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Nov 2023 · 542
Two Or More Are Gathered
wes parham Nov 2023
To some Holy Land, now, gather ye,
There, to spend the night in Gethsemane.
Entreat with the father or maybe the son,
Perhaps they can tell you when a war is won.

For another parent, another child,
Their once ancestral home defiled.
Did it help, the blood you spilled?
Your mark of Cain; your curse fulfilled?

Run to your God and pretend he hears,
Believe in lies and dark new fears,
Deny to others their right to live…
We saw what you did and will not forgive.

Where two or more are gathered,
The result is anyone’s game.
But make it many thousands,
And often it is just a shame,
How Gods remain suspiciously quiet,
When the killing is in their name.
I don’t want this to come across as an indictment of religion.  I learned useful lessons in childhood, attending with my family. This piece is to do with those persons who would pervert a faith for their own gain of power or wealth at the expense of their fellow man.  All while hiding behind the pretense of their fairy tales.

Early on, I began to adopt a certain personal axiom when dealing with the faithful.  The moment they claim to know the word or the will of God, do not trust them.  Anyone doing so is a manipulator at worst and deluded at best.
Aug 2023 · 1.0k
Ouroboros, All the Way Down
wes parham Aug 2023
The wheel of fortune turns for me,
And always, revolves at its own leisure.
Time is curved where the future will be,
But always flat when it is measured.

The rest is a serpent, in every direction,
Forever consuming the end of its tail.
Self contained death and resurrection,
Superluminal ship, without wind or sail.

Will you safekeep our knowledge when it is done?
Humanity’s worst as well as its best?
Will you mind if it’s turtles, all the way down?
A stable foundation on which to rest?

Where will you fall, at the teeth or the tail?
Destroying or rebuilding anew?
If All is cyclic, then we’ll meet once more,
Eternal versions of me and of you.
Apropos of nothing, I wanted to mix the concept of the World Serpent and the old quote about, “turtles, all the way down”.

Along the way, though, some things also crept in that just seemed to fit.

Considering altering the first stanza to:

Time is curved where the future will be,
But always flat when it is measured.

(Edit:) After a comment from HP poet Lori Jones McCaffrey, it’s been changed.  Previously read:

Time is flat where the future will be,
And curving only when it is measured.

Words can be so fickle.
Jul 2023 · 776
Never Did I
wes parham Jul 2023
Never did I try to guess,
Or ever pretend to know,
The places you would retreat to,
The places I could never go.

Silent, you would disappear,
And, silent, you'd return.
No questions asked, no trust betrayed,
I simply had to learn.

It never was… personal.
It never was… yours to tell.
It never was…  my place to ask,
It never was, but it’s just as well.

It never passed from between our lips,
Or a friendly, reassuring touch.
“And that's ok”, you told me once.  
“Don’t  be afraid”,  “You worry too much”.

Never did I fault your wishes,
And my loyalty was never a whim.
I never doubted your kind heart,
And never did I falter, my friend.
I’m not 100% sure of the exact story here.  I like to explore connections and the uncertainties that can plague them.  It’s kind of, initially, about the speaker learning when it would be necessary to do nothing when instinct might insist otherwise.  Learning to be quiet when you want, very sorely, to speak.   And, of course, full evergreen disclosure:  As most creative endeavors, it is stuffed about the edges with some Grade “A” crispy-fried *******.  mmm, tasty.
Jul 2023 · 2.7k
Telescope
wes parham Jul 2023
We assembled a modest telescope,
To find what sights there were  to see.
I stared, transfixed, at the moon and stars,
In the driveway with all of my family.

I know exactly where I stood,
The moment I would find,
The infinite nature of time and space,
And how it all unwinds.

I asked about the size of the moon,
The distance of its arcing track.
I asked about the space beyond,
The nothing in the black.

I asked my family how big it is.
I asked if anyone knows,
The moon, the stars, and all of it.
I asked how far it goes.

“My son, our curious little one…”,
My parents said to me,
“It has no end”, “It just keeps going”,
“Outward, eternally”.

I stared up into a southern sky,
Ominous, dark as the sea.
And I swear, at that moment,
Looking up,
Something departed from me.

            It flew into the dark of space,
And hasn’t slowed in all this time,
       As far and as fast as information can.
                        The speed of light, I hear…
Which is not so much a speed…
          Hitched, perhaps, to the Voyager probe…
   By these new thoughts inside of my head.
                             But I digress.

This thing  began a journey that,
Must bring it face to face,
With everything that ever was,
Every corner of time and space.
Everything that is yet to come,
Everything that has ever been.
Repeating every history,
It’s trek would never end.

That thought has always stayed with me.
It anchors me, somehow.
A line cast from a sailing ship,
Where I stand upon the bow.
In the oblivion of the infinite,
It grounds me to the “now”.
I could have been eight or nine, but I do remember exactly where I was when this happened and it really was a mix of emotions to learn that the universe is probably _infinite_.  I was both terrified and exhilarated; humbled and hugely empowered, all at once.  I loved learning more about the cosmos and still feel the same rush to learn new stories from above.  
33.60455° N, 83.97471° W
May 2023 · 503
A Tradgity of Errors
wes parham May 2023
Listen.
This is good stuff that you need to know,
I’ve been writing it all in my head for a while.  
Because ever since we went toe to toe,
There are things that I now have to reconcile.

I recall...
I recall a camel-hair trench coat, green knit gloves and unfamiliar but smiling people. It was 1988.
I remember papers wind-strewn in a high school parking lot, oil and grit smudging the corners of awful artwork and poetry.  (I hope I thanked you for the ride home after missing the bus on my first day at a new school).

It was good to have met you in those formative years.  It was nothing magical, we just became friends and I needed one more than I could have known.

I learned…
I learned that a friend will nod patiently to interminable tales of obsession and unrequited love.  (You poor *******.  I thank you for this, if I never did before.)
I learned that a friend will patiently read your hack teenage poetry, advising sparingly.
(Thanks for that, too.)
I learned that someone might potentially be able to crash only “my side of the car”.
            ( I’m grateful that this "nuclear option" was never invoked!)
I learned about music bands that would become  the soundtrack for the best years in my young life.
(I still listen to pretty much anything by xtc, over 25 years later.)
I learned that a cast iron skillet may very well shatter if dropped onto concrete.
I learned that the best cornbread is a simple recipe and that you must pre-heat the pan.
(My wife insists that I prepare it anytime we make chili.)
1989, our senior year of high school…  I remember an overnight bike tour I took of our hometown. On a whim, I stopped by your house at 1AM. Unable to knock, I opted instead to get your attention by tapping at the window when I noticed you were awake and playing a computer game. ( sorry for the scare… )
1991.  I remember sitting, spellbound, to see “A Tour of Heaven and Hell” at the Center for Puppetry Arts.
(The first inspiration in a longer journey that would later have me working with it’s creator on five new shows.)
In college, I remember “our little ant farm”, the apartments across from our rental house on Milburn Avenue in Athens.
I remember climbing onto the roof to lounge, take photos and, of course,  leap off.
(Thanks for a Pulitzer-worthy freeze frame  of my youth in flight)
For that matter, thanks for some great camping excursions, a cast-iron pan cooking potatoes and, what-  onion?  on the fire.

This is how I come to realize: The darkness cannot outshine the light, since life will always throw reminders my way that when we were young, you were important to me.  I can not discard, too easily, that which is already an indelible part of me.
This is for a friend.  We once parted ways on cold terms and this is me placing a pylon in time, a memorial and reminder that time is a continuum; that people are multi-faceted and ever-changing.

It speaks of very real and specific things that transpired between us, mundane bits of “rememborabilia” that I felt compelled to reflect on and then reflect back for them to read, which they have.

It is my heartfelt desire that love prevail over bitterness, that forgiveness prevail over shadow and pain.

The title misspelling is intentional and reflects my friend’s abysmal skill at spelling.  I received a note, for example, with that very spelling of “tragedy”.  This, with all respect and fondness for the friendship formed whenever we both would occupy it.
May 2023 · 1.5k
stop it. just… cut it out
wes parham May 2023
You worked with words wrapped tightly round,
This secret life of thought.
You sorely want to win, by hand,
Each battle that was brought.
But how can someone understand,
What every stranger knows?
You placed a bleak reminder  note,
where your integrity goes.

You put it off and tried to smile,
But waiting made it hard to live.
You'd seek for her forgiveness but,
There’s hardly any
                                  left to give.

Come back to life, my dearest friend,
You’ve had more than enough.
That inner voice, with strength to lend,
Is  your best ally when things get rough.
What life, the life of the mind?  Nice place to visit, but  wouldn't recommend living there.

   That’s what I originally wrote on the first draft of this.
It is an _old piece. It was born out of a dissatisfaction with written forms of personal expression.  They always seemed to lack something and just became “bleak reminders “ instead of the mighty statements you imagine them to be.  
   The middle part imagines that there is someone the speaker ought to reconcile with but lacks the will to believe that it would be worth it.  I wanted to imply that they’ve used their last favor or given up hope.    
   The final stanza came much later and serves as a reminder to listen to that inner voice, be your own ally even when you’re feeling doubt and defeat.  
Here, I shrug, trust the muse, and hit “save” before I change my mind.
Apr 2023 · 656
Se • er (n)
wes parham Apr 2023
If I told you I had seen it already,
You’d have told me I was full of ****.
The joy, the future for each of you,
And the secret that there was more to it.

In a vision, you held an infant child,
A happy but confusing sight.
Confusing in stillness , nothing said,
And happy because it was obviously right.

Another vision, and you were at risk,
I slept on your floor to keep you from harm.
Just a glance on waking, still nothing said,
A smile before leaving, as you touched my arm.

In one surreal vision, you actually killed me.
(I never really understood that one…)
I even loved you for what you had done,
Maybe it was some kind of metaphor,
Some kind of mercy?

I honestly couldn’t say and, trust me,
I love a good metaphor.

You know what was really frightening, though?
How clear the next vision was.
It was light and joy, it was love itself, fulfilled.
And it horrified me to see it,
Right in the palm of my hand.

An old familiar face looked down and laughed.
She told me, “they are all in trouble now…”
“Precarious balance, and one is in real danger…”
“Best not **** it up…!”
And she laughed so hard I thought she’d **** herself.
If those kind of creatures even do that…

I honestly couldn’t say and, trust me,
I’m not afraid to ask her.

But one vision shook me when it proved true.
So many visions from the smallest of clues.
I didn’t mean to get close, or look for connections,
I just wanted to learn and seek the reflection.
To know, and to laugh,
With someone like you.
Share a table, a cup,
and a secret or two.

But the seer would see how our lines became crossed,
She spoke much of love, of a life and it’s loss.
She spoke of how my role,
Would be monumental,
Expendable, Trivial, but still…
       Instrumental.

I grew angry at how she manipulates me,
One alien and his hard-won humanity.
But the seer was right, I would have to go,
Leave the scene and assure that
    No one could know.

I created the door that it may be sealed,
And retreated to the opposite side,
Where I would be hated or feared, maybe both,
And none could ever know,
How, quietly, I cried.
In deep cover, the operative blends in at considerable risk.  Their superiors know this, though, and choose carefully those with the resilience to not lose themselves in the task at hand.
  When the seer herself asked me to mediate a nearly lost blood line, I felt a multitude of feelings.  I would feign affection, gain trust, and work with only crackpot visions to instruct me.  she believed in me, though.  Despite the guilt and deception, I trusted the program and, above all, the seer’s choice of operatives.
wes parham Feb 2023
If I wanted to take a little time,
If I wanted to share my inner mind,
If someone said it had to rhyme,
I got no time for that ****…

Paint for me, in your chosen words,
The lines are branches; the letters, birds.
Sing to me songs sublime; absurd,
Just don’t tell me it has to rhyme…

Settle the bitter, ancient scores,
Make the audience seek for more,
Make the shoes I stand in yours,
Do not make me repeat myself…

Write me a letter, I long to hear,
Your poet’s voice in my mental ear,
Till the world does shed a collective tear,

I think I’ve made myself perfectly-  uh…

Clear.
Do it!  It’s fun.  Come on, everybody else is writing poems, you know you wanna, how about just one stanza, it could be free verse, rules? there aren’t any, that’s what’s so liberating, so democratizing about poetry, bring it, bring it, bring it, show me what you got…!
wes parham Feb 2023
Krista said it well and then left me to tell the tale,
But the point was more elusive than these birds,
That swoop from out the sky of mind
to fall down some deep well.
Well,
The truth is hard to catch just right in words.

If I had half a twenty for all the times,
My words weren’t what I meant,
Or even less…?
Then all the meaning buried,
Beneath defaced US bills,
Would break my heart,
It’d be a ******* mess.

So, heads up poets, final warning,
The reader needs you now.
Best not **** it up, my friends,
And make to them this vow,

Please don’t preach,
And break no hearts,
Try not to show your ***.

Use plain speech,
Put away the thesaurus,
Let’s have a little class.

‘Cause out there words are spoken in vain,
In the smoky air they are forced to fill.
Talking heads make truth seem insane,
Finding meaning takes all of your will.

It’s hard to find the truth these days,
And even harder still…

When dangerous lies are sold as truth,
Common sense can sound absurd.
When empathy and integrity,
Are ranked in second and third…
Then the poet is needed more than ever.
The truth is hard to catch just right in words.
Here’s a clever poem about poetry-making…

If there’s one thing that I cannot abide, it’s clever ******* poems about poetry-making.  
They always feel like masturbatory exercises when we should be writing to capture the hearts and minds of people who don’t even like poetry.  Okay, rant off.
I do kind of like how the meter lends itself to some kind of rambling, Dylan-esque folksy, talking-blues format.

Hello Poetry poet Krista Dellefemine commented on one of my poems, “Loyal Hearts”, saying “The truth is hard to get just right in words”, which became a kind of a suggestion to be a poem in its own right.  I joked that I would do it and, hey, presto!  It only took five years to get around to it.  My inertia knows no bounds.
Feb 2023 · 1.9k
Cruel
wes parham Feb 2023
When the hate  she expressed
Was in honesty’s name,
When she doubled down on lies,
Her excuse was the same.
I was there with my finger,
On the pulse and the blame,
But I am not cruel,
And she is not your shame.

That night you tried more,
Smoking, late, on the bed,
And the things you had done,
Were just as she’d said,
When the ashtray came down,
It was inches from your head.
But,
When Fall came and went,
You two were still wed.

You were not promised wealth,
Not one measure of fame,
You said life wasn’t fair,
Because you see it as a game.
Now, the last time we’d speak,
You’d be cursing my name,
But,
I am not cruel.
You will never be the same.
Free associative word story, speaker is peripheral to a relationship that is fiery and also overtly abusive but would rather not be involved, take sides or tender advice one way or another.
Jan 2023 · 327
I, Anathema
wes parham Jan 2023
Condescending to humor my intimate muse,
You sought out her words in my writing.
I couldn't have guessed that you'd actually choose,
To tell her what you think is the source that I'm citing.

Get over yourselves, the drama and strife,
I can tell you’ve found something you wanted to see.
And, of course, held it up to the shape of your life,
And think you see secrets you once shared with me.

Forgive my intrusion throughout that December,
If that friendship seemed somehow untrue,
I won't try to persuade you, but you ought to remember,
Sometimes, unbelievably, it's not about you.

My task is obsessive, compulsion, expression,
I write the universal, the aggregate whole.
Never to betray or teach some grand lesson,
I’d rather enrich than to harm a good soul.

Emotions exposed and stories delivered may wound or dignify,
My job is to make it have life and clarity;
Give it weight enough to signify.

And, as then, when we meet,
Sour or sweet, 
Speaking our truth,
Silent secrets,
and feel…
The words that can wound,
Flatter,
Heal or conceal...
All of them wind to what our actions reveal.
I have had a few occasions where people close to me were certain that I was writing about them.
I was certain, each time, that they were mistaken.
I was broken, each time, that they’d missed the whole plot.

This piece actually came about over decades and an uncharacteristic snarkiness was added at the urging of a friend to give it more “attitude”.  Ha.

https://soundcloud.com/warmphase/i-anathema
wes parham Jan 2023
There has to be something to show the way,
In the fumbling flash of thoughts and just how,
As night draws us closer to each dawning day,
Where we plan for a future that grows out of now.

There has to be something to do or to say,
In a stumbling dash to prevent or allow,
The night that approaches to soothe a bright day,
Where the words resonate and the sound is just…
"wow..."
Grown from free associating, and probably about the feelings when reading another person’s verse.  The best ones come falling out, imperfect but fully formed anyway, right?  I feel like my best poetic writing are ones whose origin I couldn’t clearly tell you; whose meaning isn’t completely clear.
wes parham Jan 2023
You wrote a letter, it had to be,
Your merest whim and dearest thought.
I found it clever, you have to see, going
Out on a limb where the true battle’s fought.

We sorely wished and ached to know,
You shared a life, I shared one, too.
The seeds we sow and hope to grow,
‘Till vines cross the boundaries of me,
(And you…)

Forging a future in distant foundries,
Life and love make a space for you.
Our lives, as such, the liminal boundaries,
Our love, of course, the glue.
A riff on some concepts about getting acquainted through writing and the attempts to make real human connections.  The third stanza came first, created spontaneously (and perhaps a little abstractly…!) as a comment on a fellow poet’s work here on HP.  They suggested I extrapolate.  Here’s a hastily constructed extrapolation for Kim.
wes parham Jun 2022
"Wise as a serpent but gentle as a dove",
Was scripture you'd quote to me many a time,
And though your Faith would sustain you,
Through many dark storms,
You refused to insist
     That it should be mine.

You see, I had every chance to fall out of line,
A multitude of options, to shy or to shine,
And even though I may not have said it a lot-
I remembered your words,
             And made some of them mine.

So, when I reached the age,
That you were back then,
When you felt like you'd failed me,
And said so again,

I'm taking your hand now,
To place it in mine.
I'm smiling but, sighing,
I'm drawing the line.
No one's written the book yet, Mom,
You did just fine.
My mother passed away this past week and I'm still processing the impact.   As recently as this year, she sometimes expressed concern that she wasn't a good enough mother.    I would remind her of how much she accomplished to raise me on her own and hope that she would take it to heart; to truly know that, like I write here, she did a fine job and that I'm grateful to have had such a fighter for a mother.

We didn't speak frequently, but a good and real bond was still there and I find myself shaken in the magnitude, now, the full spectrum of surprisingly monolithic emotions that arise and present themselves as if they hadn't been there all along.
Nov 2021 · 1.5k
sOlid Objects
wes parham Nov 2021
I see a solid object, in my mind,
Grasped by a phantom human hand,
Explored to distract, or pass the time,
Every day carry to a distant land.
Fidget, spin, or brass fitting held,
A soothing reminder, dense and cool.
Carried with me,
Compulsively,
In the pockets of a child,
Or maybe,
A fool.


It escapes,
Irretrievable,
                                   Time.
oh, the **** in my pockets, ha!
Read here by the author...
https://soundcloud.com/warmphase/solid-objects
Oct 2021 · 1.9k
The Water Was the Way
wes parham Oct 2021
Gently... exhale , now,
Breathe out, but slow,
And I sink, if only a bit.
Down into the sea, but never in fear,
Though flat on my back in the vastness of it.

Gently... inhale,
Never panic, never rush,
Only trust, and the rise of my chest, but slow,
Only faith in the physics of fluids and mass,
And I rise again, safe from the depths below.

I rise again, safe, at the interface,
My lips welcome air from the edge of the blue,
My ears hear the sea, still muted and mingled,
With the sound of a voice, and a heartbeat, too.
A comfort, a terror, both in the same,
My regular gentle reminder of how,
The world cannot touch me from there,
In the past.

The sea touches all of me, here,

And right now.
( see also, "the water was a woman" )
I do so love to float in water, "flat on my back in the vastness"...  If you fully exhale, then you sink like a rock, but with some air inside, you can bob like a cork.  It's meditative and centering, finding this balance between life-giving air and the drowning depths of that which, paradoxically, makes life here possible.  But, hey- don't over-think it.  : )
Sep 2021 · 248
The Cat and the Hairball
wes parham Sep 2021
Horrf, my friend, don't keep it in,
Horrf, the sound eternal !
For, soon, what once adorned your skin,
Shall be, once more,
External...
Cat owners will understand.
PSA time, though:  frequent hairballs are not normal.  Have your feline friend checked out if they are chucking that sick on the regular.
wes parham Jul 2020
When misunderstandings flew every direction,
I tried to blame you, I gave it a shot.
But despite all the anger, resentment, correction,
Petty and cruel is something I'm not.

So it's time to step back,
Pull my head from the sand,
Outside of my self-absorbed ego, and stand...
Embrace the all,
and find it sufficient,
To still the mind and be with what is,
Pain and pleasure, in equal measure,
To God or Caesar, hers or his...

And on that June day, beside the black hearse,
I'll swear I caught sight of an eye or a mind.
Our new paths led to the first rehearsal.
The curtain opens and cold, we find,
We’re on the stage in a role reversal,
And though we may be deaf and blind,
     We hear a song,
            See a dance,
                 Universal.



#npminspire #forgiveness #taken #given
Forever indebted for perspectives given and friendships extended, for life and the fact that we must all one day say goodbye one last time.
wes parham Jul 2020
Conditional, conventional, this heart,
And the tough thin cloak I wear.
I give it to the few friends I make,
With room and love, always, to spare.

I met you in the valley, but the evidence was there,
Your eyes hid the fear and weariness,
Deep within the fire of a stare.
Or retreated, free from scrutiny,
To hide behind the fall of your hair.

The secrets, however, weren't easy to guess,
And for your good, I would do my part.
So I know that your void is filled with less,
Than fits your past or your darkest art.
I've seen your anger, wrath, and need:
It was protecting a kind and generous heart.

Your friendship was a gift, you trusted in me,
I trusted in you, which was better, I felt,
Than calling out the humanity  I see,
Within the rotten hand you were dealt.

I hope that I brought to you something of use,
Listening was the only thing that I knew how to give.
If I brought you harm, or cause for alarm,
Then the shame would stay with me
                                    for as long as I live.

They say that friendship is a place we go,
When two, or more, are there, it is real.
I'm confused but trying to understand,
And I'm more than confident,
                     that you know how that feels.
Some time or another, you’re either the biggest ******* in the world or severely misunderstood.  Either way, you lose the friendship of a good person and it is still painful.  You hate yourself for whatever the transgression was, though all is eventually resigned to shadow and history.

Read here by the author in a musical collaboration:
https://soundcloud.com/flowermouth/good-person-good-friend-goodbye-poetry-spoken-word-wes-parham
Nov 2017 · 1.3k
Sara's Moon
wes parham Nov 2017
Slow is her progress and high is her climb,
It's measured in arcs that trace my night sky.
I spoke and she answered, but only in rhyme,
Across space and time, the poetess and I.

In my dream we met, and she told me she'd written,
Something dear to her kind heart- a poetic creation.
For Sara herself, I was utterly smitten,
And I urged her to share it, with awkward elation.

I rambled then, foolish, and shy to be near,
Since her words had already reached me before.
In a future that’s past yet, paradoxically, here,
And knowing, not knowing, just what was in store.

“There's a poem that you wrote...”, I had started to say,
“In the Bradbury story, I think that's the one”,
“There's an automated house that's going through it's day...”,
“It recites your piece aloud...?  but the people have all gone...?”

“ ‘There will come soft rains’,dear friend”, her reply,
And her smile said, “thank you.  I'm glad you recall”,
But this one is shorter”, and her voice was a sigh,
It’s a different theme, but encompasses all”.

Then, as you'd expect, in the midst of a dreaming,
She opened her notebook and the next thing I knew,
Four lines of writing appeared, only seeming,
To arrange themselves magical, universal and true.

——————————————————
"Moon's  Ending"  by Sara Teasdale

Moon, worn thin to the width of a quill,
In the dawn clouds flying,
How good to go, light into light, and still
Giving light, dying.

——————————————————

Every step of our lives, we are walking the line,
Fail or succeed, illuminated in the trying,
The moon is just as bright when she's on the decline,
Our light, consolation to the living or dying.

Thank you, poets. You gave everything that you could,
When you’d make something holy from the simplest spark.
Thank you, friend, for understanding. I had hoped that you would.
Thank you, Sara, for writing the light and the dark.
https://soundcloud.com/flowermouth/moons-ending-with-wes-parham

This is for another collaboration with a composer in the Netherlands, Dennis Ramler.   He wrote a composition inspired by a poem that he loves called "Moon's Ending" by Sara Teasdale and asked if I could write something to mix in.  This is what I came up with.    I'll post a soundcloud link once Dennis has mixed and mastered his track.   The idea was a dream-memory in which the speaker meets Sara just as she has written "Moon's Ending" and entreats her to share it.  They ramble awkwardly about another poem of hers that was used in a short story by Ray Bradbury.  The poem is followed by, basically, a paraphrasing of how I interpret "Moon's Ending" and the final stanza is gratitude for poetry, poets, friendship, understanding, and for Sara who wrote so lyrically about beauty, love, life, and death, each in equal measure of respect and gratitude.
Aug 2017 · 6.8k
Loyal Hearts
wes parham Aug 2017
Loyal hearts are a paradox,
These strong and frail commodities,
They're not concerned with etiquette,
Or confused by love's vast oddities,
They're strongest not for how they love,
Not weak for vision that they might lack,
They're strongest once they've been abandoned,
Love one who will not
Love them back...
Sometimes, I leave comments on someone's poetry in verse, reflecting what I got out of the piece.  This was one of those from a recent read on HP, reflecting some of my own feelings at the same time about trust, loyalty, and what happens when love (or even  friendship) is abandoned.
Mar 2017 · 1.2k
L'Enfant Terrible
wes parham Mar 2017
Our lot was not to stay all night;
In kneeling praise by bathroom stalls.
Alcohol numbed your honesty's bite,
wrote her destiny on the divider walls.

And we weren't the kind to cheat, don't believe,
All the loose lips half-cross town,
Last call patrons who watch me leave,
And shut this ****** down...

Like Zane and Beckett, so convinced,
Their **** would last forever,
Bad enough to make you wince,
If they spend one more second together.

Or Jane and Kinney, young, driven, and full,
Of lust or something similar.
Don't be surprised, you've seen this fire,
The end? ...all too familiar.

And pretty Syd had all the gall,
and Pony Boy thought he knew the score...
but he's just a **** like so much Pyrex,
Stuffed inside his paper *****.

But Ashtray Woman with ***** Mouth,
And monster's blood on toilet tissue,
Is just another frightened girl,
With real and dangerous daddy issues.

Now, here, at the close (I'm still glad to say),
You deserve almost everything, that you've won,
Our karma arose ( and, in time, took the day ).
Now I ponder regrets in the hours before dawn,
It wasn't the when, or with whom we may lay,
or the time in the morning before I should be gone,
It's more about how we desired to stay...
When we gazed into stars lying flat on your lawn.
I once craved your poison but, now, in my way,
I'm actually glad
to see you gone.
I don't write the darkness very well.  Need practice to make it less cliche.
Dec 2016 · 2.0k
the Unspoken
wes parham Dec 2016
Back at the shore, on my own this time,
I'm free now, yes, but alone.
I'm left with nothing,
No pain,
No rhyme,
On a beach less sand than stone.


The tide still licks the shore for crumbs,
But nothing hides beneath.
No voice calls out in dark, feigned scorn,
No stoic secretly cries for release.


The world outside worked magic for real,
It promised us strength in identity,
But now I'm just beginning to feel,
There's actually something wrong with me.


I can't go back until I know,
That your death has served some purpose.
What chance is there, to survive and grow,
When even ghosts can hurt us?


"Perhaps", I said, "it's all unspoken", aloud,
To myself, discovering,
How words can wound but silence drowned,
A heart that's still recovering.
A follow-up to my poem, "the Unbroken"...
I wanted to revisit "the interface" once more, where our traveler seeks new insights.  Poor *******... Nothing significant here, honestly, the concepts are off-the-cuff, almost random, but the mood I wanted was one of placing the reader on the cusp of despair and a subsequent hopefulness as we try to make sense out of life's pains.
Dec 2016 · 796
forest Running
wes parham Dec 2016
Seventeen years old and troubled, I took walks in the woods to sort out my mind.  There were miles of it behind the old neighborhood.
I could meditate on thoughts and walk down paths, off paths, for miles if I wished.  My forest grew in semi-rural suburbia of my hometown, just a thirty minute drive east from Atlanta.
I'd like to think it grows there still...  

   One could walk a mile or two through untamed, mostly coniferous, forest but suddenly step out onto a clearing of uninterrupted rock, desolate and pocked like the surface of the moon.  A moonscape bounded by trees.  An anomalous break in the journey of green.  A massive plane of granite lies, apparently, beneath much of our state.  The woods in my area had this unique feature...  Patches where the granite was exposed to the surface.  Some were the size of a small city park.  Others were the size of multiple football fields.  Those accessible by bicycle were especially fun.  They would be explored thoroughly as I jostled and bounced my mountain-bike over the irregular surfaces.  Others lay deep in the woods.  I would walk as much as I could or just lie on the solidness of that ground and look at clouds.

   As pressures in my heart and mind increased, I would come to these woods angry and frustrated.  Pent-up emotions had few outlets.  Poetry was there, a kind of constant companion of the day,  but sometimes I just needed to run.
   Something felt primal and therapeutic about it.  One day, in a lot of frustration and anger, I made up this stupid game.   It was simple.
1: Run.  Immediately.  North.
2: Don't stop. Don't stop.  Don't stop.  Unless stopped involuntarily.

   I leapt off the trail and ran.  Though I felt despairing, the freedom was liberating.  Constantly, there were split-second decisions to make...  Over or under?  Left or right? More often than not, it just had to be "through" and, in my determination and stupid teen nihilism, I plowed through lots of tangles and thorns, scratching up my ankles in the process.  I didn't care and, stupidly, welcomed the blood until a stronger patch of thorns held fast to my ankle. My running speed slammed me to the ground.  I think I laughed, then, like a ******* crazy person.  I saw myself and felt foolish.  I laughed at the sad sight of this broody kid, breathless and bleeding on the forest floor, who actually had life pretty good.  My troubles aren't even worth recalling, they were that trivial, even in the moment.  I picked myself up as if I were happily helping a friend.  I was feeling pretty good and helped him walk, carefully, back south again.
This is a memory piece about an odd time.  ******* ADOLESCENCE. Ha.
Jul 2016 · 824
the Muse Appears
wes parham Jul 2016
One day I broke down, I took the job.

"I just wanted to destroy something beautiful..."                    
     "Yeah, beautiful and toxic. what were you thinking?"
"who are you?"         
   "I'm your ******* muse, *******"
"no, no, no. just, please... leave me alone?"       
    "nope"    
"****"          
   "do you love me?"
"how could-  i mean, what...."          
   "touch me"
" god.   ******...."
It was going to be a long, long day.
Who's going to get anything done with her around?
.
.
wes parham Jun 2016
The reflecting pool lay long and flat, a massive mirror door...
I stepped up to it's concrete edge, and looked down to it's floor.
I saw pale tiles beneath the water, some pennies, a dime, a nail.
I dropped my thoughts beneath this sea, which quickly grew in scale.

One foot of water became, thus, ten... A hundred... thousand... more.
My view was that of one who's soaring many miles above some shore.
I was, at once, consumed with fear at how this made me feel,
That is to say, I convinced myself that this height was truly real.

That was when I dreamed I fell, but before I'd be no more,
I had much time to think awhile on what had come before.
I had much time to regret the past, and dread what was yet to be,
Saw images of fortune, ruin, the dust of you; the ashes of me.

Small joys helped to bridge the gaps where fear eroded hope,
The terror of  my empty room, the makeshift hanging rope.
My thoughts of death reminded me that the moment should be much more,
I opened my eyes to the rushing air, my throat felt raw and sore,
Looked down to see a blaze of leaves and the fast approaching forest floor.

Asleep, I fell, through sunlit leaves that seemed to fill the space,
Awake, I stood beside the pool when you had touched my face.
Something in your eyes was telling me you were concerned,
You somehow knew the man who left was not the man who returned.

We stood at the shore then, you and I, expressing futures yet to pass,
Fishing out mythologies and illusions that might last.
Our mouths were full of histories and secrets that we bared,
The reassuring comfort that illusions can be shared.

Look east and see the brightening sky, but not yet see the sun,
Look west and see the shrinking black,
The place where last night's stars have run.

Look up and see the limbs and leaves of the high forest canopy,
The ones above the gloom that's half obscuring you and me...
A bright gold glow suffuses them, but only way up high,
Where they already see the dawn, and the guiding star that fills their sky.

I'm reminded by these tall trees rising high into the air,
When shadow darkens my small world, but light is everywhere,
You do not need to see the sun to know that it is there.

So as I lifted up my face,
To where sunlight paints the highest tree,
In this expansive time and place,
I felt the same; beautiful and free.
Read here by the author:
http://wesparham.tumblr.com/post/145722638622/tell-me-what-this-poem-means-to-you-this-is-a

This is a collaboration with a poet friend.  We have traded original titles and tasked each, the other, with writing anything at all under that title.  No rules, just the title as a touchstone; a point of departure.  My friend's titles are sometimes long and descriptive. This one made me think of a sensory experience I have had in dreams and waking hours, too, where I play with the reference of world scale inside of my head, my relative spatial perception becoming expansive and colossal.    The title evoked the memory of this feeling, so I set about describing it in verse.
wes parham Jan 2016
In a room full of people, you're reading our words,
Silent, to yourself, alone.
Because bearing the stress of talking aloud,
Is much harder than sitting on your own.

And when we let you in, it's all the way.
We keep ourselves safe, but we have to say,
The ideas from within, the shadow or light,
Can comfort a stranger or set things right.

Our words have reached you,
       they've made you see more,
And understand better than you could before,
In a form that can never completely remain,
       untouched by the heart of it's writer,
We share this very real part of ourselves,
While the audience glows, ever brighter.
And vulnerability opens a door,
pulling strength on the strings of a lyre.
Our melody and lyric, not wanting for more,
Can raise each of our readers up higher.
A message, musings, on the power of words and poetry in particular.
In the time it takes to read a poem, the writer can deliver a powerful message of empathy and understanding.  Drawing on very personal observations, the writer can be instantly intimate with their audience, display a certain vulnerability, break down the barriers that keep people from connecting on a real and human level.
Oct 2015 · 1.7k
Grey Facades
wes parham Oct 2015
We took a drive. I had things to say.
My heart was aching, shattered.
I rehearsed the words throughout the day,
Believing that it mattered.

I met you then but I only saw,
The mask you chose to show.
If you were suffering underneath,
Then how was I to know?

I said,
" Your grey facade hides worlds so vast,
Naked flesh of fruit, beneath the rind.
Your future's informed by its turbulent past,
Full understanding; when you look behind."

You said,
" You try too hard, you think too much.
You never live for now.
Wrapping words around the wrong ideas,
You miss the point somehow."
"Stuck in place, because it's safe,
You're too afraid to grow.
If you had begun to change your fate,
Then how was I to know?"

You saw me within a grey facade.
I saw you within a grey facade.

We could not say more, it seemed sufficient,
That love is patient.
Love is kind.
Love is ignoring all that came before,
Loving only the moment.
That coin of the realm: elusive, bright.
Your grey facade hides
Such a beautiful light.
Love has many names.
Call any one aloud and I will answer.
I will come.
You will see.
You'll see me clearly, even behind this grey facade.
I took on a second spoken word collaboration with a composer in the Netherlands I met through SoundCloud.com.  The track was titled "Grey Facades" and, so, I gravitated toward this theme...  exploring the differences between our outer, public personae and our inner, personal lives. In this case, the mask is harsh but conceals kindness and life.  The speaker, themself, seems to have a thin mask and an analytical nature.  They wear their beauty and darkness right on their sleeve but still remain obscured in other ways.

This is a collage of stanzas written independently over many months, but tending to relate to the one theme.  When I simply stacked them up and read them, cold, against the track, most of it's parts just clicked right with the changes.  I was surprised and really like how it's going.  Will post the final mix when it's done.
Update:   A final mix now exists..  Give a listen:
https://soundcloud.com/flowermouth/grey-facades-feat-warmphase
Oct 2015 · 951
another Miss Understanding
wes parham Oct 2015
Secretly, I envied you...
Forgive me if it presumes too much
To wish you happiness and comfort.
As far as I can tell, you'd have me think
Those things are not for you.

I used to think that this was appalling,
and pity the creature who lays claim
To misery as their lot.
but
Secretly, I envied you, before even
Understanding,
That my pity was like hatred,
A misery in its own right,
And worse than that which I judged.
I resented the affront, another deadly sin,
And you were right.  
You were right again.
You were right.
All along...
When all that you presented
Was hostility and greed.
How was I supposed to know
To look deeper?
-hear the author reading his work:
https://soundcloud.com/warmphase/sets/poems
.
True happiness may be a myth, but you'll discover that that's just fine.
Ease suffering where you can and contribute no additional suffering.  You may just find this more than sufficient.  And, please, don't deny others their given right to move through sadness  as well as joy.
Jun 2015 · 750
on the Night That I Dreamed
wes parham Jun 2015
On the night that I dreamed you had died,
I didn't want them to see me crying in the kitchen,
But I did, and spoke only the truth for the day,
In honor of you.  I hope that it wasn't a dumb thing to do.
It probably was.

I didn't want to speak to people you knew,
But I did.  Told them how I knew you and, now,
With you gone...
-**** it, you wouldn't want this,
All this spewing of emotion, this lament of the flesh,
From which you're now gone.
I said I felt bad for loving you so much, but then I remembered your words,
I said I was wrong, I said I was weak, but then I remembered your words,
When you said,
"You are, but that's o.k."
It's the consolation of a friend, now gone, distilled to the essence,
Of what you needed to hear,
Exactly when you needed to hear it.
Imagined emotions in the wake of an imagined death.
It's about the storm that might occur in the wake of a death close to someone.  Not deeply close, but meaningful.  We hide our love for fear and in this situation, the dam breaks and all comes out.  It turns out that being at peace with the way things are is a good place to start.  You'll find that what seemed like a colossal nightmare was, in fact, perfectly o.k. after all.
Jun 2015 · 2.1k
circumstances 2
wes parham Jun 2015
"A vice grinds hard in the gut..."
Began a poem from decades past.
From one hard lover, now a ghost,
Whose words have long since passed.

She scoffed at love and poured another,
Drunk, to dull the pain,
Sober, I held her in my arms,
On guard against the flames.

But love grew, still, within the dark,
Inside her body, bourbon-tied.
Unseen to me, there was a spark,
And the gates below blew open wide.

Discarding friends and lovers, too,
She ****** them for their care.
Believing this was what to do,
Her love became a dare.

She sang her wrath in poetry,
Self-loathing, hatred, blame.
The gilded coach that had to be,
A vehicle of pain.

I made farewells once she was gone,
They formed inside of sighs.
I gathered up the rhyming note,
And kissed her peaceful eyes.
further inspired fictionalization of events long past, best forgotten.
I've wanted to edit this, but got slowed down recently...
It could live on it's own, as-is, but there's a lot I'd prefer to fix about it.
Alternate version with shifted focus:
http://hellopoetry.com/poem/1099328/circumstances-as-they-are/
Apr 2015 · 937
next Time Around
wes parham Apr 2015
Fallen angels and pixies and such,
Look into Earth’s skies,
Remembering much,
Of their life as it was,
Time and energy fields,
From the young star above us,
To the way the wind feels...

Could it ever compare
To the home that once was?
Oh, I say to you, “yes…”,
Yes, it can,
And it does.
this was a super fast bit written in response to a friend's poem.
It's more whimsical than I tend to write, but it flows and I will own the optimistic mania that it seems to hold.
Read here by the author, with a brief commentary:
https://soundcloud.com/warmphase/next-time-around
Mar 2015 · 801
circumstances, as they are
wes parham Mar 2015
A man once said, against his will,
that love has many names.
A woman nearby scoffed but, still,
She writhed within its flames.

Her  cries kept him awake at night,
He could not close his ears.
Resistance waned, and all his might,
Could not allay the fears.

He  called on favored demons,
Change is torture, all the same.
He called on angels, without reason,
Begging each by name.

It was, at once, surprise to none,
He kept the worst inside.
Surprise to all when it was done,
Her violent suicide.
read here by the author:
https://soundcloud.com/warmphase/circumstances-as-they-are

Some hastily improvised verse.  I hate regular meter and rhyme, but this was a challenge to write something quickly, all at once, and use both.  Written over maybe a twenty minute period, though the final stanza was added a day later to wrap it up with something horrible.  JUST changed the gender pronoun in final line on a whim.  Don't know why, it just makes it more interesting, I think.  Yes?

Premise: Those who most vehemently fight the madness of love are often the most deeply and sincerely affected by it.
wes parham Jan 2015
She never lied, she never lies,
She just ignores.
The truth,
I tried to tell her how I feel,
She just ignored,
The proof.
"Then try to think of something else", she said.
"Write the other way"
Whenever she'd drink and rant like this,
I'd stay out of her way.
Because “real”, for her, seemed to signify,
I tried it once, but should probably try again.
I was real with you, that once,
Only, later,  to find
That those imploring me to "relax",
Insisting things would be different,
If only I could "flow", If only I could "see"...
You said, “be real”, and now the memory
Just turns my ******* stomach
Since all of those whose mantra called,
For a plea to just “be real”
Were the least capable, almost to the man,
Of being anything close to that.
Born in awareness of the shortcomings of humankind, this was a cynical piece of verse, just like the self-absorbed, whining humans it stands for.  It is an exercise in bad attitude and there is some shame in having created it.  It expresses things perfectly, though.  It is an irrational response to the inherent weaknesses of people who claim to care and the ungrateful reaction of those receiving any.

Read here by the author:  
https://soundcloud.com/warmphase/a-thing-of-joy
.
.
wes parham Jan 2015
"I just want to have ***", you said.
An unexpected non-sequitur.
We had been sipping tea or coffee or something.
We had been reminiscing about the old street,
Back when none of us were single.
"yeah, I miss it, too", I said.

"No.  I mean right now", you corrected.
As I turned to see your face, it betrayed little.
Impassive but alert.  Warm but not intimate.  No passion.
I was willing, but remember: this never happened to me.
Something seemed wrong about it,
But was there any harm?

I asked if I could think about it.
You thought about it, too, as we watched a movie.
Halfway through some Ridley Scott epic, we held each other.
We touch-explored and memory only tells me this is true:
With no further reason beyond the will to be,
I soon lay naked there with you.  
It wasn't love but, then again,
This never happened.
Awkward, at first, we found our place,
Our touch and pull, our rhythm and pace.
"no kissing", you admonished, speaking only that.

Though I rest spent and full inside you,
That was your concern.
Too personal.
Too intimate.

We held each other for a while,  you left within the hour,
Saying, "this never happened", and my only thought,
My only answer to you,
Was a solemn confirmation,
That nothing could be more true.
I only saw a woman
In her motion and the way that she is made.

Read here by the author:
https://soundcloud.com/warmphase/this-never-happened?in=warmphase/sets/poems
Dec 2014 · 910
your clay pigeons
wes parham Dec 2014
Wednesday 17 December 2014

This one was beautiful.  I sculpted it myself.  Did you know that?
It took years and, if I’m completely honest, I was overly fond of it.
I’d made many, of course.  I had to.  We all had to.
Cupped, round, and smooth, heavy in my hand like a clay pigeon.
So beautiful...

Somehow it began in light,
Naïveté and youth.
I used to say it just felt right,
And free from all abuse.

At  first it formed a perfect ring,
Of lies I thought were true.
I bring it, now, to end the thing.
I bring it, now, to you.  

Because every thing must have its place,
Every thing in its own time.  
This beautiful thing has failed it's need,
Inspiring only pain and rhyme.

-but may it live in memory, still,
May the growth outweigh the pain.
When pain brings growth beyond your will,
Remember fondly, this thing, again.

So why did I smile when you asked me to hold it?
Why did I find it fitting that you made me load it into the trap?
Why were the lines formed by your braced shoulder,
your leveled forearm, your
outstrectched, cradled hand,
so beautiful...
when you inclined your head,
Closed one eye, and,
Steady, raised your sights?

Why did I love you so much for pulling the trigger?
This is about destroying beautiful, shiny, enticing things in your life that have turned out to be harmful.  Once upon a time, a talented marksman took aim at some of mine.  I'd like to contrast the appeal of the thing with the violence of its destruction, for creative acts could be defined in violent terms...  primal, like the forging of matter in stars and childbirth.  Or mundane as the attrition of a pastel chalk, giving up its pigments to the paper canvas.
Nov 2014 · 1.4k
back to bed
wes parham Nov 2014
I said, "God, I love you".
She smiled and said I'd do in a pinch.

I said, "but I need you to do something for me..."
She looked into my eyes and said, "What's that"?

I said, "I need you to tell me something".
She said, "All right.  What's that?"

I said, "repeat after me"
I said, " 'wes...' "

She stared back into my eyes and said, "wes..."
She laughed a little chuckle in her throat.

I said, "no, this is serious..."
I looked into her eyes.
I prompted her:  " 'wes...' "

She smiled, saying "wes..."
I said, " 'stop ******' around' "

She said, "stop ******' around"
she laughed again, adding, "wes".

I smiled and said, "no, try it seriously  now"
She said, "wes.  seriously.  stop ******* around..."

She laughed.
I said, "want to go back to bed and fool around?"
She laughed.
I laughed.
We went back to bed.
Read here by the author:
https://soundcloud.com/warmphase/back-to-bed
Just a vignette I wanted to expand.  An almost confusing exchange, shifting from the strict to the frivolous.
Nov 2014 · 685
let it break
wes parham Nov 2014
the pain of holding back the flood.
only one way out and it's through.
face it.  be strong, it won't take you.
feel it, become it, trust that madness.
revel in it's starkness, it's truth.  it's own reality.
because when you come out the other side,
you may be bruised,
bloodied,
there will be parts, even, missing.
but you will survive improved,
intact,
lovable and beautiful.
Confronted with fears of the mind, sometimes you just have to think through them.  That is, think _about_ them despite the pain.  Revel in bad thought; wear it out.  Take the worse-case scenarios even _farther in thought experiments.  Embrace the fantasy of something forbidden or impractical (or even impossible).  Revel in it in the safe sandbox of your mind.  It is your sanctuary, your universe, your workshop to manage life's troubles, free from limits, judgment, or consequence.
Oct 2014 · 981
Moulting
wes parham Oct 2014
This thing, the words and all?  I was trying on a new skin.
It was made of the old -the familiar, too, but transformed.
Something added that could take root,
Take me out from the norm.
Take on a new identity.
Perform.
Squinting at a light, held at arm’s length:
My own spotlight.
So you could watch me act it all out,
Over and over, forever on the page.
but nothing ends as it began.
My troubles, my worries, my lust, my greed,
All fictionalized and petty.

Disgust and shame.
Anger and fear,
Are not advisable
Unless they bring about change.
Even those, now left behind.
Moulted.
Shedding my old skin.
Toughening up the new.
The muse seems to have fled for the moment, so I don't have much in backlog of drafts or scribblings.  Maybe she'll return later, improved and healthier.  Little less bitter, I'd like to imagine.

Read here by the author:
https://soundcloud.com/warmphase/moulting

"I see my light come shining
From the west unto the east
Any day now, any day now
I shall be released"
wes parham Oct 2014
Pour one under the table for those who walk outside.  In memory of Spalding Gray, for what he meant to me...
    Thanks, “Spuddy”, for sharing your inner life.   Thanks for having the courage to bring so many troubles into the light.  You laughed at your troubles and allowed us a way to laugh at our own.  You put a voice to carrying an unbearable shyness or an excess of fear along with us as we go through life.  You strived to care when caring was out of fashion and in short supply.  Thanks for reminding us that life is the journey, and not only the destination.  You wrote a book.  You played a minor role in a feature film.  Those were some of your destinations.  When you shared your journey, you did it with humor, humility, and with love.  Thanks for reminding me that storytelling is all around us.  Thanks for reminding me that it need not be complex.  You were merely observant during your journey,  and you shared it through the lens of your own perception.
    I learned this January that life became unbearable for you.  If only we, your audience, could have comforted you or somehow stemmed the river; the flood that carried you to leave so early.  I would like to believe that, once you died, you might be able to hear our collective voice.  I imagine that you are able to see the people affected by your work, some inspired thus to create works of their own; tell their own awkward stories, sharing them as you shared yours.  I am far back in the line, and I eventually arrive at your table.  You flip a page in your spiral-bound notebook and take a sip of water before glancing up inquiringly.  I only have one thing to say, really.  “Thanks, Spalding.  Thanks for sharing”.
Written after I learned of Spalding Grey's suicide in 2004.   His performances, full of a bare, self-deprecating and personal mania, touched me as they made me laugh.  They said, "I feel this ridiculous *******, too".  They said, "we get by anyway, despite the confusion, the fear, or the pain".  They inspired me to share some of my own self in personal narrative or poetry.  He wasn't any idol to me, I just felt his passing strongly since his own work had inspired me, personally, to live just a little bit more.  Life's a collaboration.
Oct 2014 · 1.2k
the water was a woman
wes parham Oct 2014
His body floats on the surface,
Limbs spread wide and bound to the water,
An "X" marks his place on the planet.
Ankles and wrists between water and air,
He submits to a force of nature,
An "X", half submerged in the waves.
It says, "You are here",
but the ocean has more "there".
The water is a woman.
The sea is terrifying,
But he won't ever fear her.
A force of nature does nothing for spite,
Nothing for greed,
Nothing for personal gain.
His death would be clean.  
Honest.
Absorbed, even, thoroughly, back to the source,
The waters from which we all came.
Whenever I have the chance to swim in the ocean, I am compelled, beyond my will, to swim out past the choppy stuff and float, limp and contemplative, upon the rise and fall of Earth's seawater.  I clear my thoughts and drift.  Invariably, though, thoughts arrive.  Then this kind of **** happens.  I wrote the start of this back when first exploring things that appear in "force of Nature", that submission to natural forces, free of judgment.
( read here by the author:  )
https://soundcloud.com/warmphase/the-water-was-a-woman
Sep 2014 · 650
day Never Comes
wes parham Sep 2014
You think you have me figured out already,
don't you, Carol Lynn?
Well, I hope not, because it would mean the chances are good,
That you actually have.  This would be sad because it means,
there may be no intrigue remaining,
nothing new to discover,
and you might go away,
bored with me and the evil,
you must, inevitably find,
buried in my side like a stone.

There may come a day when you finally see,
Where this tension, releasing, comes from.
You said I was wound, unbound, like a spring.
The watch of my appeal always did have a short run.

So, a relationship moves toward it's end, right from the start.
Interest can wane, obscenities uncovered, doubt can enter,
and set up shop like it always does.  

What we should hope for instead is a slow burning ember,
nurtured each breath with whispers, with mindfulness,
and contentedly, casually, delay it's demise for just one more day.
They say familiarity breeds contempt, but I hope not.

(read here by the author:)
https://soundcloud.com/warmphase/day-never-comes
Sep 2014 · 1.2k
the Unbroken
wes parham Sep 2014
Back at the shore, at the interface, I tried, once, to be free.
I found a human animal there, hidden beneath the sea.
It stared, defiant, back at me, perplexed to be observed.
It had no need for company,
It had no need for words.

I felt unable to understand,
Understanding all too well.
The pain within the heart of man,
The pain they buy and sell.

I spoke aloud, though, anyway,
I thought I knew those eyes,
Believed my voice could make a change,
In other creature's lives.

"You're hurt", I said, to the ocean waves,
"Why hide beneath the sea?"
"You're a fool", it said, "presuming that",
"There's something wrong with me"

"Go back to where it's warm and dry,"
"Just walk away from here."
"The water gives me all I need."
"Spare me your hope and fear".

Perhaps", I said, "We all are broken,"
"To some extent, in body; soul..."
I saw my own, afraid but happy,
So unbroken as to seem whole.

It shouted at me once I had left,
We would never meet again.
Then whispered an unheard, but felt,
Admission to the pain.
Sunday 01 September 2014 11:15AM
seed= so unbroken as to seem whole
or, did you just become accustomed to the pain?
Still working on the final stanzas, trying to preserve "...an unheard, but felt, admission to the pain" without that awkward abruptness.
Read here by the author:
https://soundcloud.com/warmphase/the-unbroken?in=warmphase/sets/poems
Aug 2014 · 2.0k
Force of Nature
wes parham Aug 2014
I found myself, once, longing,
To be hated by you.
To feel the burning shame of guilt,

I won't say any more about feelings,
Because that place,
I'd occupy without them,
To see this nonsense through.

So few people seem to really give a ****.
And you actually do.
You really do.
Maybe if I wished too much for you
To love and respect me,
To see me as as a friend,
then maybe I risk the capacity to be hated by you, as well.
but I tend to see you as a force of nature.

If you ever began to love me, as I hope,
Then I have to realize,
Your capacity to hate me would also materialize.
And, like a force of nature, I know,
You would spare me: Nothing.
Help me: Not.
Trust me: Never.
but you would do nothing to me
Out of malice or for ego or for personal gain.
And I would have to trust,
With a child's trust, happily,
even to my death,

That it was better to be loved
    by a force of nature,
Regardless of pleasure or pain,
Beyond reproach or false intent.
Hear this, read by the author:
https://soundcloud.com/warmphase/force-of-nature

2 June 2014:  love, trust, loyalty, and the equal capacity for hate( also spelled 'dishonesty' , 'indifference', you name it).   This is a work-in-progress.  Make a suggestion, if you wish.  It is still half nuts and bolts.  Something like this can be written in a thirty minute flurry, left alone for months, read sporadically with disdain, dropped again and again, nearly abandoned, until I load it up with fresh eyes one day and it falls together, bit by bit, with each subsequent reading.  A new concept can enter into it, fictionalizing inspiration into a new creation.  Will it have wings?  Who knows.  Maybe it doesn't matter, so long as it is coherent enough to register on the human mind and heart with a reasonable signal-to-noise ratio.
Aug 2014 · 2.0k
a human animal most kind
wes parham Aug 2014
Here was a human animal, most kind,
With a sword for the heart of kindness,
Any that came from a place of deceit.
Are you true to yourself?  
Say, or no, and be quick.

If she told you she cared, or not at all,
Then you had good cause to believe,
That she meant it- every word unspoken,
Or none, as the case may be...

The world built a challenge,
In pretense and sloth.
She gave it the finger and
Bang-  Took the day.
If the night was a struggle, she never did show it,
She made it look easy anyway.

She appeared in the masks we all have to wear.
A voice from behind spoke at last.
Speaking grace through atrocity, reliance on self,
And she never once spoke of the past.

This most human animal, in touch with the world,
Most kind in the offing, decay for the wood,
Preserving a cycle, flesh beetles contented,
That life destroys, as well, to create.

So the life that relentlessly comes, now must go.
I can’t tell you a thing,
You don’t already know.
a meandering through themes on my mind these days, personified into a composite.  Wisdom comes from experience, cumulative collisions and recovery from adversity.  Here, the original idea was to describe a soul who manages to do great good through great harm.  Long way to go, but I wanted to release this into the wild, see if it had wings on it's own.  Not a theme to be wrapped up in one day.
Aug 2014 · 898
points of Departure
wes parham Aug 2014
Perhaps we could give each other insights,
Ideas, ways of thought,
Ourselves, the points of departure,
Ourselves, like complimentary colors,
The frequencies I lack, I might find,
And the frequencies you lack,
might, too, be filled.
Know what it means, this joy,
Know what it means, this sorrow,
Perhaps the darkness confused me too much,
Perhaps your joy confused you too much,
Do you shun your feelings
      because they make you weak?
I wallow in mine to make me strong,
Like each muscle fiber, torn in the making,
I trained , unwitting, but found,
The pain unavoidable to risk the pleasure,
Euphoria, plain joy, or humble contentment.
Pain or pleasure  this world is sometimes intolerable.
Also shoehorned in the concept from my 10w "all roads lead to strength".
Aug 2014 · 2.5k
don't make me beg
wes parham Aug 2014
When she brushed his hand aside, he had to think;

to search the heart, adrift in the body,
to find a way that would make things clear,
but all that came was a breath of air
,
and it carried with it some words,
 spoken with resignation,
that spelled a plea:
  
   “don’t make me beg”, he said.

Half a world away, a man rested beside a woman.

she looked up at him and brushed his hand
 along her breast.

when it came to rest, at last
, along a thigh and probed between,

she brushed his hand aside, and breathed

a breath of air that said,
 “don’t…”
a moment passed, maybe three.


make me beg…”, she whispered.

20 September 2013
A look at the difference a humble comma can make and ****** ******* in the complete absence of physical restraint.
read here by the author:
https://soundcloud.com/warmphase/dont-make-me-beg
Jul 2014 · 1.3k
I Fucking Hate Poetry
wes parham Jul 2014
I think about it, *******,
And it leads me to this place.
Teeth all clenched and aching now,
From shouting in your face.

I told you, I ******* hate poetry.

But you poets listen, and then you don't.
You can't, you never will,
Touch me with your sentiments,
Dropped at my windowsill.

******* your muse,  her wells of eyes,
Just **** the ***** and be done.
Stiffen readers with the tale,
But don't count me as one.

Your Dulcinea's sweet and, well,
(She's better than the last…)
You're dying for a future now,
Not living in the past.

For sweet Art's sake, a nest of lies,
The poverty of self,
puts You up high and lost, in shadow,
and Pining, on the shelf.

So speak your mind now, if you must,
Aloud, to no avail.
Your nature blind of clever words,
Is always bound to fail.
I'm fortunate that some of my friends despise poetry but still seem to tolerate me, personally.  One of these wrote to me recently, "WES... I ******* hate poetry...  Make that the title of one of your poems..."

           ...so, I did.       This one is for her.

She will never read it because she cannot abide poetic verse.  
I told her that I'd be sure not to share it with her.  
She replied, "GOOD".  
She's the best.
.
Read here by the author:
https://soundcloud.com/warmphase/i-*******-hate-poetry
wes parham Jun 2014
To be strong,
You suppress emotions.

I revel in them.
Just a concept I'm rolling around in other drafts.
(Update: the draft has been released  )
http://hellopoetry.com/poem/745457/points-of-departure/
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