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#plantation
it Is your turn write in the skies make the fireflies burn in a sparkling daylight the fireflies land on jaded plantations igniting them for starlight's doom smoky grasses breathe in the tree leaves suffocating it and blinding it out of danger a daylight star in a whirlwind rotates and the journey makes with a will of passion flowing from lava lakes now a dark and gloomy night makes the fear of darkness go bright as their flames turn into light our minds void lead to the mystical path separated into three different directions towards gates of relaxing, fright or depression wherever you walk you will regret and think you've chosen the wrong path
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Mar 26, 2021
Mar 26, 2021 at 7:38 AM UTC
A Daylight Star
In My House by Michael R. Burch When you were in my house you were not free— in chains bound. Manifest Destiny? I was wrong; my plantation burned to the ground. I was wrong. This is my song, this is my plea: I was wrong. When you are in my house, now, I am not free. I feel the song hurling itself back at me. We were wrong. This is my history. I feel my tongue stilting accordingly. We were wrong; brother, forgive me. Published by Black Medina. Keywords/Tags: racism, racist, slavery, chains, plantation, burned, house, free, freedom, history, forgive, forgiveness, brother, brotherhood, understanding, tolerance, equality, justice
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Apr 5, 2020
Apr 5, 2020 at 4:20 AM UTC
In My House
*             ***The                             arrival                     of                          monsoon, sprouting        begins on parched, deserted land and on the heart too......*** ♂♀
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Jul 11, 2019
Jul 11, 2019 at 3:20 AM UTC
Monsoon sprouts
Drop by drop, grain by grain, overnight the seeds of your love are growing inside my chest. They spread their roots throughout my veins and capillaries. But they don't know that, my poisonous blood enter into their meristem gradually. One day it will end them up with rotting roots and rusting leaves. when they fight to survive. Then please don't grieve yourself When you did know that- you planted on the moon's chest.
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Mar 14, 2018
Mar 14, 2018 at 10:14 PM UTC
Plantation on Moon's Chest
Right in the dead of a very cold winter When the tired slave's soul is ash gray And the cotton plantation becomes whiter , Begins a poor slave's hard working day . In Winter when the master makes a call This was every slave's worse nightmare It was time for his hard whips to fall insurmountable pains he couldn't bare . Snowballs are piled outside like cotton His Wounds hurts but as usual he's told Stay strong brother Kunta, just hold on Just Stay calm till the barn is closed . This is the mid of a cold bitter winter And the crow of a **** heralds a sad day A slave's prayer to God was a sad whisper He needed strength to get pass this day. follow me on twitter@ivanclappers
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Jan 3, 2018
Jan 3, 2018 at 7:47 PM UTC
A Slave's Soul In Winter
Carefree in leisure time, one blasé tourist, almost happy, I once had collected a complicated stone; after the sunny hours had ended and last opportunity for keepsakes began. In my hand the stone had kept all of its mouths sewn shut, holding its amalgamated story, and likewise in the car, on the plane, through US Customs where it was not in the least suspected. A thumbnail identity I now should guess at, marking an old date, and fixing it to, with reasonable estimate, a map location: Plot No. 243, East end of the island, slave sugar plantation, the stone from the corner of a ruined sugarmill stair— broken free by my criminal hand. The stone like a bleached out mini-monolith, square rectangular, could be stood on end; was swollen at its center like a pulled cork. What could have moved this sequestered world to opening? That was not for me to exactly discover, except what came on Christmas Day, two days after my returning. Slave watercourses, the sight of innumerable Dutch ships, ballasted with human flesh and hewn rock for sugar works buildings. The drop at-arms-swish of the Driver’s bullwhip. Flecks of spirit splayed on vegetation. A mongrel dog barked beyond the windless wall of sugarcane in centipede and mosquito heat. Seaside, beautiful seaside impressions; distant coral light shadows, etched deep azure; snowy colored breakers that pencil-marked the sea. The staid, vibrant, mocking power of visual symphony backdrop. So little of aid for the slaves, but for those dangerous secrets, un-housed in the fallen coolness of the night: demonstratively crystalline heaven of stars; a ragged moon, clouds scudding eastward toward Africa. And there -- Orion’s Belt, mid-sky, illustrious bright, with its three centering star points in rational line, as if Hope could have flung its anchor onto Life engendering sanctified resistance. Christmas morning, 5 a.m. I had awakened from a stuck place, shapeless and dark, half in dreaming and half knowing I was in no dream. I was sobbing, yet strangely, because there were no tears. I had only put the stone inside my pajama top onto my heart.
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Mar 28, 2016
Mar 28, 2016 at 5:59 PM UTC
Stone of St. Croix Island
Carefree in leisure time, one blasé tourist, almost happy, I once had collected a complicated stone; after the sunny hours had ended and last opportunity for keepsakes began. In my hand the stone had kept all of its mouths sewn shut, holding its amalgamated story, and likewise in the car, on the plane, through US Customs where it was not in the least suspected. A thumbnail identity I now should guess at, marking an old date, and fixing it to, with reasonable estimate, a map location: Plot No. 243, East end of the island, slave sugar plantation, the stone from the corner of a ruined sugarmill stair— broken free by my criminal hand. The stone like a bleached out mini-monolith, square rectangular, could be stood on end; was swollen at its center like a pulled cork. What could have moved this sequestered world to opening? That was not for me to exactly discover, except what came on Christmas Day, two days after my returning. Slave watercourses, the sight of innumerable Dutch ships, ballasted with human flesh and hewn rock for sugar works buildings. The drop at-arms-swish of the Driver’s bullwhip. Flecks of spirit splayed on vegetation. A mongrel dog barked beyond the windless wall of sugarcane in centipede and mosquito heat. Seaside, beautiful seaside impressions; distant coral light shadows, etched deep azure; snowy colored breakers that pencil-marked the sea. The staid, vibrant, mocking power of visual symphony backdrop. So little of aid for the slaves, but for those dangerous secrets, un-housed in the fallen coolness of the night: demonstratively crystalline heaven of stars; a ragged moon, clouds scudding eastward toward Africa. And there -- Orion’s Belt, mid-sky, illustrious bright, with its three centering star points in rational line, as if Hope could have flung its anchor onto Life engendering sanctified resistance. Christmas morning, 5 a.m. I had awakened from a stuck place, shapeless and dark, half in dreaming and half knowing I was in no dream. I was sobbing, yet strangely, because there were no tears. I had only put the stone inside my pajama top onto my heart.
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Your thoughts are kept warm And unwithered by the bedside Of an old tree with branches That I found growing In the valley of Our affection As I Plant  Spirit And vigor The seeds of  My smile Become one  With pure  Existence And the  Soil In our tree Every branch Finds a particular path In which to show An ancient age that  Time has passed on For us to share As new stems  Grow and Evolve A garden of light What a beautiful sight Pulsating and flourishing  As healthy leaves might Birds resting and nesting Befriending sunlight We are the story of life's Uncharted mystery Planted in the memory Of tomorrow's history And the plantation Of our heart's Crop  As we graze for days and days For many years to come We will harvest this Homestead in the Never ending Landscape Of our Love © tHE tERRY tREE
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Dec 5, 2014
Dec 5, 2014 at 6:25 PM UTC
Homestead