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#womanism
Til the wind blows with ****** she-wrote Grasps your belly in front of my face Let your spirits rise among me Roar with thunder This is me My body is mine but the spirits comes with receipts Now bow to me
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Nov 11, 2020
Nov 11, 2020 at 2:48 PM UTC
Gone
He said I tasted sweet but all I felt was bitter For the ways I was betrayed and meant to wither Away like his insides Now out Get out I GET out Of his and in her ways Riding dragons, wearing crowns Down below I see the trays Of minuscule beings who feel like fiery ants but instead they are in the drowns Feel my water, feel my wrath Its sugary sweet cuz I took the hardest path You doubted the warrior, you laughed at my fight No one wants to penetrate this Wild Women's sight It is centuries deep in bellowing boroughs Failed perceptions of powerful slighted heroes I am the truth Hear thee echos I am the way Fear the stare I am the light Sit and sear Taste my sugar, pinch its scrub Use as your medicine like the cherub At you own risk, hang on tight This Goddess has won all her fights And like She, victory tastes sweet Now, smell the defeat
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May 30, 2019
May 30, 2019 at 1:24 AM UTC
Sugar
it's unnerving how easily a pair of eyes strip me down and take away every layer of defense I have built up over the years. hey sweetie, why don't you come over here? because I don't want to, because you're repulsive and your voice is scary and I felt your eyes on me from the instant I crossed the street and I was hoping you wouldn't speak. want me to show you a good time? but I was having the best time before I knew you existed, when I was still just a person walking home and the silent threats you make hadn't made it to the horizon of my mind **** what you doing walking around with hips like those?* hips like these belong to my mother and her mother and all of the women that have come before me. in my body I possess history and blood so strong it was only ever spilled during times of war. how dare you. attempt to take that strength and power and pride away from me. don't you know that I am magic, that my body exists as art only I should be allowed to admire who gave you permission to steal from god's temple? [I still see the dark look in your eyes when you said that to me, the emptiness of your pupils haunt me. they say that you see me as nothing more than a body, a corpse. someone to walk over. someone to conquer. you licked your lips and winked, the wrinkles in your skin were clear even in the dark and I could see that your two front teeth were missing, so now I can't stop having nightmares you grabbing me and tearing me apart, using the same legs you whistled at as toothpicks] *why are you walking so ******* fast?* because you are terrifying. because I know despite how brittle your bones may appear there is a large chance if you catch me I won't escape. because the risk of not escaping is an automatic death to me in every sense of the word. because I have friends, and they have told me how their bodies were pillaged at the hands of men like you. *who the **** do you think you are?* I think I am an island and I wish you wouldn't insist on being so intrusive. **** you too, ***** I just want to go home. I just want to go home. why can't you let me do that? you're not even that pretty anyway when I met up with my best friend she hugged me and said I smelled like vanilla, that I got more beautiful over the summer, and that boys are going to lose their minds when they see me. my mother shows me off boastfully, brags about my small waist like it is a trophy, tells all my family that I am peligrosamente hermosa, dangerously beautiful. and I believed them until I met you.
0
Jul 25, 2018
Jul 25, 2018 at 3:21 PM UTC
"what's catcalling?"
it's unnerving how easily a pair of eyes strip me down and take away every layer of defense I have built up over the years. hey sweetie, why don't you come over here? because I don't want to, because you're repulsive and your voice is scary and I felt your eyes on me from the instant I crossed the street and I was hoping you wouldn't speak. want me to show you a good time? but I was having the best time before I knew you existed, when I was still just a person walking home and the silent threats you make hadn't made it to the horizon of my mind **** what you doing walking around with hips like those?* hips like these belong to my mother and her mother and all of the women that have come before me. in my body I possess history and blood so strong it was only ever spilled during times of war. how dare you. attempt to take that strength and power and pride away from me. don't you know that I am magic, that my body exists as art only I should be allowed to admire who gave you permission to steal from god's temple? [I still see the dark look in your eyes when you said that to me, the emptiness of your pupils haunt me. they say that you see me as nothing more than a body, a corpse. someone to walk over. someone to conquer. you licked your lips and winked, the wrinkles in your skin were clear even in the dark and I could see that your two front teeth were missing, so now I can't stop having nightmares you grabbing me and tearing me apart, using the same legs you whistled at as toothpicks] *why are you walking so ******* fast?* because you are terrifying. because I know despite how brittle your bones may appear there is a large chance if you catch me I won't escape. because the risk of not escaping is an automatic death to me in every sense of the word. because I have friends, and they have told me how their bodies were pillaged at the hands of men like you. *who the **** do you think you are?* I think I am an island and I wish you wouldn't insist on being so intrusive. **** you too, ***** I just want to go home. I just want to go home. why can't you let me do that? you're not even that pretty anyway when I met up with my best friend she hugged me and said I smelled like vanilla, that I got more beautiful over the summer, and that boys are going to lose their minds when they see me. my mother shows me off boastfully, brags about my small waist like it is a trophy, tells all my family that I am peligrosamente hermosa, dangerously beautiful. and I believed them until I met you.
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What’s the difference between hate and love When they are two sides of the same blade. Sharpened brandished waving wildly in ghost columns against the disfigured, burning-white face of abrasion. Then, march home with square, taut shoulders – slightly bony – Body swelled and puffed with the blood-red energy of something desperate to naked pairs ramming themselves against each other in an effort to release. These colorless concepts, abstract words that hang in the air the same as smoke-rings – ghost columns. Could it give You a religion; a belief that there is some guiding force in the universe binding the two of you together by touch, smell, scratching, grinding -- And he and You quelled each other’s pleading prayers within the folds of each muscles the steeple of each elbow, the hollow of each throat. Some spiritualists call this the Kundalini – feel this world through a material base A Love religion – fixing body and body together because it’s the one thing that seems to make sense in this crude moment when the ashes settled to fossilize inside His and Yours brains. “My God. His chest, his belly, the riding and the falling, the moans. How he clung to me, how he struggled -- Life and death! Life and death!” The circle of arms is the gateway to some emotional dry-heave: the swelling, purging, and crashing of grief, rage, love, and comfort those same abstract, colorless concepts teetering on the edge of a beaten-down slave gospel. We can give our vegetables a gender: Female onions. Peel only when ripe then ferment in a closed plastic bottle. Color sensations that can only pass between illuminated palms on an angry evening. Shakespeare’s Gloucester could only see this world feelingly, woman: How will you cope after being blinded by his tears? And when the ream is spent, write a poem on the back. After your limbs searched for each other after years gone, searched underneath the covers for a comforting hand that could save the loneliness from shaking your souls out of your bodies? When limbs stretched forward to hold both bodies together, the backbones that ****** you both pressed against the skin -- The very skin that ****** you, too. That dream baby bearing the handprint of his ghost -- his skin on your skin on baby skin Against undifferentiated dark, it may glow beneath the cradle’s mobile. “Another illegitimate black baby.” Let’s call it Smoke and Mirrors for maybe just a second. Don’t pay attention to the swerve of small-town eyes. Then, we can see the light through the parenthesis. Call it the ghost of his Love. The ghost of meat love. Delirious brilliance. Ghost of mouth-on-the-screen-door Love. The same taste of nickels, of iron, of blood -- Leave the porchlight on if you want him to find his way back. Hang the water-filled jar from the tree to ward away the evil ghosts. Light it, love it, leave it. Light it, love it, leave it. Who’s going to guide the insect-feelers to the light on the nights When words split, scatter, and sift into labor-streaked pyramids between these fingers? Now do you know where you are? We see a little farther now, a little farther still. Staked in fury, can we recognize red ants on a red ant hill, now? Shrouded in a glory-cloud, at least you knew you fit somewhere. As Women, We know the gospel well. A little farther now and a little farther still. The maddening dances around *** and Song – it is possible for the rest of Us to understand and know how You’ve been bleeding.
0
Dec 18, 2014
Dec 18, 2014 at 3:55 AM UTC
What a Woman says to Another Woman
What’s the difference between hate and love When they are two sides of the same blade. Sharpened brandished waving wildly in ghost columns against the disfigured, burning-white face of abrasion. Then, march home with square, taut shoulders – slightly bony – Body swelled and puffed with the blood-red energy of something desperate to naked pairs ramming themselves against each other in an effort to release. These colorless concepts, abstract words that hang in the air the same as smoke-rings – ghost columns. Could it give You a religion; a belief that there is some guiding force in the universe binding the two of you together by touch, smell, scratching, grinding -- And he and You quelled each other’s pleading prayers within the folds of each muscles the steeple of each elbow, the hollow of each throat. Some spiritualists call this the Kundalini – feel this world through a material base A Love religion – fixing body and body together because it’s the one thing that seems to make sense in this crude moment when the ashes settled to fossilize inside His and Yours brains. “My God. His chest, his belly, the riding and the falling, the moans. How he clung to me, how he struggled -- Life and death! Life and death!” The circle of arms is the gateway to some emotional dry-heave: the swelling, purging, and crashing of grief, rage, love, and comfort those same abstract, colorless concepts teetering on the edge of a beaten-down slave gospel. We can give our vegetables a gender: Female onions. Peel only when ripe then ferment in a closed plastic bottle. Color sensations that can only pass between illuminated palms on an angry evening. Shakespeare’s Gloucester could only see this world feelingly, woman: How will you cope after being blinded by his tears? And when the ream is spent, write a poem on the back. After your limbs searched for each other after years gone, searched underneath the covers for a comforting hand that could save the loneliness from shaking your souls out of your bodies? When limbs stretched forward to hold both bodies together, the backbones that ****** you both pressed against the skin -- The very skin that ****** you, too. That dream baby bearing the handprint of his ghost -- his skin on your skin on baby skin Against undifferentiated dark, it may glow beneath the cradle’s mobile. “Another illegitimate black baby.” Let’s call it Smoke and Mirrors for maybe just a second. Don’t pay attention to the swerve of small-town eyes. Then, we can see the light through the parenthesis. Call it the ghost of his Love. The ghost of meat love. Delirious brilliance. Ghost of mouth-on-the-screen-door Love. The same taste of nickels, of iron, of blood -- Leave the porchlight on if you want him to find his way back. Hang the water-filled jar from the tree to ward away the evil ghosts. Light it, love it, leave it. Light it, love it, leave it. Who’s going to guide the insect-feelers to the light on the nights When words split, scatter, and sift into labor-streaked pyramids between these fingers? Now do you know where you are? We see a little farther now, a little farther still. Staked in fury, can we recognize red ants on a red ant hill, now? Shrouded in a glory-cloud, at least you knew you fit somewhere. As Women, We know the gospel well. A little farther now and a little farther still. The maddening dances around *** and Song – it is possible for the rest of Us to understand and know how You’ve been bleeding.
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