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#owen
"Cannons to the left of them, cannons to the right", The boy exhales deeply,twirling dust motes in the light. His pencil moves laboriously as his notes limp to the end, And he shifts back from his studies and grimaces at a friend. The girl gazing along the row admires his boyish face, The frown lines from thinking have left a shallow trace, So she whispers across to him that he needs to smile, And he grins at her and stretches, adds annotations to the pile. I observe him from the whiteboard, Feel a rush of maternal pride. Young, strong and full of hope, The world is open wide. Then emotion clutches at my throat, sins forefathers have done, A hundred years ago he'd have been, In the trenches with my son.
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Mar 26, 2018
Mar 26, 2018 at 6:50 AM UTC
'Dulce est decorum est' remains.
At Wilfred Owen’s Grave by Michael R. Burch A week before the Armistice, you died. They did not keep your heart like Livingstone’s, then plant your bones near Shakespeare’s. So you lie between two privates, sacrificed like Christ to politics, your poetry unknown except for that brief flurry’s: thirteen months with Gaukroger beside you in the trench, dismembered, as you babbled, as the stench of gangrene filled your nostrils, till you clenched your broken heart together and the fist began to pulse with life, so close to death. Or was it at Craiglockhart, in the care of “ergotherapists” that you sensed life is only in the work, and made despair a thing that Yeats despised, but also breath, a mouthful’s merest air, inspired less than wrested from you, and which we confess we only vaguely breathe: the troubled air that even Sassoon failed to share, because a man in pieces is not healed by gauze, and breath’s transparent, unless we believe the words are true despite their lack of weight and float to us like chlorine—scalding eyes, and lungs, and hearts. Your words revealed the fate of boys who retched up life here, gagged on lies. Published by The Chariton Review, The Neovictorian/Cochlea, Rogue Scholars, Romantics Quarterly, Mindful of Poetry, Famous Poets and Poems, Poetry Life & Times, Other Voices International Keywords/Tags: Wilfred, Owen, war, poem, trench, warfare, chlorine, gas, gangrene, armistice, ergotherapists, Craiglockhart, Sassoon, Yeats, honor, lies, gag, gagged, gagging, death, grave, funeral, elegy, eulogy, tribute, World War I
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Mar 19, 2020
Mar 19, 2020 at 3:42 AM UTC
At Wilfred Owen’s Grave
At Wilfred Owen’s Grave by Michael R. Burch A week before the Armistice, you died. They did not keep your heart like Livingstone’s, then plant your bones near Shakespeare’s. So you lie between two privates, sacrificed like Christ to politics, your poetry unknown except for that brief flurry’s: thirteen months with Gaukroger beside you in the trench, dismembered, as you babbled, as the stench of gangrene filled your nostrils, till you clenched your broken heart together and the fist began to pulse with life, so close to death. Or was it at Craiglockhart, in the care of “ergotherapists” that you sensed life is only in the work, and made despair a thing that Yeats despised, but also breath, a mouthful’s merest air, inspired less than wrested from you, and which we confess we only vaguely breathe: the troubled air that even Sassoon failed to share, because a man in pieces is not healed by gauze, and breath’s transparent, unless we believe the words are true despite their lack of weight and float to us like chlorine—scalding eyes, and lungs, and hearts. Your words revealed the fate of boys who retched up life here, gagged on lies. Published by The Chariton Review, The Neovictorian/Cochlea, Rogue Scholars, Romantics Quarterly, Mindful of Poetry, Famous Poets and Poems, Poetry Life & Times, Other Voices International Keywords/Tags: Wilfred, Owen, war, poem, trench, warfare, chlorine, gas, gangrene, armistice, ergotherapists, Craiglockhart, Sassoon, Yeats, honor, lies, gag, gagged, gagging, death, grave, funeral, elegy, eulogy, tribute, World War I
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