Terrifying are the attent sleek thrushes on the lawn,
More coiled steel than living - a poised
Dark deadly eye, those delicate legs
Triggered to stirrings beyond sense - with a start, a bounce,
Overtake the instant and drag out some writhing thing.
No indolent procrastinations and no yawning states,
No sighs or head-scratchings. Nothing but bounce and stab
And a ravening second.
Is it their single-mind-sized skulls, or a trained
Body, or genius, or a nestful of brats
Gives their days this bullet and automatic
Purpose? Mozart's brain had it, and the shark's mouth
That hungers down the blood-smell even to a leak of its own
Side and devouring of itself: efficiency which
Strikes too streamlined for any doubt to pluck at it
Or obstruction deflect.
With a man it is otherwise. Heroisms on horseback,
Outstripping his desk-diary at a broad desk,
Carving at a tiny ivory ornament
For years: his act worships itself - while for him,
Though he bends to be blent in the prayer, how loud and
Furious spaces of fire do the distracting devils
Orgy and hosannah, under what wilderness
Of black silent waters weep.
He loved her and she loved him
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered into the curtains
Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop
In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage
In the morning they wore each other's face
To Paint a Water Lily
A green level of lily leaves
Roofs the pond's chamber and paves
The flies' furious arena: study
These, the two minds of this lady.
First observe the air's dragonfly
That eats meat, that bullets by
Or stands in space to take aim;
Others as dangerous comb the hum
Under the trees. There are battle-shouts
And death-cries everywhere hereabouts
But inaudible, so the eyes praise
To see the colours of these flies
Rainbow their arcs, spark, or settle
Cooling like beads of molten metal
Through the spectrum. Think what worse
is the pond-bed's matter of course;
Prehistoric bedragoned times
Crawl that darkness with Latin names,
Have evolved no improvements there,
Jaws for heads, the set stare,
Ignorant of age as of hour—
Now paint the long-necked lily-flower
Which, deep in both worlds, can be still
As a painting, trembling hardly at all
Though the dragonfly alight,
Whatever horror nudge her root.
Against the rubber tongues of cows and the hoeing hands of men
Thistles spike the summer air
And crackle open under a blue-black pressure.
Every one a revengeful burst
Of resurrection, a grasphed fistful
Of splintered weapons and Icelandic frost thrust up
From the underground stain of a decayed Viking.
They are like pale hair and the gutturals of dialects.
Every one manages a plume of blood.
Then they grow grey like men.
Mown down, it is a feud. Their sons appear
Stiff with weapons, fighting back over the same ground.
The first sorrow of autumn
Is the slow goodbye
Of the garden who stands so long in the evening-
A brown poppy head,
The stalk of a lily,
And still cannot go.
The second sorrow
Is the empty feet
Of a pheasant who hangs from a hook with his brothers.
The woodland of gold
Is folded in feathers
With its head in a bag.
And the third sorrow
Is the slow goodbye
Of the sun who has gathered the birds and who gathers
The minutes of evening,
The golden and holy
Ground of the picture.
The fourth sorrow
Is the pond gone black
Ruined and sunken the city of water-
The beetle's palace,
Of the dragonfly.
And the fifth sorrow
Is the slow goodbye
Of the woodland that quietly breaks up its camp.
One day it's gone.
It has only left litter-
And the sixth sorrow
Is the fox's sorrow
The joy of the huntsman, the joy of the hounds,
The hooves that pound
Till earth closes her ear
To the fox's prayer.
And the seventh sorrow
Is the slow goodbye
Of the face with its wrinkles that looks through the window
As the year packs up
Like a tatty fairground
That came for the children.
When Crow was white he decided the sun was too white.
He decided it glared much too whitely.
He decided to attack it and defeat it.
He got his strength up flush and in full glitter.
He clawed and fluffed his rage up.
He aimed his beak direct at the sun's centre.
He laughed himself to the centre of himself
At his battle cry trees grew suddenly old,
But the sun brightened—
It brightened, and Crow returned charred black.
He opened his mouth but what came out was charred black.
"Up there," he managed,
"Where white is black and black is white, I won."
The flame-red moon, the harvest moon,
Rolls along the hills, gently bouncing,
A vast balloon,
Till it takes off, and sinks upward
To lie on the bottom of the sky, like a gold doubloon.
The harvest moon has come,
Booming softly through heaven, like a bassoon.
And the earth replies all night, like a deep drum.
So people can't sleep,
So they go out where elms and oak trees keep
A kneeling vigil, in a religious hush.
The harvest moon has come!
And all the moonlit cows and all the sheep
Stare up at her petrified, while she swells
Filling heaven, as if red hot, and sailing
Closer and closer like the end of the world.
Till the gold fields of stiff wheat
Cry 'We are ripe, reap us!' and the rivers
Sweat from the melting hills.
I saw my world again through your eyes
As I would see it again through your children's eyes.
Through your eyes it was foreign.
Plain hedge hawthorns were peculiar aliens,
A mystery of peculiar lore and doings.
Anything wild, on legs, in your eyes
Emerged at a point of exclamation
As if it had appeared to dinner guests
In the middle of the table. Common mallards
Were artefacts of some unearthliness,
Their wooings were a hypnagogic film
Unreeled by the river. Impossible
To comprehend the comfort of their feet
In the freezing water. You were a camera
Recording reflections you could not fathom.
I made my world perform its utmost for you.
You took it all in with an incredulous joy
Like a mother handed her new baby
By the midwife. Your frenzy made me giddy.
It woke up my dumb, ecstatic boyhood
Of fifteen years before. My masterpiece
Came that black night on the Grantchester road.
I sucked the throaty thin woe of a rabbit
Out of my wetted knuckle, by a copse
Where a tawny owl was enquiring.
Suddenly it swooped up, splaying its pinions
Into my face, taking me for a post.
The mahogany table-top you smashed
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.
That came under the hammer.
That high stool you swung that day
Demented by my being
Twenty minutes late for baby-minding.
'Marvellous!' I shouted, 'Go on,
Smash it into kindling.
That's the stuff you're keeping out of your poems!'
And later, considered and calmer,
'Get that shoulder under your stanzas
And we'll be away.' Deep in the cave of your ear
The goblin snapped his fingers.
So what had I given him?
The bloody end of the skein
That unravelled your marriage,
Left your children echoing
Like tunnels in a labyrinth.
Left your mother a dead-end,
Brought you to the horned, bellowing
Grave of your risen father
And your own corpse in it.
Stirs its ashes and embers, its burnt sticks
An eye powdered over, half melted and solid again
Ideas that collapse
At the first touch of attention
The light at the window, so square and so same
So full-strong as ever, the window frame
A scaffold in space, for eyes to lean on
Supporting the body, shaped to its old work
Making small movements in gray air
Numbed from the blurred accident
Of having lived, the fatal, real injury
Under the amnesia
Something tries to save itself-searches
For defenses-but words evade
Like flies with their own notions
Old age slowly gets dressed
Heavily dosed with death's night
Sits on the bed's edge
Pulls its pieces together
Loosely tucks in its shirt
Russia and America circle each other;
Threats nudge an act that were without doubt
A melting of the mould in the mother,
Stones melting about the root.
The quick of the earth burned out:
The toil of all our ages a loss
With leaf and insect. Yet flitting thought
(Not to be thought ridiculous)
Shies from the world-cancelling black
Of its playing shadow: it has learned
That there's no trusting (trusting to luck)
Dates when the world's due to be burned;
That the future's no calamitous change
But a malingering of now,
Histories, towns, faces that no
Malice or accident much derange.
And though bomb be matched against bomb,
Though all mankind wince out and nothing endure --
Earth gone in an instant flare --
Did a lesser death come
Onto the white hospital bed
Where one, numb beyond her last of sense,
Closed her eyes on the world's evidence
And into pillows sunk her head.
Freezing dusk is closing
Like a slow trap of steel
On trees and roads and hills and all
That can no longer feel.
But the carp is in its depth
Like a planet in its heaven.
And the badger in its bedding
Like a loaf in the oven.
And the butterfly in its mummy
Like a viol in its case.
And the owl in its feathers
Like a doll in its lace.
Freezing dusk has tightened
Like a nut screwed tight
On the starry aeroplane
Of the soaring night.
But the trout is in its hole
Like a chuckle in a sleeper.
The hare strays down the highway
Like a root going deeper.
The snail is dry in the outhouse
Like a seed in a sunflower.
The owl is pale on the gatepost
Like a clock on its tower.
Moonlight freezes the shaggy world
Like a mammoth of ice -
The past and the future
Are the jaws of a steel vice.
But the cod is in the tide-rip
Like a key in a purse.
The deer are on the bare-blown hill
Like smiles on a nurse.
The flies are behind the plaster
Like the lost score of a jig.
Sparrows are in the ivy-clump
Like money in a pig.
Such a frost
The flimsy moon
Has lost her wits.
A star falls.
The sweating farmers
Turn in their sleep
Like oxen on spits.
Who owns those scrawny little feet? Death.
Who owns this bristly scorched-looking face? Death.
Who owns these still-working lungs? Death.
Who owns this utility coat of muscles? Death.
Who owns these unspeakable guts? Death.
Who owns these questionable brains? Death.
All this messy blood? Death.
These minimum-efficiency eyes? Death.
This wicked little tongue? Death.
This occasional wakefulness? Death.
Given, stolen, or held pending trial?
Who owns the whole rainy, stony earth? Death.
Who owns all of space? Death.
Who is stronger than hope? Death.
Who is stronger than the will? Death.
Stronger than love? Death.
Stronger than life? Death.
But who is stronger than Death?
The swallow of summer, she toils all the summer,
A blue-dark knot of glittering voltage,
A whiplash swimmer, a fish of the air.
But the serpent of cars that crawls through the dust
In shimmering exhaust
Searching to slake
Its fever in ocean
Will play and be idle or else it will bust.
The swallow of summer, the barbed harpoon,
She flings from the furnace, a rainbow of purples,
Dips her glow in the pond and is perfect.
But the serpent of cars that collapsed on the beach
Disgorges its organs
A scamper of colours
Which roll like tomatoes
Nude as tomatoes
With sand in their creases
To cringe in the sparkle of rollers and screech.
The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.
But the holiday people
Are laid out like wounded
Flat as in ovens
Roasting and basting
With faces of torment as space burns them blue
Their heads are transistors
Their teeth grit on sand grains
Their lost kids are squalling
While man-eating flies
Jab electric shock needles but what can they do?
They can climb in their cars with raw bodies, raw faces
And start up the serpent
And headache it homeward
A car full of squabbles
And sobbing and stickiness
With sand in their crannies
That pours from the foxgloves
While the evening swallow
The swallow of summer, cartwheeling through crimson,
Touches the honey-slow river and turning
Returns to the hand stretched from under the eaves -
A boomerang of rejoicing shadow.
A cool small evening shrunk to a dog bark and the clank of a bucket -
And you listening.
A spider's web, tense for the dew's touch.
A pail lifted, still and brimming - mirror
To tempt a first star to a tremor.
Cows are going home in the lane there, looping the hedges with their warm
wreaths of breath -
A dark river of blood, many boulders,
Balancing unspilled milk.
'Moon!' you cry suddenly, 'Moon! Moon!'
The moon has stepped back like an artist gazing amazed at a work
That points at him amazed.
In the beginning was Scream
Who begat Blood
Who begat Eye
Who begat Fear
Who begat Wing
Who begat Bone
Who begat Granite
Who begat Violet
Who begat Guitar
Who begat Sweat
Who begat Adam
Who begat Mary
Who begat God
Who begat Nothing
Who begat Never
Never Never Never
Who begat Crow
Screaming for Blood
Trembling featherless elbows in the nest's filth
She gives him his eyes, she found them
Among some rubble, among some beetles
He gives her her skin
He just seemed to pull it down out of the air and lay it over her
She weeps with fearfulness and astonishment
She has found his hands for him, and fitted them freshly at the wrists
They are amazed at themselves, they go feeling all over her
He has assembled her spine, he cleaned each piece carefully
And sets them in perfect order
A superhuman puzzle but he is inspired
She leans back twisting this way and that, using it and laughing
Now she has brought his feet, she is connecting them
So that his whole body lights up
And he has fashioned her new hips
With all fittings complete and with newly wound coils, all shiningly oiled
He is polishing every part, he himself can hardly believe it
They keep taking each other to the sun, they find they can easily
To test each new thing at each new step
And now she smoothes over him the plates of his skull
So that the joints are invisible
And now he connects her throat, her breasts and the pit of her stomach
With a single wire
She gives him his teeth, tying the the roots to the centrepin of his body
He sets the little circlets on her fingertips
She stiches his body here and there with steely purple silk
He oils the delicate cogs of her mouth
She inlays with deep cut scrolls the nape of his neck
He sinks into place the inside of her thighs
So, gasping with joy, with cries of wonderment
Like two gods of mud
Sprawling in the dirt, but with infinite care
They bring each other to perfection.
I imagine this midnight moment's forest:
Something else is alive
Besides the clock's loneliness
And this blank page where my fingers move.
Through the window I see no star:
Something more near
Though deeper within darkness
Is entering the loneliness:
Cold, delicately as the dark snow,
A fox's nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now
Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come
Across clearings, an eye,
A widening deepening greenness,
Coming about its own business
Till, with sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still; the clock ticks,
The page is printed.
The tractor stands frozen - an agony
To think of. All night
Snow packed its open entrails. Now a head-pincering gale,
A spill of molten ice, smoking snow,
Pours into its steel.
At white heat of numbness it stands
In the aimed hosing of ground-level fieriness.
It defied flesh and won't start.
Hands are like wounds already
Inside armour gloves, and feet are unbelievable
As if the toe-nails were all just torn off.
I stare at it in hatred. Beyond it
The copse hisses - capitulates miserably
In the fleeing, failing light. Starlings,
A dirtier sleetier snow, blow smokily, unendingly, over
Towards plantations Eastward.
All the time the tractor is sinking
Through the degrees, deepening
Into its hell of ice.
The starting lever
Cracks its action, like a snapping knuckle.
The battery is alive - but like a lamb
Trying to nudge its solid-frozen mother -
While the seat claims my buttock-bones, bites
With the space-cold of earth, which it has joined
In one solid lump.
I squirt commercial sure-fire
Down the black throat - it just coughs.
It ridicules me - a trap of iron stupidity
I've stepped into. I drive the battery
As if I were hammering and hammering
The frozen arrangement to pieces with a hammer
And it jabbers laughing pain-crying mockingly
Into happy life.
Shuddering itself full of heat, seeming to enlarge slowly
Like a demon demonstrating
A more-than-usually-complete materialization -
Suddenly it jerks from its solidarity
With the concrete, and lurches towards a stanchion
Bursting with superhuman well-being and abandon
Shouting Where Where?
Worse iron is waiting. Power-lift kneels
Levers awake imprisoned deadweight,
Shackle-pins bedded in cast-iron cow-shit.
The blind and vibrating condemned obedience
Of iron to the cruelty of iron,
Wheels screeched out of their night-locks -
Among the tormented
Tonnage and burning of iron
Weeping in the wind of chloroform
And the tractor, streaming with sweat,
Raging and trembling and rejoicing.
This house has been far out at sea all night,
The woods crashing through darkness, the booming hills,
Winds stampeding the fields under the window
Floundering black astride and blinding wet
Till day rose; then under an orange sky
The hills had new places, and wind wielded
Blade-light, luminous black and emerald,
Flexing like the lens of a mad eye.
At noon I scaled along the house-side as far as
The coal-house door. Once I looked up -
Through the brunt wind that dented the balls of my eyes
The tent of the hills drummed and strained its guyrope,
The fields quivering, the skyline a grimace,
At any second to bang and vanish with a flap;
The wind flung a magpie away and a black-
Back gull bent like an iron bar slowly. The house
Rang like some fine green goblet in the note
That any second would shatter it. Now deep
In chairs, in front of the great fire, we grip
Our hearts and cannot entertain book, thought,
Or each other. We watch the fire blazing,
And feel the roots of the house move, but sit on,
Seeing the window tremble to come in,
Hearing the stones cry out under the horizons.
Once upon a time there was a person
He was walking along
He met the full burning moon
Rolling slowly twoards him
Crushing the stones and houses by the wayside.
She shut his eyes from the glare.
He drew his dagger
And stabbed and stabbed and stabbed.
The cry that quit the moon's wounds
Circled the earth.
The moon shrank, like a punctured airship,
Shrank, shrank, smaller, smaller,
Till it was nothing
But a silk handkerchief, torn,
And wet as tears.
The person picked it up. He walked on
Into moonless night
Carrying his strange trophy.
We sit late, watching the dark slowly unfold:
No clock counts this.
When kisses are repeated and the arms hold
There is no telling where time is.
It is midsummer: the leaves hang big and still:
Behind the eye a star,
Under the silk of the wrist a sea, tell
Time is nowhere.
We stand; leaves have not timed the summer.
No clock now needs
Tell we have only what we remember:
Minutes uproaring with our heads
Like an unfortunate King's and his Queen's
When the senseless mob rules;
And quietly the trees casting their crowns
Into the pools.
I sit in the top of the wood, my eyes closed.
Inaction, no falsifying dream
Between my hooked head and hooked feet:
Or in sleep rehearse perfect kills and eat.
The convenience of the high trees!
The air's buoyancy and the sun's ray
Are of advantage to me;
And the earth's face upward for my inspection.
My feet are locked upon the rough bark.
It took the whole of Creation
To produce my foot, my each feather:
Now I hold Creation in my foot
Or fly up, and revolve it all slowly -
I kill where I please because it is all mine.
There is no sophistry in my body:
My manners are tearing off heads -
The allotment of death.
For the one path of my flight is direct
Through the bones of the living.
No arguments assert my right:
The sun is behind me.
Nothing has changed since I began.
My eye has permitted no change.
I am going to keep things like this.