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#recital
(this is another throw-back - a piece of writing, from high school, used in my Yale applications) I pound the pillow, curse the clock and mock injunctions to rest. The sun finally rises and its rays slantwise fall through the curtains as I dry my hair. A meal, like a forced dose, we soak ourselves in wasted, nervous time. Finally! We arrive at the competition... Tension is here and tireless pressure. The players waiting stiff as straw, tongues playing over dry lips. Teachers and coaches unapologetic in their pallor. Music drifts behind us and occasionally gasps, as imperfections play like daring circus tricks. The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince! Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there. On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me. At last, I sit before this odd Steinway music machine - my dearest mechanical friend. A tremble resisted - the reward of mortal afternoons - endless practices fruit. Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin. I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done. I stand, joyously, nearly crying.. The world hasn't ended. . . Songs for this: 12 Etudes, Op. 10: No. 4 in C-Sharp Minor by Vladimir Ashkenazy Part of Your World by Emile Pandolfi We gather together by Emile Pandolfi
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Nov 3, 2024
Nov 3, 2024 at 9:30 PM UTC
The Competition
(this is another throw-back - a piece of writing, from high school, used in my Yale applications) I pound the pillow, curse the clock and mock injunctions to rest. The sun finally rises and its rays slantwise fall through the curtains as I dry my hair. A meal, like a forced dose, we soak ourselves in wasted, nervous time. Finally! We arrive at the competition... Tension is here and tireless pressure. The players waiting stiff as straw, tongues playing over dry lips. Teachers and coaches unapologetic in their pallor. Music drifts behind us and occasionally gasps, as imperfections play like daring circus tricks. The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince! Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there. On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me. At last, I sit before this odd Steinway music machine - my dearest mechanical friend. A tremble resisted - the reward of mortal afternoons - endless practices fruit. Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin. I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done. I stand, joyously, nearly crying.. The world hasn't ended. . . Songs for this: 12 Etudes, Op. 10: No. 4 in C-Sharp Minor by Vladimir Ashkenazy Part of Your World by Emile Pandolfi We gather together by Emile Pandolfi
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a throng connect a noise abut frowns of disbelief that may rejoice here and swing to the beat with their sunny dispositions in the rain today that found these roots of yore notably sound
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Aug 12, 2018
Aug 12, 2018 at 7:30 AM UTC
Town
Lloyd packed away his viola. George was sitting holding his violin. "What does your mother make of you playing in the string quartet?" George said. "Mother thinks I should get a real job," Lloyd replied. "Doesn't she like music? I thought you brought her along when we played Beethoven's last string quartets?" George said. "She likes Welsh stuff and a bit of Elgar, and when I told her Beethoven wrote them when he was deaf, she said, it sounded like it,' Lloyd said. "So she didn't think much of it, then?' George said smiling. "No, and she said that woman on that big violin thing(cello), had her ******* showing when she leaned forward," Lloyd said. "Best not tell Margaret that," George said. Lloyd picked up his viola case and he George left the recital hall. He was seeing Margaret that evening while her husband was away, and they another sort of tune to play.
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Jul 14, 2018
Jul 14, 2018 at 4:10 PM UTC
After the Recital.
You are the drunk father at a ballet recital, Who falls off the stage after shaking everyone's hands. You are the body that brightens my life.
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May 13, 2018
May 13, 2018 at 12:12 PM UTC
Lemons
(Alt title: Colors That Will Mean Nothing) I am a Fauve My love of colors exist not in reality; a fraud but in a recital of never-ending silence Home and school, the grays of the abusive enigma, Outside under rule, the blacks of the abusive enigma, but the river- Oh, the river- Blue is not its only love, a reflection of the human emotions, place of a seeking Fauve, And in those waves- a peaclful notion, a boy with eyes closed. Escaping, escaping, reaching the bottom, a living manifesto, one that speaks from how blue the skin has gone, then purple, and finally, declining from the mindset of a Fauve, the boy has become colorless. And in this case, lifeless. - enriko eozyoh
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Dec 9, 2017
Dec 9, 2017 at 12:11 PM UTC
The Option To Covet or To Demean Colors
RETo exist, I shape my gloom, like... Cubes and Circles, forms of time A Frail stand, staunch fortress reflect I seek lone! steps take me further Stop... But, an ironic approach upon despair Replace my tears with shapes and fear Yet, life circulates inside my veins... My heart still beats... I blink, an image at a time... I blink, two shapes two deaths... . Whimpers "Surrender... It's over, reject your all" Stake, sanity, scratcHES! KeFUfFlES! ECHO, ECho, Echo, NUMB. Silence Darker hour, feel nothing Freed by slumber, from cumber Silence All plain and pacific, haven! No shapes, deaths nor hearts to ache Just life, staunch, replenishing from my tears Attained repose, as beneath He rot!
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Oct 26, 2017
Oct 26, 2017 at 5:43 PM UTC
SHAPES OF TRANQUILITY
We're back from dinner, and that piano recital she wanted to go see some pianist at some hall in the City playing Chopin and Ravel. She's unwrapping herself from the small coat she was wearing and puts it on a chair in our hotel room and stands there swaying some. Fingers, that pianist's fingers how they moved over the black and white keys, Abela says, she gestures with her fingers in mid air, didn't he play well? Yes he did, I say, watching her movement, best get you ready for bed. What bed already? why the night is young, she replies, get to bed yourself, I'm not ready for sleepy byes. She wanders drunkenly over to the window and stares out: what a fine night it is, she says. I walk over to her and stand nearby: bed is best for you, I say. What? O I see you want your *** don't you want your *** before I pass out. She turns and gazes at me: no I want you into bed so you don't fall down or sleep on the floor as you did the other night, I say. I didn't sleep on the floor, I slept in the bed, she says. She walks swaying to the bed and sits down: there you are, I’m on the bed, happy now Mr **** Man? She says, looking at me or past me. Sure, but into bed is best, I say. O Benny, you're such a worrier, here give me a kiss and then turn on that radio, I want music, she says. I kiss her, then go to the radio and switch it on, and Mahler come on his 5th symphony. O Mahler, she says, depressing **** here get me out of these clothes. I go to her and begin to unzip her dress and she sits there swaying. Haven't you unzipped me yet? God I never felt so useless. I take off the dress by lying her down and pulling the dress down over her feet, and she lies there ********* the air in a conductor pose, then I sit her up and put on her nightdress, a thin thing of blue and over her head and get her arms in and pull down. She just sits there and stares: what about my underclothes? Going to leave those on ? Don't you want them off? She says. If you want them off, I can, I say. She lies on the bed and gazes at the light shade a white thing gathering dust. I take off her underwear and get her into bed and her head on the pillow. There go to sleep, I say, I’ll sleep on the sofa, best that way, I say. Sleep alone then, lover boy, forget the *** she says. Her eyes close and I go to the sofa, trying to sleep, but only doze.
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Sep 13, 2016
Sep 13, 2016 at 6:50 AM UTC
AFTER THE RECITAL 1972.
We're back from dinner, and that piano recital she wanted to go see some pianist at some hall in the City playing Chopin and Ravel. She's unwrapping herself from the small coat she was wearing and puts it on a chair in our hotel room and stands there swaying some. Fingers, that pianist's fingers how they moved over the black and white keys, Abela says, she gestures with her fingers in mid air, didn't he play well? Yes he did, I say, watching her movement, best get you ready for bed. What bed already? why the night is young, she replies, get to bed yourself, I'm not ready for sleepy byes. She wanders drunkenly over to the window and stares out: what a fine night it is, she says. I walk over to her and stand nearby: bed is best for you, I say. What? O I see you want your *** don't you want your *** before I pass out. She turns and gazes at me: no I want you into bed so you don't fall down or sleep on the floor as you did the other night, I say. I didn't sleep on the floor, I slept in the bed, she says. She walks swaying to the bed and sits down: there you are, I’m on the bed, happy now Mr **** Man? She says, looking at me or past me. Sure, but into bed is best, I say. O Benny, you're such a worrier, here give me a kiss and then turn on that radio, I want music, she says. I kiss her, then go to the radio and switch it on, and Mahler come on his 5th symphony. O Mahler, she says, depressing **** here get me out of these clothes. I go to her and begin to unzip her dress and she sits there swaying. Haven't you unzipped me yet? God I never felt so useless. I take off the dress by lying her down and pulling the dress down over her feet, and she lies there ********* the air in a conductor pose, then I sit her up and put on her nightdress, a thin thing of blue and over her head and get her arms in and pull down. She just sits there and stares: what about my underclothes? Going to leave those on ? Don't you want them off? She says. If you want them off, I can, I say. She lies on the bed and gazes at the light shade a white thing gathering dust. I take off her underwear and get her into bed and her head on the pillow. There go to sleep, I say, I’ll sleep on the sofa, best that way, I say. Sleep alone then, lover boy, forget the *** she says. Her eyes close and I go to the sofa, trying to sleep, but only doze.
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