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#rapport
You're reaching the town I left at your incentive Your verb was a noun My verb an adjective I've built a rapport On breaking my own heart unprovoked You've built a house You lie in it and burn to dust
0
Feb 5, 2020
Feb 5, 2020 at 9:36 PM UTC
freestyle blabber #28
This is a quest for chicks of any age, How to meet a decent bloke on life's stage, Wouldn't have a clue, how to build a rapport, With someone sincere, who is not a dorb, We're all humans with feet of clay, Guess I won't meet one this way!
0
Jan 16, 2020
Jan 16, 2020 at 2:37 PM UTC
RAPPORT
Outside the sounds of gunfire are ringing through the night. This is wartime, and my partner just stepped on a landmine that blew him to bits. I had shifted just out of reach of the blast, and only caught some hot shrapnel in my arm. A bar, still intact, sat next to the blast site, so I ran inside as bullets poured down from the enemy’s higher ground. A plane overhead dropped a few bombs down onto their heads, and their building crumbled apart into a heap of rubble. Dust kicked up and swallowed up the street, swallowing sandbags and grenade craters and dead bodies. Some of it seeps into the bar through the bullet holes in the walls and windows. I scuttle over to the bar, throw my rifle on it and fall to the ground, slamming back against it. I flip my pack around, adjusting myself, and pull out a canteen of water and a can with some much needed carbohydrates and protein in it. Pulling my knife out of its sheaf, I sink it into the top of the can, and I twist and turn the blade until the top bends over, and scoop the food up with my ***** fingers. The water tastes good, the minerals swirling around as I swish it in my mouth. I finish my little meal, throw the can down, and stand up and walk around behind the bar. An old bottle of whiskey sits on the dusty shelf. I twist the top off and take a large swig. It’s rough and cheap and hits me hard. I take my jacket off, and unbutton and remove my shirt. I wipe dirt off a mirror on the shelf and cover the knife with whiskey, and look in the mirror as I sink my knife into the skin of my arm, twisting and turning until the shrapnel from the landmine pops out. My vision almost clouds up from the pain, but I remain determined until all the pieces are removed. I throw some whiskey on my wounds, grunting, and pull a bandage from my pack and wrap my arm with it, nice and tight. I button up my shirt and throw my jacket back on, and then I notice in the mirror someone sitting on a stool at the bar. I turn to see a small girl, a child, staring ahead with dead eyes, her mouth slightly agape. She’s covered in dirt, crusted onto her skin and red hair, and I can barely tell her dress is pink through all the gray. She’s looking at my chest, but I can tell she’s not really seeing me. There’s nothing in front of her, or around her. She hardly moves, only her shallow breaths making her back and chest slowly rise and fall. I look at her, wanting to say something, but can’t think of anything right. But I get an idea. I look beneath the bar and pull out two glasses. I wipe them out with a cloth, barely removing any dust, and place one in front of her and the other in front of me, and I grab the whiskey. I pour just a bit for her, not knowing how much her little body can take, and I fill mine nearly to the brim. I lift my glass up and grin, and she finally looks up at me. She looks down at her cup, picks it up, and looks back at me, and I ****** my glass towards her. She smiles as she understands, and we clink our glasses, like her mother and father must have. I throw mine back, and have to gasp and cough, but she sips hers slowly, only giving a slight sigh once she’s done. We lock eyes again, and hers are no longer dead, and she smiles a lovely smile, as if a stranger just gave her water in the desert. Gunfire erupts from a plane above, slipping some bullets in through the windows, and I hear a round ricochet off a table. Blood and brains coat the bar as her body is flung from the stool. I close my eyes. I wish I was in disbelief. Picking up my pack and my rifle, I walk around the bar to her. I move her mangled little body around until she’s flat on her back with her arms to her side. Her eyes are dead again, and I close them and cover them with a nickel and a penny, hoping that’s enough pay for the ferry. I move towards the backdoor of the bar, **** my rifle, and take a long, slow, deep breath. And then I kick the door down and go outside, once more into the fray. Once more into the war. Once more into Hell.
0
Aug 19, 2018
Aug 19, 2018 at 10:11 PM UTC
Once More into Hell
Outside the sounds of gunfire are ringing through the night. This is wartime, and my partner just stepped on a landmine that blew him to bits. I had shifted just out of reach of the blast, and only caught some hot shrapnel in my arm. A bar, still intact, sat next to the blast site, so I ran inside as bullets poured down from the enemy’s higher ground. A plane overhead dropped a few bombs down onto their heads, and their building crumbled apart into a heap of rubble. Dust kicked up and swallowed up the street, swallowing sandbags and grenade craters and dead bodies. Some of it seeps into the bar through the bullet holes in the walls and windows. I scuttle over to the bar, throw my rifle on it and fall to the ground, slamming back against it. I flip my pack around, adjusting myself, and pull out a canteen of water and a can with some much needed carbohydrates and protein in it. Pulling my knife out of its sheaf, I sink it into the top of the can, and I twist and turn the blade until the top bends over, and scoop the food up with my ***** fingers. The water tastes good, the minerals swirling around as I swish it in my mouth. I finish my little meal, throw the can down, and stand up and walk around behind the bar. An old bottle of whiskey sits on the dusty shelf. I twist the top off and take a large swig. It’s rough and cheap and hits me hard. I take my jacket off, and unbutton and remove my shirt. I wipe dirt off a mirror on the shelf and cover the knife with whiskey, and look in the mirror as I sink my knife into the skin of my arm, twisting and turning until the shrapnel from the landmine pops out. My vision almost clouds up from the pain, but I remain determined until all the pieces are removed. I throw some whiskey on my wounds, grunting, and pull a bandage from my pack and wrap my arm with it, nice and tight. I button up my shirt and throw my jacket back on, and then I notice in the mirror someone sitting on a stool at the bar. I turn to see a small girl, a child, staring ahead with dead eyes, her mouth slightly agape. She’s covered in dirt, crusted onto her skin and red hair, and I can barely tell her dress is pink through all the gray. She’s looking at my chest, but I can tell she’s not really seeing me. There’s nothing in front of her, or around her. She hardly moves, only her shallow breaths making her back and chest slowly rise and fall. I look at her, wanting to say something, but can’t think of anything right. But I get an idea. I look beneath the bar and pull out two glasses. I wipe them out with a cloth, barely removing any dust, and place one in front of her and the other in front of me, and I grab the whiskey. I pour just a bit for her, not knowing how much her little body can take, and I fill mine nearly to the brim. I lift my glass up and grin, and she finally looks up at me. She looks down at her cup, picks it up, and looks back at me, and I ****** my glass towards her. She smiles as she understands, and we clink our glasses, like her mother and father must have. I throw mine back, and have to gasp and cough, but she sips hers slowly, only giving a slight sigh once she’s done. We lock eyes again, and hers are no longer dead, and she smiles a lovely smile, as if a stranger just gave her water in the desert. Gunfire erupts from a plane above, slipping some bullets in through the windows, and I hear a round ricochet off a table. Blood and brains coat the bar as her body is flung from the stool. I close my eyes. I wish I was in disbelief. Picking up my pack and my rifle, I walk around the bar to her. I move her mangled little body around until she’s flat on her back with her arms to her side. Her eyes are dead again, and I close them and cover them with a nickel and a penny, hoping that’s enough pay for the ferry. I move towards the backdoor of the bar, **** my rifle, and take a long, slow, deep breath. And then I kick the door down and go outside, once more into the fray. Once more into the war. Once more into Hell.
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126
For the low low price of just being within' earshot, the conversation analyst will run a full diagnostic on your conversation. You know how that perfect comeback feels, three weeks after You didn't say it? In training, representatives for Inbound sales listen to recordings of their own phone calls and critique them like Art majors in a studio class. Our conversation analyst. Looks at you like a shoe on the wall. Unlike the psychology major, the conversation analyst will never share his results. He'll just judge you. Silently. He doesn't speak. His fourth grade english teacher taught him that the carpenters house is never finished. She was referring to her husband, the carpenter, not finishing the renovations on their new home, but the conversation analyst heard it as a metaphor, and adopted it as a universal truth. Much like a painting controls the path your eye travels the canvas, or the scientific process that goes into composing music, the way you build rapport is one of those things that people don't realize can be an art form until they wittness it professionally. Our conversation analyst considers himself Socio-passionate. Which amuses him, when he deducts points from your conversation for not empathizing correctly. Or not giving effective compliments by asking a relevant question afterwards. The conversation analyst is not always mute. On special occasions such as first impressions he is a fine conversationalist. You can meet the conversation analyst for the first time, as many times as you want. If the carpenters house is never finished. The conversation analyst exemplar at listening, Will never hear you.
0
Feb 5, 2018
Feb 5, 2018 at 6:26 PM UTC
Conversation Analyst
For the low low price of just being within' earshot, the conversation analyst will run a full diagnostic on your conversation. You know how that perfect comeback feels, three weeks after You didn't say it? In training, representatives for Inbound sales listen to recordings of their own phone calls and critique them like Art majors in a studio class. Our conversation analyst. Looks at you like a shoe on the wall. Unlike the psychology major, the conversation analyst will never share his results. He'll just judge you. Silently. He doesn't speak. His fourth grade english teacher taught him that the carpenters house is never finished. She was referring to her husband, the carpenter, not finishing the renovations on their new home, but the conversation analyst heard it as a metaphor, and adopted it as a universal truth. Much like a painting controls the path your eye travels the canvas, or the scientific process that goes into composing music, the way you build rapport is one of those things that people don't realize can be an art form until they wittness it professionally. Our conversation analyst considers himself Socio-passionate. Which amuses him, when he deducts points from your conversation for not empathizing correctly. Or not giving effective compliments by asking a relevant question afterwards. The conversation analyst is not always mute. On special occasions such as first impressions he is a fine conversationalist. You can meet the conversation analyst for the first time, as many times as you want. If the carpenters house is never finished. The conversation analyst exemplar at listening, Will never hear you.
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25