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#ode
I sit and marvel at my face, a masterpiece of time and grace. These eyes, twin pools of honeyed light, hold secrets deep, yet burning bright. My nose, a slope both soft and strong, fits perfectly where it belongs. These lips ah, yes a cherry bloom, speak kindness while they light a room. My curves, my lines, my gentle art each part plays its essential part. These legs, two pillars firm and free, carry the woman I chose to be. I love myself, my stretch marks, scars, I’m my own sun, my own north star. No passing judgment bends my frame I wear my name like a war cry, fame. The mirror whispers, “You’re a queen.” I wink and say, “I’ve always been.” And though the world spins fast and wild, I kiss my shadow reconciled.
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15h ago
Jun 3, 2026 at 4:53 AM UTC
Ode to My Glorious Reflection
Before Ogun wore iron, he wore music— the same hands that forged the cutlass tuned the strings of things unseen, the same fire that tempered metal learned first to temper feeling. So when you came, King, Sunny as the harmattan sun that burns without apology, warm as the compound fire that feeds the whole household we knew whose cognomen you carried, whose footprints you filled without diminishing. I met you first not in a concert hall, not in the amplified cathedral of the wealthy and the ticketed, but on the streets of Ibadan, where the sun baked the laterite into something almost sacred, where my feet, bare and dusty, carried the weight of a childhood still learning what it was. Your music leaked through the louvres of strangers' windows, spilled from the record players of those who could afford what I could only receive, and I received it the way the beggar receives the wind: fully, without owing anyone, without the debt of purchase diminishing the gift. It was mine the way Ogun's road is everyone's, the path belongs to those who walk it, not to those who built it. Your guitar, not merely instrument but griot's tongue, oriki in six strings, each note a proverb the elders hid in plain hearing, each strum a parable the patient ear unpacks, each lyric a lantern at the labyrinth's entrance the kind that does not say follow me but says instead; here is what the darkness is actually made of, here is how to walk through it without losing your name. You were not merely musician. You were blacksmith of sound— Ogun's other trade, the forge applied to feeling, hammering raw experience into the shaped beauty of what can be carried, what can be remembered, what can be sung when the original wound has become something the throat can hold without bleeding. Your voice river of dark honey, slow as a blessing, deep as a wound rose like incense from the shrines of Ife to the aerials of Lagos, carrying the theatrics of the divine into the ordinary afternoon of a people who needed to be reminded that their ordinary afternoon was itself a kind of divine. You left scars of beauty on the soul the specific wound that only great art inflicts: the mark that does not hurt but illuminates, that does not diminish but defines, that does not close but becomes the place through which the most light enters. From Syncro System to Syncro Feelings, you refused the comfort of the already-known, the warm repetition of your own proven sound. You reinvented the way Ọṣun reinvents, not abandonment of source but deepening of it, the river finding new channels without forgetting the spring it came from. Her sweetness does not thin with distance; nor did your sound lose salt by changing shape. No predecessor sat where you sit. No successor will sit there either; the throne shaped itself around you the way the iroko's roots shape the earth they have inhabited for a century: the absence, when it arrives, will be its own monument. King Sunny Ade today, as you turn seventy-eight, the bata speaks your names in rhythms older than your birth, the talking drum remembers what history forgets, the Ifa of your art stands open at the verse that says: a man who gave the people back their own voice dressed in beauty they did not know they possessed, this man has fulfilled the griot's highest covenant. The skies require no cannon to honor such a life. The music itself is the salute, still sounding, still finding the cracked louvres of the houses of the poor, still spilling into streets where barefoot children are learning for the first time what they are. Salute, King. Your strings still remember what your fingers taught them. Your voice still carries what your chest first learned to hold. And somewhere in Ibadan on a street the sun still bakes to something sacred another child receives your music through a stranger's window, not knowing it was ever only yours to give, learning only that the wind belongs to everyone, that beauty is not the property of those who can afford it, that Ogun's road is long and older than the feet now walking it and that the music, though it began before them, begins again in them. © Lanre Adebayo
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2d ago
May 31, 2026 at 11:15 PM UTC
Ode To KSA
Before Ogun wore iron, he wore music— the same hands that forged the cutlass tuned the strings of things unseen, the same fire that tempered metal learned first to temper feeling. So when you came, King, Sunny as the harmattan sun that burns without apology, warm as the compound fire that feeds the whole household we knew whose cognomen you carried, whose footprints you filled without diminishing. I met you first not in a concert hall, not in the amplified cathedral of the wealthy and the ticketed, but on the streets of Ibadan, where the sun baked the laterite into something almost sacred, where my feet, bare and dusty, carried the weight of a childhood still learning what it was. Your music leaked through the louvres of strangers' windows, spilled from the record players of those who could afford what I could only receive, and I received it the way the beggar receives the wind: fully, without owing anyone, without the debt of purchase diminishing the gift. It was mine the way Ogun's road is everyone's, the path belongs to those who walk it, not to those who built it. Your guitar, not merely instrument but griot's tongue, oriki in six strings, each note a proverb the elders hid in plain hearing, each strum a parable the patient ear unpacks, each lyric a lantern at the labyrinth's entrance the kind that does not say follow me but says instead; here is what the darkness is actually made of, here is how to walk through it without losing your name. You were not merely musician. You were blacksmith of sound— Ogun's other trade, the forge applied to feeling, hammering raw experience into the shaped beauty of what can be carried, what can be remembered, what can be sung when the original wound has become something the throat can hold without bleeding. Your voice river of dark honey, slow as a blessing, deep as a wound rose like incense from the shrines of Ife to the aerials of Lagos, carrying the theatrics of the divine into the ordinary afternoon of a people who needed to be reminded that their ordinary afternoon was itself a kind of divine. You left scars of beauty on the soul the specific wound that only great art inflicts: the mark that does not hurt but illuminates, that does not diminish but defines, that does not close but becomes the place through which the most light enters. From Syncro System to Syncro Feelings, you refused the comfort of the already-known, the warm repetition of your own proven sound. You reinvented the way Ọṣun reinvents, not abandonment of source but deepening of it, the river finding new channels without forgetting the spring it came from. Her sweetness does not thin with distance; nor did your sound lose salt by changing shape. No predecessor sat where you sit. No successor will sit there either; the throne shaped itself around you the way the iroko's roots shape the earth they have inhabited for a century: the absence, when it arrives, will be its own monument. King Sunny Ade today, as you turn seventy-eight, the bata speaks your names in rhythms older than your birth, the talking drum remembers what history forgets, the Ifa of your art stands open at the verse that says: a man who gave the people back their own voice dressed in beauty they did not know they possessed, this man has fulfilled the griot's highest covenant. The skies require no cannon to honor such a life. The music itself is the salute, still sounding, still finding the cracked louvres of the houses of the poor, still spilling into streets where barefoot children are learning for the first time what they are. Salute, King. Your strings still remember what your fingers taught them. Your voice still carries what your chest first learned to hold. And somewhere in Ibadan on a street the sun still bakes to something sacred another child receives your music through a stranger's window, not knowing it was ever only yours to give, learning only that the wind belongs to everyone, that beauty is not the property of those who can afford it, that Ogun's road is long and older than the feet now walking it and that the music, though it began before them, begins again in them. © Lanre Adebayo
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173
let me hold onto a moment in the shadows! o sickening, festering, blind darkness, and melancholy! before you take everything from me, let me feel peace within my ribcage and allow me to leave this on my face! o vile creature called the evil feeling i want to take all the treasures from you! all the beauties and the heart of the sun! that is why i fled from my home where all the demons lurked, long ago! i was torn from the ***** of our bountiful mother and came to this place where the ashes eventually fall! o evil spirits! window of time! spiked shoes! devil-free parks! strange streets leading to the unknown’s good end! hold onto my existence among you! far from my beloved who cast her conviction a witness to those days filled with misery as she found the outcome of her long struggles in her arms into the putrid waters of the time and separation between us i am truly in exile! one day she came to me and at a moment when the river was teeming with all manner of creatures, gently caressed my cheek that is why i am always unhappy in this world! even though i am now in her world i no longer see her face on every sidewalk! oh god, how much longer will it take for me to make happiness the sun of my tomorrows without closing my hand or letting it bleed in your world and in this world we know! i wander on, sorrowful and far from home, trying to understand the language of foreign lands! the days bear witness to seven! there can be no more! the truth that longing will exist on seven continents! and under seven skies as well! i hope everything keeps my being alive with life and its tireless, fresh heart!
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May 23
May 23, 2026 at 12:33 PM UTC
memoir 3
let me hold onto a moment in the shadows! o sickening, festering, blind darkness, and melancholy! before you take everything from me, let me feel peace within my ribcage and allow me to leave this on my face! o vile creature called the evil feeling i want to take all the treasures from you! all the beauties and the heart of the sun! that is why i fled from my home where all the demons lurked, long ago! i was torn from the ***** of our bountiful mother and came to this place where the ashes eventually fall! o evil spirits! window of time! spiked shoes! devil-free parks! strange streets leading to the unknown’s good end! hold onto my existence among you! far from my beloved who cast her conviction a witness to those days filled with misery as she found the outcome of her long struggles in her arms into the putrid waters of the time and separation between us i am truly in exile! one day she came to me and at a moment when the river was teeming with all manner of creatures, gently caressed my cheek that is why i am always unhappy in this world! even though i am now in her world i no longer see her face on every sidewalk! oh god, how much longer will it take for me to make happiness the sun of my tomorrows without closing my hand or letting it bleed in your world and in this world we know! i wander on, sorrowful and far from home, trying to understand the language of foreign lands! the days bear witness to seven! there can be no more! the truth that longing will exist on seven continents! and under seven skies as well! i hope everything keeps my being alive with life and its tireless, fresh heart!
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30
i feel escape i feel the go i feel the life to-and-fro i feel the undoing of all that is done i feel the freedom and it isn’t fun it isn’t fun they scream it sounds as if a dream a dream where I am here a dream which is full of fear the fear of all that is seen here which where i have been as i cry and weep to my mother i look up and see my brother as i scream and cry out loud i begin to feel a shroud a shroud of silence that screams screams for me to stay stay where i was layed but feeling more and more afraid afraid of what this world can bring afraid of everything that is starting to begin i see my parents looking down at me i see their smiles full of glee full of happiness of the child the child that is me
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Apr 22
Apr 22, 2026 at 11:05 AM UTC
An Ode To Life
Shout out to Hello Poetry My favorite website Released in 2009 I wasn't even bored then So much history this site has Poems upon poems Poets of all sorts Too much talent to handle But never enough I'm so glad I found you
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Apr 15
Apr 15, 2026 at 4:04 PM UTC
An Ode to Hello Poetry
you've spent a long time weaving memories through words one might not care about how intricate they were, and how surreal the coming and going of people has been you have carved them the way time carves a life—slow and unrelenting like a bard, you have sung of your grief and anger you've been more a slave than a storyteller, a poet more than a mere human time has made you play with words rather than face the quiet art of crying trust is one thing you give to your paper and pen more than your friends to you, tears were the verses you offered to the world ink pooling like small, quiet bruises on the page while silently waiting for someone to tap your shoulder and say: you are allowed to grieve— that it's okay to gather the scattered pieces of the past and let them rot in the coffin you wouldn't dare to open again so, for once, i am writing this poem, for i owe you grace to let you know that you aren't a puzzle wailing to be solved not a paper-boned kid, not strong enough to carry yourself but a boy not bound to what's written of him
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Apr 3
Apr 3, 2026 at 9:41 AM UTC
the poem you're due
From the dry and dusty desert Thine father did vow to rule to the sea And such as his greedy eyes would see He did vow to move to the desert When you should brighten up your land Using the glorious sunlight of education You rather used religious indoctrination To build monsters to defend your land Into daredevil Dragons thine monsters have metamorphosed Rubbing raw pepper in your greedy eyes Forcing their way through your women's thighs Truly, thine calamity is self imposed.
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Mar 19
Mar 19, 2026 at 5:47 PM UTC
Ode To The Sahara
O Hypnos, king of sweet repose, How I wish I could be as mellow as you. The dew from your garden is soft as your wings— But the feeling of drifting away is softer. Though slumber will be ephemeral, The tranquil, light in your fingertips, will always remind me of a fathers. You lull the weary, aching heart to rest, Answering the tired spirits quiet call, Night blooms like your poppies petals, Oh come and bring your soothing, gentle slumber soon. Take my worries away, The restless cares that I couldn't count, Let them fade with your embrace. Ode to the god who brings quiet rest, The tender, fleeting, peaceful pause O, Hypnos, bring us your solace from the world of strife.
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Mar 4
Mar 4, 2026 at 12:38 PM UTC
Hypnos
Sleep, O sleep, why do you not seep, Into my soul, as I cry for you and I weep? Why do you leave me alone in the dreary night To fight with the day’s cares with absent might? Oh! how I cry for you whole nights through- “Come, O dark beauty! Settle my senses and woo My tormented soul, veil my bleeding eyes with your black skirt. **** me and bury me in your soil if you are the Earth Let me be the dead if you are a tomb, the child if you are a womb. In your palace of darkness, for a night, give my worn soul a room.” Even the firmament hears my odes and cries out stars and rain, But you do come in the end, to drive away my pain, Like a silent cyclone after my cries. Love melted your heart, cold like ice. And your silent lullaby drives my broken boat into your sea’s depths.
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Jan 23
Jan 23, 2026 at 12:51 PM UTC
Ode to Sleep
/Strophe/ O Vesna, breath returned from iron frost,                                                                           Breaker of ice and winter’s hoarded cost.                                                                                               You rise where fields ley mute and bound, Where dead grass bit the frozen ground.                                                                                   From buried roots your summons runs, Sap climbs the wood, the thaw begins. You lift the river from its chain, Unseal the hill, unbind the plain. Lambs find their feet, birds test the air, And lighth relearns to settle there. /Antistrophe/ Not soft you come, nor gently crowned, Your hands are wet with soil and wound. You draw Morena from her reign, Lay her down to sleep again. The fire is lit, the old year burned, Ash to the furrows duly turned. We dress in bloom, in wreath and stem, Bind our young hopes to you and them. Blood warms the feast, the lamb is slaoin,                                                                                   Life fed by life, by loss and gain. /Epode/ You stand between the bone and shoot, The seed split open, raw, uncute. Not mercy, but continaunce sworn, The law that rot must feed the corn. O keeper of the narrow way Where death gives ground to breathing day, Remain until the grain stands tall, Then leave us to the turning fall. For we are yours, and briefly live By what you take, by what you give.
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Jan 6
Jan 6, 2026 at 1:46 PM UTC
Ode to Vesna
/Strophe/ O Vesna, breath returned from iron frost,                                                                           Breaker of ice and winter’s hoarded cost.                                                                                               You rise where fields ley mute and bound, Where dead grass bit the frozen ground.                                                                                   From buried roots your summons runs, Sap climbs the wood, the thaw begins. You lift the river from its chain, Unseal the hill, unbind the plain. Lambs find their feet, birds test the air, And lighth relearns to settle there. /Antistrophe/ Not soft you come, nor gently crowned, Your hands are wet with soil and wound. You draw Morena from her reign, Lay her down to sleep again. The fire is lit, the old year burned, Ash to the furrows duly turned. We dress in bloom, in wreath and stem, Bind our young hopes to you and them. Blood warms the feast, the lamb is slaoin,                                                                                   Life fed by life, by loss and gain. /Epode/ You stand between the bone and shoot, The seed split open, raw, uncute. Not mercy, but continaunce sworn, The law that rot must feed the corn. O keeper of the narrow way Where death gives ground to breathing day, Remain until the grain stands tall, Then leave us to the turning fall. For we are yours, and briefly live By what you take, by what you give.
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33
Rise and falling to the shore a motion moving entities into the shadows of her fall wild calm persuasive and strong crimson waves locket graves A womans heart are the vast ocean's gate.
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Nov 7, 2025
Nov 7, 2025 at 3:54 PM UTC
[A woman is like an Ocean]
O radiant screen, my sleepless moon You hum and pulse a familiar tune Your whispers fill my hollow room And light the shadow of my doom You promised love through glass and wire Connection sparked from coded fire Yet every ping that calls my name Echoes anxiety I cannot tame I scroll through faces, hearts, and lies Beneath your blue and endless skies My hands, once warm, now coldly trace A thousand lives I’ll never face You taught me words without a voice And left me numb beneath the noise For every truth you seemed to show You stole a piece I didn’t know So here I kneel your faithful thrall Adored, consumed, and ruined by all Oh, gentle tyrant, bright and sly You teach us how to live and die
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Nov 4, 2025
Nov 4, 2025 at 1:08 AM UTC
Ode to the Cold Glow
In nine years — those nine years ago, where it all first bled, my hand chased after words like birds startled into flight; each letter a feather I tried to hold, each silence, a wing that trembled. These fingers ran that day — still running, from the moment ink first called my name. Less of a speech, more a prayer pressed through assembly lines of thought; for the soul is not a factory, but a forge — and every verse I hammered, sparked and seared another part of me alive. Like a leaf falling in love mid-air, I found gravity too gentle to fear; I fell, I wrote, and somewhere before hitting the ground I truly learned that _leaving_ and _leafing_ were the same thing: growth disguised as a humble descent. I could never leave the pen alone, though sometimes I’d put it down, just long enough to hear it whisper back, "Are we really done, or just beginning?" And so I’d wait — for new trees to rise from the mulch of old ideas, roots feeding on yesterday’s failures, branches reaching toward an unwritten sky. Nine years — and I, the son of my own beginnings, a poet, a writer, a craftsman made of paper cuts and persistence. Now my body is the parchment, my breath the ink; I left fingerprints in every stanza as if to remind myself — __I was here!__ To leave this body, and to leave this breath, is not to die, but to scatter — to bleed into every margin of the world. And when the last drop dries, they’ll still find me pressed between these pages, a ghost of graphite and grace. Nine years ago, I met the pen — and it said to me, "Take my hand, and believe." And I did. And I still do. Every line since has been proof of that promise.
0
Oct 15, 2025
Oct 15, 2025 at 4:54 PM UTC
Nine Years and a Pen
In nine years — those nine years ago, where it all first bled, my hand chased after words like birds startled into flight; each letter a feather I tried to hold, each silence, a wing that trembled. These fingers ran that day — still running, from the moment ink first called my name. Less of a speech, more a prayer pressed through assembly lines of thought; for the soul is not a factory, but a forge — and every verse I hammered, sparked and seared another part of me alive. Like a leaf falling in love mid-air, I found gravity too gentle to fear; I fell, I wrote, and somewhere before hitting the ground I truly learned that _leaving_ and _leafing_ were the same thing: growth disguised as a humble descent. I could never leave the pen alone, though sometimes I’d put it down, just long enough to hear it whisper back, "Are we really done, or just beginning?" And so I’d wait — for new trees to rise from the mulch of old ideas, roots feeding on yesterday’s failures, branches reaching toward an unwritten sky. Nine years — and I, the son of my own beginnings, a poet, a writer, a craftsman made of paper cuts and persistence. Now my body is the parchment, my breath the ink; I left fingerprints in every stanza as if to remind myself — __I was here!__ To leave this body, and to leave this breath, is not to die, but to scatter — to bleed into every margin of the world. And when the last drop dries, they’ll still find me pressed between these pages, a ghost of graphite and grace. Nine years ago, I met the pen — and it said to me, "Take my hand, and believe." And I did. And I still do. Every line since has been proof of that promise.
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25
Ode to this cherished space, Where words find their graceful place, Half the poems I've shared and spun, Blossom here where things get done Gratitude spills from my pen, For the joy of creating again, In this realm where dreams ignite, Half the poems owe you their light. I'm so thankful for this site
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Oct 9, 2025
Oct 9, 2025 at 9:01 PM UTC
Ode To Hellopoetry