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#scott
Travis scotts concert was 100% a satanic soul harvest. He sent those souls to another dimension. Think I'm stretching? READ ALL THE WAY THROUGH. First off. He called his event a "festival".  The definition of a festival is a feast. Did you see a large amount of food? Or did you see a feast of souls? His stage was the symbol for alchemy.  The egyptian ankh. The Egyptian ankh has to do with life. Because the wealthy know when you die and when you are born, you create a ripple in time and space for your soul to come and go. The best way to describe it is like a pool. Imagine you are about to jump into your local swimming pool. The water will break your entry and you will safely hit the bottom. Now. Imagine there is a person at every single part of the edge and you all jump in at the same time. Now you've got a problem. Soul harvesting is the same way. When you die your soul creates a ripple and it can safely leave. But. When you have a bunch of people dying in the same spot the spiritual realm becomes stressed in that location due to the high amounts of energy our souls resonate as they are leaving and entering the in between of this realm and other dimensions.  Therefore they have created machines that have tapped into the in between to ****** your soul. Who gets it and where it goes?  Other things are possible as well. Like the exchange of a good soul for whatevers on the other side?. Have you ever heard of cern? The large hydron collider. It's the largest machine in the world. This is NOT knew technology. The Mayan indians knew about this. The egyptians knew about this. THIS IS WITCHCRAFT AT THE HIGHEST DEGREE. Let me break it down. Travis Scott is a WITCH. The microphone is his wand. He is a (M.C.) (Master of ceremonies).   With his wand he uses his voice (frequency) to help bring in the energy needed to open the portal. He brings a crowd of 50 to 70 thousand people who are generating IMMENSE amounts of energy into a low vibration. Love is the highest. Aggression is the lowest. Then the design of his stage along with the lights become the sigil to help open the portal. Remember his stage was the symbol for alchemy? YOU can't see the portal. You just see a fancy light show. But those who are dying and their souls are separating from their bodies can. The only way a living person MAY see through the portal is if they had taken an Elixir like Ayahuasca. Do you ever wonder why all these "rappers" want to date the highest ranking Arminian witch family Kardashians? Could it be because they are witches? They do these kind of rituals behind closed doors all the time. What you saw was them coming out in the open. The goal for you is to pass on and move to a higher dimension. You are drawn to the heavens because that's where you came from. When you start gaining wealth, you start the search for immortality. Wealth is a drug that most refuse to part with.  So this is where satanism comes in. There's a theory of  reincarnation if you can create enough negative energy for yourself, you can weigh your soul back down. This is where the technology of transferring your consciousness back into another avatar has its place. You can see why we are at a cross roads of transhumanism and luciferienism. Some believe the elites WERE once humans and during the days of Atlantis that changed. Their technology hit a point they no longer needed human bodies. And they became the pinnacle of Transhuman. But no longer human. Something else. Maybe this is what "sanat kumara" is? A.K.A. Satan.
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Nov 25, 2021
Nov 25, 2021 at 6:14 AM UTC
Travis scott ASTROworld (Soul harvesting)
Travis scotts concert was 100% a satanic soul harvest. He sent those souls to another dimension. Think I'm stretching? READ ALL THE WAY THROUGH. First off. He called his event a "festival".  The definition of a festival is a feast. Did you see a large amount of food? Or did you see a feast of souls? His stage was the symbol for alchemy.  The egyptian ankh. The Egyptian ankh has to do with life. Because the wealthy know when you die and when you are born, you create a ripple in time and space for your soul to come and go. The best way to describe it is like a pool. Imagine you are about to jump into your local swimming pool. The water will break your entry and you will safely hit the bottom. Now. Imagine there is a person at every single part of the edge and you all jump in at the same time. Now you've got a problem. Soul harvesting is the same way. When you die your soul creates a ripple and it can safely leave. But. When you have a bunch of people dying in the same spot the spiritual realm becomes stressed in that location due to the high amounts of energy our souls resonate as they are leaving and entering the in between of this realm and other dimensions.  Therefore they have created machines that have tapped into the in between to ****** your soul. Who gets it and where it goes?  Other things are possible as well. Like the exchange of a good soul for whatevers on the other side?. Have you ever heard of cern? The large hydron collider. It's the largest machine in the world. This is NOT knew technology. The Mayan indians knew about this. The egyptians knew about this. THIS IS WITCHCRAFT AT THE HIGHEST DEGREE. Let me break it down. Travis Scott is a WITCH. The microphone is his wand. He is a (M.C.) (Master of ceremonies).   With his wand he uses his voice (frequency) to help bring in the energy needed to open the portal. He brings a crowd of 50 to 70 thousand people who are generating IMMENSE amounts of energy into a low vibration. Love is the highest. Aggression is the lowest. Then the design of his stage along with the lights become the sigil to help open the portal. Remember his stage was the symbol for alchemy? YOU can't see the portal. You just see a fancy light show. But those who are dying and their souls are separating from their bodies can. The only way a living person MAY see through the portal is if they had taken an Elixir like Ayahuasca. Do you ever wonder why all these "rappers" want to date the highest ranking Arminian witch family Kardashians? Could it be because they are witches? They do these kind of rituals behind closed doors all the time. What you saw was them coming out in the open. The goal for you is to pass on and move to a higher dimension. You are drawn to the heavens because that's where you came from. When you start gaining wealth, you start the search for immortality. Wealth is a drug that most refuse to part with.  So this is where satanism comes in. There's a theory of  reincarnation if you can create enough negative energy for yourself, you can weigh your soul back down. This is where the technology of transferring your consciousness back into another avatar has its place. You can see why we are at a cross roads of transhumanism and luciferienism. Some believe the elites WERE once humans and during the days of Atlantis that changed. Their technology hit a point they no longer needed human bodies. And they became the pinnacle of Transhuman. But no longer human. Something else. Maybe this is what "sanat kumara" is? A.K.A. Satan.
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19
You are not like the rain You never teased my skin Planting ideas in my head That grew roots in my heart The acid Dripping from your tongue, You burnt me. The storm raged The waters haven't calmed since. I felt love, I Feel love, I bleed hurt And long for a tsunami To sweep me from this nightmare. Come back Break my skin Please Show me what it feels like to love again. Let me dance in the toxicity And bathe in the poison Your scent Your fumes Paint Dirt Home A fresh rain falls I'm drawn back in Let me drown
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May 20, 2020
May 20, 2020 at 10:18 PM UTC
Scooter
I want to be your tattoo skin deep and meaningful a complicated design of interconnecting lines forming an image a symbol expressing an intimate part of you I want to be what you need passionate red for a setting sunset calming blue for a starry night invigorating yellow for a vibrant sunflower darkest black for the wisest quote always moving with you when you dance when you laugh when you cry But if regret comes to be I want to be your mistake covered up a hidden memoir of your past guiding your future an ink-stained lesson lingering curse but I will still be part of you
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Mar 13, 2020
Mar 13, 2020 at 2:33 PM UTC
Ink
Romance is a sweaty assembly line With shop talk and flying metal shards Cracked safety glasses and warning signs Hot oil, bolts and screws, and heat guards Romance is 12-hour long night shifts After 8 hours of class and study Stuck in a warehouse with men on forklifts And a redhead too shy to talk to me Romance is a bold negotiation Bargaining for his job next to her A week of cleaning his workstation A week to get her interest to spur Romance is a stupid expression A flower, chocolates and teddy bear In front of the guys, a bad decision Her running away, face as red as her hair Romance is a terrible movie She insisted I watch at her place A film - to this day - I’ve yet to see And, yet, its mention still makes my heart race Romance is losing yourself as you touch Fingers running softly through her long hair And feeling lucky she wants you so much Even after an ill-timed teddy bear
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Feb 23, 2020
Feb 23, 2020 at 2:02 PM UTC
Romance is a Sweaty Assembly Line
4 am Stumbling through the dark Wife needs the sleep Youngest daughter’s crying A blind diaper change Warming a bottle and falling on the couch Now 2-year-old’s crying on my hip Burp then back to the cradle Other daughter tucked in Suit tie briefcase keys 45-minute commute Bus duty for middle schooler Fights broken up graffiti foiled 90 students in 6 periods Grading lecturing consoling mediating After-school program Organizing monitoring guiding Long drive back Screaming kids tired wife Laundry dinner dishes Drive to part-time job Inventory customers cleaning up-selling Meeting with manager Numbers are down you might get fired Anxious anxious anxious anxious Clock out drive to class Parking running looking at watch 5 minutes late Where were you prof says The test has already started Scantron answer sheet Only a pen in my pocket Unbelievable he says With no pencil I have to fail you Consider this a lesson You need to grow up This is the real world
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Feb 11, 2020
Feb 11, 2020 at 10:28 AM UTC
Real World
Remember how we’d sneak out of the house? We hated the yelling and the crying Scrunched shoulders, tiptoeing off the porch They never noticed we weren’t there Such a dusty neighborhood No lines on the roads Tar-filled cracks hot and sticky to the touch Protruding grass a cooling reprieve We’d push each other and kick at our feet Toss pebbles at stop signs And walk on that broken wooden gate Outstretched arms to keep balance We had a ritual before bugging Grandma Through her side yard, to the levy Climbing the hill in our green-black stained sneakers Rolling down in an itchy flurry And at the end of our dizzying tumble Stood that venerable well Its stony visage stoic against the unkempt field The surrounding shoe-imprinted mud Reaching into our pockets, we’d pull out our coins The change from our school lunches The money we should “save,” we were told But, instead, we threw it into that well The well was dark, but I could hear the PLOP I’d imagine its decent; swaying through lingering blue Twirling and flipping, creating small whirlpools Then smacking the bottom with a resounding THUD Of course, we’d make our wish Never spoken, or else it wouldn’t come true You’d knowingly smile at me Your eyes filled with tears I went back to that old well… I followed our old path, down that cracked road Through Grandma’s abandoned side yard Up and over the levy; it was such a quick trip And there in the field was our old well Mud dried, the weather-beaten stones crumbling Tattered rope choked a bucket-less handle Insects oozed through rotting wood What had happened to our change? I peeked inside that dark, empty well And, there, at the bottom, rested our coins No blues, no twirling, no whirlpools Just our lunch money entombed with dirt
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Jan 24, 2020
Jan 24, 2020 at 1:10 PM UTC
Change
Remember how we’d sneak out of the house? We hated the yelling and the crying Scrunched shoulders, tiptoeing off the porch They never noticed we weren’t there Such a dusty neighborhood No lines on the roads Tar-filled cracks hot and sticky to the touch Protruding grass a cooling reprieve We’d push each other and kick at our feet Toss pebbles at stop signs And walk on that broken wooden gate Outstretched arms to keep balance We had a ritual before bugging Grandma Through her side yard, to the levy Climbing the hill in our green-black stained sneakers Rolling down in an itchy flurry And at the end of our dizzying tumble Stood that venerable well Its stony visage stoic against the unkempt field The surrounding shoe-imprinted mud Reaching into our pockets, we’d pull out our coins The change from our school lunches The money we should “save,” we were told But, instead, we threw it into that well The well was dark, but I could hear the PLOP I’d imagine its decent; swaying through lingering blue Twirling and flipping, creating small whirlpools Then smacking the bottom with a resounding THUD Of course, we’d make our wish Never spoken, or else it wouldn’t come true You’d knowingly smile at me Your eyes filled with tears I went back to that old well… I followed our old path, down that cracked road Through Grandma’s abandoned side yard Up and over the levy; it was such a quick trip And there in the field was our old well Mud dried, the weather-beaten stones crumbling Tattered rope choked a bucket-less handle Insects oozed through rotting wood What had happened to our change? I peeked inside that dark, empty well And, there, at the bottom, rested our coins No blues, no twirling, no whirlpools Just our lunch money entombed with dirt
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45
I I celebrate my pants, and sing my pants, And what I wear you shall wear, For every thread belonging to me as good belongs to you. II I saw the best pants of my generation destroyed by madness, bleaching faded skinny, dragging themselves through the crowded malls at noon looking for the perfect selfie, man-bunned hipsters burning for the contemporary digital connection to the social dynamo in the machinery of online relevance III Let us go Pants, you and I, With evening wash spread out against the sky Like a ghost dancing upon the breeze; Let us go, through certain half-full baskets, The smelly caskets Of unwashed trousers from one-week neglected hampers. IV Something there is that doesn't love my pants, That sends the frayed-torn-cuffs under it, And spills my muffin top in the sun; And makes love handles even two can hold to love. V I have stolen the pants that were in the dressing room and which you were probably wearing for a party Forgive me they were comfy so soft and so stylish VI Because I could not fit my Pants – I kindly split the Seam – The Problem is quite obvious – I need some stronger Jeans. VII The patterns on your pants    Could make a designer cry;    But I hung on to your stance:    Plaid boldly with tie-dye. VIII Call the maker of big pants, The fabulous one, and bid him zip In seamstress studs sumptuous sewing. IX What happens to lost pants?       Do they stiffen up       like paper as it dries?       Or do they balloon up —       and into the sky rise? X I bought some tremendous pants and held them beside the cart half off the hanger, with the hook fast in the belt loop around the waist. There was no fight. No one had fought at all. They hung a defeated weight, overlooked and spurned.
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Jan 13, 2020
Jan 13, 2020 at 4:51 PM UTC
Ten Ways of Looking at Pants
I I celebrate my pants, and sing my pants, And what I wear you shall wear, For every thread belonging to me as good belongs to you. II I saw the best pants of my generation destroyed by madness, bleaching faded skinny, dragging themselves through the crowded malls at noon looking for the perfect selfie, man-bunned hipsters burning for the contemporary digital connection to the social dynamo in the machinery of online relevance III Let us go Pants, you and I, With evening wash spread out against the sky Like a ghost dancing upon the breeze; Let us go, through certain half-full baskets, The smelly caskets Of unwashed trousers from one-week neglected hampers. IV Something there is that doesn't love my pants, That sends the frayed-torn-cuffs under it, And spills my muffin top in the sun; And makes love handles even two can hold to love. V I have stolen the pants that were in the dressing room and which you were probably wearing for a party Forgive me they were comfy so soft and so stylish VI Because I could not fit my Pants – I kindly split the Seam – The Problem is quite obvious – I need some stronger Jeans. VII The patterns on your pants    Could make a designer cry;    But I hung on to your stance:    Plaid boldly with tie-dye. VIII Call the maker of big pants, The fabulous one, and bid him zip In seamstress studs sumptuous sewing. IX What happens to lost pants?       Do they stiffen up       like paper as it dries?       Or do they balloon up —       and into the sky rise? X I bought some tremendous pants and held them beside the cart half off the hanger, with the hook fast in the belt loop around the waist. There was no fight. No one had fought at all. They hung a defeated weight, overlooked and spurned.
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62
Today we mourn the death of a clown. We adorn our fanciest makeup and brightest wigs. Our bowties spin and our rubber noses squeak, and the horns’ honks are very loud. From our tiny cars, we tumble and slip and dance and fall over our floppy shoes. We glide on banana peels and crash into whip-laden coconut cream pies. We wrestle to our seats. Pushing, shoving, eye-poking, seltzer spraying. Loud farts echo as whoopee cushions compress beneath our butts. The priest takes the alter, but a bull charges and chases him away. Replaced with a mime, the service finally begins. Pulling and pulling and pulling and pulling Handkerchiefs from our sleeves We wipe each other’s tears And flip over the casket So we can say Goodbye.
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Jan 10, 2020
Jan 10, 2020 at 4:02 PM UTC
Death of a Clown
My wife holds my hand tightly as we enter the tiny church The harsh odor of wet wool, cotton and dust fills the foyer The pews are full.  The signature book thick with names Sifting through, we find a seat as the dirge comes to a close The preacher is loud and sweaty and a distant cousin, I’m told His mud-brown suit and tie clash against the stage’s ornate bouquets He assures us there’s a heaven and that my grandfather was a good man His thick southern draw a slow assault; the eulogy, a battleground Stories are shared, and they are sweet. He paints a righteous man Hands are raised, amens shouted. A relative grips me hard and weeps In Jesus name, hallelujah, the lord giveth; the lord taketh away Bow your head in prayer, he says. Let us remember our brother And I remember. Images enter my head, and I clench my teeth The drunken fights with grandma, the hammer used to defend herself The scar on his palm, the knife mom drove through his calloused hand The dark coat closet, the sound of the lock his children heard, the cries The line to his casket is long. The sobs overpowering the morose hymn His children are lined next to him. My grandmother is holding his hand I lean in to see him one last time.  His red nose has vanished He smells of embalming fluid, and his shirt is wet with tears
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Jan 8, 2020
Jan 8, 2020 at 4:46 PM UTC
A Funeral in Southwest Ohio
Here you are, reading some book When you should be out there Playing football and eating ***** We got work to do You gotta move those shingles I gotta hammer those nails Don’t carry so much up the ladder at once You’ll wreck your back and slow me down I don’t want to be stuck here with you all day There you are, writing again You look so different with a pen in your hand Without packs of shingles on your shoulders I don’t understand why you do that You’re supposed to be a baseball star You’re supposed to win, make me proud You’re supposed to hate the ******* Crack jokes and laugh at the queers I just want to be proud of you Anyway, the last teardown left a huge mess Put down that pen, grab that pick, and get in my truck These shingles ain’t moving themselves
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Jan 5, 2020
Jan 5, 2020 at 2:27 PM UTC
The Roofer's Son
Laying among the brown and green and red its glassy eyes, faint and unfocused against heavy breathing Great job, my father’s knife unsheathes he pats me on the back, hard and so loud I must lean on my crossbow We carry it back to his truck a heavy mess, and it stinks we work together He tells me about his friends the people he spends all his time with how they all play Euchre I ask how to play. What is trump? He laughs. The weight shifts I’ve asked this so many times before With a wet thud, we throw it in his truck bed it hides beneath a tattered light blue tarp fastened with frayed bungee cords Driving, he talks about his softball team again and in his cracked rearview mirror the tarp lifts slightly, and I see its fat tongue My head turns. The tears are too warm I fall into my hands, cheeks swollen my father focuses on the road, hands gripping the wheel
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Jan 3, 2020
Jan 3, 2020 at 2:16 PM UTC
First ****
As the warm breeze brushes the palms. I feel my spirit rise. Time away reminds me of simplicity. Rejoicing in the moments we spend together fills my heart with peace and hope for the future times together. SP&DP
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Jul 29, 2019
Jul 29, 2019 at 2:39 PM UTC
Sunsets by the Atlantic
Ease yourself in up to your waist And grit your teeth against the cold. Take a slow step deeper with searching toes; Learn to wade again against the tide. I have always preferred the land; To stand where I can see a horizon's Distance and not risk being Enveloped by it. My risk was his wish underlined By a body of work. He's away now from a life Made up of **** ups, and break ups, And love, and changing lives.
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Oct 21, 2018
Oct 21, 2018 at 10:39 AM UTC
A Lake That Bears Your Name
so brave so thirsty so scott gimple as you boldly go declining the standard advice instead you can drink too much at the christmas party so brave so thirsty so about to bring up bill cosby to your co-worker's fat and loudly still racist husband as you sit near the nice black lady who works at the front desk, smiles at you every morning and orders all the good stuff for the breakroom
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Dec 12, 2017
Dec 12, 2017 at 3:22 AM UTC
"What good would it be, what good would it be if you could change every heartache that ran through your life and mine?"
There was a man with massive plans - he was going to change the world. He laid it all out, started his route, then remember he never began. His great great grandfather was shot and became martyr to the racism that's still alive. I watched a show with a ninja who killed for gold and i didn't care. I watched a show where a movie theater was shot and i got real scared. But just like the ninja i didn't believe - that could never happen to me. I whent to walmart to pick up some milk and saw a man with a gun to a head. They gave him the cash and whatever he wanted in hopes to not end up dead. I've lived in this town for nearly 18 years - born, raised, and lived. This is Belmont, the town i grew up. I could be on cnn.
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Sep 23, 2016
Sep 23, 2016 at 7:54 AM UTC
Belmont
Recently, I've come to think I have ADD Definitely, it's in the open, plain to see As a child I found life hell, The gears kept twisting, spouting some scandalous lies My mind just raced no matter what, Its true what they say, kids are mean, nasty, and cruel, If I could go back, I'd say "know your heart is true", I remember the Moose I saw, up in old Maine, We were all in a cabin, I loved the soft rain, Four generations, all as one, Lived simply together, I remember our song, We sung once when a fox poked up, Out of the brush, we hushed and cooed out of sight, And it stared with green eyes, and in there flared fiery fight, I can remember the beach my favorite time, I put my toes in cool sand, a feel that is sublime The sand was so white, It was just right for fireworks that starry night, I can't imagine, what would be better than warm water, Old Silver is a beach where I would stay for meditation Remembering the smell of the gross chemicals, I sprayed at an abandoned night club, stomach full, Of ***** I once stole, from the cupboard where I wasn't supposed to go, I could feel my soul, When I climbed onto the roof, I could feel the weight, When I sat on the edge, in front lay a beautiful city, ' Recently, I've come to think I have ADD Definitely, it's in the open, plain to see And to this day I find life hell, The gears kept twisting, spouting some scandalous lies My mind still races no matter what, Its true what they say, life is mean, nasty, and cruel, If I could go back, I'd say "know your heart is true",
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Dec 21, 2015
Dec 21, 2015 at 1:24 AM UTC
I Remember
Recently, I've come to think I have ADD Definitely, it's in the open, plain to see As a child I found life hell, The gears kept twisting, spouting some scandalous lies My mind just raced no matter what, Its true what they say, kids are mean, nasty, and cruel, If I could go back, I'd say "know your heart is true", I remember the Moose I saw, up in old Maine, We were all in a cabin, I loved the soft rain, Four generations, all as one, Lived simply together, I remember our song, We sung once when a fox poked up, Out of the brush, we hushed and cooed out of sight, And it stared with green eyes, and in there flared fiery fight, I can remember the beach my favorite time, I put my toes in cool sand, a feel that is sublime The sand was so white, It was just right for fireworks that starry night, I can't imagine, what would be better than warm water, Old Silver is a beach where I would stay for meditation Remembering the smell of the gross chemicals, I sprayed at an abandoned night club, stomach full, Of ***** I once stole, from the cupboard where I wasn't supposed to go, I could feel my soul, When I climbed onto the roof, I could feel the weight, When I sat on the edge, in front lay a beautiful city, ' Recently, I've come to think I have ADD Definitely, it's in the open, plain to see And to this day I find life hell, The gears kept twisting, spouting some scandalous lies My mind still races no matter what, Its true what they say, life is mean, nasty, and cruel, If I could go back, I'd say "know your heart is true",
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36
"Once again I can visit you old friend. What may I ask today, no more waiting, no delay. My hands tremble as I hold this book. Waiting for you, I need to look. My destiny is a sham in the eye's of reality. Now talk, before I bring myself to tragedy" "What is it you need to know? Time is not on my side, and like winds and birds I'll glide. Be wary, a question to me is a dangerous game The things I could say would drive you insane Be careful, don't break stride, it will break if you tell lies, And I will be gone, now that's a shanty strategy" "You have the information I want, we both know As you've been here before, I'm not daft Now when I ask I need you to speak nice and slow For I am young, still novice in craft There's a billion ways I could ask this sort of thing All I want to know is what the future will bring." "There is no way to say this easy to someone as dear as you. If you cannot change your ways much of your life is through There are thrills in the years to come, and obstacles you must overcome New faces to meet and new things that won't be undone But the one thing you need to understand about life All your days, from flowers to knife, you must not live in strife" 'That tells me nothing, my woes are stirred my anger flashing, my memories a blur I will fight you in years to come and we will see what can't be undone Like a bird I will fly far on and then I'll smile when you're gone" "Oh child you know nothing of life, I have seen it all that you may live, You're a fly, and I take this light, you bide my time, my journey is long, Now goodbye, a glimpse of the past, You've taught me life goes too fast"
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Oct 20, 2015
Oct 20, 2015 at 11:29 AM UTC
Conquer II
"Once again I can visit you old friend. What may I ask today, no more waiting, no delay. My hands tremble as I hold this book. Waiting for you, I need to look. My destiny is a sham in the eye's of reality. Now talk, before I bring myself to tragedy" "What is it you need to know? Time is not on my side, and like winds and birds I'll glide. Be wary, a question to me is a dangerous game The things I could say would drive you insane Be careful, don't break stride, it will break if you tell lies, And I will be gone, now that's a shanty strategy" "You have the information I want, we both know As you've been here before, I'm not daft Now when I ask I need you to speak nice and slow For I am young, still novice in craft There's a billion ways I could ask this sort of thing All I want to know is what the future will bring." "There is no way to say this easy to someone as dear as you. If you cannot change your ways much of your life is through There are thrills in the years to come, and obstacles you must overcome New faces to meet and new things that won't be undone But the one thing you need to understand about life All your days, from flowers to knife, you must not live in strife" 'That tells me nothing, my woes are stirred my anger flashing, my memories a blur I will fight you in years to come and we will see what can't be undone Like a bird I will fly far on and then I'll smile when you're gone" "Oh child you know nothing of life, I have seen it all that you may live, You're a fly, and I take this light, you bide my time, my journey is long, Now goodbye, a glimpse of the past, You've taught me life goes too fast"
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36
Break free from it's rain death to life, only life to gain, but both are the same
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Oct 8, 2015
Oct 8, 2015 at 4:41 PM UTC
Haiku 3
I hear echos but I can't see, I reach out and nothing is before me, Not friend, Nor nary a person Not a tree, nor wildlife is is here to meet, No stars, No sky, No hello's and no goodbye's, Oh dear god I think I can see, But in a non-existent silence I feel Nothing is there, the end of the deal, Nothing is aware, Then nothing can be real, Nothing makes space and time, reality. And you and I can question why, but minds together cannot even weather The rocks buried in our minds, It won't align but I can tug on the tether, Now I only have everything to find.
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Oct 1, 2015
Oct 1, 2015 at 2:20 PM UTC
Echoes
You will read a trillion words in your life time, so why say that you'll never love another book? F. Scott Fitzgerald once said you'll never know the same love twice, or something to that effect.
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Mar 17, 2015
Mar 17, 2015 at 9:47 PM UTC
On Books, Or Love (However You Take It)
She starred with Bogart, Douglas, and Victor Mature. The Smokey voiced blonde whose motives weren’t all pure, Lisabeth Scott was the last of her line; Femme Fatales of film Noir, you know her kind. In the forties and fifties she was in her prime. She was the subject of scandal of a ****** nature When the tabloids discovered that no man would date her. Like Garbo and Stanwyck, stars in their own stead Lisabeth preferred a brunette in her bed. For her men had their uses, Men had their places But she found herself drawn to soft feminine faces.
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Feb 8, 2015
Feb 8, 2015 at 7:12 PM UTC
Noir
the remains of a hope so deep inside reveal a lifetime of lies that was fed slowly and grown with an impossible precision by those silly mouth noises by lust-laced lies by bold faced betrayals of hearts and minds discover cathedrals astride genuine greed displaced by ***** deeds, any price is cheap when love like that is led over and over again to dead ends.
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Jul 23, 2014
Jul 23, 2014 at 11:02 PM UTC
Just in-cased
Any instance my eyes turn away from you don't conceive I've lost my affection I'm solely focused on things to come as we stare in the same direction Anytime I don't say how my love is don't allow your heartbeat to skip Some things are too grand to reveal as profound words escape my lips Nothing voices louder than our silence vacant phrases, yet souls defined Nothing could inspire my heart to quake more than your eyes looking up into mine Every time we're burdened with distance I embrace my pain of your presence missing Affirmation I've finally found the one no reluctance for our hearts giving I want every tomorrow holding you don't ask what tomorrow may hold We can grey and our bodies wither but "we" forever will never get old Scott Mitchell
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Jul 9, 2014
Jul 9, 2014 at 9:09 AM UTC
Subtle Quiescence