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Vicki Watson May 2014
After the rain, I see the daisies,
In their clean, white dresses,
Fresh and perfect.
Washed and bright,
Their faces lifted to the skies,
And open to the sun.

Is it their youth that makes them so fearless,
Despite their diminutive size?
A naivety of spirit or
Lack of worldly knowledge?
Or do their fleeting, precarious lives
Lead them to so embrace the now?

No, their beauty springs from a truth far older,
For they are neither flashy nor flamboyant.
A daisy knows no subterfuge,
Has no jealousies, no conceit.
Its wisdom lies deeper,
And it bends with the wind.

To value the time that we have,
To see beauty in the smallest places,
And to love without fear,
Is a talent easily lost,
And the line between happy and sad is drawn
With a thin pencil and a light touch.

In miniature perfection,
A daisy lives fully,
Its face in the sunlight.
It lives, and that is enough.

Vicki Watson © 2014
Vicki Watson Feb 2014
With a single chord, I am prisoner,
My capture immediate and absolute.
An injection of electric sound-silk
Tangles my veins
And I am immobilised
By its essential truth.

With a single chord, I am devoured.
I savour each note – touch it, taste it;
I would eat it if I could.
But it is delicate, bird-like,
And it must be treated gently
In order to soar.

With a single chord, I am changed,
Lighter yet full to the brim.
The walls of the world are thin enough
To catch sight of a vast heaven,
And I breathe in its iridescence
At the point where music and person overlap.

With a single chord I am awakened.
Memories long pushed aside
Seep again into my soul.
Sensual, soft and clinging,
They tug at my being, dress me in silver,
And the cloud lifts.

Vicki Watson © 2014
This poem is about the emotional power of a single opening chord in a piece of music. If you are a classical music aficionado, think of the openings to Prokofiev's 'Romeo and Juliet Suite No. 2 (VII)', Strauss's 'Blue Danube', Elgar's 'cello concerto, the second movement of Beethoven's 7th symphony or the opening of Brahms's 1st symphony. And if you don't know any of these pieces, visit YouTube and listen, even if it's only for the first few seconds. Then read the poem.
Vicki Watson Jan 2014
This house was washed away weeks ago.
Freak storm or tidal wave or something;
One of those natural disasters.
I was sleeping, so I didn’t notice.

Look out of the window and you’ll see I’m right.
We’re mid-Atlantic now perhaps,
Not beyond help, yet too far to be seen,
The visible invisible.

I’ve gotten to love these waves,
The lap, lapping sway and the cabin headache,
The bluster of wind and spume, flung against cold glass
Like snow from a gun.

It floats, obviously, this house,
And the watermark is lower than the letterbox,
So everything’s fine, just fine,
And there’s not the slightest chance of drowning.

‘Solid construction, energy efficient, built to last’ –
Those builders knew their stuff inside out,
And I have enough supplies to last until tomorrow,
Which is all that matters, isn’t it?

Do you fancy a cuppa? I’ll put the kettle on.
I’ve thought of everything, you see.
It’s just as well I turned the house inside out
Before the weather changed.

Vicki Watson © 2014
Vicki Watson Jan 2014
This year the butterflies will return,
Summer-soft and warm,
Their enchanting transience
Lightness and intensity in exquisite combination.

In downy, paper-thin gowns
They’ll brush the air and dance prettily,
Teasing, captivating, elusive –
‘For one season only’.

We forget, of course, that they are not the same butterflies.
Momentarily eternal and fresh with new life,
They are orphans too,
The tattered children of the dead year.

Yet it is hope, not time, which is their gift,
They choose life over memory, life over regret.
And so in summer’s fleeting embrace,
They will dance on regardless.

But let’s not rush things;
This year the butterflies will return,
And tomorrow will be.
Today there are snowflakes to attend to.

Vicki Watson © 2014
Vicki Watson Dec 2013
I am finding it difficult to remember,
Cannot place in my mind the year gone by.
Dates, minutes, days, hours,
Pitched into some dark, eternal hell –
Or else tossed to heaven without a second thought.

Were they valuable, those days?
Was there joy or despair between earth and sky?
Did we rage and war?
Was there compassion?
Did we learn to dance?

One cannot go back to check these things, of course;
There are no salvage expeditions here.
Time tugs at our sleeves
And we must obey.
We follow the rules.

Yet somewhere inside,
Finding refuge amongst the empty spaces,
Lodged between forgotten spring and lost winter,
A truth, a sure wisdom remains,
Housed in a single, perfect grain.

And, holding the grain in my hand,
It is enough.

Vicki Watson © 2013
Vicki Watson Nov 2013
The angels come more frequently now,
Their visits like spring primroses,
Full of five-petalled, open-palmed beauty and quiet energy,
An unexpected surprise.
For they will come again; persistence is a virtue, it seems,
And I’m not quite lost yet.

They smile encouragingly and their sparkling laughter fills the void;
It lingers in the memory.
And with them I can breathe full-lung and be joyful,
Shout and dance naked in the street if I like.
Or dye my hair blue.

But of course I don’t.
Because for now I am content to let them fill my soul with wonder,
To be their angel in return,
And to wait for next year’s blooms.

Copyright © 2013 Vicki Watson
Vicki Watson Nov 2013
Your eyes stare at me from under your matted hair,
The layers of dirt and neglect even deeper than pity or shame.
You do not question me; there is neither wonder nor curiosity there.
Nor do you ask, plead, beg.
Why should you?
It's too late and yet too early for that.
And your old, accusing look has been replaced
By a blank stillness.

But those eyes.
Even frozen, you are more alert, more alive than I,
I in my winter boots and long scarf.
It is strange to think that
Whilst living has eluded one of us,
Dying has escaped the other.
And it's hard to tell which is which.
This poem was inspired by a photograph taken in 1968 by Don McCullin.
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