmly.  He’s still leaning down over me, his ******* inches away from my still aching ***. Before he can say anything, I’ve closed the distance and rubbed my behind against him. He tenses and I giggle in a very unlike-me way.

     Quickly he has flipped me over, his hands pinning my wrists above my head and his body keeping me firmly in place on the bed. “Oh? You’re a hungry little ****, are you?”

     I squirm beneath him, his words sending tingles through my body, causing me to drip with anticipation. I nod, biting my lip, moaning involuntarily at the thought of him entering me. I feel the heat between my legs, my heartbeat rising, my eyes darting between both of his, which, as usual, gave nothing away. “Please,” I whimper, the begging tone in my voice not lost on either of us.

     Quickly and suddenly he slaps me across the face, I hear the sound before I feel it. I meet his gaze, eyes blazing down at me; I can feel them burning my skin. I squirm again, desperately trying to break free of his hold on me, I need him to touch me, I want to launch myself at him. He slaps me again, harder this time, though it’s just a warning. I stop moving completely, and he gives me a look as if to stay, “stay ******* still.”  

     He’s up and back in the blink of an eye. Before I know what’s happening, he’s flipped me back over and is strapping leather cuffs around both of my wrists, binding them together behind my back. I open my mouth to moan and am silenced by the gag being forced into my mouth. He fastens it tightly behind my head, leaving me immobilized and helpless in a matter of seconds. I squirm, trying to rub my thighs together to offer myself some relief. It feels heavenly for a split second, but as if reading my mind, he grabs my ankles, putting cuffs on both and attaches a spreader bar between them. I have no hope for relieving myself and all I can do is give myself to him, and hope he’s merciful.

     The chuckle that escapes him is dark and sends a shiver down my spine. I’ve decided squirming is useless, and lie there, patiently waiting. I can feel his eyes on my body, hungrily taking in every inch of me; every inch of what belongs to him. “Now this is how I love to see you, worked up, *******, those lustful eyes. I don’t need to hear your voice to know that you’re begging, yearning to be touched.” His fingers lightly make their way up to back of my thigh, dancing, tantalizingly across my ***, and skipping, completely over where I want them. “I love the way your body tenses with anticipation,” I can feel his fingers hovering just over my *****. Not touching, not even thinking about touching. Just resting. “I own you, little one, you’re all mine. All of you.  Mine.” He slaps my ****, “who does this belong to?” I wince and jolt up, “yours, yours, all yours!” I cry through the gag.

     “Good girl,” he whispers gently as he begins to play with my *****, slowly, torturing me. I can feel myself getting wetter as he slides a single finger inside me. We gasp in synchronized time as he feels how wet I am, and I’m finally given something. He works his finger in and out in a torturous rhythm. I try to move my body to speed up his movement but it only results in a sharp smack on my ***.

     “Have patience, little one, I want to have my fun with you.” As I’m about to groan in protest he suddenly slides three fingers inside of me, causing me to cry out before giving into the sensation, giving my muffled thanks between moans. He’s still sliding his fingers in and out as I feel him shift his weight. I hear a zipper and the sound of pants sliding onto the floor. My insides

this is the poem you're too self indulged to write
then everything is going okay it's easy to cover your ears and let your eyes play tricks on themselves and go to work and do your homework and lay in his bed the day after she did and not think anything of it, but once he says that one thing or does that one too many times you manage to pull the horse blinds off and see what's happening.
this is the poem you're not self-indulgent enough to write
love is tricky. it may be one of the most common concepts us as humans cannot seem to figure out but us, as humans, as a species, we need love to exist. without the eyes and hands and time from another person it starts to feel like we aren't really even here, that maybe somehow by being independent and alone you start to fade away, like another person in the crowd whose face you'll never quite be able to remember- but when you're in love, every color seems to go brighter and the feeling in the pit of your stomach makes you drive faster and your legs shake ten times easier. it makes time slower and faster at the same time and the sky seem bluer and the world a little neon.
maybe this is the poem you're too blinded to write
love is not supposed to hurt. love is work, and somewhere along the road you'll have to kick and fight and scream to make that love work but in the beginning, the little bit, it's not supposed to feel like glass on skin it's supposed to be smooth and silky and for whatever reason us as humans, as species, we decided that the more effort we put into something that's difficult the more important to us it should be and the more attached we should feel, but sometimes it's okay to let go. I'm telling that to you, but I'm telling that to me.
this is the poem you're too tired to write, because when you spend your time working and going to class and fighting for the only person who you've ever really felt but you've never been able to keep a grip on and it isn't fair because you deserve to be able to hold onto something other than your own hand, your eyes start to grow weak, and so do your arms and your legs and especially your heart, because when love hurts, when love becomes something that's really terribly bad, what's left? what's supposed to get you through the day when the one emotion that's supposed to lift you up leaves you aching and collapsed on the ground?
this is the poem no one should ever have to write
I struggle to call love an emotion, because in this sense love is a verb. like "I loved with all that I had until I couldn't stand anymore and then I was just collapsed loving you more and more and than you held her hand in front of me and didn't talk to me for three days and I thought if I loved you anymore my skin would burst and I'd just be on the ground aching and hyperventilating and screaming your name wondering why everyone makes love seem good because love is just bad, it's just broken glass and long drives because if you cry anymore your head will fog up again, it's wanting to write but not wanting to write because you've reached the point of a horrible mixture of exhaustion, sadness, pain and adoration that you can't even get the pen to the paper, it's feeling so much that not even words can explain it, like driving by his house because when you see her car out front your arms go numb and for whatever reason you like to make it hurt even more, for some ****** up reason, for some ****** up ******* reason you're a dumb ******* miserable human who only let's herself feel more miserable and let's herself fall more in love and refuses to end the vicious cycle of you and him and him and her and you only wanting him but him wanting you and also kind of wanting her but wanting her more than you and knowing that and just wanting to collapse on the ground. for the 6th time this week, and it's only wednesday"
this is the poem I should have written the
minute I heard there was another one
the minute I found out that love has conditions and that sometimes love is felt when it should not be felt. sometimes it'll pop in your head during a meaningless task and you'll realize you can't run from inside of your head no matter how much you wish you could and during those moments you won't think to write this poem, you'll just collapse. you'll only collapse and call him and tell him you miss him and he'll say something too fast and too quiet and you'll realize she's in front of him so he can't say he loves you back and it'll **** you. but you'll stay on the ground. and you'll stay with him.
this is the poem you're too guilty to write, and too confused and too in love. but you waited and you waited for someone to come and for it to click and for you to get him and him to get you and when it came you didn't realize there'd be conditions, and when you had them in front of you, you didn't realize you could say no to them. so I guess in a way this is a poem you waited to write, but you never realized it'd be so bittersweet. that sometime love poems aren't about love at all, but about losing it and the pain of it all, and being the girl who goes there, and the girl who met him and became really really good at pronouns but really bad at tenses and deciphering between first person and second person, and started talking in third person a few dozen poems ago and forgot how to get back into her own skin.
this is the poem you should never have to write, and if you ever do I hope you notice and you leave. because love might be tricky, but love should also be great. you should only ever be at the brink of collapsing before they come over and pick you up, you should never be on cold tile on your roommates bathroom floor too exhausted to stand up and screaming too loud and crying too hard to move when he's in bed with her, sound asleep. she's warm, and his arms are around her, and you're shivering on cold tile, and you're writing a poem you never thought you'd have to write.

Nancy is a new generation of computers programmed to respond biologically she has built-in human shortcomings including conflicted feelings uncertainty sense of soul pre-installed parts of her are dying she can feel it after elaborate shower focusing on specific body selections underarms feet ****** *** face allowing other anatomical regions to retain natural biotech oils lathering scalp with premiere restructuring shampoo conditioner she dries applies fastidious refined moisturizer emollients to forehead eyelids mouth neck areas vigorously massages special mousse treatment into brunette hair cut medium length brushes teeth rinses with spearmint mouthwash lightly rouges face with extra fine powder mist meticulously paints eyes lips with conventional colors finally adding distinctive subtle scents behind ears neck décolletage wrists thighs derriere toes tonight will be 2nd date with Rick handsome successful options trader who has no idea Nancy is extremely sophisticated complex doll meeting at catch.com on their 1st date Rick has too much to drink possibly owing to his nervousness or shyness around Nancy who possesses regal beauty bearing yet infectious smile laugh he spills 3rd drink then orders 4th drink Nancy becomes courteously standoffish

Bob’s LG electronic 27.5 cubic foot French door refrigerator’s water filter ice system located on door is malfunctioning spewing out brown fetid ice chips onto extremely intricate decorative parquet (palace style) floor consequently leaking into downstairs neighbors custom design ceiling dwelling to make matters worse Bob’s smart phone is on the blink his internet connection down due to unpredicted wild winds he is beside himself in isolated frustration compounding this calamity is foreboding realization Bob highly trained biotech computer programmer may have miscalculated tiny chip link inside Nancy’s cerebellum stem

as Nancy is about to open door for eagerly waiting Rick holding small gift box in hand with note that reads thank you for giving me a 2nd chance something quite irregular unforeseen pleasure fear motor impulse tenses snaps inside her head she reaches for door handle while other hand grasps butcher knife

Underneath the anger, there are tears. Beneath the fury, there is hurt, a river
of affliction - the day that possibility evaporated. I knew, the moment
it was gone. Telos obscured, like a mist, had left me.

Frost in February, morning at the local coffee house, perseverating, sedate
in privatized, cogitations - certainty dissolves into irony, the transient
collective with predictable cadence and singular objective. Borrowed
energies - preferred anesthetic in defiance of the placid, quotidian horror.

Angst wrapped in skin, clothed in remorse, like a muslin coat unable
to keep me warm, the palette of truculence, dislocated savant,
with guarded aversion - faces enucleating in tacit harmony, the muted tragedy
of the forgotten.

Yoked, the metaphorical satchel, freighted with the sentient debris, sifting
the fuckage, memoirs of failure, privation of venture and honor, objectified as
mere portent. [Existence] - the daily riot, becomes the necessary crucible.

Dissonance and detachment resonate the cultural banality, [being] displaced
by icon; [branding], ideas about ideas, life several times removed,
emblem over essence.

Existential renegade, exploiting the counter intuitive, the paradigmatic prodigal,
favor squandered, in the absonant passage, bearing fruit of the undone.

Bones of contention lament, interminably, like a false friend, present in absence,
perceived in the lack, subtraction, slip-stream - the disheveled
palaver of the broken.

Acutely self referential, misery enfleshed, its own reward, a post-war
discontent inhabiting sorrow, compressed and narrow, begetting
apathy in springtime.

Commodity of youth, the currency of beauty -permuted, commerce of the
ethereal and diaphanous. Human caprice, post-modern fog,
the flattened self,
the enemy of us is us, drowning in the decorum of narcissism.
the fattened calf,
immolating on the sword of autonomy.

Recycled grief, a recursive loop of gestating thoughts, marinating fluidly
within the interpretive grid. Confessional cyber community - exposed wounds
and concrete suffering, abstracted from virtual solidarity, refracted through a
reductive sentimentality, maybe they will ‘like’ it.

Iconoclast in exile, inhaling the incense of barrenness , surrounded by synoptic
drivel in understated - present tenses - alight in the now, axial axioms of the privileged,
who genuflect to the god of unfettered freedom.

Peripatetic intervals of isolation, self-imposed, hidden in a sanctuary of derision,
colliding with immutable otherness , the waters of chaos, calm.
The proleptic display, announcing eschatology. An ancient text written on the interior
expressed in myth and narrative the courier. The carnal and cerebral
arise, rightly flourishing.

Sense thresholds stirring, surprise and turbulence, reverberations of altered
domains merging - the temporal and ubiquity, the indissolubly resplendent
inversion - the invisible made visible. Opaque intrigues subsumed into the
balm of reconciliation - the first shall be last…

©2012 W.S. Warner

My tenses –
PRESENT
PAST
…future…
Creep into my soul in unison
...and in a voice
dripping with PASSIVE eternity
Scream
C
O
N
T
I
N
U
O
U
S

Momentarily deafened
I give up on GRAMMAR…

And gather the strewn words

Maybe…

I would need them to fill the gaps...
... in my verse brimming with INFINITIVES...

I live in the neighborhood
of your parallel universes
the window you didn't open
      the bus you missed
      that name, that tune
    you couldn't remember
                            a helicopter
                               a whistle
                                  a train
                                a trumpet
                               a horn
                             a siren
                          a tuba
I yell my vocal cords explode
           into prophetic songs
                        tomorrow
           our voice will expire
                   our memory
                            weak
                            wil­l
                            fade
                            li­ke

                                             this

I've known you long enough.
I know it when you hold your body just so,
And this movement is invisible to others,
But I know when your muscles tense
And when your heart tenses
And when your world tenses
You will strike.

It's so subtle, your actions are known only to yourself.
And me.
I won't help you, you need to solve your own problems.
But that doesn't mean that I can't sit in the distance and admire
Your beautiful patchwork.

I'm not depressed
I just lack what society coins
Common sense
I live life in all 3 tenses
Because the past
Is the blueprint of my fences
That reign the present in
And I might as well live in the future
In case it never does begin
For sanity is not measured by statistics
The majority's vote does not determine what's realistic
For selfishly we work as a whole
Only as convenience
To reach our own goals
The size of our ambitions
Define the status of our positions
Although this would never reach admission
Independence gains ground by submission
Failure is measured by how well we cope
With the reality of our situations
And the absence of hope
Success however
Is measured by distance
Between the final outcome
And our feeble existence
As we try to conquer life
We digress from our true motives
Doing whatever it takes
To prove ourselves devoted
The ballots were never cast
Yet we take pride that we voted
For the notion that our drive
Is all that's keeping us alive
Is hidden in our conscience
Cuz we don't need it to survive
Life is constant, set in stone
Yet we are continuously changing
Spinning towards the unknown
Oblivious
Until we're all alone
With the thoughts in our minds
Releasing the binds
Which tie us to the perception
Built up by deception
That we begin living the moment we are born
When instead we don't awaken till we win the war
For you can not understand a revolution until you are free
Yet you can not be free till you have a revolution

Gasps escape the lungs,
Hands gripping sheets; toes curled up
Body tenses,
Electric fire spreads;
Hands let go, In an explosive moan

"I have gotten from there to here"

Its a simple tautology, chant it

either/or an uncertain accomplishment.

From there to there to there until there became here.

This too is fairly obvious,
but still, it seems so strange,

how many times must you be reminded

that you are too ill-equipped 
to string the sequence.



And what about those weak suspicions

that reappear from time to time,
the ones you are
 quick to disregard
out of the fear that you may be a lunatic.



What if they were correct, what
if a moment were nothing more
than a brown package
of stimulus.

They came to you, one after the other
and you what could you do but follow
them, like crumbs in a trail that lead
you further away from home
and into this carnival.
Where people who sing lullabies out loud
carry pistols and globs of color
are merging in all
directions.

Wedged in between "there to here"
and "here to there", the laws of tenses
never made this much of a difference.



Babies know this all too well.

That's why they're the last 
ones
we turn to for wisdom. 

But should they ever decide

to permanently stop crying.   

You'll know what they mean by their silence.

We lay down together.  

Unable to move.  

Our smell the same.  

Skin stretched out.  

Holding each other’s hand.

The days and weeks we hadn’t been eating properly didn’t show on her figure as it did mine.  She still looked full.  

Muscles and waist growing tighter, thinner.  But hers,
Hers

Her face, *******, lips, hadn’t changed.

An animal in love with beauty.  Old beauty, future beauty.

Bulgaria, Estonia, Latvia.  We had been travelling Europe for some time.  That’s where we were.  One of those places.  All of them.

And the heat kept beating, making me sweat.  
It made her sweat too.  
But we always had enough energy to be together.  

                  As our bodies become hungrier, our need for each others skin increased.  
                  Her sighs and moans and thighs becoming louder.  Penetrating darkness.  
                  The cicadas.  Black trees.  Collapsing.  Grinding.  Feeding.

Our love, returning to dusk my dear...  

Giving life back to the morning.  Killing each other.
Controlling hell.

A stretch of green.  Hard hills.  
Sand inside our **** and hair;
The ground, and her perfect smell.

We stand-up, and continue to walk through the breeze towards the train station.
I pray the monies been wired.  We stop.  I pull her into myself.  
Tell her all these things.  

She smiles  
our bodies join  
and hills the size of Gods

                                                           ­      Became nothing again.

                                                         ­                          :::
            

‘We will be fine.’

She said gracefully.

                                                    ­                               :::

            

There was nothing at the station hardly  
but a shop was open in the blazing afternoon
the unknown shop-keeper didn’t smile
but sold us enough with what we had to get us drunk;

There were no people or trains/we had five hours to burn until the next one came
the day stretched out and up into the evening as we laughed and screamed like two boiling oysters drunk in a kitchen time passed into and through the hours we wound around each other like two fighting seas her thighs tensing with absolute strength on my lap moaning from her stomach and into the sky

as I did
we kissed again, slowly and absolute - celebrating release
making the day travel into night

my back lay against the cold wood of the station seat
we began to wind down.
and the need for hope faded as we both began to sleep

I said one last thing to her to make her laugh a little, before we rested in wait for the last train.

She began to curl into rest, her hair across my lap, but I notice that she sees one more thing before her eyes shut.  She was looking down to the end of the station where the entrance was.  Her eyes burst.  Her laughter stopped like a match being put out.  
Her nails dig into my leg.

I smile down telling her she can’t fool me with the same old tricks; then I look too.

He was coming.

He moved like slow clay.

‘No.’

‘There’s just one of him... I can take him.'

We have to get this train...’  I think.

His lips lay still like two grey worms on top of each other.  Emotion.
Less.  Moving towards us.

And there was no-where else for us to go.  No more running.  
And I wouldn’t have run even if I could.

And this is what I thought seconds before he was near us.





11.46 pm.
the train nears
the night mixing with the hopeless age of the station
gently moving her body to one side I began to run at the man walking towards us
i call every mutilated thought I can from my mind and air
silence them
and pour them only into my movemnet

He was Russian like her.  Old school Russian.  No sympathy for an English ******* wanna be saviour like me.

No sympathy.
I jumped into the air - I could see he hadn’t expected that  
the time I hung there expanded for miles dying slower than normal
i have time to see his cold receding head,
the lines across his wide brow/the shoulders of a man half-bull
eyes etched into wood
he looks up as I connect

I land an elbow directly to his face before I land fully catching him with my momentum
all of my weight landing on his nose and mouth
‘let this slow him down’  I ask fate
the adrenalin jack-knifing through my body like a restless rush of pure red almost bringing it to a halt
tt rocks him, a little...
next: left
left
straight right
the biggest one i've  
Blood.

His head hung slightly low in sudden contemplation and pain
he still has a lot left.  I think

A gorilla dancing with a fly.

i follow up with more punches
his hand shoots for my throat faster than I can react

I can punch.  But he’s taken many a man like me.  
I think




No air.




I hear Russian
And parts of the station again.
I hear her voice
Straight in its pitch and unchanging melody
But-without-the-laughter.  
I can tell she’s scared from the way she puts too many words in her sentences, too fast.  
I see his grey outline pushing a much smaller one against the wall.
I think about Natashka back inside one of those rooms.

I think about her sorrow and strong will.  
Defiant, but captive.  

I was certain at every turn that she was misleading me.  
(She was)
She had bent my logic so far back it stayed there and made sense again
like a wild contortionist miming a perfect song

I had travelled miles to find her
after three months of dream I finally did.

“ah Jerome”.  
She Said.

We drank and made love for hours.  
reality adjusted to us
not the other way around

dark forms behind the curtains of an apartment
a bed of velvet sweat
wrapped around you, inside you.  

*****.  No air.  New life.
  
“Jerome”  She said after three days.
“You-must-go.  I have lied.  They come here when I call them.  They make you give money...”
“I know hon.”  I said.

“Lets go.”

We made final, violent, love.  
And then left.
I will now owe ‘at least 25,000 Euro’s’ she tells me

I figure it’s all worth-it
“That’s alright”  I reply
and light up as we leave the building





My rib-cage roars into the ground with disgust and rage.  
My remaining spirit pours into my hands and knees as I rise.
A dead sprinter.
A dead man
still rising;
A spitting snarl.  A scream.
The rats are woken.  
Old angels are woken.  
And I ask all the beer drunk spirits that are close to help me.

I tackle him hard into the wall, we crash into Natashka
but she moves just in time, even his legs are heavy, they slow my rage,
i only manage to get one, its under my right arm, held with both hands, my left leg steps inside his remaining right, behind it, I pull, the trip works,
he falls.  

I hear the train.  I follow me in
again
all I have in the world is surprise
and his squat body is the strength of three of mine
emptied into one.

And at the maddest of times it’s the strangest of things you remember:  
i see the lights of the train flashing across her whole body
and for a moment she transforms
and is complete light...

I’ve climbing on top of him
i strike down with the madness of ten days drunk on whiskey.  
aortas ventricle pulse

His powerful fingers grasping at my limbs trying to stop me, but it’s no use.
spears made of bone ****** down into his face
and the old angels watch, as I connect, drooling and enjoying the show, happy to throw me a few chips

His arms begin to flop down like tired wild animals returning to sleep
and perhaps my fury and revulsion can break even him
my hands on her body;
i force her on the train with the last of our money
the conductors can only see two drunks fighting beside a beautiful bystander.
I force her on.

“Jerome.”  She says screaming.

A clay hand takes my breath again as it locks around my mouth from behind me.  
I manage to hold the door shut long enough while being suffocated so that the train is moving with her inside
and when the train is leaving, I finally feel joy.

“Jerome.”  She says still.

And  finally I hear not.  

Not the man choking me or the time of day.  
In the seconds that my lungs drown, I feel only the bliss of having known you, a last toast before I rest within the driving sea, salt-water changing my lungs
but I know my last action was with all my soul, my mind, my body.

Natashka, I drink to you, fully.  Finally.
This thought fills my gut.
His hands across my mouth, my eyes begin to shut.
Her smell.  

That was the last thing I thought about.



                                                       ­                                ...




I’m looking down at my body, the Russian’s beside me breathing hard.
Tired.  Big.

And then to my shock I see Natashka again.  
Walking from the far end of the station back to the area where all the scrapping happened;
one of her knees bleeding and ripped, she limps, as if something is completely broken, her foot perhaps, out of time with the rest of her body.  

She drags her handicapped body all the way towards me and clay man standing beside me.
I can only watch.
When her tattered body gets close, I get to see all the cuts, one side of herself is badly damaged where she jumped from the train
and dislocated half the joints in her body

And when she is only a reach away from him.  She touches his chest.
Hands that can change anything.

And I look at them both.  
And death saves you from nothing at all.  
You just observe the same things, at a slower pace, from a different position;

you try to tell the suicides this, but; few want to listen...
there’s nothing wrong with oblivion, just remember that once you’re there, you still need something to do...

I break down.  Knees hitting the ground.
I see her body slide into him, closer, her hand disappears behind his back
like thin snake wondering around a rock
searching

Now

she stands pointing his own gun at him.  A shot goes into his head.  No hesitation.  Now she looks down at me, beside my choked corpse, a gun still in her hand. Weeping.

My hand wants to reach up to her.  
I can't.  

Another bullet fired
it discharges through her mouth, destroying her head.

Now she lays down beside me too
between me and russian hit man

The station endures our blood as we bleed out
forming one river that trickles down onto the tracks and gutter
you can’t tell whose blood is whose
or who is bleeding out the most

I look up at a light-bulb in the roof;
it tenses one more time, making the mosquitoes dance in quiet frenzy, before it lets out a final scream, cracking out of life.  Going-out-softly.

My head comes back down and I see another person standing only a few steps away from me.

With a turn of her head she suddenly flicks me a half-smile
the kind she knows I like
the kind that rips the spirit right out from your chest and makes it feel good.

Before we begin to walk away together something makes me turn
and we both look behind ourselves. The Russian looks down at his body too, the lines in his face are still, and yet we know how he feels.

He looks across at us as we walk away down the tracks
we can see only the deep set hoods of his brow, shadows for eyes;
he moves his feet slightly so he now faces us flat

he raises one of his palms
as the other searches for his cigarettes
in the first movement I have seen him make casually all-day

I hear him say the words:

“Do svidaniya. Moi druz'ya. Byt' khorosho"

And although his language isn’t mine, I know this means:

"Goodbye."

"My Friends."

"Be well."

                                                         ­                             ...

Run rotten, for things have gotten out of hand.
Turn coat ducking, torture got him singing and eating outta my hand.
Getting scraped by the beater like youse a percussion instrument;
maybe that’s why a group of people are called a band?
For we all play our part to either be an influence or to be influenced.
Yet we won’t know anything if you never venture into the forest and meet the temptress.
When one experiences all six senses, when in present tenses, which then puts the body through stresses.
That makes the mind flood with guesses that clouds up our lenses.
But that’s just what war is like for one is always in the trenches.
Whilst other’s sit on benches, but each choice brings rewards and consequences.
Which bears questions on what your quest is?
To run free or to be held back by white picket fences?
For being hard pressed brings out either killers or medics.
To choose to be real or synthetic.
To become abstract or symmetric.
However, things aren’t always so metric.
So be wary of being a critique for just like branches of mathematics in arithmetic,
We have many great qualities but when in a group we can become manipulated.

where do they go?
to mountains of synonyms
pushing lilac or purple
or puce or lavender
from valleys
of russet metaphors?
do verbs frollic?
nouns place themselves
before mirrors
asking themselves
"who am I?"
adjectives, do they
answer?
do the long words
most people don't
understand
do they go on
spending sprees
with their
million dollar
Lotto winnings?
do conjunctions
play matchmaker?
or hitch up
boxcars for
the more expressive
poetic engineers
to haul through
the long winds?

ghosts of past tenses
invade present
and mixed metaphors
haunt the nightmares
of learned readers.
gerunds run on
their little wheels
and stuff their cheeks
with prepositions.

where do words go
when they die?
they must hang as

DANGLING
PARTICIPLES.

Your body tenses
You want me to kiss you more
From your lips to your neck
My hands exploring your body
Learning every curve It has
Kissing your body
Where my hands just reached
Your breathing is heavy
Our pulses racing
In sync with each others
We were born for this moment
Making love to each other
Your body so close to mine
Naked and sweaty
Smooth skin calling me on
My ******* not ceasing
Your moans growing louder
The next door neighbors
Yelling out their window
To keep it down
But how can I do that
When your slightest touch
Gets me up and hard
And all my mind and body wants
Is to have you close to me
Plunging myself deep between your legs
Going through the motions
To make you say my name
To hear you moan even louder
To feel your body twist and turn
As your ******* peaks
While my heart fuses with yours
I whisper I love you one more time
Just as I come to your voice saying the same
You beg me to stay in bed with you
Your eyes say you want me more
So I wrap you in my arms
We lay there for hours
Our hunger burning again
And I flip you on your back
Clasp both your hands
Pin you to the bed
And look into your eyes
That seem to scream that you want me
So I kiss your neck
Your body tenses again
We start making love again