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Tom Atkins Aug 2020
A single door in the brick building.
A host of windows to let in light.
A place to live and worship and work,
all three, your soul built in red clay, wood and glass.

A place to look out. To see the light,
the green of gardens, the crowds at a distance.
birds, at least until winter,
to revel in the sun, the heat of it

without going out.

A place for others to peer in,
curious wanderers, strangers,
the invited and uninvited,
It is the price and privilege of so much glass

that they can see you in sacred times
and the profane, that layer by layer
your secrets are revealed,
your scars and sins as bright as the curtains that waft in the wind.

A place to prepare. To see what is out there,
The ugly and the beautiful, A place to pretend
you can choose which to live among.
You cannot.

It is all real, and with you or without you,
the things beyond your doors will go one.
You can stay, here behind you thick walls,
or go out and plant, choose what you will get to eat

at the end of the season.
I think I won’t tell you what this one is about in my own mind. There are too many layers in this one. I hope it works.

If it does, whatever you think it is about, is probably right.

Tom
Tom Atkins Aug 2020
Someone lived here once.
Families were raised.
Gardens were grown.
Animals, pets and livestock, wandered about.
Clothes hung on the line.
There were children and lovers and hopes,
bright as sunflowers.

Once. Not now.

Now, the neglect has driven them all away.
What was it? Poverty?
What was it? Broken hearts and trauma?
Too much to survive?
Greener grass waved in front of them,
a temptress,
and no one left to fill the walls anew.
Eventually, always, an abandonment.

It’s a cute little house, well situated
in a post card colored field.
Still savable, but you have lived here long enough
to know how this story goes.

You have restored a few homes in your day,
brought then back from the brink,
none of them a perfect restoration. Few are.
But enough that there was life in them again.
Gardens and hopes bloomed anew
and the paint shown bright. The rot removed.
They became homes again,
not merely houses, waiting to fall.

But you cannot save them all.

It is the lesson you learned in your own restoration.
There is only so much of you
and you will use it as well as you are able.
restoring those closest to you
as you work on yourself.
It should be enough,

but still, you mourn.
About houses. About people. About politics and faith and love and anything else that matters.

Be well. Travel wisely,

Tom
Tom Atkins Aug 2020
Sand. Seagrass. Wind.
You are fed.
Solitude for breakfast.
I am constantly taking pictures. It is rare you see me without my camera. I use many of them in my poetry blog. This poem for instance, has a wide expanse of dunes and seagrass from Cape Cod at it's header.

People constantly ask me “Why do you take so many pictures?”

Because they help me remember.  

Tom
Tom Atkins Aug 2020
The scaffolding stands next to the stucco wall.
A maze of pipe and connectors, splattered
with a barrage of old paint.
Thick boards span the space from brace to brace,
strong enough to hold you
as you do the work.

There is nothing glamorous in it,
the scraping of old paint,
the replacement of rot,
it is hard, sweaty work.
Slow. It is slow.
It takes a long time
before you can celebrate the results.

It gets worse before it gets better.
That is part of it.
Each step, particularly at the beginning,
is an act of faith.

There will be surprises.
Any place with history will have them,
buried under the paint and plaster.
And each surprise will take more work,
detours. No need to plan or schedule.
You just do the work.
Day by day,
until it is done.

The faithful are always rewarded.
The old can, indeed, become new.
To an outsider, it seems like magic,
but you know the truth:
it is work.
A hard day getting started this morning. I had dreams of betrayal and the early morning  demons had a field day with that. But I know the drill. Thanking the two wonderful counselors of my past, I systematically snicker-snacked them (read Jaberwocky if you aren’t familiar with that term.) into submission and began my day.

So much of life is like that, isn’t it? People don’t see the magic that goes into what we do, our work, our art, our faith, our very lives. They just see the magic.

And that is why we believe in fairy tales. Never thinking how long and how much work and practice it took the magician to learn his spells.

Tom
Tom Atkins Jul 2020
It tilts. It moves.
The floor falls out underneath you.
The rules change. The light shifts and flickers.
Somewhere, someone is laughing
maniacally.
Somewhere, too often, someone is crying.
Faces leap out at you,
implacable and unfeeling,
somehow worse than
the monsters we were taught to fear,
blind to blood.
There is music. Here and there a note rings
false, as if the music itself is a lie.
In the distance, where the light lives,
there is another song,
a weeping anthem of hope and revolution.
You were not prepared to be so unsettled,
so unsure which way your safety lies.
A scream fills the air. Not a shriek to scare,
but of pain. Somewhere in the dark.
There is no one to lead you. Each ghoul
beckons you in dark corners,
sinister in their suits. Blood on their cuffs.
In the end, you fall back on your faith.
John calls you in a faint whisper.
“Forward.”  Always forward.
Through the darkness, toward the light.
Leave the ghouls behind to whither
in their own darkness.
You will not allow it to be yours.
If I told you where this poem began, you would laugh. Poems are like that sometimes – they take strange and convoluted journeys.

An anthem for the time we are in.

I never understood why they called them funhouses. They were always a bit horrific.

In the poem “John” refers to the disciple John, who wrote what is sometimes called the gospel of light. ‘

Forward my friends. Always towards the light.

Tom
Tom Atkins Jul 2020
Some things you just sit on.
You let the anger flame high and bright,
but you wait, lest the fire consume you
as it has done so often in the past.

In the configuration you have learned the power of silence,
how it protects you from the worst of yourself,
how it prevents flammable words
that burn everyone they touch.
Deserved or not, you have lived as anger’s roadkill
too often.
You will forever bear the scars,
and the silence is your protection,

Silence is also the enemy. It isolates. It does nothing.
There is no healing in it. Left in place too often
it becomes a weapon.

Somewhere in between it the simmering.
A righteous anger of promises unkept,
lies more common than truth, faith
abandoned in the name of fear and someone to blame.

How is it we are still fighting these battles?
How is it that we, a nation capable of the impossible
cannot heal the rifts and illnesses of spirit
to live up to the promises we declare
on our holidays and sacred places?

I cannot quench this anger. No longer.
There is work to do and even unsure what it is and how,
the simmer burns. Even with the wet balm of time,
the simmer burns.

As you have aged, you have slowly lost your fear of fire.
It still lives but you have learned you will survive it,
that despite what your emotions tell you,
you will not be consumed.

So bring on the fire.
This can no longer be a thing that flashes
and is forgotten.
Let it burn, and I will burn with it,
light in the night, living with an aggressive love
that too many will hate.

Selah
I was accosted this morning in the diner where I eat now and then. I was speaking to one of the patrons about the state of race relations and the man at the next table took offense. It was a tense few moments. I ended up quoting scripture, something I almost never do except in my capacity as a part-time pastor. I find it often inflames people who are not steeped in the gospels and who feel the use of the bible is self-righteous, so I don’t use it in arguments. But this time, I did.

It shut him up and he stomped out.

It’s not the first time this has happened to me. Once, a few years ago, I caught hell in another diner for being “That gay-loving pastor.” It seems I was an abomination. Scared the pants off of me. But I survived.

What I learned from it this time around is that I am tired of the hate in this country. I am tired of having lived 65 years and seeing us fight the same battles over something as simple as caring for the people who surround us. From the handling of the pandemic to race relations, we seem to have abandoned the most simple premises of our faiths – all of which are built on care for each other. No exceptions.

It was a screaming anger a month ago, just after George FLoyd’s ******. Now it is simmering anger, close to the surface, and it seems as if it is not going away.

I don’t know what to do with this anger. But I will figure it out. Anger can be a good fuel and not sim
ply destructive. I learned that late in life and I am still learning. Let it simmer, I tell myself. Let it simmer.

Something will come of it.

Tom
Tom Atkins Jul 2020
The tide is low and you can see most of the boat’s ladder,
slimy and green below the high tide mark,
dry and growing brittle above,
subject to sun and salt each day, no matter the weather.

The ladder is the way up, the way out
from the fishing boats that populate this pier.
No matter the undertow below,
no matter the direction.

There are other materials that might last longer
than the locust wood used to make the rungs and stringers,
materials less susceptible to the slow death
of the seaside docks,

But the wood ladder remains. When it fails,
another one will take its place,
new wood gleaming for a week or two
before turning grey,
the persistence of weather taking its toll.

But the wood has a certain feel. A realness
that resonates to these men of the sea,
a trueness to who they are, and the all too real
world they live in.

It will remain their material of choice,
a thing you can run your hand over
and feel the truth of life, that it comes
and goes, that age takes its toll,

and maintenance is everything.
About ladders. About relationships. About faith.
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