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#oldandnew
Contemporary poetry does not have allure for me. It is full of adjectives, but at the end I ask, “what gives?” No meaning, point, or moral clear, no joy or anger, love or fear. Words are crafted carefully, but in the lines I do not see any interesting story. It is boring, I am sorry! What happened to imagination? Ecstasy and indignation? If Donne or Longfellow wrote now, editors would not say “wow!” Verses passionate by Blake publishers would not take. “That Poe guy’s maudlin, Yeats pretentious; Allen Ginsberg is tendentious. Tennyson’s an epic bore; his lengthy rhymes of days of yore are not to our liking,” they’d say. I would like to see the day when poetry regains emotion. I even have the novel notion that we’d welcome the returning of passionate and lustful yearning. Of rhyme and meter, song and lyric. Or of verses bitterly satiric. If I read more sterile free verse I’ll toss the magazine and curse.
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Nov 4, 2016
Nov 4, 2016 at 9:21 AM UTC
A Letter to the Poetry Editor of The New Yorker
Make new friends But keep the old. One is Silver The one Gold.
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Aug 26, 2016
Aug 26, 2016 at 7:59 AM UTC
Silver And Gold