Hello Poetry
Submit your work and get some sparkles! Create free account
#womanman
Of all the rooms in the house it was the library that you expected to find Lyndon most times there with his books and his writing desk facing the window so he could see the flower filled garden and the birds on the wooden bird table or on the lawn where they would come and pick up the bread that he had put out and as you stand in the library and look around the shelves where the books are arranged in subject matter and in alphabetical order as he liked it so that he could select the book he wanted easily and all dust cleared weekly by Milly as Lyndon watched her and gave his commands and his eyes peering at her through his glasses making sure each book went where it belonged and the fact that he will no longer be here any more with his books or at his desk takes your breath away for the moment and the thought of the funeral the week before with all the well wishers and friends and relatives with the flowers and the service long and religious which he would not have liked not being a religious man thinking it all rather outmoded and outdated but you had no strength left to argue about what happened or how or who did what or said what just wanting it over so that you could get back to the house and let out all the pent-up tears and hurt and the feelings gnawing at your stomach and worming into your mind and the emptiness of the whole house where you wandered from room to room calling his name like a lost child and Milly sent away so you could be alone not wanting the maid there at such a time with her funny ways and her chit chatter and the rooms all empty of his presence even the bedroom where he had slept alone because of his endless coughing and insomnia where his things were all arranged as he left them all neat and tidy and in order with the book he was reading with its marker still there and the curtains still drawn as you requested so that the daylight would not disturb anything or let in a new dawn or change anything and you walk to the window and peer into the garden where his deckchair still sits awaiting him like some faithful hound and you watch as the birds peck around the lawn searching for the bread no longer put out and that brings tears to your eyes and all becomes blurred and watery and you turn away and walk around his desk and pick up his pen and peer through tear-filled eyes at the last writing on his desk on a piece of manuscript with his handwriting scrawled on the page which you know so well having read all that he had written and proofread for him and now it has all stopped and the silence of the room seems to make it like a sepulchre as if all that had been here was dead and no longer had any meaning not his books his work or your life now he had gone away and the fact that you will never see him again not hear his voice or feel his hand on your shoulder or his lips on your cheek suddenly hits home and you wander away slowly from the library and its books and the memories and go down the passage to the storeroom by the kitchen where Milly would normally be at the stove muttering away as she stirred or prepared vegetables and you pick up the shotgun a neighbour had lent you to shoot the rabbits that invaded the vegetable garden and you close the door to the other rooms and the garden and the memories and the absence of Lyndon and the barrenness crowding around you and nipping at your heels and you pull the trigger with the finger that once curled itself around Lyndon’s curls and bring an end to all that pain and hurt and darkness with a bang not a whimper as Lyndon would have said quoting a poem he rather liked on his final day as the sunlight pierced dimly through slits in the curtains onto the bed cover of his death touched bed.
0
Jan 11, 2016
Jan 11, 2016 at 7:02 AM UTC
NOT WITH A BANG (PROSE POEM)
Of all the rooms in the house it was the library that you expected to find Lyndon most times there with his books and his writing desk facing the window so he could see the flower filled garden and the birds on the wooden bird table or on the lawn where they would come and pick up the bread that he had put out and as you stand in the library and look around the shelves where the books are arranged in subject matter and in alphabetical order as he liked it so that he could select the book he wanted easily and all dust cleared weekly by Milly as Lyndon watched her and gave his commands and his eyes peering at her through his glasses making sure each book went where it belonged and the fact that he will no longer be here any more with his books or at his desk takes your breath away for the moment and the thought of the funeral the week before with all the well wishers and friends and relatives with the flowers and the service long and religious which he would not have liked not being a religious man thinking it all rather outmoded and outdated but you had no strength left to argue about what happened or how or who did what or said what just wanting it over so that you could get back to the house and let out all the pent-up tears and hurt and the feelings gnawing at your stomach and worming into your mind and the emptiness of the whole house where you wandered from room to room calling his name like a lost child and Milly sent away so you could be alone not wanting the maid there at such a time with her funny ways and her chit chatter and the rooms all empty of his presence even the bedroom where he had slept alone because of his endless coughing and insomnia where his things were all arranged as he left them all neat and tidy and in order with the book he was reading with its marker still there and the curtains still drawn as you requested so that the daylight would not disturb anything or let in a new dawn or change anything and you walk to the window and peer into the garden where his deckchair still sits awaiting him like some faithful hound and you watch as the birds peck around the lawn searching for the bread no longer put out and that brings tears to your eyes and all becomes blurred and watery and you turn away and walk around his desk and pick up his pen and peer through tear-filled eyes at the last writing on his desk on a piece of manuscript with his handwriting scrawled on the page which you know so well having read all that he had written and proofread for him and now it has all stopped and the silence of the room seems to make it like a sepulchre as if all that had been here was dead and no longer had any meaning not his books his work or your life now he had gone away and the fact that you will never see him again not hear his voice or feel his hand on your shoulder or his lips on your cheek suddenly hits home and you wander away slowly from the library and its books and the memories and go down the passage to the storeroom by the kitchen where Milly would normally be at the stove muttering away as she stirred or prepared vegetables and you pick up the shotgun a neighbour had lent you to shoot the rabbits that invaded the vegetable garden and you close the door to the other rooms and the garden and the memories and the absence of Lyndon and the barrenness crowding around you and nipping at your heels and you pull the trigger with the finger that once curled itself around Lyndon’s curls and bring an end to all that pain and hurt and darkness with a bang not a whimper as Lyndon would have said quoting a poem he rather liked on his final day as the sunlight pierced dimly through slits in the curtains onto the bed cover of his death touched bed.
Continue reading...
1
The nurse shows me where Grace sits in her wheelchair out on the lawn in the afternoon sunshine. Her blind eyes peering up towards the sun she cannot see. A blanket covers her leg stumps from view her hands are in her lap idle. Hello Grace I say. She turns her eyes towards me away from the sun. Philip? she says reaching out to me with a hand. I take her hand in mine and kiss her cheek. How are you? I say kneeling down on the grass beside her. Depressed and bored she replies squeezing my hand in hers. Other patients sit on chairs or in wheelchairs talking to others or sitting alone taking the sun. Shall I push you around a bit away from the chatter? I say. The scene's the same to me where ever we go she says moodily sit beside me go get a chair she adds. I go back inside the ward and borrow a chair and take it out and place it beside her and sit down. Cigarette? I say. She nods that'd be good she says. I take out a packet and take out two and place one between her lips and one in mine and put the packet away. I light both cigarettes with a lighter and we puff away. She isn't very talkative. I talk of things I have done (except what is secret hush hush stuff). She talks of her day stuck in the ward in the dark being washed and toileted listening to the radio on the ward playing dance music or talk of news and war. I study her as we sit wishing I could take her out again for dinner or just to sit in St James's Park and be alone. I miss Clive she says **** the War and Dunkirk why did he have to die? I don't know Grace the whole show is going to *** I say. If I had my legs I could fend better for myself she says. They did talk of getting you artificial legs when I was here last I say. But when will that be what with the War and such she says. The sun is warm and the sky a bright blue clouds drift overhead. I try to sound optimistic but it sounds quite lame. Will you make love to me when we can? she whispers. I blush but she cannot see. When we can I reply looking up at the sky.
0
Apr 28, 2017
Apr 28, 2017 at 10:31 AM UTC
PHILIP VISITS GRACE 1940.
The nurse shows me where Grace sits in her wheelchair out on the lawn in the afternoon sunshine. Her blind eyes peering up towards the sun she cannot see. A blanket covers her leg stumps from view her hands are in her lap idle. Hello Grace I say. She turns her eyes towards me away from the sun. Philip? she says reaching out to me with a hand. I take her hand in mine and kiss her cheek. How are you? I say kneeling down on the grass beside her. Depressed and bored she replies squeezing my hand in hers. Other patients sit on chairs or in wheelchairs talking to others or sitting alone taking the sun. Shall I push you around a bit away from the chatter? I say. The scene's the same to me where ever we go she says moodily sit beside me go get a chair she adds. I go back inside the ward and borrow a chair and take it out and place it beside her and sit down. Cigarette? I say. She nods that'd be good she says. I take out a packet and take out two and place one between her lips and one in mine and put the packet away. I light both cigarettes with a lighter and we puff away. She isn't very talkative. I talk of things I have done (except what is secret hush hush stuff). She talks of her day stuck in the ward in the dark being washed and toileted listening to the radio on the ward playing dance music or talk of news and war. I study her as we sit wishing I could take her out again for dinner or just to sit in St James's Park and be alone. I miss Clive she says **** the War and Dunkirk why did he have to die? I don't know Grace the whole show is going to *** I say. If I had my legs I could fend better for myself she says. They did talk of getting you artificial legs when I was here last I say. But when will that be what with the War and such she says. The sun is warm and the sky a bright blue clouds drift overhead. I try to sound optimistic but it sounds quite lame. Will you make love to me when we can? she whispers. I blush but she cannot see. When we can I reply looking up at the sky.
Continue reading...
138
Will he return? you asked yourself. Doubts come. Doubts large and depressing. How to forget? Him and his words, the letters he wrote, the way he was. The seeing of others behind your back. That girl from the office, the thin one with John Lennon kind of spectacles, that's who you think he's had or having. Will he return? You want him to, but don't, that combination of both. The question why he did haunts you, and why with her? You lay and stare and want it different, want it not to have been, to have been a secret you didn't know. Really? You mused, secret behind your back kind of **** No, not one bit. He said he loved you. All words. Words on words. Yours is a lonely bed now. None to share, just you there crying and lying there.
0
Apr 14, 2016
Apr 14, 2016 at 4:12 PM UTC
LYING THERE.
She wonders how many Other hearts he’s broken Like hers. She just wants to Lie and sleep and forget the Creep. But even in sleep, he’s There and her old wanting Him lights up again with all The despair. She sits and stares At walls drinking too much, Forgets what her mother once Said of men: all such and such. She’s considered ending it all, Overdosing, leaping in front of A train, jumping from some tall Building and splat loud to the Sidewalk. People will know then How she loved and lost; they’ll Softly talk. Yet her coward self Puts such thoughts aside, cannot Bear the thought of the mess left, Someone else to share her distress. She lights up a cigarette and inhales And tries to forget. Other hearts are Not her heart; their pain and hurt not Hers to feel; his betrayal, lack of real Concern, hurts and burns her still. She Wants to wipe away his words, unstick His kisses, unfeel his touches, unsex His sexuality poured and stored now Turned sour. The wall has no ears to Hear, no lips to say, sorry for your lost Love my dear. Just wallpaper fading, the Odd pattern and the echo of words that Seem to say over and over, you slattern.
0
Jul 22, 2017
Jul 22, 2017 at 5:36 AM UTC
HER HEART BROKEN, (2011 POEM)