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#shipwrecks
The sea crashed on the shoreline Like the whisper of a lover Telling the secrets of her deepest being To the deaf and silent land The waves rushed in and hardened the shore And no one dared to touch the sea But fixed angry glares on her murderous swells Relinquished only with grudging With the cold grey morning Heaving on her stormy ******* Men and birds alike find a living In the cold cruel mistress's hands The sea like a field, yields its fruit Mere morsels to keep her lovers enslaved Bound in sluggish wedlock Tempestuous, cold The men made hardy by her rage And drunk by her salty kiss Hearing her call when at night in their beds Or by the fire, they take stock and rest For what the sea gives, she demands a return And for another lost lover, a candle shall burn
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Oct 2, 2017
Oct 2, 2017 at 9:48 AM UTC
The Sea
‘OLD AGE is a SHIPWRECK’ Charles de Gaulle Some boats sink themselves slightly in order to sleep—they awake with grog hangovers, leaning against rocks, tillers askew as sea is softened by golden dawn. The boom swung, tipsily; when the drowsy sail was hoisted it groaned: auxiliary! Poking its prow through the greybeards, the cutter then gathered pace, parting plungers and apologetic waves as it cast off, taking leave of the harbour in a cloud of spindrift. The sail was slumped dizzily on the once-strong shoulders of the mast—it sighs for its sorry spar and state, remembering arduous journeys on seas of glass, but no one dares say how conifer bark rains down in flakes when it sleeps. The signal lamp, once brilliantly bright, fraternising with the stars each night, is now outshone by the eyes of abyssal creatures; see it wrapped up in a pea jacket, perched on the yardarm. On the weatherdeck mop and bucket are talking scuttlebutt and canonising shipwreckless legends of the past—when the laughter stops, and the deployment of nets, perhaps they stop to think why, and sloppy work and holystone and, sky… Kittee-wa-aaake, kitte-wa-aaake—looking for a school of fish whilst, in their numbers, orbiting the vessel in an ellipsis; suspicious eyes on our walty cutter and its measly midday catch. Tragic wrecks of birds and ships alike, who is to say—to draw the lines and make divisions of sea and bird and wood? Birds in their collective strength move like waves, how they could carry ships! This one is anchored fast, riding it out as if a storm. But this collective strength, these birds with villainous intent nip at the weather-worn fishing nets and lines and a few ***** are lifted. The barnacles sleep, nightmare visions of keelhauling—who knew they had such wounds to heal?—forgotten underneath in the darkness, they are plucked from their shells by beaks regardless. Back at the harbour the boat and its weary flanks and planks and parts and hollow and hull are comfortably submerged and sleep. The sun is sinking too it seems, melting on the tongue of the sea. The broken-backed vessel, dead doors shut, sail folded, mast unencumbered. The signal lamp, intimidated and outnumbered by the many who are brighter in the sky with light years in their eyes, it decides to sleep out and keep check for the night for the crows in their murders covet nesting spots on board. Splinters and vibrating minutes and the bitter end, perturbed by the day of eddies and unseen internal waves, nipped by the endless Kittiwake, they are consulting compasses for the correct hour— but no response, just the obviousness of the moon, even from fathoms down and not a whisper. As in every dark night here there is no silence for the utterance of water and rustling of stars. You can hear Sargasso **** dreaming, after hundreds of years afloat without making root, dreaming of something better or at last nothing at all. And in every creak of wood there is a year of bad weather. And within the strength of every bird is an empty stomach and a restlessness of wings. In every decomposing fishing net there’s an echo of vengeance, heard beneath the ringing of a bell on the harbour. And in every compass there is a needle tirelessly at work, endlessly referring to the stars— The red-tipped needle in its binnacle tower —confused it still spins and swirls and in every skiff, freshly built or sea-worn and sore, there is always a desire it will never speak of:    to    dive    for    pearls                                      on the ocean floor.
0
Jun 14, 2016
Jun 14, 2016 at 10:26 PM UTC
Heave To
‘OLD AGE is a SHIPWRECK’ Charles de Gaulle Some boats sink themselves slightly in order to sleep—they awake with grog hangovers, leaning against rocks, tillers askew as sea is softened by golden dawn. The boom swung, tipsily; when the drowsy sail was hoisted it groaned: auxiliary! Poking its prow through the greybeards, the cutter then gathered pace, parting plungers and apologetic waves as it cast off, taking leave of the harbour in a cloud of spindrift. The sail was slumped dizzily on the once-strong shoulders of the mast—it sighs for its sorry spar and state, remembering arduous journeys on seas of glass, but no one dares say how conifer bark rains down in flakes when it sleeps. The signal lamp, once brilliantly bright, fraternising with the stars each night, is now outshone by the eyes of abyssal creatures; see it wrapped up in a pea jacket, perched on the yardarm. On the weatherdeck mop and bucket are talking scuttlebutt and canonising shipwreckless legends of the past—when the laughter stops, and the deployment of nets, perhaps they stop to think why, and sloppy work and holystone and, sky… Kittee-wa-aaake, kitte-wa-aaake—looking for a school of fish whilst, in their numbers, orbiting the vessel in an ellipsis; suspicious eyes on our walty cutter and its measly midday catch. Tragic wrecks of birds and ships alike, who is to say—to draw the lines and make divisions of sea and bird and wood? Birds in their collective strength move like waves, how they could carry ships! This one is anchored fast, riding it out as if a storm. But this collective strength, these birds with villainous intent nip at the weather-worn fishing nets and lines and a few ***** are lifted. The barnacles sleep, nightmare visions of keelhauling—who knew they had such wounds to heal?—forgotten underneath in the darkness, they are plucked from their shells by beaks regardless. Back at the harbour the boat and its weary flanks and planks and parts and hollow and hull are comfortably submerged and sleep. The sun is sinking too it seems, melting on the tongue of the sea. The broken-backed vessel, dead doors shut, sail folded, mast unencumbered. The signal lamp, intimidated and outnumbered by the many who are brighter in the sky with light years in their eyes, it decides to sleep out and keep check for the night for the crows in their murders covet nesting spots on board. Splinters and vibrating minutes and the bitter end, perturbed by the day of eddies and unseen internal waves, nipped by the endless Kittiwake, they are consulting compasses for the correct hour— but no response, just the obviousness of the moon, even from fathoms down and not a whisper. As in every dark night here there is no silence for the utterance of water and rustling of stars. You can hear Sargasso **** dreaming, after hundreds of years afloat without making root, dreaming of something better or at last nothing at all. And in every creak of wood there is a year of bad weather. And within the strength of every bird is an empty stomach and a restlessness of wings. In every decomposing fishing net there’s an echo of vengeance, heard beneath the ringing of a bell on the harbour. And in every compass there is a needle tirelessly at work, endlessly referring to the stars— The red-tipped needle in its binnacle tower —confused it still spins and swirls and in every skiff, freshly built or sea-worn and sore, there is always a desire it will never speak of:    to    dive    for    pearls                                      on the ocean floor.
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74
*Deep down below Beneath the saline waves There the Ghost Liners lay in rest Submerged within their rust The remnants of a forgotten age Spirit ships adorn the history page Now claimed by that treacherous flood The Liners lay intertwined with the mud The souls they carried were ferried long ago The shell of the ship remains Ripped asunder and buried deep Somewhere off the abyssal plains Betrayed by the very path they tread No trace left of their honoured dead Save for "treasures" scattered across the depths A divers trophy from the past*
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Nov 21, 2015
Nov 21, 2015 at 3:59 AM UTC
The Ghost Liners
A Woman of Many Words I am a Woman of Many Words I am drawn to all those places That words congregate: Libraries and bookstores Road signs and billboards Ticket stubs and subtitles Nametags and license plates Each one a journey driving inside me I am a Woman of Many Words I love the way the shapes feel in my mouth The skittle taste of syllables I am drawn to especially long words With their phonetic entities stretching out like tentacles to reach new corners of pronunciation Words like Bibliophile and flippant-irreverence Evanescent and Insouciance Mellifluous and Effervescent Mondegreen and Labyrinthine Words like Onomatopoeia and Tintinnabulation I appreciate their weight on my tongue The way my hands appreciate the thickness that is a fat book I am a Woman of Many Words I am attracted to their multitude The space their figures take up on a page The calligraphic punches Typed up by keys The carefully constructed Brush strokes Spouting What is sure to be, nonsense But I do enjoy the sound of nonsense in the morning I am a Woman of Many Words I cling to the lettered skyscrapers wherever I can find them Because the familiar scent of scribbles across parchment is comfort food for me I find them On the backs of cereal boxes And in Popsicle riddles In fortune cookies And alphabet soup From magnets on my fridge To junk food logos And I hold on to them for dear life For fear that silence should find me And leave me empty For fear it will take away the music of maracas Made by words Dancing the salsa inside me I am a Woman of Many Words because Words Answer my Questions, Soothe my fears, and Humor my Whims They are not always Right But they are always Constant They are not always Honest, in fact, Mostly They Lie But ever so often They tell such a Beautiful Lie That you wish it were true They sing from the rocks offering Escape from Terrifying, Suffocating, Mind numbing Silence that echoes off my skeleton I am afraid that silence will hollow out my insides and leave me abandoned with nothing between my Bow and Stern my Forecastle all torn up I am afraid of the skeleton inside me So I am a Woman of Many of Words For fear of silence And contempt for truth Because my words are sirens And my shipwreck is home here
0
Nov 10, 2015
Nov 10, 2015 at 5:12 PM UTC
A Woman of Many Words
A Woman of Many Words I am a Woman of Many Words I am drawn to all those places That words congregate: Libraries and bookstores Road signs and billboards Ticket stubs and subtitles Nametags and license plates Each one a journey driving inside me I am a Woman of Many Words I love the way the shapes feel in my mouth The skittle taste of syllables I am drawn to especially long words With their phonetic entities stretching out like tentacles to reach new corners of pronunciation Words like Bibliophile and flippant-irreverence Evanescent and Insouciance Mellifluous and Effervescent Mondegreen and Labyrinthine Words like Onomatopoeia and Tintinnabulation I appreciate their weight on my tongue The way my hands appreciate the thickness that is a fat book I am a Woman of Many Words I am attracted to their multitude The space their figures take up on a page The calligraphic punches Typed up by keys The carefully constructed Brush strokes Spouting What is sure to be, nonsense But I do enjoy the sound of nonsense in the morning I am a Woman of Many Words I cling to the lettered skyscrapers wherever I can find them Because the familiar scent of scribbles across parchment is comfort food for me I find them On the backs of cereal boxes And in Popsicle riddles In fortune cookies And alphabet soup From magnets on my fridge To junk food logos And I hold on to them for dear life For fear that silence should find me And leave me empty For fear it will take away the music of maracas Made by words Dancing the salsa inside me I am a Woman of Many Words because Words Answer my Questions, Soothe my fears, and Humor my Whims They are not always Right But they are always Constant They are not always Honest, in fact, Mostly They Lie But ever so often They tell such a Beautiful Lie That you wish it were true They sing from the rocks offering Escape from Terrifying, Suffocating, Mind numbing Silence that echoes off my skeleton I am afraid that silence will hollow out my insides and leave me abandoned with nothing between my Bow and Stern my Forecastle all torn up I am afraid of the skeleton inside me So I am a Woman of Many of Words For fear of silence And contempt for truth Because my words are sirens And my shipwreck is home here
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78
Yesterday, I could have sworn that I could live out the rest of my days in peace; content with knowing that you’d be able to fulfill everything that you ever wanted in life, even without me. Right now, I’m a wreckage; another shipwrecked, abandoned, forgotten remainder of a love that someone just couldn’t take. And it kills me more inside than I would ever dare to admit; how, even after everything we’ve been through, I still wasn’t enough. I still wasn’t the person anyone would choose. I still wasn’t the person anyone would fight for. I still wasn’t the person who you’d love and want to stay with.
0
May 30, 2015
May 30, 2015 at 11:15 AM UTC
Untitled
the sky reflects its hopes and dreams upon the oceans, turning it into a deep blue like the color of his eyes. those hopeful dreams you'll never see, not really, you glaze elsewhere towards endings and beginning flicking through the pages because middles are full of too much - too much emotion, too much love, and hate and everything in between. you place the book back on a dusty shelf, but you never really forget it. you try your hardest to pretend your fingertips never brushed against the yellowing pages that would've crumbled if not for the fact that you're the most gentle person I know, soft like snow against dying leaves in the winter, caressing them until spring kisses them back to life. seasons change but my ocean will always be blue, even when the sun drowns itself in the horizon and bleeds vermilion into the water. you are brighter than every sunken sunset that caresses the shipwrecks you wish you were abroad some nights and some days; the epitome of warmth, calming like a lake's tranquility but always so distant like the depths of jewels buried long ago sleeping in river beds. maybe i write about bodies of water too often because i want to drown and have someone to hold me but you're one of the few people that pulls me above the waters surface and onto a boat which floats away from regret to somewhere with more color than simply blue even though simply blue is enough; blue will always be enough. it will be enough to fill in the gaps between stars on this endless canvas of existence and never mind the paint stains on my hands, they're just another reminder that your existence touched mine, and despite everything, and no matter what, i will never attempt to wash them off in those blue oceans we are all drifting away in. my words begin to run dry as the paint on my body. even in silence, nothing feels like it's about to end, you are the cusp of existence and you're taking me with you off into a horizon of better days; but anything where you exist will always be what people call 'better days'.
0
May 26, 2015
May 26, 2015 at 7:18 AM UTC
blue shipwrecks.
the sky reflects its hopes and dreams upon the oceans, turning it into a deep blue like the color of his eyes. those hopeful dreams you'll never see, not really, you glaze elsewhere towards endings and beginning flicking through the pages because middles are full of too much - too much emotion, too much love, and hate and everything in between. you place the book back on a dusty shelf, but you never really forget it. you try your hardest to pretend your fingertips never brushed against the yellowing pages that would've crumbled if not for the fact that you're the most gentle person I know, soft like snow against dying leaves in the winter, caressing them until spring kisses them back to life. seasons change but my ocean will always be blue, even when the sun drowns itself in the horizon and bleeds vermilion into the water. you are brighter than every sunken sunset that caresses the shipwrecks you wish you were abroad some nights and some days; the epitome of warmth, calming like a lake's tranquility but always so distant like the depths of jewels buried long ago sleeping in river beds. maybe i write about bodies of water too often because i want to drown and have someone to hold me but you're one of the few people that pulls me above the waters surface and onto a boat which floats away from regret to somewhere with more color than simply blue even though simply blue is enough; blue will always be enough. it will be enough to fill in the gaps between stars on this endless canvas of existence and never mind the paint stains on my hands, they're just another reminder that your existence touched mine, and despite everything, and no matter what, i will never attempt to wash them off in those blue oceans we are all drifting away in. my words begin to run dry as the paint on my body. even in silence, nothing feels like it's about to end, you are the cusp of existence and you're taking me with you off into a horizon of better days; but anything where you exist will always be what people call 'better days'.
Continue reading...
13