#wordsmithing
A cockroach knows a cockroach—
not by insignia,
not by the parchment framed behind mahogany,
but by the odor of survival,
that cold administrative hunger
that outlasts every anthem, every oath.
They know each other by residue.
By the practiced contempt
folded beneath public language.
By the elegant speech of sacrifice
delivered while the people’s bread
still clings to their teeth.
Neither sovereign nor savior—
only leeches lacquered in ceremony,
feeding through the arteries of the republic,
calling extraction governance,
calling decay order.
They do not arrive as tyrants do.
No drums.
No boots striking the square.
Only robes, citations, televised restraint—
the slow confidence of men
who believe institutions belong to them
by natural right.
And so the rot advances quietly.
Through adjournments.
Through sealed rooms.
Through the grammar of procedure.
Like termites in cathedral wood,
they hollow the structure from within
while praising its strength in public.
Their loyalty is primitive and exact:
hunger recognizing hunger,
filth answering filth,
one infestation sustaining another
inside the same exhausted machinery.
Cockroaches gather where public trust once stood upright.
In courts.
In studios.
In ministerial corridors perfumed
with constitutional language
and the odor of managed truth.
They feed upon justice ceremonially—
turning law into spectacle,
verdict into theatre,
delay into doctrine.
Priests of process,
parasites of the nation—
they inherit the shrine by stripping it bare,
then preach sanctity over the emptied altar.
And when the streets finally remember themselves,
when students, workers, lawyers, families
begin speaking in one rising voice,
when the screen itself burns white with outrage—
the script changes.
Suddenly corruption has a smaller face.
A safer body.
A more disposable name.
Now the disease is “fake degrees.”
Now the infestation is narrowed
to the minor and replaceable—
as though the great engines of theft
were built by clerks alone.
Strange how power launders its language.
How an insult hurled at millions
returns as precision.
How the same mouth that stripped dignity
from a generation
now retreats into footnotes,
clarifications,
televised innocence.
Even this naming feels too clean—
as if language stood outside what it serves.
But memory is stubborn.
People remember the laughter.
The contempt.
The rehearsed humiliation
disguised as public wisdom.
And slowly they begin to understand:
the law is not sacred because men recite it.
A robe does not cleanse decay.
A bench is still wood—
still elevation—
still vulnerable to the weight seated upon it.
That is the terror beneath every failing order—
not protest,
not outrage,
not even exposure—
but recognition.
The instant the public looks at power
without reverence,
without hypnosis,
without fear—
and dares to name the cockroach
while it sits upon the bench.
May 17
May 17, 2026 at 1:10 PM UTC
incredible
literally
virtually
true
if you can gnow
rants from reason
which, btw
once renamed notre dame,
to feed a blood-lusting mob,
to keep it from coming to reason;
if you can gnow all that good and evil can be,
then way past kipling, or shakenspears
du kennst find
a satisfied credible literal
peace during
virtual musings
keeping time with chaos in
sweet suasion so sweet almost too
sweet to be
credible,
but not. That's the key. Knowing
true.
Jul 24, 2019
Jul 24, 2019 at 12:30 PM UTC
We were wondering which theme to choose
For next week’s poetry
Whether to pick seasonal spring
The meteorological quirks of Cumbria
Or possibly the wintry ‘weather’
Ever present in Great Britain
I wondered whether
‘Weather’ and ‘whether’
Held more personal appeal
Being a working man Wordsmith
With apron and hammer
And a slight Irish stammer
Soon I was wondering whether
Others had been seduced
By this knife-edge theme
Of ‘weather’ and ‘whether’
I knew I was not the first
To wonder about whether and weather
So I began wondering about others
Who had wondered about whether and weather
Then I found myself wondering whether
Others had wondered
Whether others had wondered
About whether and weather
Then I stopped
Sean Hunt
Windermere March 2016
Mar 16, 2016
Mar 16, 2016 at 3:03 PM UTC