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girl diffused Feb 2019
when you sing,
you want it to bloom out of the garden
in your bones and out of your heart,
and you want it to be like
you were thirteen again and you had blooming
sunshine in your face

you scaled trees, climbed rocks
skinned your knees
wild and as brazen as the first kiss you
stole from some girl
spattered freckles on her face
you counted with your lips
(you got to 14)

erected a monument
out of your garden but it was bare
your bones,
dried husks

who can pull you out of that water?
i can't...
neither can she...
a/n: an older piece that i performed some minor surgery on. i originally composed it two years ago on this day. it's not about me. this is about anyone struggling to love who doesn't adequately know how to. this is a plea. a question. a silent wondering. it's been a while. <3

enjoy
xoxo
girl diffused Dec 2017
Here
After the fire
These were the things I lost:
Vestiges

A left arm
Withering smile
Eyes...gone. Glassy

Extinguished smoke
Faraway laughter
Months old ghostly touches

The lies
Whispered,
All of them
My cut//out tongue

Lastly,
The burned contract
Curled, charred paper
Reeking of a never-was union
A penned epilogue of a never-was union, a never-was relationship.
girl diffused Sep 2017
We felt the wistfulness and urging
Somewhere in the pale light
Slanting across our bodies
Submerged in a bed that smelled of our discarded childhoods
Tasted of our desperation and craving for love
Devoid of anything saccharine, bitter in the aftertaste

In the early morning I laid there, on top of you
Warmth trailing from your body,
Snaking across the smooth planes of my stomach
You cradling me like I wished my father could have
Fingers threading through my hair
Untangling the knots from my childhood

You spoke into my hairline,
Christened yourself repeatedly on my skin
Your voice was a Freudian call
Above the dirge of angry tidal water
Echoing from the corpses of our past

We felt the wistfulness and urging
Somewhere in the pale light
Slanting across our faces
Verdant green of your eyes hypnotizing me
I splayed my fingers against your chest
Felt your ****** harden against the soft pad

I remembered the taste of sweet tomatoes, plump, ripe
Bursting juice onto my tongue
Coffee-soaked ladyfingers
Dappled sunlight streaming through leaves
Blue cloudless sky
Peals of youthful laughter
The smell of your mother's car—Pine Air Freshener
Her rosary swaying back and forth
A religious sacred pendulum

We felt the wistfulness and urging
Somewhere in the duller light
Slanting across our skin
Our contrasting polarizing canvases
We mourned each other in our brokenness
And in the pale evening,
Tried to assemble our skeletons back together
ambedo
n. a kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—briefly soaking in the experience of being alive, an act that is done purely for its own sake.

{taken from "The Dictionary of Obscure Words."}
girl diffused Feb 2020
You treat me like Aphrodite
Venusian goddess rising
Pearled milky foam
Like clotted cream speckling my dark skin

We tumble 'cross the bedsheets
Hair pooling around me
Tasting each other
Briny saltwater and Earth
Mingling sweat and it-has-been-far-too-long kisses

And I shall never claim another lover
As I have claimed you
And I shall never mount another man
With as much reckless, unbridled
Abandoning as I have you

You treat me like Aphrodite
Shield me from rain
With your oversized coat
Smelling of clean leather and lingering petrichor

You drink from me as if
You were Bacchus
Drunk off my honeyed lips
Like it was fragrant wine

Drink, my love
Drink and be merry
Lay your head on my lap
Let me run my fingers through your
Sunflower-streaked curls
Let me kiss love and loyalty
Into your mouth
Let it be a contract

Love me like Aphrodite
A/n: it's been a while. I've been rusty and out of touch. A lot has happened. I was heartbroken. Now I'm in love. Have been so for a year and a half. This post is about him, my current lover. I don't think words could adequately express our chemistry and mutual devotion. He's saved me.
girl diffused Oct 2017
let me remind you:
know that i am the scream
i am the protest
i am the revolution
i am the awakening
of every black leader
every protester
every revolutionist
every poet
every writer
that has breathed and lived and paved paths
and immortalized and cut scathing with their art
that has cut swaths through rivers
that have tunneled through caves
that have smeared wet earth on their faces
that have picked through the foliage on mountains
know that i am every woman who has bled for her child
know that i am every foreign tongue that has unbound us
know that i am every unshackled and raised fist
know that i am a woman
know that i am a black woman
i am every black queen
i am not a display
i am not an object
i am not something to be coveted
you have no right to salivate over me
you have no right to stitch lust into my skin
you have no right
let me remind you:
i am a black woman
soft, wild, and free
I changed this a bit from what it was before. I ended up revising the capitalized "I" and making them all lowercase for the sake of cohesion. This is meant to be an empowering piece. It's old. At the time I wrote it I was reading Warsan Shire. Like me and so many other 1st-generation children from immigrants who are also artists or self-proclaimed or "budding," her work at some point deals with the topic of immigration, having immigrant parents, and also it deals with being a woman who is black. It deals with womanhood too.

A lot of my work is very romantic, dark, I would say cutting in some spaces. It has some macabre imagery, a lot of it is intentionally repetitious. A vast majority of it is also deeply personal. They are individual poetic narratives and I think poetry should first and foremost be about that poet's personal experience. Maybe I will write a poem that can be collectively about my race's experience, until then, what ever comes out, will come out.

This is, like Warsan's work, applicable to any other black woman. We quietly feel the need to assert and remind others of our worth, we quietly remind ourselves of our worth, we have to take part in a ******, mental, spiritual, and emotional evolution to love ourselves in a society that does not and has not historically loved us. It still doesn't.

This poem comes from that part inside of me that has felt this way. I've had partners most of whom were not of my race, most of them Caucasian, and some were fascinated with my being 1st-generation "somethingsomething" or "Caribbean."

I'm proud of my heritage and I always maintained and will maintain that. However, despite having been with accepting partners, accepting men and friends, there were some men that I felt liked me just because of my blackness or demeaned it (one did or attempted to). But this isn't just for me, it's for any woman who has felt or feels this way.

It's a reminder: you matter, you are black, you are ******* beautiful, but you are more than that outer beauty. No man can just be allowed to claim you ONLY for that.

This is my gift to every little black girl and woman
A gift from one black woman to another.
Enjoy. Xoxo.

Also, here's a link to info about Warsan Shire. I would highly recommend checking out some of her work. She's simply put, amazing.

https://www.poetryfoundation.org/poets/warsan-shire
awe
girl diffused Oct 2017
awe
you touched the raised scar
      beneath my breast, sunken flesh
then said: "how pretty"
I have nothing to put here yet.
girl diffused Mar 2018
Everything she touched turned to dust
Every metal started to rust
Under her fingers they’d corrode
All of the silver, copper, and gold

But with men she pulled them in
Letting them drown in her sin
A deep sadness in her bones
She lived in them like they were home

Everything she touched would collapse
And she begged to get it back
The days where houses would stand
And not fall to the softness of land
Her soul tainted with poison
Her words and moods unstable

Everything touched turns to dust
But she loved the ones who spoke corrupt
Foreign languages on their tongue
What she wove could not be undone
She would poison them all the same
And in the soil she would remain
A/n: Everything she touched, turned to dust.
girl diffused Jan 2018
Oh,

you ghost so well--
& when the ball drops
so does parts of anguish

Gone is her salt/water
Gone is your sting of cuts

Yet,
not the memory of you

Your digital ghost
somehow lingers
I can't just write happy stuff, I dunno, man. Catch me on a better day when there's no champagne, whisky, or remnants of *** in my system.
girl diffused Oct 2017
Everything in the home is new
She curls her toes against the wooden grain of the floorboards
Rain pelts against the window pane, her fingers flex
The dog moans somewhere beyond the walls
She feels like a phantom, her feet light on every surface
Untraceable, she finds him reclining on the couch
Curled in on himself, eyes, half-lidded
Heavy with sleep, pearled water on his eyelashes
She kisses his cheek, presses her lips against his wet forehead
His eyelids flutter open, his hands pass over the thick hardcover
A poet's book in his hand, pages dog-eared on 352, he opens it
Drowsily reads a poem, her words that she'd written late at night
Dripping from his lips, not mendacious, but holding a deeper truth in his mouth

-

This is where she would end up, in this soft-white-walled home
Everything is new and bright
The cat, curled up on the windowsill, seemingly peering into a divided world
Separated by the gentle pattering of falling rain
Everything outside is gray and cloudless
The computer is on but its light emitted is muted
She seats herself next to him, folds her legs underneath her
His hand grasps hers gently, turns it over, gleaming on her finger is the ring
The quiet and unselfish promise

*

The quiet and unselfish promise
His hand grasps hers gently, turns it over, gleaming on her finger is the ring
She seats herself next to him, folds her legs underneath her
The computer is on but its light emitted is muted
Everything outside is gray and cloudless
Separated by the gentle pattering of falling rain
The cat, curled up on the windowsill, seemingly peering into a divided world
Everything is new and bright
This is where she would end up, in this soft-white-walled home

-

Dripping from his lips, not mendacious, but holding a deeper truth in his mouth
Drowsily reads a poem, her words that she'd written late at night
A book in his hand, pages dog-eared on 352, he opens it
His eyelids flutter open, his hands pass over the thick hardcover
She kisses his cheek, presses her lips against his wet forehead
Heavy with sleep, pearled water on his eyelashes
Curled in on himself, eyes half-lidded
Untraceable, she finds him reclining on the couch
She feels like a phantom, her feet and fingers light on every surface
The dog moans somewhere beyond the walls
Rain pelts against the windowpane, her fingers flex
She curls her toes against the wooden grain of the floorboards
Everything in the home is new
énouement
n. the bittersweetness of having arrived here in the future, where you can finally get the answers to how things turn out in the real world—who your baby sister would become, what your friends would end up doing, where your choices would lead you, exactly when you’d lose the people you took for granted—which is priceless intel that you instinctively want to share with anybody who hadn’t already made the journey, as if there was some part of you who had volunteered to stay behind, who was still stationed at a forgotten outpost somewhere in the past, still eagerly awaiting news from the front.

About this poem - a girl gazes into her future once, then again, in reverse.
girl diffused Sep 2017
The first thing I do when I come back
Is try to tell you that he defiled me in some way
I don't tell you how his teeth pull on sensitive flesh
Beads of blood dribbling down his chin
Lackadaisical smile, predatory and darkly humored gleam in his eyes
His eyes are unfurling storm clouds
Every time he becomes angry his mouth sets in a thin line of grimness

I reach beyond that and try to pull out the man from fifteen minutes earlier
The one who grasped my hand during 2am joy rides to Taco Bell or McDonald's
Donuts in the parking lot as I squeal, childlike, content, euphoric, my body humming and buzzing with adrenaline
The man who kissed my forehead, early in the morning,
Whispered I love you against my temple, thinking I wasn't half-awake

The first thing I do when I come back
Is retreat into a head-space, monochromatic
I listen to the same songs on repeat
I leave my phone, unattended, on the lime-green desk
I flop onto my stomach on my bed
I conjure up fifteen messages in the span of two days and send them to him
No one is present to tell me to stop

The first thing I do when I come back
Is tell myself that he will drive to my house
White 2010 Charger idling next to my black and red mailbox
I can see him through my sheer off-white curtains
He'll peer up at me
I'll slip on my flats and rush downstairs
He'll pepper my face with butterfly-light kisses
Exclaim how much he loves me and misses me

The first thing I do when I come back
Is, instead, remember his hands pressing against my throat
The coldness of his eyes
Furrowed brow, dry lips, teeth bared
An animal stalking and conquering its prey
I am a fawn in the jaws of a wolf
His maw is bloodied
I am dying

The first thing I do when I come back
Is try to tell you this but you say it's my fault
I left, you say
I packed my bags angrily and impulsively, you say
I was ill, I reply defensively
You still left, you say
You still walked into it, you say

I feel his hands around my neck, mom
I feel his hands pressing the pillow down on top of my head, mom
I feel him smothering and choking me, mom
He wants me to ******* die
I feel his words scratching along the surface of my skull
I hear his voice slithering along, serpentine, cunning, sluicing through my bloodstream
I feel him everywhere
I feel him inside
I feel him invading me
I feel him roughly entering me, mom
I feel him not stopping
I feel his insistence and entitlement
It hurts, mom
I'm sorry
I'm ******* sorry

The first thing I do when I come back
Weeks later after I phone the domestic abuse hot-line
The call, recorded at approximately 1 hour and 22 minutes (a guess—shot in the murky proverbial dark)
Is phone him 28 times, convince myself he's really having *** with a coworker like he said
Convince myself that somehow in my addled brain he'll come back
I sit in the laundry room downstairs, open a bottle of Chlorine bleach
Contemplate drinking it
Scream until my voice is hoarse
Plead with him
Ask him
Wonder
Aloud
Why would you do this to me?
After four years...
Why did you do all of this to me?

The first thing I do when I come back
Is sit in a therapist's office about two to three years later
Tears pooling in my eyes
Gnawing on my lip
Worrying my dry hands
And say softly:

“I need help.
Help me dig his grave.
Help me lower the ******* coffin.
Please, help me bury the voice.”

I tell her what I couldn't tell you, mom
I tell her that he's still there
exulansis
n. the tendency to give up trying to talk about an experience because people are unable to relate to it—whether through envy or pity or simple foreignness—which allows it to drift away from the rest of your life story, until the memory itself feels out of place, almost mythical, wandering restlessly in the fog, no longer even looking for a place to land.
girl diffused Oct 2017
My grandmother taught me
how to rinse period blood
out of my *******
taught me how to sweep
the veranda with my clothes
sticking to my skin

My grandmother taught me
how to hang up soap-water-soaked
house dresses, frocks, slips, and bras
on a clothes line and take them all down
before the sky turns too gray with almost-rain

My grandfather taught me how to recite
the times table as I read from a small school book
my writing is small and quiet and does not yet
demand to be read or known

My grandfather taught me that disobedience
means a stern brown eye, a grim mouth,
a sharp snapping crack of leather belt

My father taught me that not all men
are men, that some men are boys
and they will leave their daughters
waiting, legs folded underneath them,
toes curled as they watch for their father's
car that never drives down the quiet road

My father taught me that some men,
some boys will leave and they will close
your front door, leave your third text
unanswered on your phone, and you
will taste their lies on your tongue

My mother taught me to be loud
assertive, that every word holds heavy
resonant power and can be a piercing bullet

My mother taught me how to bathe in water,
burn papers scrawled with ex lovers' names
rinse my mouth with salt and water
flick my clean tongue over white teeth
how to write love into my palms
ritualistically pass it over my body
girl diffused Oct 2017
now swallow your words
for that matter your tongue too
spit out saltwater
1. They tell blatant lies.
2. They deny they ever said anything, even if you have proof.
3. They use what is near and dear to you as ammunition.
4. They wear you down over time.
5. Their actions do not match their words.
6. They throw in positive reinforcement to confuse you.
7. They know confusion weakens people.
8. They project.
9. They try to align people against you.
10. They tell you or others that you are crazy.
11. They tell you everyone else is a liar.

- taken from, "11 Signs of Gaslighting in a Relationship" from PsychologyToday (https://www.psychologytoday.com/blog/here-there-and-everywhere/201701/11-signs-gaslighting-in-relationship)
girl diffused Oct 2017
You hold my hips as we listen to Kaskade
I'm never going to know the exact name of the song, darling
I rest my head on your shoulder
Exactly 72 hours or more after we met
Smiling serenely at each other, trance-like
Our bodies swaying to some invisible beat residing in our heads

We never do watch that Minions movie in Dunellen
We do eat cold leftovers of Chinese takeout
Retrieve them from the mini fridge in the hotel room
Congealed chicken and broccoli and your beef dish
We eat cold slices of Margarita pizza from the first night
Shared an Italian dessert with two spoons and one glass and thought nothing of it
Talked of your ex as if you'd driven out to see me for months instead of just that one time
Smell **** in the hotel hallway when we come back from our escapades
Joke that maybe we could ask the other patrons two rooms down for “a sample.”

The room becomes a home
We domesticate ourselves
Trap our secrets and nightly admissions in the thin walls
Share a toothbrush
I model for you in your old boxers
You grip my hips and kiss tortured minds out of our systems
On the first night, you fumble for me in the darkness
We had *** hours before
I'd only had one pair of clothing
I was high on hypomania
You were lonely and desperate and enamored with the idea of me
I heard your voice in the pitch black of the room
Disembodied, floating, pining

“Taylor...? Are you awake?”
“Yes,” I answer back, stifling a yawn
Demons crawled along the surface of your bronze skin
I could feel them too
They were always there, slinking into the corners of every room
Perching on the windowsill, furtively glancing at us
Unseen, invisible, unknown, silent stalkers

You ask me about loneliness
You speak about your worries for an “us” not even a week
After your Facebook friend request
“I don't know if we'll work out in a relationship,” you say
I watch you with my large brown eyes, inquisitive
Bite my lip, taste the salt of you on my bottom one
Taste your skin and spit on me

Hours before you'd clasped my leg, it, laying on your shoulder
You pounding, feral, all wild animal, sweat on your brow
Grunting quietly, watching me, looking at nothing and everything at once
You **** me until I'm completely dry and sore
Lament that you want to be inside me still, that it *****
I think, oh how it does
We took off our glasses to blindly ***** at each other in the darkness
You'd said you liked how it sharpened the senses
I was a repeating rainstorm, endless, Summer showers in the bedroom
Hot, sticky, palpable
You taste saltwater, briny, sea, inside of me

“I don't know if we'll work out together
When we do go back and if we do end up together
It'll be disastrous,” you fortune-tell
I bite my tongue, taste salt and pennies in my mouth
I swallow it down wordlessly
Hours later, you're back in PA
I message you on Facebook, my heart in my mouth
I want to ***** with the amount of anxiety,
Tremulous in my fingers, humming in my blood
Throbbing, alive, achingly


“I don't intend to fall for people usually...
But I've fallen for you
I don't think I can keep talking to you like this
I'm usually scared of falling for people,” I write
You reply without any trepidation
Some strange confidence and Siren call beckoning you
Some spellbound hook curling around your fingers
“I'm emotionally invested in you too
Look, I understand
But I enjoyed my time with you
Let's at least be friends
It's not easy for me to shake someone off.”

Two months later you tell me, after messaging me at 10am
To see how I was doing
That when your room mate was wildly ******* his girlfriend you thought of me
“Most days I think of you.
You're in my daydreams
I come home and I wish you were here
That I could come home from work and you'd be there waiting for me.”

I try to scratch you out of my head, now
It hurts too much
I told you I was in love, I tried to deny it but now it's more apparent
I message you and get silence in response
Talk to someone else
Have ******* with another man
Purge it out of my system
Stick my fingers in the back of my throat
Try to puke. Nothing. Dry heave.
Encourage him to see me and then I encourage him not to
I lose about five pounds

I think about you and your stupid dog and cat
I think about you and the daydreams
I think about you and other women
How you'd **** them
How you'd take them out to dinner and hold their hands
Rub their fingers with your thumb
How you might be

Your hands
Your soft breath
The bright gleaming eyes
That strong German jawline
That fleeting mood,
Upswing and downswing
Your insistent arrogance
The hot tongue on my hardened ******
You suckling
Dark heat emanating from your wet and warm mouth
******* me on the couch
Clasping to each other
Burying our heads in each others' necks
Slow rocking back and forth
Rhythmic
Our shirts still on, your jeans half-way pulled down
You entering in such haste and hunger
The board game forgotten on the table
Laughter muffled by your feverishly kissing me
Did you love...? Did you?

I think about the physicality
But then I think of the late night conversations I'll never get back
Your sleepy “hello” at 1 in the morning
Philosophical musings I never tell my friends that we had
Us, talking about literally nothing in the beginning
The lingerie site we subscribed to
Looking through catalogs of what you'd see me in
You saying you could buy me something to model for you
The *** chairs we looked at, furniture to purchase
Odd daydreams of a coupling that almost-was but never-was

I think about you holding me even though you're so unused to it
The smell of baking banana bread
That inner battle in your head when you saw me the second time
That sadness
That loneliness
Your... “don't forget to come back.”
Cologne on your medical scrubs
How I didn't want to let go
How I wanted to stay
God, how I wanted to stay and just do better
The kiss and then...I wonder if there was a lie in your mouth
No, I don't think so
Was it my fault to fall?
No, I don't think so
Was it yours?
No...I don't think--
hygge - n. a Danish word with no direct English translation. It is a feeling defined as being cosy with friends or family or a lover or in one's home. It is an "act of creating intimacy," such as it is utilized here, though, always as with my other works, with an undercurrent of sadness and melancholy. A deep grieving. It, then becomes a word that is associated with yearning and longing for that intimacy and sense of feeling secure. It can also be seen as enjoying one's company.

It's important to note that mental health is a huge theme throughout the works as both subjects in the poems do suffer from it. Later on, it'll be more apparent that their views about how they perceive themselves and others with it differ on a massive level. Their methods of treating it and their philosophies about those treatment methods also become a defining factor of the unique relationship. I think it's important to highlight it as there is still a stigma attached to it both through society and that both subjects can never, sadly, get over, and I think in vain, tried to.
girl diffused Oct 2017
I see your name everywhere
in books
on television screens
in user names
on Facebook posts

I hear it in advertisements
for ******* toilet paper
I hear it on the street
from a random passerby
some happen to have your name
a lot of people happen to have your name
your name isn't popular
not overall though in this country
it's fallen on sharp decline since its inception
I read it on a graph...out of curiosity

your name is imprinted in my mind
i've said it so much, i've written it so much
it's automatically a suggestion on my phone
whenever I compose a message, there's your name
whenever I go to sleep, there's your name
floating viscerally in the darkness
flickering behind my eyelids
flickering in the inky nothingness

I know the shape of it in my mouth
I know the feel of it behind my teeth
on the roof of my mouth
in my throat
*
i've shouted it to you
i've moaned it to you
i've screamed it to you
i've screamed it raw and wild into the air
i've screamed it into pillows
your pillows
hotel pillows
my pillows

your name
imprinted on fabric
imprinted on air
imprinted behind my eyelids

your name
appearing everywhere
appearing cosmically
appearing universally
i ******* hate it
i ******* love you
i ******* hate your name
your name
fracturing my everything
That stage...when the name is everywhere, when the name haunts you, the sound, the spelling, someone else saying it, you saying it...
girl diffused Jan 2018
I immortalized
all of yourself
&
all of me in pen, in ink,
bled it all into the digital machine’s
white screen
there’s snow on the ground
endless stark white
the twinkling dying gleam of Christmas lights on my lawn

somewhere your lawn is bereft.
somewhere your everything is bereft too.

There is the feel of your fingers
on my heated skin
Your palms cupping my face
On either side of my cheek

There is the flecks of dust motes
Settling on my eyelashes
The blotches of night
Melting all around us

Your blanket a backdrop of linen on the canvas
of your king-sized bed
There’s the distant blaring of sirens
Police cars speeding down the street

There’s the insistent howling and
S
h
a
r
p

d
I
s
s
o N
A
NT

bark of your dog



There is your voice
Gentle in the newness of the night
“You’re so pretty, you know that?”
Rhetorical
Two years
and here we are

It’s the same book, darling
The same story
The same tragic end
There is me: the ******* her pills
There is you: the man-boy who wants so desperately to love

All we have is the trappings of body heat
Our flesh
Your fingertips turning me to ash
Reviving the flame around my body
Only to burn me all over again

All I have are the seemingly endless poems
Your soul
Your smile
The brightness of your hazel eyes
Trapped in the words
F
or
ever
more

This
These words
All for you

I immortalized all of yourself
&all of me in pen, in ink
And then in blood

Sealed it in this digital machine
Sealed it in this dark ritual
Emptied it along with the last pill bottle

The girl who takes pills no longer
The man-boy still
searching
in the peat-darkness, the bright sky of stars,
for love
In memorandum
A year in review. A series of nights in review.
A memorandum. A dedicatory poem.
girl diffused Oct 2017
i was never quite the same
after your leaving.
inside you broke glass
They leave you with all of the wreckage to pick up, theirs, yours, and everything else from the aftermath of your meeting and parting. You sit and wonder...after the piecing back together if it could come back together again.

You numb yourself and shove the thought away. You write every thought out as it comes, listen to the same songs, talk to your family, read poetry obsessively, try to get back to some shadow--some remnant of your former self. You try to admit, outside of your writing life, that you are okay.

You try to admit that their leaving is permanent but your mind screams from some deep unreachable place that it's temporary. This is where your pain resides.

Rinse and repeat.
Xoxo
girl diffused Oct 2017
I will tell my daughters

always come home to yourself

your worth is not only in your body

it is in your spirit, the stardust

flecked across your skin

I will tell my sons

never become a wolf

never devour flesh

and forget a woman’s name

say her name like a prayer

cry oceans and taste saltwater on your lips

for when you break and fall

you can rebuild and stand

for that is how you both will learn to love
It just starts when they're young and they begin to imprint. Start early.
Start the right way.
girl diffused Jun 2018
You
       j
       u
       m
       p
         start my machine-heart,
Fingers plucking at dust_coated wiring, slick with dark oil

Ear pressed to my bloodless mouth, my digital murmur a mechanical purring

You
       j
       u
       m
       p
         start my machine-heart, fingers coaxing a little warmth
into the epicenter, a tiny nugget of coal from your heart to mine

I burst aglow and I'm a hearth and I belch out warm delicate red-flames.

Make me live, dear
Make me live and roar
This is an experimental piece. It's been a while. Just something quickly whipped up during an hours-long car ride. Enjoy. Xoxo.
girl diffused Oct 2017
i only learned value
after i picked
through my wreckage
he left me as a broken house
derelict splintered wood
peeling paint
broken shutters
i fed myself softer things
rebuilt myself on a river
and married the earth
It takes a while but eventually the pain recedes. It becomes acrid first, then bitter, then bittersweet, and finally it will taste like nothing at all.
girl diffused Nov 2023
I.

All I can say is that it is a hum
Reverberant, droning, consistent
Quiet thrumming along the surface
Stirs me awake and then it fills me with
Ichor and I sip, sip, and sip (until I'm drunk).

All I can say is that it is a hum,
Quiet droning, a hushed whisper,
Loud screaming inside the head,
A piercing headache, sometimes a discordant wail.

II.

You sit on the porcelain lip of the tub
Hooded eyes lowered, your fingertips
Pressed together like the steeple of a church

I think: Yes, this is what Renaissance painters modeled angels after. Your skin is like a rose-tinged alabaster, your cheeks Suffused with blood. The painter took a measured time with you.

"Do you honestly think you'll be okay on your own?" You ask.

Silence, she greets you.

III.

Hasn't my mother violently
Ejected me from the nest
I'm only a few months old, a nestling
Wings awkward and clumsy
Beak agape for masticated food
(I'm not ******* ready yet)
Ejects me
Her beak threatens to pierce my shell

This is dejà vu.
I've conversed before
Different room, different domain,
Different speaker, a sicker listener
I'm as sick, sick as **** now

Mind, she hums, crescendo
Crescendo high like a choral piece
Orchestral, and this is resplendent
Everything is gleaming
Your face encased in a soft glow
Halo of light
Your face, cherubic,
His face, Romanesque, was sculpted like a Bronze Age statue.

"Your mother didn't give you the right set of tools. My mother at least gave me–" he falters.

IV.

I remember calling the ex 28 times in the span of 2 hours.
The policeman, he counted.
Thrashing on the floor, weeping like Persephone must've in Hades, like a fallen Mortal reborn as a minor goddess
Stripped me, he did though, of my wings
Avian feathers streaked with years-old blood

My tears, why yes, they're bleeding rivulets.
My ****-brown eyes alight on the bleach
Yes, sweet death

"Stop calling me. I'm ******* another ***** right now," the ex says.

V.

Memory is so faded,
Plays like a scratched and worn cassette tape

Mind is a-humming, humming, my mind is
Orchestral choir, church choir, Pentecostal
Now, I eat ichor, ravenous, now I am Closer to God and she is a woman,  
Draped in funeral attire
She weeps, soundless, a Seer

"I don't know," I say.

"The med isn't working," you reply
Cherubic face shifts and morphs
Melts into soft glow light,
One with the halo, is the halo

Nothing makes sense, everything else does too. My mind races, cassette tapes
Whirs, skips, images flash, I weep
Weep like Sisyphus
Eyes spilling rivers of penny-tinged
Crimson, sanguine ichor

One day he'll taste it and hate me,
Loathe me, the jade-eyed serpent
Poison-fanged
I'll clutch his scales until my fingers are Cut, welts, mottled bruises, fading scars
I will be punished, am punished
The illness, the eternal Boulder on the eternal hill, it rolls and rolls, my mouth agape

I await my cyclic fate ordained by the Higher God

VI.

How many men have I lured into the chamber?
Drunk on sweet wine or mead?
Petrified into osseous
Their gazes failing to avert from my Penetrative stare?

He was an errant General, beautiful but stupid, his mind a one way road, his temper unpredictable and flighty
Oh, how I loved the duality of him
We philosophized
Theorized on the Gods
Laughed at their follies
Wondered at the mysteries of the universe, Her deep annals

Oh, how I loved the physicality of him
Tight, corded muscle, his back like a Wound spring, Bronze hand
Grasping a silver sword

Hark! His rounded shield is lifted, my hideous reflection stares back at me
My eyes, widened, the cup of manna Clatters, soundly in the chamber
Reverberates
Bounces off my throne of skulls

How many men have I–?

VII.

"Can you honestly say that you can take care of yourself?" You ask from the place atop the lip of the porcelain tub. Your hands, a steeple, a church spire
Perhaps, you are a lesser God, perhaps we are all falling Lucifers, wingless, blinded by vengefulness and betrayal
Perhaps, he too is–?

"Am I an infant to you?" I ask.
The headache splits
The pain demands, claws at the side of my skull, dances across my nerves, liquid iron on my tongue

Because when did I?

Oh, Sisyphus you weep! You, who slaughtered so many!

Oh, Medusa, you wept, you beautiful serpentine harlot, you *****, you–
The choir is a strong crescendo, Ascending, ascending, ascending
Lowers like a thrumting and heavy bellow
Deep, rich, and full, timbre

"Everyone, all your life has said you were crazy, but I don't think you are, I–"

VIII.

The tapes skip, voices garbled, muffled, Indiscernible and distorted
Mind shrieks, lower now, quieter now, Barely audible, a fading whisper, your halo Recedes, soft glow dims

Your hands separate, the steeple, no, the Spire collapses.
Held breath hitches,
Serpentine tendrils become wisps of hair, Cloudlike

We are lesser gods, not quite mortal, not quite divine

The itch demands to be felt, protests
And I, I scream endless into a dark chasm
My voice, it does not call back to me
It does not–

"I don't know."
A/n: It's been awhile. Hello. This is the unedited version of "medusa." This is the result of me reading T.S. Eliot and talking to my dear friend about older contemporary poets.

This is the result of dream and haze filled nights and stressful but languid mornings.

Enjoy.
girl diffused Jan 2018
Here's what I'll collect of us:
1. Your hand holding my nine year old one,
2. small and uncertain
3. small and growing
4. You waking up before the rest of the world
5. The sound of you raking fallen brittle palm fronds and leaves
6. Feeding the dogs
7. Turning the cornmeal for them in the massive ***
8. Your rare smiles
9. The smell of Old Spice
10. Filling the shopping cart with whatever I wanted
11. My too-tiny hands clasping about the cart and pushing it along with you
12. Us scouring the aisles for Eggo's waffles and my favorite brand of banana chips
13. My nine year old self sitting on your lap while you dozed off
14. Our conversations about politics and the current state of the world
15. Our long conversations
16. Our long conversations about your youth
17. Me hearing your story about how you cared for yourself from 15 years old for the 105th time
18. Me never getting tired of hearing about that story
19. Your rare smiles reaching your eyes
20. The softness of your hair as I stroke your head now
21. Sitting by your bedside and being comforted by your soft breath as you sleep
22. Sitting by your bedside remembering my childhood with you
23. The long summers in your house with grandma and my cousin
24. The long summers in your house on the island
25. The long summers back home--back in your home country
26. Your hand holding my nine year old one,
27. small and uncertain
28. small and growing
29. You waking up before the rest of the world
30. You going to sleep after everyone else
31. Your hand holding mine.
32.   Your breath.
33.   The softness and steadiness of your breath.
A list poem dedicated to my 90-year-old grandfather as he battles prostate cancer. I love him and respect him with all my heart. There are so many other memories that I will cherish and hold onto, like most recently, my trip with him to Niagara Falls. These are just a few that I can fondly recall from childhood. He's essentially the father I never had.
girl diffused Feb 2018
Just the frenzied need to get it out
Just the raw feeling
No anesthesia
No anesthesia
How I'm the rotting tooth you cut out of your mouth
How I'm the stinging paper cut that you slapped a Band-Aid on
How I'm blank paper
How I'm all blank slate
How it meant nothing
How I can't slip the shoes on now because it reminds me of wearing them around you
How I keep them in the closet
“You'll know I got them for you”
A “think of it as a memento, every time you look at it”
No hesitation

The beat-up heather gray Ellen DeGeneres shoes you bought for me
Unmarred and untouched
How the card still resides in the bedside drawer
Or didn't think about the card you got for me
But did that anyway
Bashfully admitted that you normally didn't do that
Twined your fingers around mine,
Or how you eventually held my hands,
Because you never did it
Or think about how you'd hold me after ***
Because you never said it,
How it was during an ******
On your tongue
Feel of it in your mouth,
And memorize it,
Or playfully say my name
Or write poetry about me
As I impressively recite your full name, down to your deceased mother's surname
As I say your name, more than my own
Or try to recall the sound of my voice
Or my smile
And never think once of me
And talk with your coworkers, all female
And flirt with your receptionist
And receive your paycheck
And go to work
And walk your dog
As you go about your day and pay your bills
Multiple meanings that you don't care to explore
The simplified “hey,” kind that's pithy and vague
Late-night message compositions
It's not, it's just not
Oh, **** me, it's not like last time at all
See that you don't follow me back
Send a friend request on Soundcloud
Tell myself that you won't say anything
Compose another message but leave it unsent

Lower and lower
The faint dark hairs trailing down the otherwise smooth navel
Sought my approval
Sought approval
How you asked me repeatedly, shyly, if I was okay with that
How you wanted to shed that weight
The barely-there protrusion
Memorizing the soft roundness of your stomach

Stupid little nicknames that I would **** for now
T-Money
T-Swift
Tay
Tay
Taylor
You playfully saying my name
Your lips moving,
When you coo to your Papillon
When you're talking to me over a bowl of quickly whipped up oatmeal
Encouraging me to touch myself in the ink-spilled darkness,
Murky, and blurred outline of your hand
Try to remember what your voice sounds like –when you're angrily yelling about Hearthstone

Gnash my teeth and don't realize it until ten minutes later
Get up and turn the fan so the stream of air blasts unforgiving onto my face
Toss and turn in bed—literally—throw the duvet off
Think of the shirt you were wearing in your last profile picture you had when we first started talking
The one with the dusky blue V-neck
Study your year-old profile picture that I told you looked good
Listen to music on Soundcloud
Look up jobs instead
Don't actually do it
Debate re-adding you
Look over your profile on Facebook, my secondary account
The “hey, I hope you're doing okay” kind
Late-night message compositions
Splintered and fractured
Bloodied veneer and strands of hair

Porcelain sink
We were so lonely and misunderstood
You were...
It's just a dream though, just a ******* dream
Read it forward and then once more backwards. A series of heartbreaking memories and moments in stream of consciousness. N/a.
girl diffused Oct 2021
Hello old friend,
With your tall sweeping evergreens
Towering almost endlessly
Into a blue clear sky
The endless swell of traffic
Cars peeling down the street
The smell of roasted coffee beans
From some hole-in-the-wall cafe
The obvious transplant donning an umbrella in the Autumnal warm rain
The light sprinkling of water enough
To nurture the verdant green

Hello old friend,
Mt. Rainier, she greets me,
Looming ever majestically
Over expanses of tree and road
Her white peaks cresting over
Fields of blossoming flowers
The tulip fields scattered across the sloping
Skagit Valley, her vineyards spanning for miles and miles

Hello old friend,
Seattle's grungy nature
Masked by her streets of trendy
Cafes and farm-to-table restaurants
Her mom and pop cafes
Her canvas gray dress marred by graffiti
And street tags
The busker on the street corner panhandling for change
The homeless sheltering under a cardboard blanket outside of a Starbuck's
The transplant with the umbrella stopping down to drop change in their jar
The crumpled dollar
The locals who pointedly ignore him on their way to work, to school, back home, to somewhere...anywhere...
The constant dazed bustle
The stench and pungent odor of ****
Curling around every seedy corner and
Affluent street crossing

Hello old friend,
It's been a while
Let me nestle into your newness
A new coast greets me across the horizon
Replaced by homespun everything
Pastoral fields where the bovine and equine reside

Hello old friend,
I suppose you're home now
I suppose you're home...
A/N: I moved to Washington State. I secured an apartment and new employment is in the hangar. A lot of...new everything. I shoddily put this together and I feel as if it regrettably shows.

Well, I hope you find some solace in the awkward virginal writing. Moving strips away everything that's routine and gives you a blank slab of concrete with which to make your mark. I suppose then...the writing was unintentionally intentional in its awkwardness.
girl diffused Nov 2023
The workman told you to bury a curled dark lock

Of your dead baby’s hair in the earth,

A quiet offering to a quieter god

You spent several months weeping to the sky

Your small hands curled into your white frock



Work was left unattended in your colorful house

No food on the stove,

No boiling salt fish, or softened dumplings in murky white water

The pungent smell of cured fish filling the quieter home

The home, austere and shrinking into the long street

Your helper comes to do all this

Your children understand in their small ways



You covered the lock of dark hair with fresh dark soil

Palm fronds wave in the wind

Salty sea air kisses your wet skin

Tears make tracks on your cheeks like a map pointing to

Nothingness, like a page of a book with words of moroseness



Once you had my mother, birthed her into a world of noise

The sure and strong hands of the matriarchal mother,

Your mother, who’d delivered more babies than she’d had her numerous children

Then you cooked, you toiled, swept the veranda with your broom

Left the buried lock of hair in the locked cabinet of your mind



Now, when I make the saltfish, I do it with stilted preparation

My hands form lumpy misshapen cornmeal dumplings

I fry the little ***** of dough for too long, they come out dry

I pop one into my mouth and chew

There, the fragrant smell of your perfume,

Sweet lull of your voice, your birdlike hands.
A/n: A rejected submission to a poetry magazine. Hopefully it finds its home here. Thank you for reading in advance everyone.
girl diffused Oct 2017
you tried to feed
me stardust
sway and hold me
as we danced

you tried to make a home
out of me
open my shutters
let the light
flood inside
push sheer magenta
curtains aside

you tried to run
your fingers reverently
over my rosewood

you tried to ***** my home
raise it from the island
kiss my lips after broken
storms hold my hands in your own convince me that you  replaced my old
broken doors
peeling paint and vinyl siding

you tried to
feed me stardust
sway and hold me
as we danced

you tried to make
a home out of me
but I was really an island
ready to be claimed
by the fire and the sea
girl diffused Sep 2017
₁Peering into my eyes in a darkened room
Your dog curled up, lilliputian,
Quietened behind the wall across from us
Your hands cradle my face as if I am crumbling marble
₅Venusian statue that you've finished carving
Delicacy and care reside in your fingers

I cannot see you, your everything is blurred
You are a frustratingly unfinished masterpiece
You are an out-of-focus black and white Kodak photo
Candid snapshot a girl has taken with her camera phone
Wordless and soundless,
Silent in an equally soundless room

I hear our syncopated breathing,
Softened, pulsing rhythm, cadence of your breath
Fanning across my bottom lip
You open your mouth
A sliver of light from your window
Curtains, diaphanous, like gossamer silk
Flutter in the stream of your quiet fan

You speak
My eyelids flit like moth's wings on a Spring evening
You speak
There's approximately four striations of shades
In your irises,
Flecks of opaque peridot and ochre
God drizzled in spools of honey
Swirled in the colors of crisp autumn leaves and sun-dappled orange
Called it done

I press my face against your cheek
Leave a lasting imprint of you there
Your touch will be ghost-like
I'll feel it on my skin seven months later

“You are so pretty you know that?”
Your eyes split me open
Like a cadaver whose bones were strung
With pearls and fitted with chains
Beauty in the macabre
Beauty in a breakdown
opia
n. the ambiguous intensity of looking someone in the eye, which can feel simultaneously invasive and vulnerable—their pupils glittering, bottomless and opaque—as if you were peering through a hole in the door of a house, able to tell that there’s someone standing there, but unable to tell if you’re looking in or looking out.

(definition taken from "The Dictionary of Obscure Sorrows")
girl diffused Oct 2017
He is raging tide
He collects earth, wood, and glass
Pushes and pulls and
then there is the sudden calm
girl diffused Oct 2017
Sleek dark hair
Highlights of auburn, color of fall
Stern lips
A look of austerity in the dark russet eye
Skin lighter than my own
The smaller wrist
Large eyes
Faint deepening crow's feet
Nursing knowledge
Small, short, slight, petite, and strong
Maternal vanguard
Matriarchal
Beautiful and earthly
Scorpionic elusiveness
Her unused canvas
Frequent Homegoods purchased
Shifts decor in the livingroom like a Feng Shui practitioner
Laughs at the absurdity of modern horror movies
Smells like bath wash and too much perfume
Smells of my childhood
Smells of my innocence
Paperbacks of Hugo and Austen in boxes in the basement
Paperbacks of The Symposium and a biography of Marx in the basement
Secretly likes to cook
Culinary explorer
Gastronomically open
Culinary door opener
Very little circle of friends
Outspoken
Austerity on the small mouth
Austerity in the small mouth
Conviction in her voice
Soft graphite in her voice
Has a lisp sometimes
The slight overbite(?)
Immigrant parent
Unnaturalized citizen
Reminds me of fall
Reminds me of everything
Reminds me of very little at once
Life-teacher, one of many
Protective
Over-protective
Pushy
The way her hand moves on her tablet
The way her voice sounded during a lecture when I was a child
The way she used to hug
Closet full of shoes and clothes she rummages through when she's going out
Meticulous cleaner
The way her voice sounded when she tried to make sense of me
The way her voice sounds
...
List poetry. An experiment in profiling a close loved one.
girl diffused Oct 2017
how does everything feel so whole
& yet so empty?
how do you fill everything
with a gaze, fleeting
how do you question everything
with a quirked brow, a pursed lip?

how do you fill everything
with a surety in an outstretched
hand, should i place mine
in your palm, should i answer your
questions with a small smile?

fill your sadness into my vessel,
take your pain into my bones?
let it settle like it's nestled
in a home of enamel and dried blood?

how do you repair a fractured heart?
with whispered promises
against the nape? with late-night
proclamations and ramblings,
locked secrets from deep within
the corridors of our minds

should we reside in head-space
or pulsing heart? should we etch
a title into skin and teeth or leave
them unmarked? i wonder...
i wonder ...
I dug this up from the archives of "Ye Olde Facebook." Been a few days, might as well share something. I wasn't sure of it then and I'm not sure of it now. I'm also not sure of the headspace I was in prior to composing this piece. Ah well, leave your comments as always and enjoy.

xoxo
girl diffused Jan 2018
It’s so easy to
B
   u
      r
        y

Myself in the

infinite

loudness

of your soul
girl diffused Mar 2018
Woman,
strictly
be
a

r
i
v
e
r
unto
your
self.
a/n: As it snows heavily here, and I'm cocooned in drifting flurries of white, this just rooted itself inside of my mind. It wouldn't let go. It demanded to be written. I think those are the most sincere types of writing.
girl diffused Aug 2018
Today
(my darling)
You fed me
Shards of glass
(said "open wide")
And apologized for cutting my mouth open.
A/N: a new format after a fresh 12-hour heartbreak all over again.
girl diffused Sep 2017
I'm lying to myself.

I'm not in love with this one at all.
There's no passion in this house.
There's no standing ovation in this auditorium.
Groggily, I
Forcefully awaken myself
Spoon sugar into my mouth until I choke
I attempt to read to no avail
Words just dance right out of my head
Words just die like autumn leaves on my lips

And I'm lying to this one.
I don't find him beautiful.
He doesn't deserve this austerity.
Issuing out of my lungs—all blue and black smoke
There's no passion in this house
No, because even the wooden floorboards
Creak with something deeper than melancholy

Words are irrefutable
Words are nonrefundable
I do not love him but I love the one before him
Wandering, I go listless,
Traveling through each room in the house
Vestigial ghost that I am
Inundated with sadness
Choking on it like the dark pit of a spoiled fruit
I can't get the words out of my mouth

The scalpel or pair of scissors I would apply to my skin
They're the words on this page
Words I pull out of the plywood and drywall
Rotting like the deadened
Husk of a lone tree in a silenced forest
Love doesn't reside in this auditorium
It died somewhere when he hugged me goodbye
It died somewhere when he never came back
And I realized that I couldn't find him over a cup of tepid coffee
In the books that I struggled to read
In the man that I desperately tried to bury him inside.
girl diffused Nov 2021
Do you ever just pine for someone?
The way they smile while talking to a loved one
That bright and easy laugh, the gleam in their eye, the knowing...the realization that you're watching them enjoy themselves from across the room

Or maybe you're just a spectral spectator
Flipping through photo albums, looking through photos that are a permanent snapshot
A moment in time
A second
A few minutes
Of them smiling among a gathering of friends

They're so happy, they're so brightened and unassuming in their youthful zeal
You can hear the bursts of laughter
The peals of it
Disjointed conversations among friends
Maybe one or two have passed on
Maybe they just lost touch with them

But you look at them now
All the same
You really look at them
You realize that they've changed so much from the person they were in those pictures

No more bright laughter
No more infectious smiles
No more disjointed conversations with gatherings of friends
No more college bar hopping
No more wandering the backstreets of Venice at night
Or Rome
Or Britain
Or Germany
No more spontaneous traveling

The light is dim now in their eyes
It's like the bulb inside of them has burned out

So...
You pine for them, for the person that they were yesterday, & days before, & years before you
entered their life

After your arrival, came a burial

Somewhere along the way
With the unspoken hurt
& unprocessed trauma
They died

And so ...
You grieve
N/***
girl diffused Jan 2018
The friendship isn't glitter and gold
It's not fairytale happiness
Not all the time
Wasn't built on a happy-ever-after foundation

It's real and genuine
It's two-peas-in-a-pod
It's all confessions about crushes

Confessions about first loves
Confessions about almost loves
And broken unions and never-was ones

Our soul-baring crying over the phone
Crosslegged, seated on the floor of a Barnes&Noble
Temporary residents of the poetry aisle
Readings of Rupi Kaur, Lang Leav, and the classic poets

Literature bonding
Bonding through the smell of books
Hours long conversations

Our friendship evolves, shifts, and strengthens through the seasons
And I expect..
The malleability will change and harden overtime
Harden like steel, solidify like obsidian stone.

Our friendship is weathered storms
Hurricane hearts turned
Temperate climates

A calm sea
A blue cloudless sky
The nature of a year long friendship with one of my good friends and confidants. This is her early birthday present. I hope she loves it.
girl diffused Oct 2017
She's leaving him behind a closed door
And she keeps the key, plain, in a drawer
In her bedroom next to his Valentine's Day card.
Every now and then when she sees
His name online on her phone she feels
Electric jolts like someone's trying to jump
Start her metallic heart,
Rotted and gone cold

The car that is her body didn't start until he came
Slid into the driver's seat, without hesitation
Drove it out to the edge of a promontory
Except...the body is not a car
Not now, not anymore, maybe never was

The body is flesh and bones
When she meditates, she accepts
And lets pass his eyes, that all
at once remind her of garden
Soil and amber sunlight
Streaming through autumn's leaves.

She used to think that she'd locked
the door but she glanced at it,
tried the handle, realized
She left it ajar. She hears his voice
All around, inside, all over,
Humming in the air

He declares:
“When you finish
building your house, I will reside
in you, but I won't wait forever.”
She wants him to know that today,
She started to open up the windows,
let the sunlight in, and it felt
Yeah, looked like his good morning

His hands on her face,
His hands cradling her
Soft and delicate,
Eyes focused—autumn
first breaths of zephyr,
and him asking:
“Are you all right?”

Soft kiss stirring her awake,
New air in her lungs
Humming alive in her blood
warmth on her skin,
The answer in their parting is not
“Goodbye,” but a softly spoken,
“Talk to you soon.”
girl diffused Oct 2017
If she were to touch you
                taste you
                hear you
                observe you
Fingers tentative
Mouth pliable
Ears fine-tuned
Sight keen
You would taste
like stardust and glass
like galaxies and rust.
i do feel a little dead today.
it's a little harder.
girl diffused Oct 2017
my mother told me
you christen a home
in her island-country
you take a chicken
behead it with a sharpened knife
slit it cleanly across the neck

let blood splatter untainted
earth and burn incense
let the burning bush
stink and permeate the freshly
erected walls, seep into the wood
seep into the tiling

purify it
make it your own home
somehow
somehow
i think that's beautiful
In Jamaica, there is an uncommon spiritual practice known as "obeah." In other Afro-Caribbean islands and in Louisiana, in the states, it is referred to as "voodoo." The mysticism and pantheon of gods of old permeate the historical fabric of this ancient and frowned-upon tradition.

The methodical slaughter of a chicken and the splattering of blood on the earth is believed by some to help bless the land that the home would be built upon. The belief was that the blood would purify the soil...make it sanctified. Additionally, it was also believed that in order to purify the home one would need to burn incense. My mother, when she was recalling this tale to me of the people who still do it, mentioned that she had thought of burning incense in our as-of-yet unfinished home.  No incense was burnt. No chickens were slaughtered. It is honestly done with reverence and although the slaughtering is seen as cruel by some or would be seen that way, for an ancient custom that is still respected, one of the few still practiced by some on the islands, it is seen as...a good option. Just a little backstory on the poem's origins.

Also the purification could also denote purifying one's body. As I was writing this, I thought of how we practice certain rituals to do this. We "burn out" certain toxins and cleanse our blood of impurities. We drink detoxifying drinks, hydrate ourselves with water,  go one diets, and refrain from eating certain carbs and sugars. Some of us treat our body as a home to be cleansed. Some of us do not.

I think the juxtaposition of the image of blood, earth, the death of an animal...its sacrifice for the sake of blessing a land, a home, a family in relation to one's body is interesting. My hope is that I married the two concepts together in a way that is understandable to you and that you may find a piece of my culture to be interesting. If you don't, at least you learned something new. :D

xoxo
girl diffused Mar 2018
When you left, despite me knowing you'd leave, the shock was still apparent.

The bedroom light is left on.
I take melatonin to fall asleep.
My stomach is always empty despite eating.
I fixate on your last breath.
Your chest rising.
Your chest falling.
Your quiet little sigh.
Your face tensing and then relaxing.
I make a mini shrine on my dresser out of your pictures.
I call my dad and realize that's gone too.
I dream of roads I've never traveled on.
I dream of flying to Texas and leaving here forever.
I dream of escaping.
The house is empty.
No one tells you of the shock or the trauma.
You just understand, that as soon as you can comprehend it, Death is for us all--young and old, terminally ill and seemingly perfectly healthy, parent or child, high school alumni or dropout, wife or fiance, girlfriend or best friend, young and old

I keep wilting carnations in my room.
Anything with an expiration date reminds me of the loss.
I try to remember your commanding voice and your loud laughter.
I try to love.
I try to care.
I keep your pictures to remember your face before...you changed.

Now all I try to forget are the changes.
I try to forget you saying you weren't hungry.
Your food scraping off the plate into the garbage.
You saying you weren't hungry.
You sleeping in until 10am.
How you used to get up at 6am sharp every morning.
You saying you weren't hungry.
You not talking anymore.
You...emaciated and frail.
You...changing.
Your pain.
The sound of the concentrator humming.
The mechanical noises of the defibrillator and its exhausted sigh.
You saying you weren't hungry anymore.
Your last breath.
Your quiet little sigh.
Your serene smile.
Everything was so tired, grandpa.
Everything was so tired...
Grief.
How you process a loss.
Rest in peace, grandpa.
girl diffused Oct 2017

Wolves hide among the fragrant flowers
Skulk, stalk, pounce, and bite into their prey
****** their maws, their canine, their fang
Don the fleece of the white sheep
Rip out the innards
Garbed in white
Draped like a cloak of purity

Wolves hide in cathedrals
Stalk among the pews
Furs streaked with blood, coated
Defile sanctity
Impregnate
Virginity with something vile
Dark, putrid, and false

She sees the wolf in you
Hears it in words that you utter
Sees it in words that you write
Drunk, sober, aware, unaware
Smells the blood on your maw
Smells the pennies in your breath
Faint, odorous
*
Wolves like you
Hiding in fleece
This came as a direct result of something I experienced last night. It shook me internally to my core and the culmination of those words, the emotions that stirred up as a result, culminated in this piece.

The wolf is Man. Not every man. It can be a singular man for a woman or even a man or anyone, you can change the gender of the "she" to whomever you like. The wolf remains the same. The "fleece" is a covering, a disguise, a shroud of "purity" and deceit that it/He disguises himself in.

The "cathedral" is a place of reverence and worship. I took the age-old adage of "your body is a temple" and turned it into something more historically significant and possibly controversial (for those of us who are iffy on religion. I am actually, but I respect those are who spiritual and religious. I respect their beliefs and stances). The cathedral is Woman's body. It is seen as a place that can be tarnished or worshiped within. It can be ransacked and defiled or vandalized.

IN any case, the poem has its themes of purity and Sin. There aren't many religious undertones here. It's just the slimy and even disturbing feelings a man can conjure up with words. It defines what a woman may experience when she's even revered by someone that presents themselves in one way but is truthfully like a majority of "wolves" out there. They're there for blood and prey.

— The End —