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#plath
reading plath, i wondered — must every poem bleed from a broken heart? or do some verses bloom for the bright and the unbroken — for flowers that know they will wither or be plucked, yet still sing softly of the sun that once held them, and the wind that called their name
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Oct 10, 2025
Oct 10, 2025 at 7:19 AM UTC
Do All Poems Bleed?
8th grade I read you— suicidal Plath— in front of my class. "Edge" was the poem. "Lady Lazarus" would've fit you better. Funny, how when you unraveled, blonde hair, hazel-eye, stripes on your thighs, I heard the same cry and turned away, because I hated the color red. Clinical depression, what a joke. Pills, razors, approaching finale. And I, merciless beast, ignorer of tears covered my eyes. Ignorance is **** it's real warm, and hey, You gave me a bracelet last year (I've given you nothing.) Don't die on me now, okay?
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Jul 26, 2025
Jul 26, 2025 at 12:37 PM UTC
Sylvia Plath . 2
They say I am like her, and her, but that is blasphemous, backhanded as my sorrow must bleed through. Cannot make it pretty, there is no way to make it tender. Cannot wish it into a petal, a leaf, there is no way to warm the sun. They say I am like her, but she is in the dirt buried by her own hands- and her hands too! She cried straight into the crypt. Diagnosed with the disease of death. Do they also say they hope I end like her, or her, too?
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Sep 21, 2024
Sep 21, 2024 at 1:44 PM UTC
Sylvia Sexton.
Perhaps the best of me is behind beyond that point of irreversibility a beacon of inevitability and it serves as such I am no longer shiny or shocking or new a brown paper bag crumpled and creased milk that sours and curdles a homesick orphan a lamb on its back and I will always be a child I will always be a child I will always be a child Love contorts me I curve and twist and grow larger and wider I am a flesh ball a blush balloon punctured by a mere prick I am sensitive tuned too tight like my Grandmother’s piano but it was the first I ever played so no other sounds right and I tell my first love the same thing I am entropy the blaze of a sun a deity of delusion a fickle fig (pick, peel, devour) I am a tear in your jeans a loose thread a love-sick sack a daughter (and some days, a mother) I am tin teeth a blade in your belly a hive in your head a feeble fawn (a black bull) I am an amalgamation of deficiency and divinity coarse and common as coal I am the sun the nether the shade under the rock I am nothing nothing at all
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May 10, 2024
May 10, 2024 at 7:18 PM UTC
I am what I am and what am I?
~ *She stands on the roof of the world, a ship in a bottle. She likes to wave at passing boats, inviting 120 volts to raise their sails. Words unbosomed -- her attempt of blotting out the sun and those bloodletting habits. Her eyelids say, "Only the disquieting muses have time for me." So she writes like an umbrella, shading reality; remembering pluck and luck stories about bumblebees, lovingly wrapped in Tiffany-blue ribbon and paper. Father used to solve her every contemplation. Now indecisiveness in what she asks. Now indecisiveness in arbitrary tasks. And she and her negative capability are the last two awake at a slumber party, giving commonplace words the allure of secrecy. You see, she is only harmless when she sleeps.* ~
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Dec 9, 2023
Dec 9, 2023 at 7:49 PM UTC
Pieces of Sylvia
These days I’ve been looking to the past, to all the women before me. The revolutionaries whose words helped shape the way I see the world; the way I see nature; the way I see simple, ordinary pleasures of life become extraordinary. These days I let my pen flow freely across the page. I look to all the women before me for guidance because I find myself afraid to speak my own truth. They teach me with words how to live presently, never looking back because there’s no room for mistakes to reside here. These days we’re on a first name basis. With wide-eyed clarity, all the women before me allow a short glimpse of them as they once were: bright young things full of hope with a cigarette loosely balanced between faded red lips and hands that move deftly over a typewriter. The room is filled with cigarette smoke and incense. I can almost smell it now but the vision is gone with the wind. These days I seek out: Zelda; Sylvia; Anne; Emily; Joan; Virginia. To all the women before me, I have found you. They’re no longer a black and white still photograph or a short film reel. In those moments, they stay forever young etched in time from decades ago. These days I welcome you all in my waking dreams. To all the women before me, you are not lingering ghosts being passed by unseen. You are not remembered for how you left this earth but for how, after all this time, you still remain unchanging.
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Oct 24, 2023
Oct 24, 2023 at 10:50 AM UTC
To all the women before me
i feel like sylvia plath, or james dean when he said “live fast, die young, and leave behind a beautiful corpse.” except he didn’t say that. but sylvia plath was volatile to her mind and a tortured soul. the carbon monoxide filled her soul, just as the misery fills mine. the burning desire to exit, to end it. the desire to burn the fires inside my mind. the poetic way of james dean, and sylvia plath lives in my veins and feels like a raging fire that cannot be tamed.
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Apr 24, 2022
Apr 24, 2022 at 10:45 AM UTC
burning desires
In response to Edge by Sylvia Plath "The moon has nothing to be sad about, Staring from her hood of bone. She is used to this sort of thing. Her blacks crackle and drag." -Edge by Sylvia Plath The night drips on and on As they all just watch. Wonder what got her so far- What's got her in knots. This is how they wanted her, No denying that now. Perfection in her silence, Her last breath, Her broken vow. The moon has nothing to be sad about. She looks down on her with apathy, Just another face in the crowd- They watch her as she scorches it All to the ground. Her body a vessel for pain and for persons, Her mind gone numb from being treated so worthless. The moon- Having seen this all before, Illuminates the horror within that small home Staring from her hood of bone. Although not new, It is still tragic- To see such a woman drained of all her magic. To have once brought life, The same that she has taken, And now on her kitchen floor they all lie Naked. The moon just sends them back To the roots of being- for She is used to this sort of thing. Life here on earth feels particularly brutal, Like there is no escape And to dream of such would be futile. Don’t let it get you down, For it is truly just womanhood, You belong to the silence- To the frowns. So tightly sew that pretty mouth shut, Sworn to be either dead or gagged- Her blacks crackle and drag.
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Apr 4, 2022
Apr 4, 2022 at 12:33 AM UTC
A Glosa For Sylvia Plath
I am tired, and I am tired of making it beautiful. Petals flung over the edge do not soften the fall. Adjectives do not halt decay. Spinning corpses in sugar is a sticky, pointless ordeal. If I let the moonlight paint me in all her violet shades they begin to look more like bruises. A single star, a gunshot wound. I think about how small I must look from all the way up there. I think about how I won’t live past twenty. It’s such a dramatic scene, a fanciful notion ripped from the history books by a girl who doesn't know how she’ll fit into them. There was one like her before, who dug her palms into the rails and stared out at her burning Versailles, and she wondered how it could be so cold when there was so much light. Another kisses her daughter and son’s shining cheeks goodnight, sits on the tiled floor of the kitchen with her head in the oven. There was the one who painted and broke, loved and broke, painted and loved and shattered and broke. The other flies all her life and goes down at Howland, sinks for its remainder. All of them, statues with shards of rose colored glass transfixed in their eyeball sockets. Maybe we were made to be romantic and lovely and tragic. Maybe we have no choice but to carry these diamonds and bleed from the backs of our ankles, streak the pavement rose red. Maybe we were destined to scar everything we touch, for what is beauty without pain? I’ll paint my nails and bite them to the beds, I’ll **** boys who are cruel by design. I’ll spin endless corpses, spin relentless circles in this frigid corner of mine.
0
Jan 10, 2022
Jan 10, 2022 at 2:22 PM UTC
You're Beautiful When You Cry
I am tired, and I am tired of making it beautiful. Petals flung over the edge do not soften the fall. Adjectives do not halt decay. Spinning corpses in sugar is a sticky, pointless ordeal. If I let the moonlight paint me in all her violet shades they begin to look more like bruises. A single star, a gunshot wound. I think about how small I must look from all the way up there. I think about how I won’t live past twenty. It’s such a dramatic scene, a fanciful notion ripped from the history books by a girl who doesn't know how she’ll fit into them. There was one like her before, who dug her palms into the rails and stared out at her burning Versailles, and she wondered how it could be so cold when there was so much light. Another kisses her daughter and son’s shining cheeks goodnight, sits on the tiled floor of the kitchen with her head in the oven. There was the one who painted and broke, loved and broke, painted and loved and shattered and broke. The other flies all her life and goes down at Howland, sinks for its remainder. All of them, statues with shards of rose colored glass transfixed in their eyeball sockets. Maybe we were made to be romantic and lovely and tragic. Maybe we have no choice but to carry these diamonds and bleed from the backs of our ankles, streak the pavement rose red. Maybe we were destined to scar everything we touch, for what is beauty without pain? I’ll paint my nails and bite them to the beds, I’ll **** boys who are cruel by design. I’ll spin endless corpses, spin relentless circles in this frigid corner of mine.
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4
The first thing I see when I pull out the top drawer was the diagnosis. Meds, there you go it pretty much said that. I wondered about all the creative people doing some remarkable things, creating and being alive. Except they all one day killed themselves. Van Gogh stood in the overgrown field before he shot himself. Sylvia Plath knelt down and stuck her head in the oven. Virginia Woolf grazed the smooth peebles, thinking about what she would write about those peebles, Only to shove them in her pockets and drown in the Ouse river. Nearly everyday, I tell myself I want to be a writer, or an artist- Both, actually. That’s all I ever wanted to be, but the fear of spiraling, and becoming them Is deeply disturbing. Yet, I craved for this life, To paint, and create stories with a dash of madness They all did likewise.
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Mar 31, 2021
Mar 31, 2021 at 3:04 PM UTC
[morbid artistry]
Each dull wheeze — half-glass-filling lungs, tarred — records my moments like reel-to-reel tape And the heart is a quivering branch If not a paperweight Pinning will and testament to the desk That plastic wine “glass” turned out to be glass after all My woman throws me punches with the gentle touch — all the virility — of a little, lonely, old man feeding bread to ducks Then goes to work on the meat of her hand with the glass Damages the nerves in her thumb tussle ensues My arms are covered in blood That two-penny copper smell sister’s fella has anger issues and wants a straightener Tells me I need a job — Is this not work? If I had Molly’s blessing I’d go to work on this son of a ***** But she’s crying And begs me not to Begs him to calm down I wanted to widow her Her And my bleeding wife
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Jan 17, 2021
Jan 17, 2021 at 9:29 AM UTC
and so I spent the last few days of the year like this...
It is day one and I am alone in a hollow shell with you, in the dark and our breathing turns into short bursts of longing. I let my fingers trace the god I found shaped like you and our eyes meet in the heavy darkness along with our hands, arms, legs, and lips I slip into the hollow shell we made with twists and curves like a nautilus- your sheets are the ocean tossed gently around us loving is an art, and I do it well to the point where I do not want to live tomorrow. But it is day two and I am dead without you
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Dec 29, 2020
Dec 29, 2020 at 4:14 AM UTC
lady leucadian
There are nights when I run out of flesh, of skin and bones to melt, to offer, to fill this glaring pit, now just a rusting can of worms There are nights when my soul wraps itself in silken ribbons and velvet gowns slipping slowly off this skin: a striptease for death; maybe more. There are nights when my soul waits, stills in a corner and readies itself for Plath to collect. Get it all out now — the linen is too short, the myrrh, too little for the allusions and all these twisted laments. This wake is good for just one tragedy. Get it all out — the obvious references, the tributes to another poet, who killed herself — get it all out, little girl. There is no room for two in a coffin in a world where Lady Lazarus dies and stays dead.
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Jul 23, 2020
Jul 23, 2020 at 11:00 PM UTC
Eleventh Time
i wanna dive head first into a map of the night skies trapped inside our four-walled room; maybe this is where black holes go to die and they can all stare back at me — swallowing a chaos of sobs and a chaos of all your favorite songs; regardless, i’ll dive into the night skies, or what it used to be and name these stars – the ones that remain anyway, after you. after me. after us; at least they take a long time to die – long enough for flowers to droop and fall apart on weeds and lonely epitaphs. and dear, i hope heaven is holding you closer than i could ever had; tell me, did you, like sylvia write suicide notes and call them poetry? and god do i hope that heaven is holding you so close, you forget all of the world’s sadness you once took for your own. out here, the calendula falls and my eyes mourn over petal-covered graves poems cannot hope to beautify.
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Jul 9, 2020
Jul 9, 2020 at 7:59 PM UTC
clarisse
I am Sylvia Plath and decide to commit a suicide Before night, before midnight, before any incident spoils my intention that goes totally upward, or any single communication proves it is life: generally moves on haphazard, neither do I want be introduced as a horrible criminal never been merciful to grandiose thought in keeping self magnified or words very elegance. Away… don’t look at me in this way since reality is so horrified, since I’m a goddess with only one eye lying beside the lake and playing with water flowing on the line of the green jungle what we call it life to shot the fingers on heavenly drops and sing the song of eternity to confess: I’m not as honest as other gods attached to the mirror of the wall with four eyes to reflect the realities of people of come and go, creating flickering and shaking atmosphere over my sights that makes me semi- blind when three other eyes remaining behind the mirror and one eye -goddess is not trustworthy enough in exposing the murmurings of the woman reposing on river side in pledge of tuning the song of solitude with silent outcry: La La La *** La La La *** La La La *** My Love: How creative you are, not cruel at all, just very creative in exploring the long distance between doves of love and very cunning in employing people to excavate a chasm of agony, torturer and blood between you and I… I’ me Sylvia Plath and decide to commit a suicide, before maroon crimson night, before children know what their mother really decide, before horrible fish rises abruptly inward to devour my heart or demolish all my beauties of ladylike in shadow of your last statement warned me “ for what you are still in dark?” Dark! What a brilliant statement in the first and last and lost time, on duration of nights insomnia or feeling nausea when autumnal rain attacked the yellow red leaves to fall to forecast that unity is so far. When nights’ owl very kindly repeats your heart dark…dark…when the mirror broken, eyes spatter on all over the world, god and goddess remain eye less, completely blind, and our last reminder…your last medal on my heart still dark. I am Sylvia Plath and decide to commit a suicide.
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Jun 14, 2020
Jun 14, 2020 at 4:02 AM UTC
I am Sylvia Plath and Decide to Commit a Suicide
I am Sylvia Plath and decide to commit a suicide Before night, before midnight, before any incident spoils my intention that goes totally upward, or any single communication proves it is life: generally moves on haphazard, neither do I want be introduced as a horrible criminal never been merciful to grandiose thought in keeping self magnified or words very elegance. Away… don’t look at me in this way since reality is so horrified, since I’m a goddess with only one eye lying beside the lake and playing with water flowing on the line of the green jungle what we call it life to shot the fingers on heavenly drops and sing the song of eternity to confess: I’m not as honest as other gods attached to the mirror of the wall with four eyes to reflect the realities of people of come and go, creating flickering and shaking atmosphere over my sights that makes me semi- blind when three other eyes remaining behind the mirror and one eye -goddess is not trustworthy enough in exposing the murmurings of the woman reposing on river side in pledge of tuning the song of solitude with silent outcry: La La La *** La La La *** La La La *** My Love: How creative you are, not cruel at all, just very creative in exploring the long distance between doves of love and very cunning in employing people to excavate a chasm of agony, torturer and blood between you and I… I’ me Sylvia Plath and decide to commit a suicide, before maroon crimson night, before children know what their mother really decide, before horrible fish rises abruptly inward to devour my heart or demolish all my beauties of ladylike in shadow of your last statement warned me “ for what you are still in dark?” Dark! What a brilliant statement in the first and last and lost time, on duration of nights insomnia or feeling nausea when autumnal rain attacked the yellow red leaves to fall to forecast that unity is so far. When nights’ owl very kindly repeats your heart dark…dark…when the mirror broken, eyes spatter on all over the world, god and goddess remain eye less, completely blind, and our last reminder…your last medal on my heart still dark. I am Sylvia Plath and decide to commit a suicide.
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7
Sylvia didn't waste time She kept time In a bell jar On her nightstand Next to the blissfully whirling blackness of eternal oblivion All in the hopes it might one day grow wings And lift her beyond the owl's talons clenching her heart
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May 2, 2020
May 2, 2020 at 2:20 PM UTC
Reconsidering Sylvia
I do not know her name For she said she did not have one I know not where she come For she said she was from nowhere I met Her at the carnival she was at the Funhouse her clothes did not match And her tangled golden hair reached her waist what caught my attention was the balloon A color I’d never seen before Drawn in, I followed her inside She was humming She carried herself as a traveler passing through each moment Even as we were going up steps, It felt as though we were getting deeper The lights were dimming The noise was fading It was me and her We entered the hall of mirrors when she began to laugh Reaching painful tones Her balloon popped And with a smile on her face She turned around She looked at me with her empty sockets And said, “Is it not funny to you? Mirrors all around me And I still can not see who I am!”
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Apr 15, 2020
Apr 15, 2020 at 12:05 AM UTC
The enchanting enchanted enchantress
Have you ever heard the sound of nothing? A desolating sunbeam hitting the ground Each individual on the hunt for something Yet, nothing can be found. The trees feel lonely, They meet the sky for a chat. They beg for money, But the sky gets nothing back. Together, the world turns grey. The smell of death starts to cover the streets While they all stand and wait We just stay inside and try to fall asleep.
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Apr 12, 2020
Apr 12, 2020 at 6:57 PM UTC
Stay in
Zodiac signs have failed to tell of an epoch of limerence waiting ahead neither could a compass navigate a homesick constellation to its rightful cell and yet I travel, swim, and tread on a glimpse of you on a foreign thread on a beacon of fury to accommodate Epiphany emerged the world’s ablaze mnemonic particles floated again Astral projection took its toll your skin reached out and took the fall I oft hear sounds; my sonorous wails my sword-of-a-body and my serrated edges drove them away but there you were a scabbard of steel to engulf and congeal to hold and to heal Alpha Cephei has got nothing on you you became the star that ruled the Earth the right hand of the northern pole the right hand I chant my paean for you were 49 light years away until you adhered to my directions My roots will cease to loosen their grip on your light rays and elysian touch on what I crave, yearn, and long for you are the home that got me stuck and you are the space where I belong
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Mar 13, 2020
Mar 13, 2020 at 4:09 PM UTC
49 light years away
how wonderful is the essence of childhood innocence and naivety? children who question even the simplest daily tasks you complete so many times you’ve lost count make you wonder what it was like to complete the task for the first time. how wonderful is the simplicity in thinking, the yearning for knowledge that is yet to be obtained? the question as to why you drink coffee instead of a babyccino or wine over juice allows for our true motives to be exposed; for we do not always consciously choose coffee over babyccino. the idea, to an average adult, would be absurd! ‘me, an adult, drinking a babyccino? how childish.’ but why wouldn’t you choose babyccino over coffee? coffee makes grown ups shake and trip over their words, eyelids jammed open exposing their bloodshot soul. do we choose coffee for fear we’d be perceived as childlike if we’d have chosen babyccino? what is so terrifying about the ideology of childhood? why do we crave growing up so badly and with such haste? what is so shameful about the questioning of existence and looking knowledge in the eye, desperate to have the last word? why don’t we choose juice over wine? is the taste of sweet comfort too overbearing for your tongue? does the colour of orange juice remind you of wednesday mornings when you come downstairs, keen to work with jellybeans in maths as your teacher had promised you the day before? or maybe the coloured counters which had been stored away for a while because a classmate was caught trying to eat one.   the truth is, wine is bitter. no matter how refined your taste might be, there is an undeniable bitterness in wine which adults love to ponder, the same way they love to ponder over pessimistic news stories that are equally as bitter. they discuss the wine, using pretentious words to describe the undertones and how sensual it tastes, refusing to acknowledge the overt bitterness they are so eager to gobble up when they return to sobriety. ‘it’s too sweet,’ they’d shake their heads at the palm which offers apple juice, while eagerly smiling and nodding at the dark, tinted glass which induces headaches. how about the brittle roll of grey, tossed on our doorstep every morning? the one you ask me to fetch you in the youth of the day, when sparkling sun-rays dance on my face? what do you make of the fine print that tells you what is occurring on the side of the world submersed in slumber while you’re in your wake? what do you make of the numbers that tell you it’s warm outside? why not feel the warmth from the orange orb above yourself? why not dance under the small droplets of the ‘mist’ setting on your hose? and why do we lose ourselves to the pursuit of validation, to the judging eyes of the streetwalkers which our eyes never lasted more than a second on when we were younger? i now write as someone who is tired, ability to think in a childlike manner worn down heavily from the constant chafing of dawning adulthood. but i also write in the hope that small moments like these will recur, like clouds in the sky clearing momentarily for the sun to smile at me. though looking up i’m often met with a vast, grey face, i shall continue to smile at the silver wrinkles, engraved by years of laughter and juvenile innocence.
0
Mar 2, 2020
Mar 2, 2020 at 8:11 PM UTC
"and how will your night dances lose themselves?"
how wonderful is the essence of childhood innocence and naivety? children who question even the simplest daily tasks you complete so many times you’ve lost count make you wonder what it was like to complete the task for the first time. how wonderful is the simplicity in thinking, the yearning for knowledge that is yet to be obtained? the question as to why you drink coffee instead of a babyccino or wine over juice allows for our true motives to be exposed; for we do not always consciously choose coffee over babyccino. the idea, to an average adult, would be absurd! ‘me, an adult, drinking a babyccino? how childish.’ but why wouldn’t you choose babyccino over coffee? coffee makes grown ups shake and trip over their words, eyelids jammed open exposing their bloodshot soul. do we choose coffee for fear we’d be perceived as childlike if we’d have chosen babyccino? what is so terrifying about the ideology of childhood? why do we crave growing up so badly and with such haste? what is so shameful about the questioning of existence and looking knowledge in the eye, desperate to have the last word? why don’t we choose juice over wine? is the taste of sweet comfort too overbearing for your tongue? does the colour of orange juice remind you of wednesday mornings when you come downstairs, keen to work with jellybeans in maths as your teacher had promised you the day before? or maybe the coloured counters which had been stored away for a while because a classmate was caught trying to eat one.   the truth is, wine is bitter. no matter how refined your taste might be, there is an undeniable bitterness in wine which adults love to ponder, the same way they love to ponder over pessimistic news stories that are equally as bitter. they discuss the wine, using pretentious words to describe the undertones and how sensual it tastes, refusing to acknowledge the overt bitterness they are so eager to gobble up when they return to sobriety. ‘it’s too sweet,’ they’d shake their heads at the palm which offers apple juice, while eagerly smiling and nodding at the dark, tinted glass which induces headaches. how about the brittle roll of grey, tossed on our doorstep every morning? the one you ask me to fetch you in the youth of the day, when sparkling sun-rays dance on my face? what do you make of the fine print that tells you what is occurring on the side of the world submersed in slumber while you’re in your wake? what do you make of the numbers that tell you it’s warm outside? why not feel the warmth from the orange orb above yourself? why not dance under the small droplets of the ‘mist’ setting on your hose? and why do we lose ourselves to the pursuit of validation, to the judging eyes of the streetwalkers which our eyes never lasted more than a second on when we were younger? i now write as someone who is tired, ability to think in a childlike manner worn down heavily from the constant chafing of dawning adulthood. but i also write in the hope that small moments like these will recur, like clouds in the sky clearing momentarily for the sun to smile at me. though looking up i’m often met with a vast, grey face, i shall continue to smile at the silver wrinkles, engraved by years of laughter and juvenile innocence.
Continue reading...
17
If a ship is replaced piece by piece, part by part, It will eventually become an entirely new ship. Not a shred of the old one will remain, Except in memory. I have tried to die a thousand times. I think I’ve killed a piece of myself in each attempt. In theory, if I **** and rebuild myself piece by piece, part by part Eventually the “me” that is left will be entirely new. Sylvia Plath once said, “Dying is an art”; I wonder if I’m finally an artist.
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Feb 4, 2020
Feb 4, 2020 at 2:00 PM UTC
Ship of Theseus