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When he went through the windshield, amid the shrill fracture of glass and above the curling guardrail, he did not think of Junebug or his mother or his boyhood summers at Lake Tenkiller. He thought only of deep-grooved ritual: get in, turn the key, press power on the radio, turn the air to 1, and buckle in.

He saw the guardrail. He saw the guardrail and knew, or half-knew, what would come next.

He headed straight for it, going sixty, sixty-five.

He used to play a game to break up the monotony of interstate travel, back when he worked the night shift at Wolverine. He'd close his eyes for as long as he could while driving. He began with five seconds then ten, no peeking, eventually making it an entire minute, speeding down I-44 alongside the eighteen-wheelers and the farming crowd. It was around 5 a.m., sure, but a minute still.

Before he cut the ignition he turned off the air and the radio, always. His dad told him it made it easier on a vehicle when you started it. A mechanic later told him that wasn't true. Not even remotely. He still did it.

He saw the guardrail and thought of it in the same realm as driving blind, a game of chicken ending inevitably in forfeit although victory and loss weren't clearly defined, only the edge tangible, the heart rate going mad, the blood rushing through the tributaries of the body.

He thought brake. He even said it out loud, alone in the car. The air was on 1. The radio was on NPR, some story about "hacking" your closet. He saw the guardrail. His foot pressed down on the gas harder. He wondered what it'd be like to fly over the edge then he was flying over the edge.

He glided above the first snag of rocks, small cuts on his cheeks burning against gravity's drag. The car did not. While the engine continued to hum, pieces fell around him, shards of glass and jagged bits of the valance and bumper. The radio played Muzak. They were between segments.

He turned the air to 1. He hit the power button on the radio. Why didn't he buckle the seatbelt?

His screams came out in long monotonal bursts, automatic and not quite human. Turn the ignition, power button, turn **** to 1, click.

He didn't think about what he'd hit first, tree or rock. There was still some fifty feet to fall before that decision was made for him. He didn't wonder if the car would land on top of him. He got in. He turned the key. Radio on. Air to 1. Then he clicked, didn't he?

Marie didn't call tonight. Marie. Her shape started to form in his mind, waiting for him on the couch in that stupid shawl, her face lit, a bright blue, by the glow of the television screen.

A tree, he hit a tree first.

The rough bark tore at his face, chest and arm. He could feel the tree bend then repel him. He took a branch to the rib and continued his fall to the stony earth. He hit the ground and kept falling.
It's only a dream
I'm no foolish girl
I will have to wake up
Eventually

The problem with dreams
As soon as you wake up
It's over

You can dream again
But it won't be me

Maybe I'm wishing
Just this once
Dreams could come true
But if I did
I would never tell you
 Mar 2014 Filmore Townsend
meg
it's weird that Brits say "chips" instead of "french fries",
and it's sad that your dad says "you're hopeless" instead of "I love you".
it's weird that the sun pokes up out of the ground at different times everyday,
and it's sad that it hurts more when you poke your finger than when you run the blade down your skin.
it's weird that the sun still shines when it's 3 degrees outside,
and it's sad that 3 am is filled with thoughts of agony and your pillow is stained with the salt water from your eyes.
it's weird that there's 365 days in a year but it dreads on feeling like 1,000,
and it's sad that the pills that are supposed to make you feel better for your depression only make you want to swallow 365 more to make the pain go away.
it's weird that you're forced to go to school with ignorant teenagers that have no idea what they want in life besides getting high,
and it's sad that those teenagers romanticize self harm and depression like it's beautiful to have demons in your mind eating away your sanity.
enjoy.
i once dated a boy who found it "adorable" that i know how to change my headlights
     fill my radiator
     change the oil
     and notice every stopsign as i'm halfway through it
he dumped me via text

before that
there was a boy who loved my lack of first person capitalization
     my over-use of metaphores and similies
     the way i personify the night
     and practice preforming poetry in the shower
he took off into the sunset with my journal in his shoulder-sack

and somewhere in between
i stopped asking myself what it means
threw up my hands
     and learned to enjoy the ride
"every day, it's a'gettin closer,
rolling faster than a roller coster.
love like yours..."
If I could I'd spend
a little bit of this
forever with her
underneath that
streetlamp.

I'd stand with her
there as she leaned
against me with her
fists clenched together
at her chest.
Her Whiskey dressed
breath warm against
my neck.
The moth shadowed
light enhancing her
cheek bones and
proving to me that
there is indeed artistry
in our creation.

If I could I'd spend
whatever is left with
her drunk and troubled,
broke and incomplete,
in Love and alone.
Together but still longing
for that loneliness that
always seems to make
things right.

If given the choice I'ld
probably pick alone.
Or maybe a moment with
her beneath that streetlamp
on the corner of some
numbered street and
Hell itself.

For now I'll fix whats
left  of my stash.
Pour me a wine.
Then fall into a nod
as my opiated mind flashes
a  memory
of her smiling grenadine
stained teeth.

And when the sun decides
to return,so shall
I continue on my way
without her.
Ill slowly pass these
numbered streets
in this lost and broken form
that I've chosen
for this world to judge.
Proud bird with beady eye
Who engraved your shape and form?
Scratched you into being
Gave you life

Were you wandering around a farm or homestead
before being captured
and transformed onto clay canvas?

Your azure head and olive green breast jut out
You are encircled in yellow ochre
Baked sunshine

Are you from the aztec climes
A creature of ceremony
or domestic good fortune?

A wedding gift perhaps?
Whose room have you
graced with your presence?
Whose lives have you witnessed
with your beady eye?

Your body gathering dust
on a kitchen wall
Your design primitive
Yet bold and knowing
Your glaze is cracked
deliberately
Rustic and yet glowing.
*This was based on a decorative dish my friend brought from a flea market*
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