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#pygmalion
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
Galatea
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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45
Once again I am captured Struck by the rose, enraptured by the thorn. I see your reflection in ivory paper, and the crown of your sweet head like a blanket of fallen snow. Does it matter, I wonder, if you were truly alive or truly living? For in these pages I can see your image as truly as if it were a branding in my head. The gentle slope of your shoulders, the dark and twisted curls- Now see, you begin to see her too- the small & delicate hands, with crooked ring fingers, the intuitive eyes. And perhaps if I call Aphrodite, down from the sea foam and have her fair lips kiss these words, I can have you materialize in my breath and echo into my arms, a statue no more. Or perhaps I will lie a fool my thumbs and forefingers obscured by ink and your skin that of clay detached and resolute.
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Dec 27, 2020
Dec 27, 2020 at 2:09 PM UTC
Galatea: She Who is Ivory
pink plush lips against my clavicle breathe into me a life that i never knew before you
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Oct 16, 2020
Oct 16, 2020 at 12:38 AM UTC
pygmalion
We dance on the glass prisms Below us burns the fire The flick of a romance or love on the edge A half open door...death or life? I never understand the world The reality where we live It's like a crooked satire or a hallucination of walking bodies Before they have erased all memories Of their own faces. But those who deny forgetting their own faces And look at the mirror every day, See age crawling through the naked bodies A man and a woman in bed..then their warm skin at midnight on the brink of extinguished immortality. Poetry comes to me in those moments Of laughter, of a feeling after love making An emptiness, a desolation yet hunger for everything That is when beyond our dreams our shadow comes and dance On the prisms. Like Pygmalion, I create my own woman of beauty in silence.
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Jun 5, 2020
Jun 5, 2020 at 10:46 AM UTC
Pygmalion (Courtsey : Bernard Shaw)
she awakes. her ballerina toes are poised, her nose is scrunched - she is – what’s the word – alive. her powder fingertips crease mechanically like a hydraulic press. she has a beating chest with the calibration of cast iron. her feet can climb Mount Olympus and higher. she is limber. she is – what’s the word – living. her name is – her skin has the swirl of a gleaming cantilever. her head teeters. she is speechless. her lips are soft, her hands touch her face like it is a monument, like she is a strawman. is she a – her spine has a curve, she can bend into geometric shapes, her arms are straight but they encircle her. galatea. he whispers her name to her. or maybe he names her. she can choose a name herself, maybe. she is – what’s the word – a woman. her hair can swim through the air, her curls have strands that brush her cheeks and her cheeks can color in the blank space left behind by words. galatea, she whispers. her tongue clambers in her mouth, for some purchase, for some worthy noise. she searches herself for a – what’s the word – idea. you are mine, galatea, he says. i made you. do not be afraid. i will bathe you, dress you, anoint you. i will worship you, and i will save you. he caresses her hand. her palms are dry as sandpaper. she is – what’s the word – her eyes have the shutter frequency of a lens. she bends. she is awake. she does not remember a before. she does not remember a maker. she hasn’t yet made any mistakes. her name is galatea but she is no longer milk-white. he says, you are my wife. she says, i am alive. he says, i gave you life. she says, yes, you are right. you gave me life, and i won’t return it because you gave it, because it’s mine.
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Mar 18, 2020
Mar 18, 2020 at 12:53 PM UTC
the statue
she awakes. her ballerina toes are poised, her nose is scrunched - she is – what’s the word – alive. her powder fingertips crease mechanically like a hydraulic press. she has a beating chest with the calibration of cast iron. her feet can climb Mount Olympus and higher. she is limber. she is – what’s the word – living. her name is – her skin has the swirl of a gleaming cantilever. her head teeters. she is speechless. her lips are soft, her hands touch her face like it is a monument, like she is a strawman. is she a – her spine has a curve, she can bend into geometric shapes, her arms are straight but they encircle her. galatea. he whispers her name to her. or maybe he names her. she can choose a name herself, maybe. she is – what’s the word – a woman. her hair can swim through the air, her curls have strands that brush her cheeks and her cheeks can color in the blank space left behind by words. galatea, she whispers. her tongue clambers in her mouth, for some purchase, for some worthy noise. she searches herself for a – what’s the word – idea. you are mine, galatea, he says. i made you. do not be afraid. i will bathe you, dress you, anoint you. i will worship you, and i will save you. he caresses her hand. her palms are dry as sandpaper. she is – what’s the word – her eyes have the shutter frequency of a lens. she bends. she is awake. she does not remember a before. she does not remember a maker. she hasn’t yet made any mistakes. her name is galatea but she is no longer milk-white. he says, you are my wife. she says, i am alive. he says, i gave you life. she says, yes, you are right. you gave me life, and i won’t return it because you gave it, because it’s mine.
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51
Sometimes when I close my eyes I swear I can see you Someone that makes my heart beat wildly That gives me shivers of warmth and love down my spine But all I have ever witnessed Has been in my mind's eyes I want to believe you are real Not just a figment of my lonely imagination I want to believe you are out there Picturing me in your mind Filled with wonder seeing my smile and my eyes Yet I somehow feel you are my Pygmalion A stone cold picturesque image of longing That I cling onto in the long dark nights Waiting for the gods above to come down And move your stone cold visage of my mind Into the soft warm flesh of reality I want to say I look forward to meeting you And I hope one day I do And I will sing my praises up to the sky Up to the gods Who granted me my greatest joy My greatest creation My Pygmalion
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Feb 4, 2020
Feb 4, 2020 at 10:27 AM UTC
My Pygmalion
She was a numinous beauty of eclectic ideals, body tall and slender, skin pale and smooth. She was…… My work of art She was everything a fool could want for but She was hard and unfeeling her body marble cold She was held aloft, aloof from this world Her eyes vacuous, vapid, and gray. But I liked her that way She was My perfect perfidy, My big **** you to the gods She made me a faithless man as I lost sight of all but her
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Mar 9, 2019
Mar 9, 2019 at 3:46 PM UTC
When a fool falls
#I have drank the philters of the oceans inside the notches of your sculpted bust chiseled to perfection by my minds notion immortal beauty to never crumble to dust Skin of ivory with curves carved by a god my little ivory girl how my fire burns breathless, stiff, and lifeless left me aw'd a singular lonely lover forever yearns Just one kiss to those stone cold lips just one before I visit in my dreams my lips upon yours, hands on hips how you look while the moon beams lighting your lovely void face The lips how they grow so warm! Your arms how they tightly embrace! By the gods, a living art form to forever love in this dark place#
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Aug 22, 2018
Aug 22, 2018 at 11:38 AM UTC
Pygmalion
And did you dare to think for even a moment that I was your private Pygmalion? Reality: Unmoldable because I won't take shape. You cannot claim me or tame me. I belong to no mortal man. [: I belong to no one. I belong to myself. :]
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May 9, 2017
May 9, 2017 at 6:54 PM UTC
I Am Nobody
Laid waste the beauty of ancient sites Where wisdom laments its ancient demise. The human spirit had once taken flight Out of dark mists and out of disguise. Paradise found just beyond their reach. Friendship feigned as in unwitting Troy. Pygmalion's ideal crumbled within the breech. Pure knowledge strangled by treacherous ploy. Yet wisdom still beckons beneath this frost. Rumblings felt faintly in purer souls. Vowed in blood to regain paradise lost. Worlds sacrificed for one small foothold. Beauty from ashes of ancient sites. In spirit in heart once again taking flight.
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Feb 8, 2017
Feb 8, 2017 at 11:38 AM UTC
Wasteland Triumphant
I'm looking for a hailstorm to run blindfolded through For the sake of refief A psychosomatic firing squad to save me from this six by three square feet of dirt that you have left me I now drag behind myself I have taken this earth and sculpted it in your likeness I am Pygmalion praying to the moon for love but instead I get rain and as the picture of Her and perfect summers falls apart like mud through my finger I clasp and grasp and gasp and when the rain stops I am left on my knees in the mud praying with open hands my skin is baptized so clean my scars shine Now as the pieces of a heart are returned to us twisted and unwanted and rearranged like a Rubix cube by the hands of past lovers who we knew too fast and promised so much but didn't care enough to figure out our combinations or to hold the secrets contained or the dreams cradled in this human-sized box I guess no one thought to tell them that if you plan to be a past lover return what you have found just as you have found it and walk backwards that the image of you walking away from me may not haunt me in the mornings and I can make believe you are returning to me at night but even the stars rearrange themselves destiny can be rewritten let what remains of my days be it's pages in an infinite number of realities I am still happy with you in an infinite number of realities I am tragic without you but in this reality I may be happy without you I'm kicking open my wardrobe and cleaning it out of all the shadows I'm putting on a new jacket, a new hat but I'm keeping my old shoes for I will not forsake the path all the roads that once only led to you now lead from you thank you for the detour I'm looking for new hands to run through forests with new arms in which to build a home in a girl to jump on bed sheets with and a shoe box in an attic to bury you in For this heart will grow and one day I will see through an unbroken stained-glass window you were just another piece of me
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Jan 16, 2016
Jan 16, 2016 at 4:50 PM UTC
Detour
I'm looking for a hailstorm to run blindfolded through For the sake of refief A psychosomatic firing squad to save me from this six by three square feet of dirt that you have left me I now drag behind myself I have taken this earth and sculpted it in your likeness I am Pygmalion praying to the moon for love but instead I get rain and as the picture of Her and perfect summers falls apart like mud through my finger I clasp and grasp and gasp and when the rain stops I am left on my knees in the mud praying with open hands my skin is baptized so clean my scars shine Now as the pieces of a heart are returned to us twisted and unwanted and rearranged like a Rubix cube by the hands of past lovers who we knew too fast and promised so much but didn't care enough to figure out our combinations or to hold the secrets contained or the dreams cradled in this human-sized box I guess no one thought to tell them that if you plan to be a past lover return what you have found just as you have found it and walk backwards that the image of you walking away from me may not haunt me in the mornings and I can make believe you are returning to me at night but even the stars rearrange themselves destiny can be rewritten let what remains of my days be it's pages in an infinite number of realities I am still happy with you in an infinite number of realities I am tragic without you but in this reality I may be happy without you I'm kicking open my wardrobe and cleaning it out of all the shadows I'm putting on a new jacket, a new hat but I'm keeping my old shoes for I will not forsake the path all the roads that once only led to you now lead from you thank you for the detour I'm looking for new hands to run through forests with new arms in which to build a home in a girl to jump on bed sheets with and a shoe box in an attic to bury you in For this heart will grow and one day I will see through an unbroken stained-glass window you were just another piece of me
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49
dear . . . sweetie, the projections of your essence is the type to cook up a future of you; of the home you call your heart, or how you let it spill across the metal table, just to knead it back together to construct wholesome smiles. yours is the form of communication i've never known, a presence that haunts me - as the scent of your perfume lingers at the back of my tongue as i taste a sweet fruit, or how your stories speak to me as my eyes trickle such mundane appliances around me. you have taken not my heart, nor my soul. you have extracted from me fragments of my time; where i find myself caught in the air, mystically hearing the songs that were stuck in my head when i first met you. you are the soundtrack to my little death. you are always right in the corner of my mind, just as i want to see you: half-baked, smirking, and vulnerable.
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May 17, 2016
May 17, 2016 at 3:50 PM UTC
pâte sucreé