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#oranges
i asked you to save me for eighty, but i’m looking at the calendar today and realizing it was never actually about you. i was just counting the weeks it took to build a fortress out of my own wreckage. today is the eighty. and the math doesn't feel like a physical weight anymore— it feels like an acquittal. i spent two years watching boys like you fumble through the easy mechanics of consumption. i watched you reach for the cookies, the unwrapped things, the girls who treat your own dignity like a punchline because you were too lazy to peel something real, too terrified of a conversation that requires you to actually stand behind your words. you chose the convenient layout because you couldn't handle the heavy, jagged prose of a girl who demands substance. but the house has divided, and i’m not looking at your side of the floor anymore. i spent my first winter in a black-and-white pantsuit, learning that the room is full of hollow fronts. i learned that there are no inherently good people, only beautiful, desperate actions we choose to take. that i can only bleed so much onto someone else’s legal pad before my own rounds start running dry. i spent my first spring retreating into the static, learning that when the world get too loud, i shut down. i learned to bury my head in the music, i learned that i give too many chances, and that instead of fearing the gavel, i could become the force behind it. i spent this winter learning that the fear in my chest is just an echo of a round i already finished. i learned that when i care— i care deeply. but that not everyone deserves a seat in my chamber. if i have to choose myself first, and second, and third, and a hundred times over, it’s just reclaiming the keys to a kingdom i almost gave away. i spent this spring tracing the outline of my own shadow. i looked back through the ledger of every season i survived, and in the process of auditing the wreckage, i finally stumbled into my own core. the girl you met in that black-and-white suit was just playing at being grown. she stood at a plastic podium, arguing amendments, believing that passing a mock bill could change the world. she thought authority came from a title and a clean ballot. i know now that the chamber can't save anyone. the mock bills don't fix the broken things outside the glass. but i can. i change the world one real, messy action at a time. i change it in the margins, where the spotlight doesn't reach. it’s in one honest poem left on a classroom wall. it’s in one midnight letter sent to a boy who was drowning in his own silence. it’s in the quiet choices to stay real when everyone else is putting up fronts. all my little, insignificant motions on the floor— they add up to something heavy. it’s funny, isn't it? i used to check the room to see if i was allowed to breathe— now i just do it. i fake the confidence until the brass feels warm in my palm. i am flawed, and i am angry, and i am sad— but i am the one holding the ballot. i used to think the way i felt things was a liability. i spent years trying to harden the ink, trying to make my chest as clinical as the air in the chamber. but i was wrong. my empathy isn't a weakness. it is the asset that lets me see the people who are actually hurting, the ones who look up to the podium and just need someone to be strong. and the people who matter? they don't leave the argument on read. they don't show up only when the speaker points are convenient. they show up with hands ready to carry the weight they promised. they are the ones who write poetry into the margins of your life, the ones who look up at you and make you want to be stronger, the ones who believe in your solvency because their actions prove it, even when the ink bleeds. even the ones you didn't think were watching. let the critics dissect the cross-examination. i am letting go of the things beyond my control, reclaiming my jurisdiction, and embracing the linear regression of my own healing. so enjoy your crumbs and your second-hand sugar. i’m looking in the mirror today, and for the first time, the girl looking back at me is whole. she doesn't need you to save her an orange. she’s already eating it.
0
May 16
May 16, 2026 at 11:34 AM UTC
the math of the 80
i asked you to save me for eighty, but i’m looking at the calendar today and realizing it was never actually about you. i was just counting the weeks it took to build a fortress out of my own wreckage. today is the eighty. and the math doesn't feel like a physical weight anymore— it feels like an acquittal. i spent two years watching boys like you fumble through the easy mechanics of consumption. i watched you reach for the cookies, the unwrapped things, the girls who treat your own dignity like a punchline because you were too lazy to peel something real, too terrified of a conversation that requires you to actually stand behind your words. you chose the convenient layout because you couldn't handle the heavy, jagged prose of a girl who demands substance. but the house has divided, and i’m not looking at your side of the floor anymore. i spent my first winter in a black-and-white pantsuit, learning that the room is full of hollow fronts. i learned that there are no inherently good people, only beautiful, desperate actions we choose to take. that i can only bleed so much onto someone else’s legal pad before my own rounds start running dry. i spent my first spring retreating into the static, learning that when the world get too loud, i shut down. i learned to bury my head in the music, i learned that i give too many chances, and that instead of fearing the gavel, i could become the force behind it. i spent this winter learning that the fear in my chest is just an echo of a round i already finished. i learned that when i care— i care deeply. but that not everyone deserves a seat in my chamber. if i have to choose myself first, and second, and third, and a hundred times over, it’s just reclaiming the keys to a kingdom i almost gave away. i spent this spring tracing the outline of my own shadow. i looked back through the ledger of every season i survived, and in the process of auditing the wreckage, i finally stumbled into my own core. the girl you met in that black-and-white suit was just playing at being grown. she stood at a plastic podium, arguing amendments, believing that passing a mock bill could change the world. she thought authority came from a title and a clean ballot. i know now that the chamber can't save anyone. the mock bills don't fix the broken things outside the glass. but i can. i change the world one real, messy action at a time. i change it in the margins, where the spotlight doesn't reach. it’s in one honest poem left on a classroom wall. it’s in one midnight letter sent to a boy who was drowning in his own silence. it’s in the quiet choices to stay real when everyone else is putting up fronts. all my little, insignificant motions on the floor— they add up to something heavy. it’s funny, isn't it? i used to check the room to see if i was allowed to breathe— now i just do it. i fake the confidence until the brass feels warm in my palm. i am flawed, and i am angry, and i am sad— but i am the one holding the ballot. i used to think the way i felt things was a liability. i spent years trying to harden the ink, trying to make my chest as clinical as the air in the chamber. but i was wrong. my empathy isn't a weakness. it is the asset that lets me see the people who are actually hurting, the ones who look up to the podium and just need someone to be strong. and the people who matter? they don't leave the argument on read. they don't show up only when the speaker points are convenient. they show up with hands ready to carry the weight they promised. they are the ones who write poetry into the margins of your life, the ones who look up at you and make you want to be stronger, the ones who believe in your solvency because their actions prove it, even when the ink bleeds. even the ones you didn't think were watching. let the critics dissect the cross-examination. i am letting go of the things beyond my control, reclaiming my jurisdiction, and embracing the linear regression of my own healing. so enjoy your crumbs and your second-hand sugar. i’m looking in the mirror today, and for the first time, the girl looking back at me is whole. she doesn't need you to save her an orange. she’s already eating it.
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88
i know the floor is covered in my crumbs. i’m a mess of sugar and blue stains, a muffin that stayed in the heat until the edges turned sharp. i know i’m broken. i’ve seen the way i spill over, the way my "too much" leaves marks on the hands that try to hold me. i have a habit of hurting people just by existing in their space. i’m messy, i’m sticky, and i’m a disaster that no amount of sugar can actually fix. And i’m terrified of what i’ll do to you. i am the orange, and i know how the juice can sting. i know that to get to the center, you have to peel back the rind, and i’m scared that my bitterness will get under your fingernails and stay there until you don't recognize your own scent. And i'm terrified of what i'll do to you. i’m terrified that i’ll get my juice in your eyes and blind you until you start acting like me. i don’t want to split you. i don’t want to hear your voice start breaking because i’m too much of a "no-decision" to stay still. i don’t want to turn you into a script that i’ve already failed, forcing you to play a part that makes you look like a ghost. And i'm terrified of what i'll do to you. but if you’re already looking for the exit, if my voice is too loud and the forest is too dark, then i wish you would just go. don’t stand there in the doorway waiting for me to be less of a wreck. And i'm terrified of what i'll do to you. don’t wait for me to get better; we both know i’m a slow rot. if you have to leave, do it while your hands are still clean. don’t stay until the juice burns you, don’t stay until you’re just another ghost haunting my forest. if you’re going to walk, walk now, before i turn you into something as broken as i am. And i'm terrified of what i'll do to you. but i hope when you dream of me, i am only the sweetness— the part of the fruit that sustains, not the part that stings. i hope i don't rewire your frequency until you’re just another echo of my mess. i’m a disaster in a paper liner, but **** it, i love you... And i'm terrified of what i'll do to you. i’m archiving the syllables of my apologies before i even say them, praying that for once, the gavel falls in your favor. And i'm terrified of what i'll do to you. so i’m standing here, shaking, cupping the juice in my hands because i don’t want to spill it on you. my palms are stinging and my fingers are sticky with the mess of myself, but i’m white-knuckling the air. i’m already hurt, and i know you are too, but please— don't let me be the thing that turns you into a ghost
0
May 1
May 1, 2026 at 8:21 AM UTC
breaking the trophy
i know the floor is covered in my crumbs. i’m a mess of sugar and blue stains, a muffin that stayed in the heat until the edges turned sharp. i know i’m broken. i’ve seen the way i spill over, the way my "too much" leaves marks on the hands that try to hold me. i have a habit of hurting people just by existing in their space. i’m messy, i’m sticky, and i’m a disaster that no amount of sugar can actually fix. And i’m terrified of what i’ll do to you. i am the orange, and i know how the juice can sting. i know that to get to the center, you have to peel back the rind, and i’m scared that my bitterness will get under your fingernails and stay there until you don't recognize your own scent. And i'm terrified of what i'll do to you. i’m terrified that i’ll get my juice in your eyes and blind you until you start acting like me. i don’t want to split you. i don’t want to hear your voice start breaking because i’m too much of a "no-decision" to stay still. i don’t want to turn you into a script that i’ve already failed, forcing you to play a part that makes you look like a ghost. And i'm terrified of what i'll do to you. but if you’re already looking for the exit, if my voice is too loud and the forest is too dark, then i wish you would just go. don’t stand there in the doorway waiting for me to be less of a wreck. And i'm terrified of what i'll do to you. don’t wait for me to get better; we both know i’m a slow rot. if you have to leave, do it while your hands are still clean. don’t stay until the juice burns you, don’t stay until you’re just another ghost haunting my forest. if you’re going to walk, walk now, before i turn you into something as broken as i am. And i'm terrified of what i'll do to you. but i hope when you dream of me, i am only the sweetness— the part of the fruit that sustains, not the part that stings. i hope i don't rewire your frequency until you’re just another echo of my mess. i’m a disaster in a paper liner, but **** it, i love you... And i'm terrified of what i'll do to you. i’m archiving the syllables of my apologies before i even say them, praying that for once, the gavel falls in your favor. And i'm terrified of what i'll do to you. so i’m standing here, shaking, cupping the juice in my hands because i don’t want to spill it on you. my palms are stinging and my fingers are sticky with the mess of myself, but i’m white-knuckling the air. i’m already hurt, and i know you are too, but please— don't let me be the thing that turns you into a ghost
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67
he is trying to find a way to reach for me without getting his hands messy. he offers me a Cookie; a store-bought, plastic-wrapped gesture, shelf-stable and engineered to last without ever actually being fresh. he asks me about the places i’ve eaten, lowballing the conversation like he’s afraid that if we talk about the hunger, we’ll both realize he’s brought an empty plate. for the hundredth time, he asks for my schedule. it’s a safe rhythm, a ticking clock that keeps him from having to say anything real. he’s fumbling, and he knows it— tripping over the Unsalted ******* of his own words. it’s the "fine" answer to "how was your day," the dry, flavorless thing you eat when you’re too sick to handle the truth, or too afraid of the spice of a real choice. he’s standing in the room like Cotton Candy— huge, bright, and spinning gold. from a distance, he looks like a feast, a sugary promise of something sweet. but the second i try to take a bite, the second i lean in for the substance, he dissolves into pink air and hot breath. a fifteen-minute duet plot that vanishes on the tongue, leaving me with nothing but a sticky residue and the realization that i want substance. he’s playing it safe because he can’t handle the weight. he sees the legal pad in my lap and the gavel waiting in my hand, and he decides that the "nothing left" is easier to offer than the "too much." i gave him the floor. i asked for the Filibuster, for the messy, hour-long rambling of a boy who refuses to let the bill die. i wanted the frantic syllables, the desperate "don't leave," the loud, jagged truth that keeps the house on fire. but he wouldn't take the time i gave him. he just checked the clock and asked me what my monday looks like. but i am a Blueberry Muffin left on the counter, the sugar-crust waiting for a hand that actually wants to feel the heat. but i am an Orange. i am full of juice and sunlight and a brilliant, messy confession. i don't need a snack that won't spoil; i need someone who isn't afraid to get their fingers sticky. so keep your store-bought cookies. stay on the shelf where it’s safe. i’m done trying to find a meal in a man who is made of nothing but sugar-crust
0
Apr 29
Apr 29, 2026 at 9:02 PM UTC
A Boy with Sticky Fingers: the shelf-stable Filibuster (13)
he is trying to find a way to reach for me without getting his hands messy. he offers me a Cookie; a store-bought, plastic-wrapped gesture, shelf-stable and engineered to last without ever actually being fresh. he asks me about the places i’ve eaten, lowballing the conversation like he’s afraid that if we talk about the hunger, we’ll both realize he’s brought an empty plate. for the hundredth time, he asks for my schedule. it’s a safe rhythm, a ticking clock that keeps him from having to say anything real. he’s fumbling, and he knows it— tripping over the Unsalted ******* of his own words. it’s the "fine" answer to "how was your day," the dry, flavorless thing you eat when you’re too sick to handle the truth, or too afraid of the spice of a real choice. he’s standing in the room like Cotton Candy— huge, bright, and spinning gold. from a distance, he looks like a feast, a sugary promise of something sweet. but the second i try to take a bite, the second i lean in for the substance, he dissolves into pink air and hot breath. a fifteen-minute duet plot that vanishes on the tongue, leaving me with nothing but a sticky residue and the realization that i want substance. he’s playing it safe because he can’t handle the weight. he sees the legal pad in my lap and the gavel waiting in my hand, and he decides that the "nothing left" is easier to offer than the "too much." i gave him the floor. i asked for the Filibuster, for the messy, hour-long rambling of a boy who refuses to let the bill die. i wanted the frantic syllables, the desperate "don't leave," the loud, jagged truth that keeps the house on fire. but he wouldn't take the time i gave him. he just checked the clock and asked me what my monday looks like. but i am a Blueberry Muffin left on the counter, the sugar-crust waiting for a hand that actually wants to feel the heat. but i am an Orange. i am full of juice and sunlight and a brilliant, messy confession. i don't need a snack that won't spoil; i need someone who isn't afraid to get their fingers sticky. so keep your store-bought cookies. stay on the shelf where it’s safe. i’m done trying to find a meal in a man who is made of nothing but sugar-crust
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53
i am staring at the fruit bowl where the oranges are sitting like small, unlit lanterns. i know they are supposed to be gold. i know, theoretically, that if i broke the skin, the air would turn into a grove and the juice would run down my wrists like a messy, brilliant confession. but today, they are just weights. they are just spheres of a color i can see but cannot translate. it’s like i’ve lost the frequency for anything that isn't grey. i am so tired that my heart has gone into power-saver mode. it’s a safety protocol i didn't ask for— a rigid, internal six-minute limit that expired hours ago, leaving me in the digital silence of a round that won't end and a rebuttal i’m too heavy to write. i keep reaching for the "too much," the frantic, quiet beauty of the disaster, but the toggle is jammed. i am a blueberry muffin left on the counter after the cafe closes, wondering if the sugar-crust matters if there’s no one left to feel the warmth. it’s a terrifying kind of quiet. no gavel crack, no timer’s beep, just the static of a mind that’s archived the syllables but forgotten the meaning of the words. i’m sitting in the back of the room with a legal pad full of blank pages, waiting for the "out of time" to finally mean i can sleep. i want to want to peel the orange. i want to be the person who trips over their own grace and finds it funny. but the juice is locked behind the rind, and i’ve run out of ink, and my hands are too tired to hold anything that’s still hot. i'm just waiting for the light to come back so i can find the floor again.
0
Apr 21
Apr 21, 2026 at 7:38 PM UTC
locked behind the rind
i am staring at the fruit bowl where the oranges are sitting like small, unlit lanterns. i know they are supposed to be gold. i know, theoretically, that if i broke the skin, the air would turn into a grove and the juice would run down my wrists like a messy, brilliant confession. but today, they are just weights. they are just spheres of a color i can see but cannot translate. it’s like i’ve lost the frequency for anything that isn't grey. i am so tired that my heart has gone into power-saver mode. it’s a safety protocol i didn't ask for— a rigid, internal six-minute limit that expired hours ago, leaving me in the digital silence of a round that won't end and a rebuttal i’m too heavy to write. i keep reaching for the "too much," the frantic, quiet beauty of the disaster, but the toggle is jammed. i am a blueberry muffin left on the counter after the cafe closes, wondering if the sugar-crust matters if there’s no one left to feel the warmth. it’s a terrifying kind of quiet. no gavel crack, no timer’s beep, just the static of a mind that’s archived the syllables but forgotten the meaning of the words. i’m sitting in the back of the room with a legal pad full of blank pages, waiting for the "out of time" to finally mean i can sleep. i want to want to peel the orange. i want to be the person who trips over their own grace and finds it funny. but the juice is locked behind the rind, and i’ve run out of ink, and my hands are too tired to hold anything that’s still hot. i'm just waiting for the light to come back so i can find the floor again.
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48
i've spent so long being gravity, the one holding the corners of the tent down while the wind tried to take the whole show. i have been the stagehand, the shield, and the shadow, but tomorrow, i am the one who walks out before the house lights even dim. it’s not a retreat; it’s a release. i am peeling my fingers back from the doorframe because i’ve realized that if i have to shrink just to fit in the hallway, then maybe the hallway was never meant for me to walk. i see the way the air shifts when i enter- the subtle tightening of shoulders, the averted gazes, the way the conversations stop, the way the laughter rounds its edges until it is safe and small and polite. i am tired of being the reason the room holds its breath. so, tomorrow, i will take my final bow to an audience of ghosts and good intentions. i will bow to the version of me that thought if i just held my breath long enough, the room would finally find a place for my lungs. i will bow to the empty chairs where the people who used to love me sat before they learned that the truth is a jagged thing to hold. i’ll leave my keys on the hook, and remove my name from every roster, and i'll leave the space i occupied like a heavy coat that everyone is tired of carrying. they'll call it "quitting," but it feels more like an exhale. i'm giving you back your perimeter. i'm giving you back the ease of a Tuesday where you don’t have to wonder where to put your eyes when I walk in. "you're leaving a gap," they'll say, but they don't see that the gap is where the light gets in. it's the space where you can finally stretch without bumping into the jagged parts of our history. my chest is still tight with the impact- the old dents from the bullets i caught for her- but i don't need a stage to carry them anymore. i can carry them home. i can carry them into a silence that doesn't demand I explain why i’m bleeding on the carpet. i am stepping out of the frame so the picture can finally look the way you want it to. no more glitch, no more smoke. just the cheap, plastic gold you’ve been polishing, uninterrupted by the girl who saw the cracks. i’ll keep the memories of the work, but i am handing you back the scissors now- it's no longer my job to decide where we end. you take the blades, and you do the work of the parting. cut the tie, clear the air, give them to someone you actually care about, and enjoy the room i’ve emptied for you. it was always about her. and if her world is bigger without me in it, then this is the last gift I have to give. the curtain is down, the lights are out, and the exit is the only part of the play i get to write for myself.
0
Apr 17
Apr 17, 2026 at 10:06 AM UTC
the sour parts of you: the final bow (9)
i've spent so long being gravity, the one holding the corners of the tent down while the wind tried to take the whole show. i have been the stagehand, the shield, and the shadow, but tomorrow, i am the one who walks out before the house lights even dim. it’s not a retreat; it’s a release. i am peeling my fingers back from the doorframe because i’ve realized that if i have to shrink just to fit in the hallway, then maybe the hallway was never meant for me to walk. i see the way the air shifts when i enter- the subtle tightening of shoulders, the averted gazes, the way the conversations stop, the way the laughter rounds its edges until it is safe and small and polite. i am tired of being the reason the room holds its breath. so, tomorrow, i will take my final bow to an audience of ghosts and good intentions. i will bow to the version of me that thought if i just held my breath long enough, the room would finally find a place for my lungs. i will bow to the empty chairs where the people who used to love me sat before they learned that the truth is a jagged thing to hold. i’ll leave my keys on the hook, and remove my name from every roster, and i'll leave the space i occupied like a heavy coat that everyone is tired of carrying. they'll call it "quitting," but it feels more like an exhale. i'm giving you back your perimeter. i'm giving you back the ease of a Tuesday where you don’t have to wonder where to put your eyes when I walk in. "you're leaving a gap," they'll say, but they don't see that the gap is where the light gets in. it's the space where you can finally stretch without bumping into the jagged parts of our history. my chest is still tight with the impact- the old dents from the bullets i caught for her- but i don't need a stage to carry them anymore. i can carry them home. i can carry them into a silence that doesn't demand I explain why i’m bleeding on the carpet. i am stepping out of the frame so the picture can finally look the way you want it to. no more glitch, no more smoke. just the cheap, plastic gold you’ve been polishing, uninterrupted by the girl who saw the cracks. i’ll keep the memories of the work, but i am handing you back the scissors now- it's no longer my job to decide where we end. you take the blades, and you do the work of the parting. cut the tie, clear the air, give them to someone you actually care about, and enjoy the room i’ve emptied for you. it was always about her. and if her world is bigger without me in it, then this is the last gift I have to give. the curtain is down, the lights are out, and the exit is the only part of the play i get to write for myself.
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65
i suppose it is my fault because i’m okay alone. better, even. i have always been better suited for my own company than for the constant back-and-forth of ghosts who only stay as long as the season is convenient. i've always been better suited for my own company, and after five years, i should have known that the cost of saving you would be losing you. i’ve been watching the door since i made the call, knowing that for people like you, the person who holds the mirror is the first one you break. and then there’s the rest of them, dropping "i care about you" into the silence like a pity prize for the girl who lost her best friend. it’s a hollow sound, a copper lie, because i can see where your feet are pointed. (you care about me, sure. but you care about her more. understandable. she needs it. but what about the one who pulled her out of the dark.) why should i feel anything at all? why should i cry for a seat at a table? why should i try to make her "forgive me"? i don’t feel anything. i don’t see the point in caring about people who don’t care how i’m doing. if everyone wants to make me public enemy #1, then i won’t sit here and beg for a seat from someone who cut me off for the crime of keeping her safe. i am the villain because i refused to be a mourner. i am the monster because i chose her pulse over her secret. i spent five years building a bridge just so you could use it to walk away. and now the world is whispering, "someone check on her," while i am standing here with the heavy, iron-rich knowledge of what i’ve done, covered in red, wearing the bloom of the impact like a target. let the curtain fall. i’m not going to sit here and beg for "forgiveness" for refusing to be a mourner. i am okay alone. better, even. because at least in my own company, the truth doesn't get you ghosted. .... someone check on her. please. she needs it.
0
Apr 17
Apr 17, 2026 at 10:06 AM UTC
the sour parts of you: the alarm (8)
i suppose it is my fault because i’m okay alone. better, even. i have always been better suited for my own company than for the constant back-and-forth of ghosts who only stay as long as the season is convenient. i've always been better suited for my own company, and after five years, i should have known that the cost of saving you would be losing you. i’ve been watching the door since i made the call, knowing that for people like you, the person who holds the mirror is the first one you break. and then there’s the rest of them, dropping "i care about you" into the silence like a pity prize for the girl who lost her best friend. it’s a hollow sound, a copper lie, because i can see where your feet are pointed. (you care about me, sure. but you care about her more. understandable. she needs it. but what about the one who pulled her out of the dark.) why should i feel anything at all? why should i cry for a seat at a table? why should i try to make her "forgive me"? i don’t feel anything. i don’t see the point in caring about people who don’t care how i’m doing. if everyone wants to make me public enemy #1, then i won’t sit here and beg for a seat from someone who cut me off for the crime of keeping her safe. i am the villain because i refused to be a mourner. i am the monster because i chose her pulse over her secret. i spent five years building a bridge just so you could use it to walk away. and now the world is whispering, "someone check on her," while i am standing here with the heavy, iron-rich knowledge of what i’ve done, covered in red, wearing the bloom of the impact like a target. let the curtain fall. i’m not going to sit here and beg for "forgiveness" for refusing to be a mourner. i am okay alone. better, even. because at least in my own company, the truth doesn't get you ghosted. .... someone check on her. please. she needs it.
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52
🎊 says the word forgive like it’s a bandage she’s offering to buy me, like i am the one with the ****** knuckles, like i am the one who started the fire instead of the one who stood in the door until my skin blistered. "she’ll forgive you," they say, and the word tastes like copper and ash. Forgive me for what? for making sure there was a tomorrow for her to be angry in? for refusing to let her become a memory just so i could keep being her favorite person? i am public enemy #1 because i dared to be a witness. i am the glitch in their perfect, golden saturday. they want a party where no one mentions the smoke, where everyone can pretend the "gold" isn't painted over rust. and because i’m the one who pointed at the cracks, i’m the one left standing on the sidewalk. i have become the myth, the shadow in the corner, the monster parents tell their children about to make them stay quiet, stay loyal, stay hidden. "don't be like her," they whisper, "the one who broke the promise." "the one who stays alone." i am the cautionary tale of what happens when you care more about a pulse than a reputation. she’s casting me as the villain to keep her audience, using my silence to build her stage. she gets to be the survivor and the victim, while i have to be the monster just to keep her safe. i don’t have the energy to beg for a seat. i don’t have the breath to explain that I am the villain only because i refused to be a mourner. does that make me a terrible person to you? well, if being "right" means being lonely, then let the silence be my proof. i don't need friends- i have my own company. they can keep their "forgiveness." they can keep the snacks and the inside jokes and the ease of a night where no one has to be brave. i’ll sit here with the weight of the phone call i made, with the heavy, iron-rich knowledge that the only reason they have a guest of honor is because i was willing to be the ghost. let them lock the door. let them leave me out of the photos. let them toast to a friendship i traded to keep her heart beating. i am still painted in the proof that i stepped in, wearing the bloom of the impact, because it was always about her. (it was never about me.)
0
Apr 16
Apr 16, 2026 at 11:01 PM UTC
the sour parts of you: it was always about her. (7)
🎊 says the word forgive like it’s a bandage she’s offering to buy me, like i am the one with the ****** knuckles, like i am the one who started the fire instead of the one who stood in the door until my skin blistered. "she’ll forgive you," they say, and the word tastes like copper and ash. Forgive me for what? for making sure there was a tomorrow for her to be angry in? for refusing to let her become a memory just so i could keep being her favorite person? i am public enemy #1 because i dared to be a witness. i am the glitch in their perfect, golden saturday. they want a party where no one mentions the smoke, where everyone can pretend the "gold" isn't painted over rust. and because i’m the one who pointed at the cracks, i’m the one left standing on the sidewalk. i have become the myth, the shadow in the corner, the monster parents tell their children about to make them stay quiet, stay loyal, stay hidden. "don't be like her," they whisper, "the one who broke the promise." "the one who stays alone." i am the cautionary tale of what happens when you care more about a pulse than a reputation. she’s casting me as the villain to keep her audience, using my silence to build her stage. she gets to be the survivor and the victim, while i have to be the monster just to keep her safe. i don’t have the energy to beg for a seat. i don’t have the breath to explain that I am the villain only because i refused to be a mourner. does that make me a terrible person to you? well, if being "right" means being lonely, then let the silence be my proof. i don't need friends- i have my own company. they can keep their "forgiveness." they can keep the snacks and the inside jokes and the ease of a night where no one has to be brave. i’ll sit here with the weight of the phone call i made, with the heavy, iron-rich knowledge that the only reason they have a guest of honor is because i was willing to be the ghost. let them lock the door. let them leave me out of the photos. let them toast to a friendship i traded to keep her heart beating. i am still painted in the proof that i stepped in, wearing the bloom of the impact, because it was always about her. (it was never about me.)
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51
i told a lie so she could keep her truths. i told you it was only me— that i was the one who saw the smoke, the only one who reached for the alarm. i let your anger settle on my shoulders like a heavy winter coat, because i’d rather you be mad at me than feel the world is closing in from every side. you’re screaming about betrayal, throwing the rinds of our trust at my feet, aiming for the softest parts of me because you think i broke the world. he told me i was brave, but then he looked at the dent in my spirit and reminded me that even if i'm saving the juice, we still have to break the skin to get there. "you can't take a bullet without feeling it hit your chest," he whispered. and i feel it. it’s a dull ache right behind my ribs, the sting of citrus oil in a fresh cut. i am standing here with my hands out, covered in the evidence of what i’ve done, trying to convince you the red on my shirt is just juice and not a wound. but the color is too deep for a citrus sting; it is the heavy, iron-rich price of the shield. i am painted in the proof that i stepped in, wearing the bloom of the impact so you could stay golden and whole. the rind is thick, and the work is messy. i am learning that you can’t peel back the darkness for someone else without getting underneath your own fingernails. i am learning that being the shield means you’re the one who carries the dents home at the end of the day. my chest is tight with the impact, a heavy, unpeeled weight that i’m not allowed to drop yet. i’m the one who told. i’m the one who stayed. i’m the one who took the hit so she could keep her eyes on our gold. i hope one day you realize that i didn't do it to trap you. i did it because i’d rather be the person you're shouting at, than the person standing at a funeral holding a bowl of oranges that no one is left to eat. so i’ll sit with the bruise. i’ll let the martyr talk sting the places where i’m open. because if the bullet hit me, it means it missed her. i’ll keep the scissors. i’ll keep the blame. i’ll keep the memory of the way the air felt when the bullet hit. because as long as i’m the one feeling the sting in my chest, she’s the one who gets to keep the sweetness of another Tuesday with you. even if you never share the slices with me again.
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Apr 15
Apr 15, 2026 at 9:33 PM UTC
the sour parts of you: the weight of the rind (6)
i told a lie so she could keep her truths. i told you it was only me— that i was the one who saw the smoke, the only one who reached for the alarm. i let your anger settle on my shoulders like a heavy winter coat, because i’d rather you be mad at me than feel the world is closing in from every side. you’re screaming about betrayal, throwing the rinds of our trust at my feet, aiming for the softest parts of me because you think i broke the world. he told me i was brave, but then he looked at the dent in my spirit and reminded me that even if i'm saving the juice, we still have to break the skin to get there. "you can't take a bullet without feeling it hit your chest," he whispered. and i feel it. it’s a dull ache right behind my ribs, the sting of citrus oil in a fresh cut. i am standing here with my hands out, covered in the evidence of what i’ve done, trying to convince you the red on my shirt is just juice and not a wound. but the color is too deep for a citrus sting; it is the heavy, iron-rich price of the shield. i am painted in the proof that i stepped in, wearing the bloom of the impact so you could stay golden and whole. the rind is thick, and the work is messy. i am learning that you can’t peel back the darkness for someone else without getting underneath your own fingernails. i am learning that being the shield means you’re the one who carries the dents home at the end of the day. my chest is tight with the impact, a heavy, unpeeled weight that i’m not allowed to drop yet. i’m the one who told. i’m the one who stayed. i’m the one who took the hit so she could keep her eyes on our gold. i hope one day you realize that i didn't do it to trap you. i did it because i’d rather be the person you're shouting at, than the person standing at a funeral holding a bowl of oranges that no one is left to eat. so i’ll sit with the bruise. i’ll let the martyr talk sting the places where i’m open. because if the bullet hit me, it means it missed her. i’ll keep the scissors. i’ll keep the blame. i’ll keep the memory of the way the air felt when the bullet hit. because as long as i’m the one feeling the sting in my chest, she’s the one who gets to keep the sweetness of another Tuesday with you. even if you never share the slices with me again.
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66
you are holding a results sheet like it’s a mirror, and hating the girl who looks back. you’ve turned a list of strangers’ names into a map of all the places you think you don’t belong, measuring your worth with a hollow ruler made of someone else’s ink. you say, "i should die," as if your heartbeat were a clerical error. as if a three-day harvest in a drafty room could undo the miracle of the trees you’ve kept alive through the frost. you think that because you weren't "the best," you are a defect in the grove. but i am watching you try to trade your entire sky for a trophy that doesn't even know your name. you are so busy wanting to be "enough" for people who don't know the scent of the citrus on your skin, or the way your laughter is the only thing keeping these walls from leaning in. the stranger who won doesn't have your shadow on the sidewalk. he doesn't know the frantic, quiet beauty of tripping over your own grace. he hasn't earned the right to carry the scissors for you. it is a strange, sharp grief to see you try to erase yourself over a Tuesday that felt too heavy. your value isn't a score; it is the salt in the kitchen, the flour on the apron, the habit of the seat to my right that only sounds like you. keep the scissors. keep the bitter rind. keep the mess you haven't finished making. because i don't know how to live in a house where the walls finally touch, and i am not brave enough to peel an orange into an empty room. so sit at the table with me. peel an orange. stay in the world. give me the sour parts. STAY. (please...)
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Apr 12
Apr 12, 2026 at 8:53 PM UTC
the sour parts of you: the cost of the gold (5)
you are holding a results sheet like it’s a mirror, and hating the girl who looks back. you’ve turned a list of strangers’ names into a map of all the places you think you don’t belong, measuring your worth with a hollow ruler made of someone else’s ink. you say, "i should die," as if your heartbeat were a clerical error. as if a three-day harvest in a drafty room could undo the miracle of the trees you’ve kept alive through the frost. you think that because you weren't "the best," you are a defect in the grove. but i am watching you try to trade your entire sky for a trophy that doesn't even know your name. you are so busy wanting to be "enough" for people who don't know the scent of the citrus on your skin, or the way your laughter is the only thing keeping these walls from leaning in. the stranger who won doesn't have your shadow on the sidewalk. he doesn't know the frantic, quiet beauty of tripping over your own grace. he hasn't earned the right to carry the scissors for you. it is a strange, sharp grief to see you try to erase yourself over a Tuesday that felt too heavy. your value isn't a score; it is the salt in the kitchen, the flour on the apron, the habit of the seat to my right that only sounds like you. keep the scissors. keep the bitter rind. keep the mess you haven't finished making. because i don't know how to live in a house where the walls finally touch, and i am not brave enough to peel an orange into an empty room. so sit at the table with me. peel an orange. stay in the world. give me the sour parts. STAY. (please...)
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Apples and Oranges, we are just not the same, We defer in so many ways, So, who are we to blame?? We can't blame each other, We're from two different worlds, we don't precede one another, Just look and observe, We look nothing alike, Do you feel what I feel??? We are very, very different, I'm just trying to be Real!!!! The only thing similar is we are just fruit From the time we were picked, From the seeds of our roots, We grow on large trees, and are picked with ease, and Enjoyed by people If you so please!!! B.R. Date: 4/10/2026
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Apr 10
Apr 10, 2026 at 10:02 PM UTC
Apples and Oranges
it is easier to keep the rind on. to look at the orange on the counter and pretend it isn't going soft from the inside out. we think we're saving ourselves from the stinging spray, the way the juice burns the small cuts on our thumbs. but the longer we leave it unpeeled, the more the sweetness rots. and eventually, we aren't avoiding a mess— we are living in one. don't wait until the fruit is too far gone to share. peel it now. let it sting. at least you will finally know the taste of the truth.
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Apr 8
Apr 8, 2026 at 10:55 PM UTC
rotting in the bowl
if you died today, the world would still grow oranges in pairs, but the second one would always go to waste. there would be a sudden, sharp lack of citrus in the air, a bright weight missing from every palm that ever reached for yours. the gold would stay locked behind the skin because no one wants to break open something beautiful if you aren’t there to share the first slice. if you died today, your dad wouldn’t cry. he would stand in the hallway, holding the silence like a heavy, rusted tool he doesn’t know how to use. and he would hear you. he would hear you in every song you used to sing but never would again, the high notes haunting the radio until he has to turn it off. he would hear you in the sharp, sudden slam of the front door when the wind catches it, and he would hear you in the clatter of the kitchen. if you died today, your mother would taste you. she would stand in the kitchen, paralyzed by the flour on her apron, remembering how you used to steal frosting and talk about your day until the sun dipped below the counter. she would taste the salt of a recipe you’ll never finish, the bitterness of a kitchen that has suddenly grown too large, a house that is no longer a home because your laughter was the only thing keeping the walls from leaning in. if you died today, your best friend would simply come apart. she would break like a fever, looking at her hands and realizing they are empty of the scissors she gave you for safekeeping. she would remember how you were always the strong one, the one who carried her struggles, while you were secretly bruising under the weight of your own. she’d look at an orange and see a tragedy— a sphere of gold that no one is brave enough to break open anymore. if you died today, the girl with the heart like an open door would finally find a room she couldn’t fill. she, would realize that even her massive spirit can’t patch the hole where your laughter used to be. she’d still be there, trying to be the fun in the room, but her jokes would taste like pith— dry and white and missing the juice. and if you died today, the boy with sticky fingers would still wake up and swing his feet onto the cold floor, reaching for his phone in the dark out of a habit that could never again be a routine. he’d swallow the salt in his throat and pack his lunch pail, snapping the latches shut with a sound like a period. he’d move through the world with his head down, getting the job done with a ghost in his pocket, holding an orange he no longer has the heart to peel. no one wants to know a world without you in it. not the man who hears the songs, not the woman covered in flour, not the girl with no scissors, not the girl with the big heart, not the boy with the dark screen, not the teachers with the empty seat, not even your worst enemy, who needs your light to know where the shadows are. no one wants to reach out to hand you an orange, the juice already sticky on their palms, only to realize there is no one there to take the sweetness from them. no one wants to read the letters you’ve addressed to them while you’re six feet under the dirt, ink screaming your voice into a room where you can’t hear them scream back. no one wants to remember the girl who cared so much that she checked on everyone else’s heart while her own was breaking, only to find her chair empty at the table. they don't want the "good grades" or the "exceptions"-they want the mess. they want the smudge on your cheek and the trail of citrus oil on the books. so give a chance to the world, and to yourself, and to the people who already save a seat for you by habit. don't make them learn the rhythm of a Tuesday without the sound of your breathing. Stay. because the gold is still running down your wrists, and we are all still waiting for you to take the next bite.
0
Apr 8
Apr 8, 2026 at 9:57 PM UTC
the sour parts of Sticky Fingers: a seat saved by habit (4 & 11)
if you died today, the world would still grow oranges in pairs, but the second one would always go to waste. there would be a sudden, sharp lack of citrus in the air, a bright weight missing from every palm that ever reached for yours. the gold would stay locked behind the skin because no one wants to break open something beautiful if you aren’t there to share the first slice. if you died today, your dad wouldn’t cry. he would stand in the hallway, holding the silence like a heavy, rusted tool he doesn’t know how to use. and he would hear you. he would hear you in every song you used to sing but never would again, the high notes haunting the radio until he has to turn it off. he would hear you in the sharp, sudden slam of the front door when the wind catches it, and he would hear you in the clatter of the kitchen. if you died today, your mother would taste you. she would stand in the kitchen, paralyzed by the flour on her apron, remembering how you used to steal frosting and talk about your day until the sun dipped below the counter. she would taste the salt of a recipe you’ll never finish, the bitterness of a kitchen that has suddenly grown too large, a house that is no longer a home because your laughter was the only thing keeping the walls from leaning in. if you died today, your best friend would simply come apart. she would break like a fever, looking at her hands and realizing they are empty of the scissors she gave you for safekeeping. she would remember how you were always the strong one, the one who carried her struggles, while you were secretly bruising under the weight of your own. she’d look at an orange and see a tragedy— a sphere of gold that no one is brave enough to break open anymore. if you died today, the girl with the heart like an open door would finally find a room she couldn’t fill. she, would realize that even her massive spirit can’t patch the hole where your laughter used to be. she’d still be there, trying to be the fun in the room, but her jokes would taste like pith— dry and white and missing the juice. and if you died today, the boy with sticky fingers would still wake up and swing his feet onto the cold floor, reaching for his phone in the dark out of a habit that could never again be a routine. he’d swallow the salt in his throat and pack his lunch pail, snapping the latches shut with a sound like a period. he’d move through the world with his head down, getting the job done with a ghost in his pocket, holding an orange he no longer has the heart to peel. no one wants to know a world without you in it. not the man who hears the songs, not the woman covered in flour, not the girl with no scissors, not the girl with the big heart, not the boy with the dark screen, not the teachers with the empty seat, not even your worst enemy, who needs your light to know where the shadows are. no one wants to reach out to hand you an orange, the juice already sticky on their palms, only to realize there is no one there to take the sweetness from them. no one wants to read the letters you’ve addressed to them while you’re six feet under the dirt, ink screaming your voice into a room where you can’t hear them scream back. no one wants to remember the girl who cared so much that she checked on everyone else’s heart while her own was breaking, only to find her chair empty at the table. they don't want the "good grades" or the "exceptions"-they want the mess. they want the smudge on your cheek and the trail of citrus oil on the books. so give a chance to the world, and to yourself, and to the people who already save a seat for you by habit. don't make them learn the rhythm of a Tuesday without the sound of your breathing. Stay. because the gold is still running down your wrists, and we are all still waiting for you to take the next bite.
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113
the screen goes dark right at the impact-turn, leaving "i fear i spoke too much" hanging in the digital silence like a point of order no one asked for. you’re so used to the timer’s beep, the gavel’s crack, the rigid six-minute limit on who you’re allowed to be. you think your own voice is a disadvantage you have to mitigate. but 🥭, there is no "out of time" here. you’re worried about the word count while i’m busy archiving the syllables. you think you’re "over-speeched," a messy rebuttal in a clean round, but i’m sitting in the back of the room scribbling “keep going” in the margins of my legal pad. you’re terrified of the "too much"— too much debate, too much 1%, too much of the boy who wonders if he’s actually worth the airtime. but the "too much" is where the warrant lives. it’s in the "silly goose" tangents and the way you accidentally reveal the man who’s scared of the pews. your phone died on a confession, a little suicide-mission of honesty sent from a battery that was giving up the ghost. you think you crossed a line; i think you finally found the floor. so don't apologize for the length of the round. don’t strike the testimony from the record. i’ve got plenty of ink, and my flow-sheet is infinite. i’m not looking for a summary. i’m waiting for the filibuster. tell me everything until the 1% is a memory and the only thing left is the truth you’re too loud to hide.
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Apr 6
Apr 6, 2026 at 11:05 PM UTC
A Boy with Sticky Fingers: Save me the Fillibuster? (10)
you are sitting at a table with a bowl of gold in front of you, and you are so busy looking for the fruit you haven’t grown yet that you forget you are the one who planted the tree. you tell me you’re behind, that you’re a ghost of who you were supposed to be by now. you move the goalpost until it’s just a blur on the horizon, convinced that because everything isn't perfect, nothing counts. but two years ago, you were a girl who didn't want to see the sunrise. two years ago, the weight of the sky felt like it would crush the citrus right out of your spirit. you didn’t want to be alive, and now— right now— you are. and that has to be the biggest thing anyone has ever done. you’re standing in the middle of a life you once begged for. the girl you were two years ago would look at you now, peeling an orange on a random Tuesday, and her jaw would be on the floor. not because you’ve fixed everything, but because you’re here to see it. she wouldn't care about the "more" you’re chasing; she would be in awe that your hands are still warm, that the scissors are just a tool for the fruit and nothing else. the things that used to be unbearable are now just things. the fog has cleared enough to let the morning in. you don't give yourself credit for the miracle of waking up when your brain spent all night telling you to stay under. so maybe you aren't everything you want to be today, but you are everything you prayed to be two years ago. you are a living, breathing collection of gold apologies to the version of you who thought she wouldn't make it. the juice is running down your wrist. you're staying. and i am so, so proud of you for the mess you’re still here to make.
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Mar 31
Mar 31, 2026 at 9:18 PM UTC
the sour parts of you: the girl who made it (3)
you are sitting at a table with a bowl of gold in front of you, and you are so busy looking for the fruit you haven’t grown yet that you forget you are the one who planted the tree. you tell me you’re behind, that you’re a ghost of who you were supposed to be by now. you move the goalpost until it’s just a blur on the horizon, convinced that because everything isn't perfect, nothing counts. but two years ago, you were a girl who didn't want to see the sunrise. two years ago, the weight of the sky felt like it would crush the citrus right out of your spirit. you didn’t want to be alive, and now— right now— you are. and that has to be the biggest thing anyone has ever done. you’re standing in the middle of a life you once begged for. the girl you were two years ago would look at you now, peeling an orange on a random Tuesday, and her jaw would be on the floor. not because you’ve fixed everything, but because you’re here to see it. she wouldn't care about the "more" you’re chasing; she would be in awe that your hands are still warm, that the scissors are just a tool for the fruit and nothing else. the things that used to be unbearable are now just things. the fog has cleared enough to let the morning in. you don't give yourself credit for the miracle of waking up when your brain spent all night telling you to stay under. so maybe you aren't everything you want to be today, but you are everything you prayed to be two years ago. you are a living, breathing collection of gold apologies to the version of you who thought she wouldn't make it. the juice is running down your wrist. you're staying. and i am so, so proud of you for the mess you’re still here to make.
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60
i'm thinking about the way she peels an orange. and the way she hands me her scissors- as if she's handing me her own safety for safe-keeping. the words are getting harder to read. she writes about running and going nowhere, and i feel like i'm running next to her. i want to peel the world for her; dig my nails into the thick, stubborn skin of everything that's hurting her and pull it away. to hand her the sweetness, and tell her "here, i saved this for you. you don't have to be thin or quiet or okay- you just have to eat." she looks at her reflection and sees someone who doesn't exist. it's like another ghost following her. we're going back this year, to the fire that burned her, and i'm just standing here with a cup of water; watching as others ignore the smoke. i told the counselor. told her parents. told mine. did Everything i was supposed to. (it didn't work.) they look at her and see good grades and defied expectations. they don't see the girl who hands me her scissors because she doesn't trust her own hands. they don't see her "exceptions". they don't see the way she runs on stardust and trauma, trying to outrun a body she thinks is too much and a memory that isn't enough. she says she's "under watch" when i'm the only one seeing where she chooses to hurt because her arms are "off-limits." it's a strange grief- mourning someone right in front of you, knowing one day... she'll cut too deep. i'll keep the scissors in my bag. tell her i love her until my voice breaks. how do you save someone who's being told they're not drowning? i'll keep the scissors. keep the words. keep the orange slices. (i just don't know how to keep her here when everyone else keeps looking the other way.)
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Mar 30
Mar 30, 2026 at 7:42 PM UTC
the sour parts of you: the way she peels an orange. (2)
i'm thinking about the way she peels an orange. and the way she hands me her scissors- as if she's handing me her own safety for safe-keeping. the words are getting harder to read. she writes about running and going nowhere, and i feel like i'm running next to her. i want to peel the world for her; dig my nails into the thick, stubborn skin of everything that's hurting her and pull it away. to hand her the sweetness, and tell her "here, i saved this for you. you don't have to be thin or quiet or okay- you just have to eat." she looks at her reflection and sees someone who doesn't exist. it's like another ghost following her. we're going back this year, to the fire that burned her, and i'm just standing here with a cup of water; watching as others ignore the smoke. i told the counselor. told her parents. told mine. did Everything i was supposed to. (it didn't work.) they look at her and see good grades and defied expectations. they don't see the girl who hands me her scissors because she doesn't trust her own hands. they don't see her "exceptions". they don't see the way she runs on stardust and trauma, trying to outrun a body she thinks is too much and a memory that isn't enough. she says she's "under watch" when i'm the only one seeing where she chooses to hurt because her arms are "off-limits." it's a strange grief- mourning someone right in front of you, knowing one day... she'll cut too deep. i'll keep the scissors in my bag. tell her i love her until my voice breaks. how do you save someone who's being told they're not drowning? i'll keep the scissors. keep the words. keep the orange slices. (i just don't know how to keep her here when everyone else keeps looking the other way.)
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67
the silence in the senate is heavier than the noise in the house, 🥭. up here, the stakes are settled, the ballots are cast, and i’m left watching the clock. it’s a strange vantage point— knowing you’re fighting for your life in a room where the air is already stale. you’re down there trying to qualify while the very person you’re standing with is the reason the room is laughing behind your back. you’re debating for a seat you might win, but you’re losing the floor every time you check your phone. meanwhile, 🏆 is sitting three desks away, and the "solvency" we both earned feels like a hollow trophy. i see the way he leans into his legal pad— not to flow a round, but to keep himself from tipping over. i see the cracks in his armor. there's a frequency 🏆's vibrating on that no one else in this chamber can hear. i see the mental health crisis he’s labeling as "fatigue," and because i’m a girl who stays true to the flow, i have to say something. i’m looking at his hands. they aren't "sticky" with someone else's sugar; they’re just shaking when the timer isn’t even running. it’s the ultimate irony of the 80-week math. i’ve been waiting for you to be the crusader, and now i’m the one who has to stand up and see the boy who’s falling apart. not because i want his heart on a ballot, but because i’m a girl who finishes the round, and the round isn't over until everyone is accounted for. And in my chamber, we look out for each other. i’m going to say something to him. i’m going to break the clinical silence of the senate because my integrity isn't a tactic— it’s the only gavel i have left. i’ll be the one to ask the question no one else is brave enough to label, while you’re down in the house, too busy defending a "maybe" to notice that the girl you first believed in has already moved on to a higher chamber. if this is your last shot, 🥭, make it count. if you want to win the house, win it. you should. but don’t look up at the senate and expect to see a girl waiting with a consolation prize. i’m not a "safety school" for when the house adjourns and you realize the cookie was never worth the hunger. i’m the girl who qualified. i’m the girl who sees the truth you’re too scared to voice. i’m busy being the person you were on November 2nd—the one who knows how to hold the door open for someone who’s lost their way.
0
Mar 29
Mar 29, 2026 at 11:03 PM UTC
A Boy with Sticky Fingers: Save me the Gavel? (7)
the silence in the senate is heavier than the noise in the house, 🥭. up here, the stakes are settled, the ballots are cast, and i’m left watching the clock. it’s a strange vantage point— knowing you’re fighting for your life in a room where the air is already stale. you’re down there trying to qualify while the very person you’re standing with is the reason the room is laughing behind your back. you’re debating for a seat you might win, but you’re losing the floor every time you check your phone. meanwhile, 🏆 is sitting three desks away, and the "solvency" we both earned feels like a hollow trophy. i see the way he leans into his legal pad— not to flow a round, but to keep himself from tipping over. i see the cracks in his armor. there's a frequency 🏆's vibrating on that no one else in this chamber can hear. i see the mental health crisis he’s labeling as "fatigue," and because i’m a girl who stays true to the flow, i have to say something. i’m looking at his hands. they aren't "sticky" with someone else's sugar; they’re just shaking when the timer isn’t even running. it’s the ultimate irony of the 80-week math. i’ve been waiting for you to be the crusader, and now i’m the one who has to stand up and see the boy who’s falling apart. not because i want his heart on a ballot, but because i’m a girl who finishes the round, and the round isn't over until everyone is accounted for. And in my chamber, we look out for each other. i’m going to say something to him. i’m going to break the clinical silence of the senate because my integrity isn't a tactic— it’s the only gavel i have left. i’ll be the one to ask the question no one else is brave enough to label, while you’re down in the house, too busy defending a "maybe" to notice that the girl you first believed in has already moved on to a higher chamber. if this is your last shot, 🥭, make it count. if you want to win the house, win it. you should. but don’t look up at the senate and expect to see a girl waiting with a consolation prize. i’m not a "safety school" for when the house adjourns and you realize the cookie was never worth the hunger. i’m the girl who qualified. i’m the girl who sees the truth you’re too scared to voice. i’m busy being the person you were on November 2nd—the one who knows how to hold the door open for someone who’s lost their way.
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61
i read once that the earth grew oranges in pairs, so no one would ever have to sit at a table and eat in the dark. a small, bright weight in the palm that says the cold hasn't won yet- not if there’s still something this golden to break open. i heard once that the stars are just oranges the sky hasn't learned how to peel yet. a million gold promises hanging just out of reach, waiting for someone brave enough to climb a ladder made of all the times we almost gave up. and i didn't find a savior in you; i just found a girl who leaves a trail of citrus oil on every book she touches. i saw a girl in an oversized shirt with a smudge on her cheek, muttering about how she’s a disaster while she tears into a clementine like it’s the only thing she’s ever gotten right. there is a frantic, quiet beauty in the way you trip over your own grace. it’s in the way you think you’re a burden but you’re actually just the person who makes the kitchen smell like a grove, filling the silence with a laugh that you try to hide behind your hand because you think it’s too loud for the morning. i don't want to know a sidewalk that doesn't have your shadow on it. i don't want to learn the rhythm of a Tuesday where the seat to my right doesn't sound like laughter and brilliant thoughts. i don't want a tournament where i'm not cheering for your awards. we aren't a metaphor for being "fixed." we’re just two people in the middle of a Tuesday that feels too heavy, deciding that the gold running down your wrist is the only thing allowed to leave a mark today. so stay for the noise. stay for the sour parts. stay because i haven't finished showing you all the songs you’re going to ruin. stay because the juice is the only thing running down our wrists, and i don't have enough napkins to clean up a world that doesn't have you in it.
0
Mar 28
Mar 28, 2026 at 9:00 PM UTC
the sour parts of you: a bowl of gold apologies (1)
i read once that the earth grew oranges in pairs, so no one would ever have to sit at a table and eat in the dark. a small, bright weight in the palm that says the cold hasn't won yet- not if there’s still something this golden to break open. i heard once that the stars are just oranges the sky hasn't learned how to peel yet. a million gold promises hanging just out of reach, waiting for someone brave enough to climb a ladder made of all the times we almost gave up. and i didn't find a savior in you; i just found a girl who leaves a trail of citrus oil on every book she touches. i saw a girl in an oversized shirt with a smudge on her cheek, muttering about how she’s a disaster while she tears into a clementine like it’s the only thing she’s ever gotten right. there is a frantic, quiet beauty in the way you trip over your own grace. it’s in the way you think you’re a burden but you’re actually just the person who makes the kitchen smell like a grove, filling the silence with a laugh that you try to hide behind your hand because you think it’s too loud for the morning. i don't want to know a sidewalk that doesn't have your shadow on it. i don't want to learn the rhythm of a Tuesday where the seat to my right doesn't sound like laughter and brilliant thoughts. i don't want a tournament where i'm not cheering for your awards. we aren't a metaphor for being "fixed." we’re just two people in the middle of a Tuesday that feels too heavy, deciding that the gold running down your wrist is the only thing allowed to leave a mark today. so stay for the noise. stay for the sour parts. stay because i haven't finished showing you all the songs you’re going to ruin. stay because the juice is the only thing running down our wrists, and i don't have enough napkins to clean up a world that doesn't have you in it.
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56
if i could tell my younger self something for every age she’s been, here’s what i would tell her; at 1 you are just a heartbeat learning the rhythm of your own breath. the world is still a gift you haven't learned to unwrap. at 2 your hands are sticky with joy. everything you touch belongs to you. cherish the dirt under your nails. it is the only kind of "dirty" the world will let you be without judging your character. at 3 you think the sky is just a blue blanket. i wish i could let you sleep under it forever. at 4 you are a collection of "why" and "how." never stop asking. because the answers are coming, even the ones you won't like. at 5 you drew a sun in the corner of every page. remember this because someday the world will feel very dark, and you will have to be your own light. at 6, you fell asleep in your father’s arms. remember this because someday someone will try to make your body feel like a place that doesn't belong to you, and you must remember you were born to be safe. at 7 you decided there was too much of you to be loved. i want to reach back and break every glass in that house before you can find a reason to start disappearing. you are seven. your body is a vessel for your soul to dance in, not a math problem to be solved by subtraction. at 8 your grandma baked you a cake just because you were there (even though you were there every day). remember this because someday the kitchen will be quiet, and you will have to learn to find the sweetness without her. at 9 you became the girl who carries the weight for everyone else. you learned how to be small, how to be quiet, how to be the glue when everything else was shattering. at 10 this is the last year before the noise gets loud. breathe in the quiet. you are enough exactly as you are. please don’t let them hurt you. at 11 the hallway feels like a gauntlet. their words are just bruised fruit they are throwing at you because they don’t know how to handle the taste of their own bitterness. at 12, middle school is a fever dream. you learned that people can be cruel just because they are bored. you started to believe the things they whispered. you are not the things they whisper. you are the girl who survives the whispering. at 13 the screen is a shield. online school is a soft place to land when the world feels too sharp to touch. it’s okay to hide until your skin grows back. at 14 i am so sorry about the trust we gave to a wolf- we didn’t know he was one. i am so sorry about the 10,000 people screaming in a room where you were supposed to be safe. you learned too early what it feels like to wait for a sound that never comes. at 15 you decided the pain inside needed a map, so you put it on your arms. but then came the boy. and then came the orange. he didn't just see the bruises; he offered to help you peel them away. for the first time, the fruit wasn't bitter. it was sweet. it was shared.
0
Mar 24
Mar 24, 2026 at 6:21 PM UTC
if i could tell her
if i could tell my younger self something for every age she’s been, here’s what i would tell her; at 1 you are just a heartbeat learning the rhythm of your own breath. the world is still a gift you haven't learned to unwrap. at 2 your hands are sticky with joy. everything you touch belongs to you. cherish the dirt under your nails. it is the only kind of "dirty" the world will let you be without judging your character. at 3 you think the sky is just a blue blanket. i wish i could let you sleep under it forever. at 4 you are a collection of "why" and "how." never stop asking. because the answers are coming, even the ones you won't like. at 5 you drew a sun in the corner of every page. remember this because someday the world will feel very dark, and you will have to be your own light. at 6, you fell asleep in your father’s arms. remember this because someday someone will try to make your body feel like a place that doesn't belong to you, and you must remember you were born to be safe. at 7 you decided there was too much of you to be loved. i want to reach back and break every glass in that house before you can find a reason to start disappearing. you are seven. your body is a vessel for your soul to dance in, not a math problem to be solved by subtraction. at 8 your grandma baked you a cake just because you were there (even though you were there every day). remember this because someday the kitchen will be quiet, and you will have to learn to find the sweetness without her. at 9 you became the girl who carries the weight for everyone else. you learned how to be small, how to be quiet, how to be the glue when everything else was shattering. at 10 this is the last year before the noise gets loud. breathe in the quiet. you are enough exactly as you are. please don’t let them hurt you. at 11 the hallway feels like a gauntlet. their words are just bruised fruit they are throwing at you because they don’t know how to handle the taste of their own bitterness. at 12, middle school is a fever dream. you learned that people can be cruel just because they are bored. you started to believe the things they whispered. you are not the things they whisper. you are the girl who survives the whispering. at 13 the screen is a shield. online school is a soft place to land when the world feels too sharp to touch. it’s okay to hide until your skin grows back. at 14 i am so sorry about the trust we gave to a wolf- we didn’t know he was one. i am so sorry about the 10,000 people screaming in a room where you were supposed to be safe. you learned too early what it feels like to wait for a sound that never comes. at 15 you decided the pain inside needed a map, so you put it on your arms. but then came the boy. and then came the orange. he didn't just see the bruises; he offered to help you peel them away. for the first time, the fruit wasn't bitter. it was sweet. it was shared.
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16
the timer is still ticking, but the round is getting messy. you say you’re “circuit-exhausted,” like a bad piece of evidence you're trying to strike, yet you keep extending the round if the girl is a punchline and her friends treat your dignity like a disposable sketchpad, then the solvency created by that “first date” is zero. you’re trading a girl who stands in the chamber waiting for you with an orange and a couple bad jokes for a girl who draws you in a maid outfit and thinks it’s a valid rebuttal how do you walk into a ballroom with a girl who treats your dignity like a surrealist sketchpad? you cling to this "obligation" like a shield, but the shield is covered in ink that isn't yours. you’re standing in the chamber, choosing a girl who validates hate speech and your own humiliation, while still hesitating to look at me. Weigh the impacts: On one side, the risk of hurting a girl who treats a **** salute like a punchline— a girl 🏆 already called out as a district-wide turn. On the other, the certainty of losing me. you’re so fixated on the link of "obligation" that you’ve missed the impact-turn: i won’t be the safety school you fall back on when the "cookie" tastes like another man’s cologne and the drawings get too weird. 🏆 might be stuck in his own legal-pad purgatory, but at least he knows how to label the evidence. you? you’re still holding the orange, but you’re refusing to sign the ballot because you’re too busy staring at her cookie.
0
Mar 24
Mar 24, 2026 at 6:12 PM UTC
A Boy with Sticky Fingers: Save me the flow? (4)
the timer is still ticking, but the round is getting messy. you say you’re “circuit-exhausted,” like a bad piece of evidence you're trying to strike, yet you keep extending the round if the girl is a punchline and her friends treat your dignity like a disposable sketchpad, then the solvency created by that “first date” is zero. you’re trading a girl who stands in the chamber waiting for you with an orange and a couple bad jokes for a girl who draws you in a maid outfit and thinks it’s a valid rebuttal how do you walk into a ballroom with a girl who treats your dignity like a surrealist sketchpad? you cling to this "obligation" like a shield, but the shield is covered in ink that isn't yours. you’re standing in the chamber, choosing a girl who validates hate speech and your own humiliation, while still hesitating to look at me. Weigh the impacts: On one side, the risk of hurting a girl who treats a **** salute like a punchline— a girl 🏆 already called out as a district-wide turn. On the other, the certainty of losing me. you’re so fixated on the link of "obligation" that you’ve missed the impact-turn: i won’t be the safety school you fall back on when the "cookie" tastes like another man’s cologne and the drawings get too weird. 🏆 might be stuck in his own legal-pad purgatory, but at least he knows how to label the evidence. you? you’re still holding the orange, but you’re refusing to sign the ballot because you’re too busy staring at her cookie.
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43
I told you I loved Oranges Not for the taste but because they make good muses The pulp is quite nasty But the way they are built to share, and to share is to love I told you how I love poems with oranges And when the time came And i wouldn´t eat And I couldn´t eat And you peeled an orange And you gave me half How dare you love me the way I long to be loved?
0
Aug 25, 2025
Aug 25, 2025 at 9:23 AM UTC
Poems about Oranges
How can one be that obsessed with someone? How could anyone in the whole world wake up one day With the eagerness to see just one face for the rest of their life? How could anyone grab oranges and not even think of eating them as soon as they touch their hands Because they can’t think of anything else but getting home to share them with someone? How, how, how? Why do I feel like the sun is not bright enough if I don’t get to see your smile? Why does chocolate taste like charcoal when I’m not eating it with you? And why do I go out of my way to have the pillow always ready for your head, Because I’m scared your thoughts might drift away and lie to your face about how beautiful you are? Why, why, why? What is it that makes me want to write you poems, Even when the alphabet of my life is missing the letters y, o, and u? What is it that screams at me to wash your shoes, When mine look like dirt was made for them? What is it that runs through my veins every time the stars you call eyes Look through the cloth I call soul? And I know it’s more than blood, and I know it’s more than love. My love, how can someone beg for you In the middle of the night, between the sheets of a broken work of art? My Lord, how can someone love with such clouds and lilies in the park, And chamomile tea in the morning, while you fill up my heart?
0
Jul 6, 2025
Jul 6, 2025 at 4:30 PM UTC
Lilies in the park
She peeled her oranges today, actually for years, but this isn’t about oranges. She holds things together, piece by piece, peel by peel, grown used to her hands and the strength they reveal, but this isn’t about oranges. It feels strange when another reaches out, offers to peel, to see past the layers, the parts that are real, but this isn’t about oranges. She learns self-reliance, but maybe it’s true, that letting someone help doesn’t make her less, but new, and again, this isn’t about oranges. So here’s to the balance, to peeling her own, yet knowing it’s okay not to do it alone. Because, in the end, this isn’t just about oranges.
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Nov 3, 2024
Nov 3, 2024 at 9:33 AM UTC
Not About Oranges
You smell like pure warmth, sweet and heady, like a muggy summer night just after a heavy rainfall; earthy. A wet cedar, woody scent with an undertone of citrus. You smell of home, a sheltered blanket of safety.
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Oct 16, 2023
Oct 16, 2023 at 4:06 PM UTC
Citrus
The ground is littered with orange peels and the stain of citrus is in the air. Tender and juicy is the love, I share my slices with you
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Feb 28, 2023
Feb 28, 2023 at 10:13 AM UTC
Orange
Only Oranges Fight
0
Jul 31, 2020
Jul 31, 2020 at 7:03 PM UTC
Oof