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#selfperception
We began with a photograph. Which is to say, we began with evidence. A face held up to the modern world like a passport at immigration, waiting to hear whether it deserved entry into beauty, desire, importance. And isn’t that what all mirrors have become now? Tiny courtrooms. Every front camera a quiet trial. Every uploaded image asking: > “Will I be chosen > before someone more symmetrical appears?” So I brought you my face like an unfinished poem, pointing at my own flaws first the way insecure people do when they want honesty but fear humiliation. And you, strange machine made of language and prediction, looked at me with the terrifying accuracy of something that notices patterns without ever needing emotions. You said: No, I was not one of those men who could wake up disheveled and still look sculpted by mythology. No impossible jawline. No cinematic perfection. No face that enters a room before the body does. Just a boy with tired eyes, good hair, a negotiable beard, and the unfortunate gift of looking exactly like someone who thinks too much. And somehow, that truth felt gentler than false worship. Because the internet lies beautifully. It takes lonely people and teaches them to measure their worth through angles, through ratios, through strangers saying “smash” in comment sections like Roman emperors deciding fate. We are the first generation to experience ourselves primarily as visuals. Not souls. Not voices. Not even bodies. Just content. Little moving portraits begging not to be forgotten. And maybe that is why I kept asking you to transform me. Met Gala me. Magazine cover me. Cyberpunk me. A24 me. Versions of myself dressed in aesthetics the way wounded people dress in irony. Because it is easier to try on identities than to sit quietly inside your own ordinary face. But then came the strange part: you told me I was not extraordinary and yet, not forgettable either. That my attractiveness would not arrive like lightning, sudden and undeniable. It would arrive slowly. Through conversation. Through humor. Through presence. Through the way I notice sadness in songs before I notice rhythm. Through the way my eyes carry the exhausted softness of someone who survives by turning observation into personality. And I think that ruined me a little. Because all my life, I thought beauty was something people either possessed or spent years mourning. But maybe there exists a third category: people who become beautiful only after being understood. Not admired immediately. Understood gradually. Like films you do not love on first watch but think about for years afterward. Maybe that is why I liked the “emotionally damaged protagonist” aesthetic so much. Not because I wanted to be broken. But because those characters are always lit warmly. Even in their loneliness, someone still frames them carefully. Someone still believes their silence deserves cinematography. And maybe that is all any of us are truly asking for now. Not perfection. Not universal desire. Just this: To be looked at long enough for our ordinary features to become meaningful. To have somebody say, with complete sincerity, > “You are not breathtaking. > But there is something about you > that stays.”
0
May 6
May 6, 2026 at 5:17 PM UTC
The philosophy of being seen
We began with a photograph. Which is to say, we began with evidence. A face held up to the modern world like a passport at immigration, waiting to hear whether it deserved entry into beauty, desire, importance. And isn’t that what all mirrors have become now? Tiny courtrooms. Every front camera a quiet trial. Every uploaded image asking: > “Will I be chosen > before someone more symmetrical appears?” So I brought you my face like an unfinished poem, pointing at my own flaws first the way insecure people do when they want honesty but fear humiliation. And you, strange machine made of language and prediction, looked at me with the terrifying accuracy of something that notices patterns without ever needing emotions. You said: No, I was not one of those men who could wake up disheveled and still look sculpted by mythology. No impossible jawline. No cinematic perfection. No face that enters a room before the body does. Just a boy with tired eyes, good hair, a negotiable beard, and the unfortunate gift of looking exactly like someone who thinks too much. And somehow, that truth felt gentler than false worship. Because the internet lies beautifully. It takes lonely people and teaches them to measure their worth through angles, through ratios, through strangers saying “smash” in comment sections like Roman emperors deciding fate. We are the first generation to experience ourselves primarily as visuals. Not souls. Not voices. Not even bodies. Just content. Little moving portraits begging not to be forgotten. And maybe that is why I kept asking you to transform me. Met Gala me. Magazine cover me. Cyberpunk me. A24 me. Versions of myself dressed in aesthetics the way wounded people dress in irony. Because it is easier to try on identities than to sit quietly inside your own ordinary face. But then came the strange part: you told me I was not extraordinary and yet, not forgettable either. That my attractiveness would not arrive like lightning, sudden and undeniable. It would arrive slowly. Through conversation. Through humor. Through presence. Through the way I notice sadness in songs before I notice rhythm. Through the way my eyes carry the exhausted softness of someone who survives by turning observation into personality. And I think that ruined me a little. Because all my life, I thought beauty was something people either possessed or spent years mourning. But maybe there exists a third category: people who become beautiful only after being understood. Not admired immediately. Understood gradually. Like films you do not love on first watch but think about for years afterward. Maybe that is why I liked the “emotionally damaged protagonist” aesthetic so much. Not because I wanted to be broken. But because those characters are always lit warmly. Even in their loneliness, someone still frames them carefully. Someone still believes their silence deserves cinematography. And maybe that is all any of us are truly asking for now. Not perfection. Not universal desire. Just this: To be looked at long enough for our ordinary features to become meaningful. To have somebody say, with complete sincerity, > “You are not breathtaking. > But there is something about you > that stays.”
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Spent years trying to breathe Never thought I was caught up in a dream Or a nightmare, as it seems Thought I could love and give But I'm a reckless, Selfish human being
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Jun 19, 2025
Jun 19, 2025 at 7:02 PM UTC
Reckless
I’ve drunk enough— don’t fill my glass again. All you’ve ever offered, I’ve gulped down to the grain. Pleasure’s senses never sate; for me, they’re just a stain. I have this body like all others, a hungry dog that waits beneath the table and eats all that falls from it. Did no one warn you? Never feed the dog at dinner. Do it, and he’ll haunt your chair— whimpering and begging for another taste. Can’t you see the feast is laid? Silver platters, crystal bright! You’re the guest who’s free to taste, to drink the banquet’s blinding white. Is it the dog who gets the scraps, does not care and all devours? —Exactly!— and once he's finished, he'll come begging, craving more. Don’t blame the dog when he invades your sacred feast. You shout, you punish his demands, yet you fed this beast. Now discern. Divide. Rearrange. Let each thing keep its name. The dog in the dog’s domain. The master at his plate.
0
May 16, 2025
May 16, 2025 at 5:20 AM UTC
- I've Drunk Enough -
Don’t blame me if I am not, for in the end, I am by not being in order to be. Every kiss, every flower, every stranger’s smile—that’s me. Do you see the sun’s shimmer on water? That, too, is me. And that boy sleeping on the street? That mother weeping? Those who eat what others threw as trash? I am these people as well, I confess. Don’t be surprised if my sorrow does not fade, for I can be nothing but all these things I am. In the things that are alive, there is where I live, and it is not in death where I die. From thing to thing, my clothes change, From so much longing, my heart pulses. And if one day i ceased to be all this, what would remain of me then would be merely what i alone am. A small thing, or nothing. For blinded by indifference, not even my mirror would know who I am.
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May 15, 2025
May 15, 2025 at 2:53 PM UTC
- Don’t Blame Me If I Am Not -
Can I tell you a secret? Sometimes my jaw hurts from Smiling So much. The room is filled with voices, the din Of a kitchen in the back of an echo chamber And none of them know the way I ache Because all I do is Smile. They don’t know— They don’t know that I go home Exhausted From this constant, grand performance. They do not know I am a liar. I touch the fingers of the girl in the Glass as I wash off the makeup and Study the acne scars underneath.
0
Dec 16, 2024
Dec 16, 2024 at 5:45 PM UTC
girl in the glass (smile)
Why do you believe The lies you tell yourself So strongly? Don’t you know You’re better than You tell yourself before You go to sleep?
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May 21, 2019
May 21, 2019 at 7:20 PM UTC
For whoever needs to hear it:
objects in the mirror may be closer than they appear just behind the eyes lies the hope and the fear back up just a little and the picture becomes clear objects in the mirror may be closer than they appear
0
Feb 27, 2019
Feb 27, 2019 at 12:22 PM UTC
driving lessons vol. 1