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#sac
though avast percentage of Stone Temple Pilots, she push peep pulls viz vernacular speaking population to most pious take as gospel every word in religious tomes their collective soul asylum polestar, and doth decree important doctrines with especial accord equal insignificance applied toward Judeo-Christian holidays across the board thus easter tis no exception to the golden rule, where santa claus reached an a chord follow auspicious signs alit in the night sky shaped like a drinking gourd perhaps amassing plentiful harvests upon hamlets strewn across ******** populated Earth asper cornucopia exhibited secret hoard sharing plentiful Horn (and Hard art learned lesson) to stave off barren ness, ignored going forward seeding nascent March Madness with help from Lord and Tailor as midwife hoot tended Ville Nova moored by Wildcat fanatics, who unbelievably espied heavens cleft asunder and golden rays poured while collective spectators loudly screamed akin to the soundgarden of ferocious cats roared witnessed history scored earning players knighted with Excalibur sword thence entire team handed Taj Mahal shaped award which aforementioned *** hide lacks, cuz zit happens tubby April Fool's joke thus above iterated verses somehow needs just a little bit of relevance to yoke thine admitted ambivalent reaction to sports, yea aye pay figurative **** hen to Rabbinic, generic fanatic primal tribal village people clan destine woke and swinging focus of this poem back toward Religious perp ported berth when (sans antiquity) trumpet signaled thus, any superstitions blew away dearth when distant shofar heard in every home and hearth anticipating arrival of the Easter Bunny, who brings mirth and hop poly distributes sweet treats, which children as grown adults, no matter necessity for teeth to be removed the sugary over indulgence wool worth today thee American Dental Association chastises candy manufacturers bandying more weight gaining deadly, debauched, and decadent, trait then adultery verboten fruit to sate hash-tagged reprobate.
0
Apr 1, 2018
Apr 1, 2018 at 8:06 PM UTC
Easter as interpreted by this atheist
though avast percentage of Stone Temple Pilots, she push peep pulls viz vernacular speaking population to most pious take as gospel every word in religious tomes their collective soul asylum polestar, and doth decree important doctrines with especial accord equal insignificance applied toward Judeo-Christian holidays across the board thus easter tis no exception to the golden rule, where santa claus reached an a chord follow auspicious signs alit in the night sky shaped like a drinking gourd perhaps amassing plentiful harvests upon hamlets strewn across ******** populated Earth asper cornucopia exhibited secret hoard sharing plentiful Horn (and Hard art learned lesson) to stave off barren ness, ignored going forward seeding nascent March Madness with help from Lord and Tailor as midwife hoot tended Ville Nova moored by Wildcat fanatics, who unbelievably espied heavens cleft asunder and golden rays poured while collective spectators loudly screamed akin to the soundgarden of ferocious cats roared witnessed history scored earning players knighted with Excalibur sword thence entire team handed Taj Mahal shaped award which aforementioned *** hide lacks, cuz zit happens tubby April Fool's joke thus above iterated verses somehow needs just a little bit of relevance to yoke thine admitted ambivalent reaction to sports, yea aye pay figurative **** hen to Rabbinic, generic fanatic primal tribal village people clan destine woke and swinging focus of this poem back toward Religious perp ported berth when (sans antiquity) trumpet signaled thus, any superstitions blew away dearth when distant shofar heard in every home and hearth anticipating arrival of the Easter Bunny, who brings mirth and hop poly distributes sweet treats, which children as grown adults, no matter necessity for teeth to be removed the sugary over indulgence wool worth today thee American Dental Association chastises candy manufacturers bandying more weight gaining deadly, debauched, and decadent, trait then adultery verboten fruit to sate hash-tagged reprobate.
Continue reading...
62
*“Sleep after toil, port after stormy seas, Ease after war, death after life does greatly please.”* —Edmund Spense |PART ONE| CUL DE SAC *Courtesy is informing The gardener he shall not Be needed next week As sometime before then You will fall suddenly dead* Like a blanket... Yes, like a blanket Or a shawl if you’ll have it— A sheet that whispers a weight Upon your shoulders that rise and fall And rise and roll and once more rise And collapse inevitable as relapse or vice, We arrived as the sun is Saying its final goodnights Life spends some empty Second inside your lungs And continues on its way, moving on Perhaps to resuscitate a Fading gunshot victim Or shake the hand of a minute As time ticks furiously by, A dog licks its teeth A few sorry times, tastes a residual piece Of something tasty he earned In his attempts to learn fully To roll over, He rolls over now and then for fun, In the disapproving face of the sun But it’s a different thing to roll Over at the command of your Master— He who is looking disapprovingly at the world, Disapproves of all of it But through a very small window He had not seen before About the size of an envelope It must have sneaked up on him Most of all he is bored, With packets of cigarettes, Lighting themselves each night in Spectacular repeats bright and brilliant Pyrotechnics of white-hot potential, You must shield your eyes, Master, Heed the warnings of the doctor when he says You are doing yourself no favours, Tempting yourself by leaving them Laying around in plain sight And...now and then, just now, and Just then he finished a whole one, Packet of twenty, and his reflection, Unshaven and puffy-faced in the Deep ocean of the bathroom mirror, Can’t look at him until morning, And morning is a long time away Meanwhile time is Blackening the dog’s sorry gums, It painted such dark spots on his Master's lungs                                               That he now coughs impatiently, The paint grips like superglue to The walls and though a full exhale could Betray their function for one, Deform their shape for two, Lungs so rarely tenderly embrace And now his face goes blue, And blue with many shades of blue, And a touch of the colour of the just-rising moon Nothing comes up... His diaphragm, taut, it stalls, Struck, retching, Everything slows Everything slows — stretches of sounds And moans echoing The sinister intent of Turpentine visions. Each bloodless Indecision You can see him doubled over By the window, even from here, And you’d think this bird will Succeed in catching his worm, Each slowed in turn, nothing changed, Bird was swooping long before the slowness came, Whatever happens, whatever happens... The dog sleeps whilst his ticking legs kick, But slower —   A fly is caught between The unaffected forefinger and Opportunist thumb Of a young girl who is well known, (She once squeezed a cat So tight that its insides Got all twisted and burst), She would not hurt a fly though Especially not this one It’s so lethargic, she thinks, How she blinks at normal speed— Immune somehow Other kids are told to keep away from her By their respective mothers Who’ve no respect for others you’ll see them goose-stepping down streets in stop-motion synchronicity These mums communicate by phone Hogging the lines and spitting malicious Rumours into the telephone wires, Such poison is said to excite cables Causing electrical fires and the Firemen here have been called out several times to find the same boy Of about ten, crying “Help! Pariah Dog!” He’s shouting it now, calling the emergency Services on a credit card phone And his pennies won’t take —So slow it’s hard to watch The bow that fastens the little Girl’s hair keeps falling down, She kicks it down the sleepy evening streets, Rumours cruelly spread of shadows Calling her to where the street sweepers are known Not ever to sweep Everything is slow, as before but Slightly more so, The Master’s contractions In such slow motion rhythm, You couldn’t recognise patterns or Repetitions with short-term memory but they’re rhythms of threes and fours but also nine over eight and Four-four straight, the Tempo is so slow it doesn’t register... Listen closely for a while though: Jazz is on the radio! The dog’s legs still kick as it sleeps As it dreams of jumping the garden gate, Even slower now, And life is longer now, In ways Of course we do not notice But the little girl, Returning home just before dark How will this affect her future? Time’s arrow The tragedy of its trajectory Leaves us in a state That is not worse off, But there is no help in this! Positivity does not come From the things which are simply Not negative And the worm In a slow motion crawl, Indignant, as the bird’s wings Cast long finger-like shadows That are shifting, flickering, Twitching near crisis point, Those last hundred-yards of the race Where lactic-acid-spasms Makes a mess of the atoms And slow-twitch fibres made of Matter once constituting A percentage of the mass Of a sabre-toothed tiger, Cowering in the cold, Feeling the pull of extinction Weighted eyelids, Mischievous hands tugging On the ears And polishing the fangs in museums It was ashamed, the atoms told us this But refused to declare a name for itself Or the beast Slinking and curling like a Shoe sole that bunches up The shoehorn is no good, Not a help, but to borrow Just one word of that line And introduce the trumpet, In its considerations of brass And blues It blows lipless fanfares for the Invertebrate class The worm, with frantic intent, In search of his hole in the ground, Profound effort, See the slinky worm speeding Across the lawn at the speed of a gravestone, The bird getting closer, In it’s time, It’s a fizz of radio waves With a fuzzy static outline, Popping grains and throbbing like Power surging through the telephone line, Where voices can be heard warning of high pressure With a fatalist sigh, and poor weather, A voice with a regional accent Sounding authoritative and wise Intensity in the eyes somehow I imagine, How we paint pictures of faces and people, The voices are so telling at times, You can hear whiskey-burns in the throat Saying things of the colour Of a nose, and sweet childlike lisps Suggest dungarees and freckles, And a gap between the front teeth, Why these? What prejudices Have slipped out weedily from An imagination that is surely Out-valued by its frame Of gold with wooden panels “PARIAH DOG!”.....
0
Jun 15, 2016
Jun 15, 2016 at 12:36 AM UTC
The Master's Lungs - Cul De Sac (1)
*“Sleep after toil, port after stormy seas, Ease after war, death after life does greatly please.”* —Edmund Spense |PART ONE| CUL DE SAC *Courtesy is informing The gardener he shall not Be needed next week As sometime before then You will fall suddenly dead* Like a blanket... Yes, like a blanket Or a shawl if you’ll have it— A sheet that whispers a weight Upon your shoulders that rise and fall And rise and roll and once more rise And collapse inevitable as relapse or vice, We arrived as the sun is Saying its final goodnights Life spends some empty Second inside your lungs And continues on its way, moving on Perhaps to resuscitate a Fading gunshot victim Or shake the hand of a minute As time ticks furiously by, A dog licks its teeth A few sorry times, tastes a residual piece Of something tasty he earned In his attempts to learn fully To roll over, He rolls over now and then for fun, In the disapproving face of the sun But it’s a different thing to roll Over at the command of your Master— He who is looking disapprovingly at the world, Disapproves of all of it But through a very small window He had not seen before About the size of an envelope It must have sneaked up on him Most of all he is bored, With packets of cigarettes, Lighting themselves each night in Spectacular repeats bright and brilliant Pyrotechnics of white-hot potential, You must shield your eyes, Master, Heed the warnings of the doctor when he says You are doing yourself no favours, Tempting yourself by leaving them Laying around in plain sight And...now and then, just now, and Just then he finished a whole one, Packet of twenty, and his reflection, Unshaven and puffy-faced in the Deep ocean of the bathroom mirror, Can’t look at him until morning, And morning is a long time away Meanwhile time is Blackening the dog’s sorry gums, It painted such dark spots on his Master's lungs                                               That he now coughs impatiently, The paint grips like superglue to The walls and though a full exhale could Betray their function for one, Deform their shape for two, Lungs so rarely tenderly embrace And now his face goes blue, And blue with many shades of blue, And a touch of the colour of the just-rising moon Nothing comes up... His diaphragm, taut, it stalls, Struck, retching, Everything slows Everything slows — stretches of sounds And moans echoing The sinister intent of Turpentine visions. Each bloodless Indecision You can see him doubled over By the window, even from here, And you’d think this bird will Succeed in catching his worm, Each slowed in turn, nothing changed, Bird was swooping long before the slowness came, Whatever happens, whatever happens... The dog sleeps whilst his ticking legs kick, But slower —   A fly is caught between The unaffected forefinger and Opportunist thumb Of a young girl who is well known, (She once squeezed a cat So tight that its insides Got all twisted and burst), She would not hurt a fly though Especially not this one It’s so lethargic, she thinks, How she blinks at normal speed— Immune somehow Other kids are told to keep away from her By their respective mothers Who’ve no respect for others you’ll see them goose-stepping down streets in stop-motion synchronicity These mums communicate by phone Hogging the lines and spitting malicious Rumours into the telephone wires, Such poison is said to excite cables Causing electrical fires and the Firemen here have been called out several times to find the same boy Of about ten, crying “Help! Pariah Dog!” He’s shouting it now, calling the emergency Services on a credit card phone And his pennies won’t take —So slow it’s hard to watch The bow that fastens the little Girl’s hair keeps falling down, She kicks it down the sleepy evening streets, Rumours cruelly spread of shadows Calling her to where the street sweepers are known Not ever to sweep Everything is slow, as before but Slightly more so, The Master’s contractions In such slow motion rhythm, You couldn’t recognise patterns or Repetitions with short-term memory but they’re rhythms of threes and fours but also nine over eight and Four-four straight, the Tempo is so slow it doesn’t register... Listen closely for a while though: Jazz is on the radio! The dog’s legs still kick as it sleeps As it dreams of jumping the garden gate, Even slower now, And life is longer now, In ways Of course we do not notice But the little girl, Returning home just before dark How will this affect her future? Time’s arrow The tragedy of its trajectory Leaves us in a state That is not worse off, But there is no help in this! Positivity does not come From the things which are simply Not negative And the worm In a slow motion crawl, Indignant, as the bird’s wings Cast long finger-like shadows That are shifting, flickering, Twitching near crisis point, Those last hundred-yards of the race Where lactic-acid-spasms Makes a mess of the atoms And slow-twitch fibres made of Matter once constituting A percentage of the mass Of a sabre-toothed tiger, Cowering in the cold, Feeling the pull of extinction Weighted eyelids, Mischievous hands tugging On the ears And polishing the fangs in museums It was ashamed, the atoms told us this But refused to declare a name for itself Or the beast Slinking and curling like a Shoe sole that bunches up The shoehorn is no good, Not a help, but to borrow Just one word of that line And introduce the trumpet, In its considerations of brass And blues It blows lipless fanfares for the Invertebrate class The worm, with frantic intent, In search of his hole in the ground, Profound effort, See the slinky worm speeding Across the lawn at the speed of a gravestone, The bird getting closer, In it’s time, It’s a fizz of radio waves With a fuzzy static outline, Popping grains and throbbing like Power surging through the telephone line, Where voices can be heard warning of high pressure With a fatalist sigh, and poor weather, A voice with a regional accent Sounding authoritative and wise Intensity in the eyes somehow I imagine, How we paint pictures of faces and people, The voices are so telling at times, You can hear whiskey-burns in the throat Saying things of the colour Of a nose, and sweet childlike lisps Suggest dungarees and freckles, And a gap between the front teeth, Why these? What prejudices Have slipped out weedily from An imagination that is surely Out-valued by its frame Of gold with wooden panels “PARIAH DOG!”.....
Continue reading...
216
O’Silky smooth ballsac Stuck to my leg Ever-presence defines manhood As tree defines fruit And as fruit defines tree. Ne'er such a sense Overwhelmed my hot-spot As this dangling (oval, skin and nerves of) Oily pouch I cream. Yet A line as destructive As the San Andreas Fault- O divine chafe You reduce me You erode me As if we rented ******* Bikes
0
Jul 26, 2015
Jul 26, 2015 at 6:44 AM UTC
Scrotal Wound
As we glide An incessant Kush Softens the grind Can I Sense your Soft Surface? Or Is it merely a reflection through this Blue, Quasi-chequered construction? I long to see as you see me: A dangling ******* Encompassed by a wide, Gasping mouth Gargling sac I will see you On the next train
0
Jul 24, 2015
Jul 24, 2015 at 1:35 PM UTC
The Smoothness of Those Two Trains Passing Each Other