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I. Rite of Entry The self‑checkout greets me with the solemn glow of a minor shrine. A touchscreen altar awaiting my offerings — barcodes, intentions, the performance of competence. I approach with the calm precision of someone determined to appear technologically fluent. II. First Accusation The scanner beeps – a thin, accusatory trumpet announcing my presence to the congregation of machines. Then the voice descends, sharp as a reprimand from an unseen priest: “Unexpected item in the bagging area.” Not a warning. A judgment. A public note on the fragility of my character. III. The Weight of the Lime I place a single lime on the sacred scale. The machine hesitates, unable to believe in something so light, so green, so unprofitable. It demands proof of its existence. I, momentarily doubting my own reality, lift the lime again as if to reassure us both that matter still matters. IV. Waiting for the High Priest The screen turns red, a digital excommunication. I stand exposed, a supplicant awaiting absolution. From the distance approaches the High Priest of Override: a bored teenager with a lanyard and the power to restore my innocence with a single tap. He does not look at me. He does not need to. He knows my type. V. The Performance of Honesty I resume the ritual with exaggerated clarity, lifting each item like a relic, ensuring the cameras above witness my devotion to honesty. My hands move with ceremonial slowness – a choreography designed to prove that I am not a thief, nor an idiot, but a citizen worthy of smooth transaction. VI. Absolution When the final beep sounds, the machine softens, granting me passage with a printed blessing: “Thank you for shopping with us.” I leave the altar unchanged, yet faintly polished – a person who has survived another small trial of the modern self.
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Apr 19
Apr 19, 2026 at 6:31 AM UTC
The Altar of Unexpected Items
I. Rite of Entry The self‑checkout greets me with the solemn glow of a minor shrine. A touchscreen altar awaiting my offerings — barcodes, intentions, the performance of competence. I approach with the calm precision of someone determined to appear technologically fluent. II. First Accusation The scanner beeps – a thin, accusatory trumpet announcing my presence to the congregation of machines. Then the voice descends, sharp as a reprimand from an unseen priest: “Unexpected item in the bagging area.” Not a warning. A judgment. A public note on the fragility of my character. III. The Weight of the Lime I place a single lime on the sacred scale. The machine hesitates, unable to believe in something so light, so green, so unprofitable. It demands proof of its existence. I, momentarily doubting my own reality, lift the lime again as if to reassure us both that matter still matters. IV. Waiting for the High Priest The screen turns red, a digital excommunication. I stand exposed, a supplicant awaiting absolution. From the distance approaches the High Priest of Override: a bored teenager with a lanyard and the power to restore my innocence with a single tap. He does not look at me. He does not need to. He knows my type. V. The Performance of Honesty I resume the ritual with exaggerated clarity, lifting each item like a relic, ensuring the cameras above witness my devotion to honesty. My hands move with ceremonial slowness – a choreography designed to prove that I am not a thief, nor an idiot, but a citizen worthy of smooth transaction. VI. Absolution When the final beep sounds, the machine softens, granting me passage with a printed blessing: “Thank you for shopping with us.” I leave the altar unchanged, yet faintly polished – a person who has survived another small trial of the modern self.
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Supermarket, fluorescent hum overhead, softening everything that should feel sharper. I take a basket before I need one, something to hold so I don’t look lost. At home everything repeats. Nan in the kitchen, something always baking. Pop at the nook with tea, steam at the same hour. Dad behind a closed door or not there at all. Nothing loud. Nothing wrong. Just set. Here, people move like they belong to where they are going. An old woman slow through the aisle, coat brushing her legs, bread tucked under her arm. No pause. No search. Just forward. I watch her until she disappears. Something in me doesn’t follow. I’m still here. Holding nothing. Further down a young man studies his receipt like it might say more. Milk. Frozen meals. Something sweet. He folds it carefully. Pockets it. I look away before he looks back. I drift. Pick things up. Put them back. My basket stays light. Not empty unfinished. The aisles stretch on full of people who already decided. At checkout, I place something down. A chicken caesar wrap in a plastic box. Already made. Already chosen. Beep. The receipt prints thin proof I was here at all. Outside, I stand still watching the automatic doors open and close like nothing is waiting for me. The world keeps moving anyway cars, footsteps, voices as if I never stood there at all. Then I leave and it doesn’t notice.
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Apr 18
Apr 18, 2026 at 9:57 AM UTC
Receipts I Wasnt Meant to Read
I. Liturgy of Mechanical Courtesy Every elevator has a temperament. Some hum like bored librarians guarding the quiet hours, others vibrate with the weary impatience of someone already exhausted by Tuesday. But all of them – all – become solemn the moment your finger hovers over close door, as if you were about to sign a minor covenant. II. The Referendum in Stainless Steel There is a breath-long interval between seeing the running stranger and pretending you didn’t. A tiny moral referendum held in stainless steel, an ethics exam no one revised for, a vote with no campaign period and no recount. The elevator observes. It records. III. The Bureaucrat of Vertical Transit It keeps a private ledger – thin pages of invisible ink where it notes who waits with quiet grace, and who jabs the button like a panicked clerk trying to close the office before someone slips in with more paperwork. It remembers the ones who step back to make room for one more life, and the ones who breathe relief when the doors seal shut like a verdict. IV. The Descent of Judgment And when the doors close, the elevator does not accuse. It simply descends with the calm authority of a minor civil servant performing a sacred duty in a forgotten archive. Not cruel, not forgiving, just precise. A vertical magistrate with no appeal process, carrying you downward through the quiet record of your choices.
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Apr 17
Apr 17, 2026 at 12:39 PM UTC
The Elevator That Judges You
Stop lights bleeding through wet windows, the kind of blue that tastes like cheap ***** and shame. He sat on the curb, penny loafers scuffed, socks lost from last night’s debacle. A 40-ouncer Schlitz precariously balanced between his knees. An old, orange tomcat scurried past, chasin’ a rat that took a wrong turn. Somewhere, a woman’s cackle echoed off the walls of the bar, or maybe it was in his head, debunked by ***** He slumped against the slick bricks, hands wet from the Schlitz, and thought about the highways he'd never been on. Cities that smelled like old typewriters and thrift stores. Streets lined with glittering promises he might finally write down. He prodded a beetle with his finger, trembling, cold, looking for a line out of the lunacy. Looking for the words that might stick and breathe, the sentences that might make someone taste a little bit of the ache he carried like a carnival souvenir. His reflection shimmered in a puddle. He thought about Narcissus, and the dog with a bone growling, and he thought maybe he could still write it. Could still leave his mark before the night ate him— like a Coney Island hot dog.
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Dec 29, 2025
Dec 29, 2025 at 9:03 AM UTC
Puddles and Promises
Among thousands of faces passing by Bearing the same name: human But no longer knowing each other This city grows tall Touching the dark sky We are busy building towers Forgetting to build bridges And here, I am still waiting for you At the same stop Even though I know the train will no longer stop On a worn track We have become strangers Even to myself Who every morning pretends To be the version the world wants
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Oct 5, 2025
Oct 5, 2025 at 2:14 AM UTC
Becoming A Stranger
I’m only liquid for fears, drowning quietly in them, a slow flood behind my ribs, no warning signs, no lifeguards in sight. You will be a sunflower, but only as far as you choose to reach out for the sun, bending your whole body toward light, even if the light burns, even if the roots ache from pulling. Happiness comes—eager, but never permanent— it’s a guest that tracks mud on your floor, leaves its jacket behind; just to remind you it was here, but gone before you could ask it to stay. The good things in life never seem to last a lifetime, and going out into this world feels like reaching for a lifeline, but all I catch is air— _thin, trembling air._ Since birth you were beautiful, but survival forced you to wear the ugliness of the world— stitched hand-me-down scars, fabric heavy with someone else’s shame. Each day is a costume change that doesn’t fit, but you wear it anyway, because naked truth doesn’t pay rent. We are all swelling with an opus of urban angst, the kind that hums under flickering streetlights, the melodic slang of hoodlum teens trading cigarettes for sentences, has become the hustle talk of men trying to feed the same hunger that never grew up. Yearning to be something. Yearning to be someone. Constellations made of shattered glass windows, cracked stars on the concrete, chasing after the sun as if the further we run, the closer it comes, but the horizon never owes us an answer. To love, to be loved— truth arrives dressed in lies at the start, perfumed to disguise the rot. We impress, but we press too hard, we call it romance but it’s theatre, and every stage ends in torn curtains. This life is love, but love isn’t so full of life when it hangs uneven, dangling off one side like a crooked frame. _Luck isn’t justice._ Cause and effect rarely add up to cause what’s fair. And yet we paint our burning visions next to piss-splashed garbage bins, turning dumpsters into backdrops, spray-painting scars into murals that smell like waste, mistaking rage for art. Scars deserve worth, not mockery. But too often, anger becomes our brush, dipped in venom, flung at the wall, and the picture never reaches far— _a masterpiece meant for healing drowned out by noise_.
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Oct 2, 2025
Oct 2, 2025 at 2:46 PM UTC
Scars for Canvas
I’m only liquid for fears, drowning quietly in them, a slow flood behind my ribs, no warning signs, no lifeguards in sight. You will be a sunflower, but only as far as you choose to reach out for the sun, bending your whole body toward light, even if the light burns, even if the roots ache from pulling. Happiness comes—eager, but never permanent— it’s a guest that tracks mud on your floor, leaves its jacket behind; just to remind you it was here, but gone before you could ask it to stay. The good things in life never seem to last a lifetime, and going out into this world feels like reaching for a lifeline, but all I catch is air— _thin, trembling air._ Since birth you were beautiful, but survival forced you to wear the ugliness of the world— stitched hand-me-down scars, fabric heavy with someone else’s shame. Each day is a costume change that doesn’t fit, but you wear it anyway, because naked truth doesn’t pay rent. We are all swelling with an opus of urban angst, the kind that hums under flickering streetlights, the melodic slang of hoodlum teens trading cigarettes for sentences, has become the hustle talk of men trying to feed the same hunger that never grew up. Yearning to be something. Yearning to be someone. Constellations made of shattered glass windows, cracked stars on the concrete, chasing after the sun as if the further we run, the closer it comes, but the horizon never owes us an answer. To love, to be loved— truth arrives dressed in lies at the start, perfumed to disguise the rot. We impress, but we press too hard, we call it romance but it’s theatre, and every stage ends in torn curtains. This life is love, but love isn’t so full of life when it hangs uneven, dangling off one side like a crooked frame. _Luck isn’t justice._ Cause and effect rarely add up to cause what’s fair. And yet we paint our burning visions next to piss-splashed garbage bins, turning dumpsters into backdrops, spray-painting scars into murals that smell like waste, mistaking rage for art. Scars deserve worth, not mockery. But too often, anger becomes our brush, dipped in venom, flung at the wall, and the picture never reaches far— _a masterpiece meant for healing drowned out by noise_.
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Соломон одевал Доспехи, НаголО пиздаватый Меч! С гор спускались мысли-абреки — Пришло время — гОловы с плеч. Налицо цвета хаки и смокинг, Зверел, поднимался со дна, Ну, встречайте стадА — мистер Джокер, ДВА кинжала, калаш и Луна. 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 2, 2025
Aug 2, 2025 at 2:10 AM UTC
♠️ Соломон одевал Доспехи
Водоворот безумный в рот, Я наливал тебе компот, И двадцать пять коробок лета Я паковал себе в комод. Желтело, осень поступала, А тело согревал портвейн, Пришла ты в черном и сказала: «А ну, красавчик, ахуей». Yaroslav Kulikovsky. Vienne, 2023 (c). Part of the cycle: Poems on City Flesh and Power. 👉 tiktok.com/@kulikovskyonthepunchline 👉 youtube.com/@KulikovskyOnThePunchline/shorts
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Aug 2, 2025
Aug 2, 2025 at 2:08 AM UTC
♠️ Водоворот безумный в рот
Баронесса без изъяна Лопала банкиров рьяно — То ботфорте, то пиано, Мастер Плётки и Баяна. В золоте шмалят рассветы, Языки горят в каретах. Знаешь, Дьявол носит Прада? Ну, встречайте: их бин Яна. 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 2, 2025
Aug 2, 2025 at 2:04 AM UTC
♠️ Баронесса без изъяна
Жарил в ухо, горло, нос, Сразу видно кто есть Ху, А вы, зая, пылесос, Принимайте юху-ху. Рукоплещу вам пальцАми, Обезумел, разогнал, Эй, куда же ты с концами, Разряжаешь арсенал? 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 2, 2025
Aug 2, 2025 at 2:02 AM UTC
♠️ Жарил в ухо, горло, нос
Пиздастрадал пиздаконтроль — На стуле Янка Супер-сутер, На карандаш берет любовь И загружает темпо в убер. И дохли розы под наркозом, И рифмовались к буржуЯм, Мы ж ебанем салат мимозу За число Пи и первый лям. 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 2, 2025
Aug 2, 2025 at 1:44 AM UTC
♠️ Пиздастрадал пиздаконтроль
Рассосалась барышня, В колёса оделась И моргает фарами, Как будто гнеда. Да, погнала яркая, По встречке хай-левел, Ах, какая бабочка У, камелька! 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 2, 2025
Aug 2, 2025 at 1:24 AM UTC
♠️ Рассосалась барышня
Кобылки сходили с дистанции, Ликовала только Констанция, Кто-то стал ура-визажистом, Колхозницей с мужем стилистом. И только насосная станция Неслась по тропе террористов, В тапок к последней инстанции — Хуяк — и в дамках с министром. 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 2, 2025
Aug 2, 2025 at 1:17 AM UTC
♠️ Кобылки сходили с дистанции
Терминатор шел на прогулку; Сканер работает, листья шуршат, Клею на лоб ценник малюткам И гуляю себе не спеша. А ППШ — индикатор в штанах, Нет, не облако и не Дубровский — Это моя пламенеет душа Как глаголом разит Маяковский! 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 2, 2025
Aug 2, 2025 at 12:33 AM UTC
♠️ Терминатор шел на прогулку
Порно каналы спускаем в краны, Порно моделей обратно в тоннели, Руки помоем, в урну постели, Ах, нихуя себе мы ахуели! И за работу — сносим метелью, Прем, ослепляем, как фотомодели, Маршем на подиум Жизни с похмелья, Ну, и Лехаим за достиженья! 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 1, 2025
Aug 1, 2025 at 9:40 PM UTC
♠️ Порно каналы спускаем в краны
Губы, ресницы, скулы, Жопа, спортзал, вся хуйня. Купил вчера себе куклу — Ну, здравствуй, Барби моя. Ты точно не Кена искала, И я искал не любви. Осталось дело за малым — Зарядку найти и носки. 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 1, 2025
Aug 1, 2025 at 9:12 PM UTC
♠️ Губы, ресницы, скулы
Вылюбить или Выебать? Очень хороший вопрос. Ну, или просто джаст минимал — Пару часов ярких поз. Разврат, агонь, амбиции... На этой войне все равны. Ну, и по старой традиции Раз в рот, во имя любви. 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 1, 2025
Aug 1, 2025 at 9:07 PM UTC
♠️ Вылюбить или Выебать?
Она рыдала в туалете Гостиницы «Континенталь» — Её ебали те и эти, И вдруг себя ей стало жаль. И вдруг однажды на рассвете Она решила полюбить, Но, как листали те и эти, Никак уже ей не забыть. 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 1, 2025
Aug 1, 2025 at 9:03 PM UTC
♠️ Она рыдала в туалете
Я люблю ебанутых и странных, Может, я ебанутый псих? Утоляю свою эту жажду Нестандартными смыслами книг. Бесконечно радуюсь Жизни, И всегда, и везде на коне! Но вопрос в голове — исторический: Ебанутая нахуй, ты где? 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 1, 2025
Aug 1, 2025 at 8:28 PM UTC
♠️ Я люблю ебанутых и странных
Не дрочил я уже две недели, Но, зато хорошенько наспал, Разбудил свою музу Элю И опять не пошел в спортзал. Но весна начнётся в апреле, Впереди серо-грязный март. Постираю за ней постель я — И пойду проснусь в банкомат. 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 1, 2025
Aug 1, 2025 at 8:23 PM UTC
♠️ Не дрочил я уже две недели
Супермое работала в ресте, Месила Йо-йо мужчинам известным, Супер Моет — разливала рекой, Смена за сменой, вниз головой. Кекса за кексом она выпекала, Супер-чудесно им рот вытирала, Суперлегка и супергнеда — Супермое, ты та иль не та? 👉 Bloch-Bauer & Adele · 2020 · Signature Privée
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Aug 1, 2025
Aug 1, 2025 at 8:19 PM UTC
♠️ Супермое работала в ресте
This cursed silence makes so much noise— and the way its echoes ring is unbearable. Ever since I rented out the upstairs room, it's just been Che... Che... all day long. If I hadn't taken an advance, I would've kicked them out long ago. Now even the walls of the house- seem to be turning the same color...
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Jun 6, 2025
Jun 6, 2025 at 12:09 PM UTC
THE CURSED SILENCE.
i realize that you will be who you are and i am comfortable enough within myself to allow you to express all that lies within you.. because who am i to try to change you? after realizing my worth,   ive realized that nothing is worth enough to disrupt my peace. gracefully, i move away from what no longer serves me or deserves me. patiently, i wait on divine actions to arise before i consider your place in my space... are you here to give or take? for mine or for your sake? for mind, soul or warm embrace? you see im powerful, still you see only half. so make your choice and i hate to make you choose but its them or its me. -- not in fear of or in face of an ego or some pride, just protecting what lies inside ..
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Oct 20, 2019
Oct 20, 2019 at 6:23 PM UTC
choices
In quiet spaces... I contemplate the essence of a breakthrough. Trying to find the right words and the right time To mentally and physically express what's on my mind. Overpowering the loud with the rhymes that overcrowd Such a condense space drifting me into an unknown place. In quiet spaces... I escape. I find serenity in my own agape. Reflecting on self-love and self-confidence Trying to forget how society judges my relevance. In quiet spaces... I find me. And I am happy to know Who I am, where I'm going and who I want to be. -LDP
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Mar 14, 2018
Mar 14, 2018 at 12:00 AM UTC
In Quiet Spaces...