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#wallace
2/6/35 4:57pm “and let the boys Bring flowers in last month's newspapers. Let be be finale of seem. The only emperor is the emperor of ice-cream.” <•> Let X (mark the spot) Let X be what it seems Let X be the finale, the answer it seems to be, not the necessary one you wish it to be, but what be seemly the sense of The End, the final descent, the last landing (or perhaps the first takeoff) let it be, be a finale, Let X be the finale, Let Be the answer it seems to be let be
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Feb 6, 2025
Feb 6, 2025 at 5:04 PM UTC
“The Finale of Seem” (1)
She inhales a huge chunk of the chemically bitter white gram, Shouts 'I said GOD DAAAAMNMM! GODANM' in the woman’s toilet, The women snare at her and she beams a grin as she wipes her nostrils clean, She strolls back to the same uncomfortable silence she had originally left, A man with a face like a slapped *** and small crabby eyes stares at her, He lights a cigarette and continues to ask her questions about Mr Wallace, She angelically takes a sip out of her £5 dollar milkshake, An announcement storms the room “JACK RABBIT TWIST CONTEST” She glares at him with an excited smug expression, The man profusely refuses, She pulls at the chance and says “I want to dance, and I want to win a trophy” She centres the room with her bold presence, Introduces herself and the man to the audience, Chucky Berry 'You never can tell' dawns the room, She strikes a mixture of aristocrats dance poses, He follows along whilst wiggling his legs and arms, She twirls and moves closer to him, She spins and rocks the swimmer move, Thrusting her chest towards him, He drops into the mash-potato dance She shakes her *** and struts her feet, He jiggles into faster swings and sways his hips, Captivated by her flow and energy, She becomes entranced by his charisma, The two intwine like a wreath of flowers, She devours him with her blood shot eyes The song comes to an end, The crowd roar with excitement, She beams at him with pride, He shyly smiles and bows down with Mia Wallace
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Jun 4, 2021
Jun 4, 2021 at 5:09 AM UTC
Mia Wallace- Pulp Fiction
She inhales a huge chunk of the chemically bitter white gram, Shouts 'I said GOD DAAAAMNMM! GODANM' in the woman’s toilet, The women snare at her and she beams a grin as she wipes her nostrils clean, She strolls back to the same uncomfortable silence she had originally left, A man with a face like a slapped *** and small crabby eyes stares at her, He lights a cigarette and continues to ask her questions about Mr Wallace, She angelically takes a sip out of her £5 dollar milkshake, An announcement storms the room “JACK RABBIT TWIST CONTEST” She glares at him with an excited smug expression, The man profusely refuses, She pulls at the chance and says “I want to dance, and I want to win a trophy” She centres the room with her bold presence, Introduces herself and the man to the audience, Chucky Berry 'You never can tell' dawns the room, She strikes a mixture of aristocrats dance poses, He follows along whilst wiggling his legs and arms, She twirls and moves closer to him, She spins and rocks the swimmer move, Thrusting her chest towards him, He drops into the mash-potato dance She shakes her *** and struts her feet, He jiggles into faster swings and sways his hips, Captivated by her flow and energy, She becomes entranced by his charisma, The two intwine like a wreath of flowers, She devours him with her blood shot eyes The song comes to an end, The crowd roar with excitement, She beams at him with pride, He shyly smiles and bows down with Mia Wallace
Continue reading...
30
Wallace Stevens Wazzup? With the widows and the maidens? The name dropping the distancing vocabulary that we scurry to look up look up train our eyes train. If I came into your office, in downtown Hartford a city I knew framed - as my father grew up in Wethersfield always said be careful – downtown Hartford is not a good place to be alone. So I saunter, prink, and perambulate plonk myself past your receptionist. A widow? And she’d holler: -Mr. Wallace I asked her to stop! And your desk which you requested almost 15 years ago already looks out of date in too heavy oak is caught between us, a horizontal surface filled with paper. There will be one sentence. And one exclamatory remark. -Wallace, you’re only human - you put your pants on one leg at a time. -No! he says, jumping up from his desk, -Watch! He undoes his belt, he drops his trousers he steps out of them – He steps out one leg at a time. BUT Wallace Stevens, god bless him, arranges his pants carefully on the floor of the Hartford Accident and Indemnity Company just so. And grinning, hops into both puddled legs at the same time. Then bends over and hoists the waistband the belt dangling in triumph. Lesson learned. Learned, schooled like St. Ursule with her radishes Just another lady Just another confabulist Just another story.
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Mar 23, 2018
Mar 23, 2018 at 9:32 AM UTC
On reading a lot of Wallace Stevens
Petty theft of pretty poetry so taut like my buttocks when I was twenty and did not appreciate the ripeness of my flesh. Or this – about an orange peel – the white is bitter the spits of oil not iridescent as oil might be lazed in a parking lot puddle. Try for size the heavy fur of winter cottages, blah except for holiday wreaths and the silent exhalation of smokes snaking from their top. Translate this grapefruit that is both sour and sweet and fulminates loss.
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Mar 9, 2018
Mar 9, 2018 at 8:11 AM UTC
Oil
Techno-blurts bleed between neon corners. And she walks among the flashing lights, an illuminated epidemic. His name is Arthur Brunswick, or so the rumor goes and goes. Art. Artie. God of Death. With a hand on a gun, the other on the pulse of America -- redundant -- his eyes slide up and down her shimmers of symmetry. If there's another place, somewhere, he said bedding tobacco behind lip, Let me know. Hell, let yourself know. There would be no greater shame than becoming a mystery, even to yourself. Whether or not she is nameless, she strutted around body of the room, untouched by the God of Death. Stopping, her stare turned towards his, Your name isn't Arthur Brunswick. I know this, you know this. Whether or not, you say my name, you know who I am. No matter who you say you are, I have known what you are since we were created to be in this room. They both turned their heads towards the ceiling, waiting for the author to acknowledge them. But he couldn't -- wouldn't -- for whatever reason he told himself over and over and forever. He grinned, Arthur of course, before saying, This may not be entirely original, but you cannot, will not be saved. Even by him. There are a thousand girls like you, nameless, an object of a wanna-be pseudo-provocative, pretentious, poem -- Too many P's, big guy; let's tone it down. Listen, this ****** he said as he pointed up, wants to be David Foster Wallace; all soft-spoken, trying too hard to be smart -- which came effortlessly to Wallace, not him -- but I can tell you what he doesn't want to be: The person that saves you. Your messiah. Are we using any words correctly, yeah? Either way, he doesn't want to save you. You are meant to die -- you're going to die -- know how I know that? Because. Because he... He, Arthur pointed towards the ceiling, He is telling me what to say, and these words are leaving my mouth. You die, I die -- **** -- I die... I don't want to die, but we die. Maybe you could have all of this dialogue, but it's common for his males to, well, you know, be interesting and somewhat developed. Her body, pearl and on the verge of objectification, had glimmers swim across her moon-crater-pores. Looking up, as she had throughout her line-by-line life, she asked the creator what next. And, before she was given another breath, the neon of the lights dissolved into her skin, burning her alive, eating her alive; her body falling apart, disintegrating. Fatty rain drops of blood, bile, and memory, gathered at the danced-upon tiles. Arthur, frozen in the now disco heat, swung his face towards the stripped away ceiling, a lava sky staring back at him, waiting to choose. He said **** you, He said Just ******* do it, and, at first, he was to live, out of spite, but the temptation of choosing death over life was too great for the author. Arthur's skin flew across the room, in differing shapes and sizes, clinging onto the lights, revealing the God of Death: the reader, the absentee father, the scarred brother, the crooked teeth heart-breaker, the author, himself. The pearl girl woke up, next to the author, in a place in a space in his head, telling him that she had the strangest dream.
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Sep 10, 2016
Sep 10, 2016 at 1:24 AM UTC
God of Death
Techno-blurts bleed between neon corners. And she walks among the flashing lights, an illuminated epidemic. His name is Arthur Brunswick, or so the rumor goes and goes. Art. Artie. God of Death. With a hand on a gun, the other on the pulse of America -- redundant -- his eyes slide up and down her shimmers of symmetry. If there's another place, somewhere, he said bedding tobacco behind lip, Let me know. Hell, let yourself know. There would be no greater shame than becoming a mystery, even to yourself. Whether or not she is nameless, she strutted around body of the room, untouched by the God of Death. Stopping, her stare turned towards his, Your name isn't Arthur Brunswick. I know this, you know this. Whether or not, you say my name, you know who I am. No matter who you say you are, I have known what you are since we were created to be in this room. They both turned their heads towards the ceiling, waiting for the author to acknowledge them. But he couldn't -- wouldn't -- for whatever reason he told himself over and over and forever. He grinned, Arthur of course, before saying, This may not be entirely original, but you cannot, will not be saved. Even by him. There are a thousand girls like you, nameless, an object of a wanna-be pseudo-provocative, pretentious, poem -- Too many P's, big guy; let's tone it down. Listen, this ****** he said as he pointed up, wants to be David Foster Wallace; all soft-spoken, trying too hard to be smart -- which came effortlessly to Wallace, not him -- but I can tell you what he doesn't want to be: The person that saves you. Your messiah. Are we using any words correctly, yeah? Either way, he doesn't want to save you. You are meant to die -- you're going to die -- know how I know that? Because. Because he... He, Arthur pointed towards the ceiling, He is telling me what to say, and these words are leaving my mouth. You die, I die -- **** -- I die... I don't want to die, but we die. Maybe you could have all of this dialogue, but it's common for his males to, well, you know, be interesting and somewhat developed. Her body, pearl and on the verge of objectification, had glimmers swim across her moon-crater-pores. Looking up, as she had throughout her line-by-line life, she asked the creator what next. And, before she was given another breath, the neon of the lights dissolved into her skin, burning her alive, eating her alive; her body falling apart, disintegrating. Fatty rain drops of blood, bile, and memory, gathered at the danced-upon tiles. Arthur, frozen in the now disco heat, swung his face towards the stripped away ceiling, a lava sky staring back at him, waiting to choose. He said **** you, He said Just ******* do it, and, at first, he was to live, out of spite, but the temptation of choosing death over life was too great for the author. Arthur's skin flew across the room, in differing shapes and sizes, clinging onto the lights, revealing the God of Death: the reader, the absentee father, the scarred brother, the crooked teeth heart-breaker, the author, himself. The pearl girl woke up, next to the author, in a place in a space in his head, telling him that she had the strangest dream.
Continue reading...
84
Yellow soap for a yellow me. I don't feel like being pure means being happy. - I scrub scarring with more definition than a dictionary. Moldy bread kissing gravid navel oranges, in a cherry plastic rib cage. - Can you find me altruism hidden in the heart   of ecstasy and rage? Satellite bobbing above the air supply, are you out of reach or am I? She was taking pictures of us in the aphotic zone. Saying, it was the only way to capture me vulnerable. Extirpate my species to save my life. I am saturnine for the only adoration I accept   is mine.
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Apr 14, 2016
Apr 14, 2016 at 12:08 AM UTC
The Aphotic Zone
Altogether, the night we wove a trickled treasure, tangled: skirted legs spilling out from the teacup of a denim lap, validation in the vacuum cove. - Dusty Nikes before the dusk, who art in heaven, my god he thrusts. - Why'd your mother let you talk that way: You smoke cliche cigarettes in such an unfamiliar way. - The hanger left welts, weeping into post-relevance landline love, body lay like the hands on the clock, copper landmarks seeping. What a feeling, ever so same. Arched eyebrows, a trademarked shame: like a fighter, like ****** oozing. Like a functional inability, divine in its losing.
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Apr 13, 2016
Apr 13, 2016 at 1:01 AM UTC
Loser
So I wrote a Notorious word to the Crook King of Brooklyn who wrote the street book Based on how the street he took with feet quite fleet. You know his spirit i did meet, first last year on bicycle day A tab of acid found its way on my tongue it lay, in the bathroom mirror I was prone to say, "Biggie Smalls, Biggie Smalls, Biggie Smalls" and my heart did in fear fall, Thought to myself "I swear I hear a glock click near my left ear" so I got the hell out of there. The second time was a bit more fair, the air of a fellow player, yao slanger, beat banger, he spat a 16 bar prayer of how he was an unknowing player In His plan a silent hand of hope for all the ****** that are broke. That the Sky is the limit, only make moves when your heart's in it, then you are guaranteed to win it. Ain't no sin against it, **** the world don't ask it for **** that's word to BIG
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Sep 7, 2015
Sep 7, 2015 at 7:44 PM UTC
Word to BIG
The poem of the mind in the act of finding What will suffice. It has not always had To find: the scene was set; it repeated what Was in the script. Then the theatre was changed To something else. Its past was a souvenir. It has to be living, to learn the speech of the place. It has to face the men of the time and to meet The women of the time. It has to think about war And it has to find what will suffice. It has To construct a new stage. It has to be on that stage, And, like an insatiable actor, slowly and With meditation, speak words that in the ear, In the delicatest ear of the mind, repeat, Exactly, that which it wants to hear, at the sound Of which, an invisible audience listens, Not to the play, but to itself, expressed In an emotion as of two people, as of two Emotions becoming one. The actor is A metaphysician in the dark, twanging An instrument, twanging a wiry string that gives Sounds passing through sudden rightnesses, wholly Containing the mind, below which it cannot descend, Beyond which it has no will to rise. It must Be the finding of a satisfaction, and may Be of a man skating, a woman dancing, a woman Combing. The poem of the act of the mind.
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Apr 1, 2015
Apr 1, 2015 at 8:20 AM UTC
Of Modern Poetry - Wallace Stevens
"Who calls their child wallace" "The same" "The same what?" "The same sort of people that called you a blessing when you were born"
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Jun 17, 2014
Jun 17, 2014 at 5:07 AM UTC
wallace