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#womenpoetry
Happiness is transitory. Time slipped away in the blink of an eye. The plans we made, the dreams we've chased and the world we've built for ourselves crushed by the unforeseen event yet somewhere down the line it was expected that nothing remains the same. What stays the same at the end of the day is how true we stay to ourselves. To live life with owning our truth and story even if it means to walk on a journey alone.
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Jun 2, 2025
Jun 2, 2025 at 3:12 PM UTC
Zest for life 🌹
You can explain trigonometry to a zebra, You can blab till blue in the cheeks, But that doesn’t at all determine, Whether a zebra will learn trigonometry. A piece of irony: We expect Zebras to be black and white, Because their appearance says so, But what about their feelings, Who they are as Zebras? Luscious, rare, and totally majestic, But most of all, Slept on… Like most beautiful things, a pity indeed, But that’s nature. You find yourself mesmerized by them, Yet you never truly grasp their beauty. I ponder one small thought: What do we really know about zebras? We know what we are told, We know what we see, We know what we read, But somehow, These zebras, They just… unapologetically exist, In ways that never remain consistent. Lions hunt zebras, and rip them a part, Because lions assume that these zebras, Are merely the inferior species, Ready to be preyed upon, Simply because they’re less dominant, In a world of carnivorous predators.
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Oct 30, 2023
Oct 30, 2023 at 7:53 PM UTC
Zebras
Grace is a dress of a soul of a woman, If a man says’ he did not see grace in you’ So might his heart won’t powerful to feel your soul! By: Nida Mahmoed.
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Feb 1, 2017
Feb 1, 2017 at 12:02 PM UTC
A Soul Dress
My personal déjà-vu-time memory-prompts that frame The blurring patterns of today’s hubcap-wheels, spinning Kaleidoscope flashbacks of bathtub playtime. A gaggle of giggling girls babbling about What used to matter : umbrella-popping chewing gum With gallivanting jargon laced in crushes-hushed : boy-talk.   Pillows : Comforters morphing, swarming like Womb-entranced, half-cupped palms calmed Palpitating mouths motoring off self-pitying rumble-grumbles. How the clopping ball of opted-birr was a bent-mouth birdcall Over-relished, over-zealous imploration : a round robin Jumblemix of a jejune bombast for slap-sticked power. By-and-by polysyllabic buds bloomed, baked, and wrinkled Past-Gas’s long-gone jokes : those balmy snug-hugs guarding Doltish vulgarity among the begrimed-glitch and old-grown-boring Jive.
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Apr 7, 2011
Apr 7, 2011 at 11:49 PM UTC
Word-Play : Kid-Play : Memory-Play : More-Play
There's a private, invisible flock of comedians chanting soapbox knock-knocks in my parking lot             Noisy, clang, boom thingy aloft and clipping the air around the slimy snow And why does ajax keep butting its nose into everything I’ve got? They’re all just boom-lost facades in a canonical, sly-faced rant. So slanted, frankly, and poised toward a milder pace that the clang clipped the frosty branches beneath a drunken frat-house party. Ah, the dandy-clang : native to the sandy graves and morose olive branches.             But only on the night of the dandy-clang, candy dances for the branches are not partial to missed solid caches             of want and woe             of tongue and toe and seldom shaken beneath the overbearing heat of a white-faced predator for times it was that here and now, because the wind had bitten harder What am I saying? That if the dandy-clang came. And if it produced the branches of the dancing eve fame... with but not together. The clouds up in the ether that lake and earth should wither
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May 31, 2012
May 31, 2012 at 7:10 PM UTC
Wiggle Room between a Carrot and the Potatoes
Friend Rockstar,             Listen, yield to a robust think-tank,             earlobes skidding against wheat and grain. Terrible story, yes, what happened to that little girl. Sterile teddy nightgowns weeping in the squad car windows. Teacher – Teacher, do you harken my yodels for grace?             I’ve never been maternal.             Put the game on. Abortion.             That’s what I’m about.             Grab a bra. Sling some weight.             That’s what I’m about. Some housefly wings on a weathered corn cob. Some downhome, homegrown twang for those fancy, fussy britches.             Muddy workboots. Sweat-soaked collars.             That’s what I’m about. Him done made me read, sir. What sacraments did we write today?             I can still remember my first broken bone.             I can still remember my first broken *****                         That could be what this is all about. Mary, Mary, you can be contrite,             so knife – so critter – so laze – so stalked.     Who fertilized your seeds? Who reared your sprouts?             Cockle shells and silver bells, honey,             can’t grow up             to be pretty little maids all in a row. Sterile teddy nightgowns – green bells in gaseous gardens. Friend Rockstar, you may have to sleep. This restless harbor is a shivering anecdote spilled from a belly,             a vast, deep cavern with love notes written in milk. Your fried, stern smile was a flaking fingernail adjacent to the crack in the flowerpot. Some garden, I say.
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May 31, 2012
May 31, 2012 at 7:12 PM UTC
Friend Rockstar
Friend Rockstar,             Listen, yield to a robust think-tank,             earlobes skidding against wheat and grain. Terrible story, yes, what happened to that little girl. Sterile teddy nightgowns weeping in the squad car windows. Teacher – Teacher, do you harken my yodels for grace?             I’ve never been maternal.             Put the game on. Abortion.             That’s what I’m about.             Grab a bra. Sling some weight.             That’s what I’m about. Some housefly wings on a weathered corn cob. Some downhome, homegrown twang for those fancy, fussy britches.             Muddy workboots. Sweat-soaked collars.             That’s what I’m about. Him done made me read, sir. What sacraments did we write today?             I can still remember my first broken bone.             I can still remember my first broken *****                         That could be what this is all about. Mary, Mary, you can be contrite,             so knife – so critter – so laze – so stalked.     Who fertilized your seeds? Who reared your sprouts?             Cockle shells and silver bells, honey,             can’t grow up             to be pretty little maids all in a row. Sterile teddy nightgowns – green bells in gaseous gardens. Friend Rockstar, you may have to sleep. This restless harbor is a shivering anecdote spilled from a belly,             a vast, deep cavern with love notes written in milk. Your fried, stern smile was a flaking fingernail adjacent to the crack in the flowerpot. Some garden, I say.
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32
And we all shine on.             The thorn of love that is invisible to strangers.             Here comes the husband’s attitude again. Pass with Care.             Here comes the husband’s paycheck again. Pass with Care. And here we have the husband’s mistress again. And she passed with care. Now, we have this baby girl. One more piece for the puzzle-family: “And you know I ain’t never want no half nothing in my family. My whole family is half. Everybody got different fathers and mothers.” Sacrifice, Mama. Ain’t that what it’s all about? Rose. Rose. The one who is already risen.             When you banished him from your bed, did he contort his frame and slug his way toward the door, continued down the hallway and down the stairs to leech away the ghost of that emotion that Tallahassee-big-hipped-girl gave him? Give your daughter, now, the hungry fatigue that you had to acquire. Pass with care. And now you stand with this goblet in your arms. Goblet of light. Golden flower in your heart and in your brain. This baby girl --             Breather of the goodness in the world.
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Aug 19, 2012
Aug 19, 2012 at 2:38 AM UTC
When Rose was gonna' call it 'quits,' but that motha' had the nerve to walk 'round here again.
In the caste of what the fir trees denoted what should be or what should not be, I clasped the fig twigs and watched them split as if to say that all must come to an end. And in the end, who can the charred leaves blame if there should be tire rods and hubcaps strewn                                  across the forest's floor? After totaling the costs of what should not be, the last mast of yesterday's trade boat could skiff along the shore, with flag flailing like the playground children's hands. Irrationality piquing: birds dip and dive like a boxer's fists made of shadow from one powerline to the next. Training for the changing, biting winds, watching the unconscious cars staring. And the skiff oozing through the unmentionables littered in the creek : what will become of him? Lodged in stale, fossil bones -- floundered between the swingset and the droning, dusty traffic at 3 a.m. Metamorphic scarabs stolen from the gusts and pants of too much play. Basketballs stained with carrion, precarious gusto in the wake of money suckling and ripping alongside                                     the skiff. Cross here with two pennies. Goaded by the solitary abandonment of the 1930's, the used condom's mouth gaping open like hungry carp, dusty trails of light from the past lamplight hanging in the air Birds measured up along the powerlines, moving mindlessly along with the flock Bird drones, feathery spines Birds perched along the playground. Bird play so far as to say         does this not look familiar? Bobbing, weaving, slathered in cadence and involuntary muscle jerks. First we were here Then we were not.
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Jan 14, 2013
Jan 14, 2013 at 8:33 PM UTC
All Play in These Times
In the caste of what the fir trees denoted what should be or what should not be, I clasped the fig twigs and watched them split as if to say that all must come to an end. And in the end, who can the charred leaves blame if there should be tire rods and hubcaps strewn                                  across the forest's floor? After totaling the costs of what should not be, the last mast of yesterday's trade boat could skiff along the shore, with flag flailing like the playground children's hands. Irrationality piquing: birds dip and dive like a boxer's fists made of shadow from one powerline to the next. Training for the changing, biting winds, watching the unconscious cars staring. And the skiff oozing through the unmentionables littered in the creek : what will become of him? Lodged in stale, fossil bones -- floundered between the swingset and the droning, dusty traffic at 3 a.m. Metamorphic scarabs stolen from the gusts and pants of too much play. Basketballs stained with carrion, precarious gusto in the wake of money suckling and ripping alongside                                     the skiff. Cross here with two pennies. Goaded by the solitary abandonment of the 1930's, the used condom's mouth gaping open like hungry carp, dusty trails of light from the past lamplight hanging in the air Birds measured up along the powerlines, moving mindlessly along with the flock Bird drones, feathery spines Birds perched along the playground. Bird play so far as to say         does this not look familiar? Bobbing, weaving, slathered in cadence and involuntary muscle jerks. First we were here Then we were not.
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26
Were you alive when the bricks began to crumble beneath our hand-held, picket line across the parking lot in front of some school that no one bothered to name? Our exhaustion-mumbled whispers skipping across lips dropping to the street that tapered ladders on gargantuan gadflies as the summer heat etched the tear lines into mud tracks against our ruddied faces. Cohorts torn into flip stands layered toward standing political sores -- tell me how to cross my t’s and fill in scantron circles before the suits step over brown-bag lunches to stretch the yawning yellow tape over the students’ lockers. We were strung up the flag pole, almost posted as decapitated heads for the public. The political analysts call this “The biggest school closing in decades.” Under teeming hammer-strikes : glasses shred to paper-splinters before a young boy’s diploma crying white chalk bricks from university’s doors instead on to prison yard orange jumpsuits. Can we call this a school improvement project or can we call this the Same Salem Witch Hunt As unwashed teachers and students alike deck the sidewalks like Either Christmas decorations on Michigan Avenue or Inmates on the gallows platform I’m completely unable to read the television marquee that told the neighborhood that City Hall was too stuffed with paperwork to defend the mothers and invisible fathers. I’m completely unable to write out of respect for these children’s already-carved in stone pathway to the gutter, graveyard, and/or prisons. In the first wink of dawn We will all scatter To our respective positions Carved out in concrete before the barricades fall to flood the street.
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Dec 18, 2014
Dec 18, 2014 at 3:52 AM UTC
2013 CPS School Closings
Were you alive when the bricks began to crumble beneath our hand-held, picket line across the parking lot in front of some school that no one bothered to name? Our exhaustion-mumbled whispers skipping across lips dropping to the street that tapered ladders on gargantuan gadflies as the summer heat etched the tear lines into mud tracks against our ruddied faces. Cohorts torn into flip stands layered toward standing political sores -- tell me how to cross my t’s and fill in scantron circles before the suits step over brown-bag lunches to stretch the yawning yellow tape over the students’ lockers. We were strung up the flag pole, almost posted as decapitated heads for the public. The political analysts call this “The biggest school closing in decades.” Under teeming hammer-strikes : glasses shred to paper-splinters before a young boy’s diploma crying white chalk bricks from university’s doors instead on to prison yard orange jumpsuits. Can we call this a school improvement project or can we call this the Same Salem Witch Hunt As unwashed teachers and students alike deck the sidewalks like Either Christmas decorations on Michigan Avenue or Inmates on the gallows platform I’m completely unable to read the television marquee that told the neighborhood that City Hall was too stuffed with paperwork to defend the mothers and invisible fathers. I’m completely unable to write out of respect for these children’s already-carved in stone pathway to the gutter, graveyard, and/or prisons. In the first wink of dawn We will all scatter To our respective positions Carved out in concrete before the barricades fall to flood the street.
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36
My personal déjà-vu-time memory-prompts that frame The blurring patterns of today’s hubcap-wheels, spinning Kaleidoscope flashbacks of bathtub playtime. A gaggle of giggling girls babbling about What used to matter : umbrella-popping chewing gum With gallivanting jargon laced in crushes-hushed : boy-talk. Pillows : Comforters morphing, swarming like Womb-entranced, half-cupped palms calmed Palpitating mouths motoring off self-pitying rumble-grumbles. How the clopping ball of opted-birr was a bent-mouth birdcall Over-relished, over-zealous imploration : a round robin Jumblemix of a jejune bombast for high-brow, White-men polemics By-and-by polysyllabic buds bloomed, baked, and wrinkled Past-Gas’s long-gone jokes : those balmy snug-hugs guarding Based-vulgarity amongst the begrimed-teeth-sucking and homegrown-Jive.
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Dec 18, 2014
Dec 18, 2014 at 3:53 AM UTC
Word Play : Kid Play : Memory Play : More Play (Revised)
Words are electric shocks; Reviving ghosts of who you were.
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Jan 3, 2015
Jan 3, 2015 at 5:44 PM UTC
Ghostwriters (10w)
Au(Or)al Tune When (O)ppo(u)rtun(e)ity knocks – Ah, pour that tune into me n(O)t just write or speak but /zIg:zAg/ gut-- --teral mut-- --ter yarns With Mouth-churn-- --ing-beat-lick-- --ings. Half-grown seedling ([her]bal:e(X)ssen(10)ces) into sm(O)ke adolescent (O)re worn from being p(o)(o)r— it was nE(X)CESSary for: battles birds beats b(O)(O)ks bottles bucks b(O)nes boys being(bad) sm(O)ke-rings w(ear)y with surr(end)er stripped v(O)wel for v(O)wel thr(OU)gh the yawn: (O)nly “(O)h.” (O)h … foll(O)ws the You’re w(or)th-knowing-ONLY-(O)nce type of l(i)ke. VERSE/VERSUS: the You’re-w(or)th-knowing-AT:LEAST-(O)nce type of l(i)ke VERSE/VERSUS: for (u)s it’s the worst type of verse when it’s them:VERSUS:us (verses) likewise -- (O)r worse -- it should really be about// a bad in (u)s: Y(O)U:ME (O)h after a kn(O)ck (O)h after a t(u)ne::// (end)-verse for worse – it’s an (end)-versus-us type of verse. (O)ppo(u)rtun(e)ity pouring ringing e(X)cesses like ear-worms to hear words to heat hearts. Ah::rest that mouth-verse onto me. (restful//fluster) Ah::rest that mouth (silent//listen) soulless gall(O)w r(u)ng lipless v(O)wel sl(u)ng like ARTS::between::STARS then VOICES RANT ON::into::CONVERSATION then PAYMENT RECEIVED::yet::EVERY CENT PAID ME worst-verse: Y(O)u//like hanging your dipTH(O)NGS on (O)pportun(e)ity’s d(O)(O)r like sm(O)ke-rings like being(bad) like Y(O)U:ME like (O)h. n(O). (end)-verse: worst-verse: L(I)ttle.Kn(O)wn.V(O)wel:: n(O)(O)se big for (u)s ALL.
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May 21, 2015
May 21, 2015 at 1:32 AM UTC
Au(O)ral and in-tune
Au(Or)al Tune When (O)ppo(u)rtun(e)ity knocks – Ah, pour that tune into me n(O)t just write or speak but /zIg:zAg/ gut-- --teral mut-- --ter yarns With Mouth-churn-- --ing-beat-lick-- --ings. Half-grown seedling ([her]bal:e(X)ssen(10)ces) into sm(O)ke adolescent (O)re worn from being p(o)(o)r— it was nE(X)CESSary for: battles birds beats b(O)(O)ks bottles bucks b(O)nes boys being(bad) sm(O)ke-rings w(ear)y with surr(end)er stripped v(O)wel for v(O)wel thr(OU)gh the yawn: (O)nly “(O)h.” (O)h … foll(O)ws the You’re w(or)th-knowing-ONLY-(O)nce type of l(i)ke. VERSE/VERSUS: the You’re-w(or)th-knowing-AT:LEAST-(O)nce type of l(i)ke VERSE/VERSUS: for (u)s it’s the worst type of verse when it’s them:VERSUS:us (verses) likewise -- (O)r worse -- it should really be about// a bad in (u)s: Y(O)U:ME (O)h after a kn(O)ck (O)h after a t(u)ne::// (end)-verse for worse – it’s an (end)-versus-us type of verse. (O)ppo(u)rtun(e)ity pouring ringing e(X)cesses like ear-worms to hear words to heat hearts. Ah::rest that mouth-verse onto me. (restful//fluster) Ah::rest that mouth (silent//listen) soulless gall(O)w r(u)ng lipless v(O)wel sl(u)ng like ARTS::between::STARS then VOICES RANT ON::into::CONVERSATION then PAYMENT RECEIVED::yet::EVERY CENT PAID ME worst-verse: Y(O)u//like hanging your dipTH(O)NGS on (O)pportun(e)ity’s d(O)(O)r like sm(O)ke-rings like being(bad) like Y(O)U:ME like (O)h. n(O). (end)-verse: worst-verse: L(I)ttle.Kn(O)wn.V(O)wel:: n(O)(O)se big for (u)s ALL.
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95
El poder La habilidad La fuerza El amor La ternura La magia... Sos vos
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May 20, 2015
May 20, 2015 at 4:25 PM UTC
Vos