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Whenever in the valleys, of the Indian north, a mortal be devoured, a man of sort, and its remains, when found, be smoked in a pyre, the elders would then, in their deep despair, speak of the spirits, evils and devils from the woods, He would then step in the story, to collect the imperial's goods, often with a hand soaked in a serpent's red, other carrying a snout, long barrelled, rammed with munition n' lead, brass crown, he being a white, with the wheats n' brown, would spend discussions, in a course of due, days, sometimes seven, or thirty and a two, till finally there would days, of uncovering the mist, some cattles would be tied, to summon the evil beast, and the 'he' of the story, be resting in machans on tacks, on a few branches above the hooved one's backs, several nights of blank sight, would then have passed, descending census would flourish the rumours tossed, until the beast ranked evil, be unveiled in the scene, the cattle be bellowing, awakening, the 'he' so keen, red stripes would appear from the swatches of green, from grasses towards the moon, be growing lean, few flashes would spark, and dampen the roars, munitions be heard, to ears awake in terrors. There comes a dawn, driving off the fright, from awaiting eyes, by a meanly pleasant sight, of the evil lying by, the trail of its blood, and 'he' the skins the carcass, after it journeys from towns, for more eyes to believe, the seeming end of their mourns. The valour of its slayer, 'his' be sung in words, "Such was our Jim, of Corbett Edward's."
0
Feb 11
Feb 11, 2026 at 8:05 AM UTC
The Hunt -
Whenever in the valleys, of the Indian north, a mortal be devoured, a man of sort, and its remains, when found, be smoked in a pyre, the elders would then, in their deep despair, speak of the spirits, evils and devils from the woods, He would then step in the story, to collect the imperial's goods, often with a hand soaked in a serpent's red, other carrying a snout, long barrelled, rammed with munition n' lead, brass crown, he being a white, with the wheats n' brown, would spend discussions, in a course of due, days, sometimes seven, or thirty and a two, till finally there would days, of uncovering the mist, some cattles would be tied, to summon the evil beast, and the 'he' of the story, be resting in machans on tacks, on a few branches above the hooved one's backs, several nights of blank sight, would then have passed, descending census would flourish the rumours tossed, until the beast ranked evil, be unveiled in the scene, the cattle be bellowing, awakening, the 'he' so keen, red stripes would appear from the swatches of green, from grasses towards the moon, be growing lean, few flashes would spark, and dampen the roars, munitions be heard, to ears awake in terrors. There comes a dawn, driving off the fright, from awaiting eyes, by a meanly pleasant sight, of the evil lying by, the trail of its blood, and 'he' the skins the carcass, after it journeys from towns, for more eyes to believe, the seeming end of their mourns. The valour of its slayer, 'his' be sung in words, "Such was our Jim, of Corbett Edward's."
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31
I began walking before I understood why the path had chosen me. The map, tucked into my jacket pocket, felt less like a piece of paper and more like a small, warm heart beating against my ribs. It didn't wait for me to consult it; whenever I hesitated at a fork in the road, the paper would grow heavy on the side I was meant to take, pulling my body into the turn like a lead weight. The map was a picky companion. In my hands, the ink didn't just rearrange; it pulsed. When I tried to focus on the landmarks, the names of the streets would blur into the names of people I used to know, only to snap back into illegible squiggles the moment I blinked. It wasn't showing me where to go; it was showing me what I was carrying. I reached a section of the path where the light turned the color of a bruised plum. There, sitting perfectly still in the middle of a clearing, was a single wooden chair. It was the exact shade of blue as my grandmother’s kitchen table — a specific, chipped cerulean that shouldn't have existed out here in the "nowhere." I felt a sudden, sharp pang of a regret I thought I’d buried: the memory of a phone call I let go to voicemail three years ago, a silence that had eventually turned into a permanent wall. The scent from the map intensified then — no longer just a faint hint, but a thick cloud of rain on hot pavement and old books. It was the smell of every "if only" I had ever whispered. The map stopped pulsing. It went cold. I realized then that the city of glass wasn't ahead of me. I was standing in the middle of it, built from the transparent pieces of the life I hadn't lived. I didn't need to find the doorway. I just needed to acknowledge it was there. I took one breath of that impossible air and turned around. When I finally looked back, the path behind me had already forgotten I was ever there.
0
Feb 7
Feb 7, 2026 at 6:02 PM UTC
The Cartographer's Debt
I began walking before I understood why the path had chosen me. The map, tucked into my jacket pocket, felt less like a piece of paper and more like a small, warm heart beating against my ribs. It didn't wait for me to consult it; whenever I hesitated at a fork in the road, the paper would grow heavy on the side I was meant to take, pulling my body into the turn like a lead weight. The map was a picky companion. In my hands, the ink didn't just rearrange; it pulsed. When I tried to focus on the landmarks, the names of the streets would blur into the names of people I used to know, only to snap back into illegible squiggles the moment I blinked. It wasn't showing me where to go; it was showing me what I was carrying. I reached a section of the path where the light turned the color of a bruised plum. There, sitting perfectly still in the middle of a clearing, was a single wooden chair. It was the exact shade of blue as my grandmother’s kitchen table — a specific, chipped cerulean that shouldn't have existed out here in the "nowhere." I felt a sudden, sharp pang of a regret I thought I’d buried: the memory of a phone call I let go to voicemail three years ago, a silence that had eventually turned into a permanent wall. The scent from the map intensified then — no longer just a faint hint, but a thick cloud of rain on hot pavement and old books. It was the smell of every "if only" I had ever whispered. The map stopped pulsing. It went cold. I realized then that the city of glass wasn't ahead of me. I was standing in the middle of it, built from the transparent pieces of the life I hadn't lived. I didn't need to find the doorway. I just needed to acknowledge it was there. I took one breath of that impossible air and turned around. When I finally looked back, the path behind me had already forgotten I was ever there.
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62
And Death entered her room at nightfall, To fetch a beloved soul. "Why are you crying, child?" Death asked the child. "Mr. Snuffles won't wake up! I keep shaking him, yet he won't wake up!" The child responded, cradling the small black cat in her arms. "He has passed away, child. I'm here to take him to a place where he shall finally rest." Death explained to the crying child. "Where will you take him, mister? Why must you take him away?" The child cried louder, seeming more desperate to keep her beloved cat to herself. "It's time that Mr. Snuffles must go on and get rebirthed to his next life." "With his short life in this world, he has already fulfilled his purpose, and that is to look after you as long as his little body allows." Death further added. "But you can't take him away, mister, not yet! I am still not grown, and I am still afraid to be alone in the dark!" The child hugged her beloved cat tighter. "There is light in the darkness, my child, and there is solace in being alone." "Even if you wish to keep him longer, his body couldn't sustain his soul anymore. Another life awaits him at the other end." Death squatted in front of the child, gently prying the cat from her. "Why must you hold on to something that can no longer be there for you?" Death asked yet another question. "Because I still haven't made Mr. Snuffles happy! I haven't loved him enough yet. He can't go yet, please, mister!" The child pleaded. "Isn't it ironic that only in death humans find empathy, only in death your kind desperately asked for life when so many of you waste it away?" Death thought to himself, seeming to wonder the irony of human emotions. "Child, in this world, there's not a thing that remains permanent. Everything will eventually fade away, as well as the grief you are feeling in your little heart. One must know when to let go in order for the deceased and the living to move forward." Death told the child softly. "There will be comfort in grieving, there will be love with hatred, and most importantly, there will be life after death." Death patted the child's head as he stood up, now cradling the black furball in his arms. "Remember, child, death is not a curse nor is it a blessing. One must embrace this process in order to value the significance of life. Without death, life will be meaningless." "Go forth, child, cry, grieve, be angry, yet remember that you must go forward in order to continue the existence of your beloved cat in your memories." Death said as parting before he faded into the darkness of the night. The child, stunned, collapsed on her bed, clutching Mr. Snuffles' collar near to her heaving chest. - N.V. 🥀
0
Sep 3, 2025
Sep 3, 2025 at 1:39 PM UTC
Mister Snuffles
And Death entered her room at nightfall, To fetch a beloved soul. "Why are you crying, child?" Death asked the child. "Mr. Snuffles won't wake up! I keep shaking him, yet he won't wake up!" The child responded, cradling the small black cat in her arms. "He has passed away, child. I'm here to take him to a place where he shall finally rest." Death explained to the crying child. "Where will you take him, mister? Why must you take him away?" The child cried louder, seeming more desperate to keep her beloved cat to herself. "It's time that Mr. Snuffles must go on and get rebirthed to his next life." "With his short life in this world, he has already fulfilled his purpose, and that is to look after you as long as his little body allows." Death further added. "But you can't take him away, mister, not yet! I am still not grown, and I am still afraid to be alone in the dark!" The child hugged her beloved cat tighter. "There is light in the darkness, my child, and there is solace in being alone." "Even if you wish to keep him longer, his body couldn't sustain his soul anymore. Another life awaits him at the other end." Death squatted in front of the child, gently prying the cat from her. "Why must you hold on to something that can no longer be there for you?" Death asked yet another question. "Because I still haven't made Mr. Snuffles happy! I haven't loved him enough yet. He can't go yet, please, mister!" The child pleaded. "Isn't it ironic that only in death humans find empathy, only in death your kind desperately asked for life when so many of you waste it away?" Death thought to himself, seeming to wonder the irony of human emotions. "Child, in this world, there's not a thing that remains permanent. Everything will eventually fade away, as well as the grief you are feeling in your little heart. One must know when to let go in order for the deceased and the living to move forward." Death told the child softly. "There will be comfort in grieving, there will be love with hatred, and most importantly, there will be life after death." Death patted the child's head as he stood up, now cradling the black furball in his arms. "Remember, child, death is not a curse nor is it a blessing. One must embrace this process in order to value the significance of life. Without death, life will be meaningless." "Go forth, child, cry, grieve, be angry, yet remember that you must go forward in order to continue the existence of your beloved cat in your memories." Death said as parting before he faded into the darkness of the night. The child, stunned, collapsed on her bed, clutching Mr. Snuffles' collar near to her heaving chest. - N.V. 🥀
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32
Two ties to a screeched past —still scratching at the crust of blessings, just praying the miracle comes wrapped like a lottery win. I've got creative thoughts on command — I’m a poet in general, drafted into survival, writing lines inside a starving chocolate box, where sweet words can’t keep you fed. They say they’ll pray for you, but it all feels like a soft-spoken nothing; a sugar packet of sympathy that dissolves too quick. Good intentions catch my eye from time to time, but I’ve learned to watch the fine print, because love these days comes with a return policy. They spread your “daily bread” with butter, but the knife I return is always too blunt, so when someone messages out the blue and I ask, “_Okay, what is it you want?_” Rung by rung, I hang here, along with the clothesline of everyone’s ***** laundry ready inside; to air it out. Willing to play into the villain — but never mind that every villain was once just human, walking around with personal vendettas to air out. But I remember a child — nuzzled into sleep, dreaming of the nozzle, not a pacifier… reliving wars they never asked to see, in a world  that’s grown cold enough to make you breathe in snow and spit out fire, burning down the globe just to feel some heat. We own so little, yet feel owed so much. We carry too much, but hold on to nothing. All that we know… is that even our knowing has become a debt we never asked for.
0
Jul 11, 2025
Jul 11, 2025 at 5:56 AM UTC
Bitter Bread & Blunt Knives
I knew a girl —weathered by the kind of life that doesn’t  warn you before the storm. Still, she tried to keep a _spring in her step_ — but smiled like cheap paint on a fading wall, _peeling off, little by little, every **** day_. She told me: "_We don’t own enough to be claiming it all_." She’d hold onto the hands of time like it owed her something, clocking in for the kind of love that clocks out as soon as it settles in your mind. And I swear — _it was always the careless water she feared the most_... the kind you drown in without noticing —a pretty smile, a warm voice, the open door that leads you straight to your own unraveling. I watched her from that doorway — wondered which room of herself she let people sit in. Was it the __heart__ —that wicked room where love rushes in faster than you can catch your breath? Or the __soul__ — too expensive for lips that try to bargain it down with sweet nothings? Maybe it was the __skin__ —that kept aching for touch, even when desire left bruises where tenderness should have lived. Or the __mind__ — God, the most attractive part of her, modelling strength on a runway of thoughts that walked out daily for the world to judge. And maybe the reason her story broke me was because I saw myself in every cracked wall she tried to paint over, and over again. We are all just houses hoping someone might stay long enough to know the rooms we rarely let them in.
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Jul 7, 2025
Jul 7, 2025 at 2:05 PM UTC
Furnished with Ghosts
i never believed i could fly... yet, the other day, i found myself 30,000 ft in the air - yet again - having a hard time believing the captain’s reassuring words. i was stopped thrice by security; there was so much metal on me, you could taste it in the air around me. i could swear the metal detector had picked up on my insecurity - as it swiftly brushed against a drop of sweat at my temple. the ‘beeps’ might as well’ve been swear words, censored. having already had two hits of the ‘good stuff’ before leaving for the port, to say i was paranoid would be an understatement.   ‘what if the machine picks up traces of substance off my sweat?!!’ yep - i did think so. ‘twas bad. already late for boarding, i managed to find myself at the gate, and into the aircraft, at the indifferent pace of the final announcement. the air hostess peddled a magazine my way: i accepted it -   read it; then closed it; it had no substance. i could feel the turbulence getting louder; in my head, that is; there was a pressure difference, that didn’t feel any different: ‘twas just something that had to be dealt with; so i split the difference - i held my breath, and it let loose - my dread. the branded seats featured a slogan from a recent ad campaign by the airline celebrating its 18th anniversary - ‘clever…’, i thought - then turned a sour eye to the window,   having not written it myself. i saw the setting sun, past the surging clouds - flares galloping across their shifting terrain like little kids on a merry-go-round chasing each other - too young to realize it was never meant to be a race.   i couldn’t help but chuckle at that radiant sincerity. for all intents and purposes, ‘twas was a golden hour; fifty five minutes, to be precise.
0
Jan 1, 2025
Jan 1, 2025 at 8:27 AM UTC
the flight home | a short-short story
i never believed i could fly... yet, the other day, i found myself 30,000 ft in the air - yet again - having a hard time believing the captain’s reassuring words. i was stopped thrice by security; there was so much metal on me, you could taste it in the air around me. i could swear the metal detector had picked up on my insecurity - as it swiftly brushed against a drop of sweat at my temple. the ‘beeps’ might as well’ve been swear words, censored. having already had two hits of the ‘good stuff’ before leaving for the port, to say i was paranoid would be an understatement.   ‘what if the machine picks up traces of substance off my sweat?!!’ yep - i did think so. ‘twas bad. already late for boarding, i managed to find myself at the gate, and into the aircraft, at the indifferent pace of the final announcement. the air hostess peddled a magazine my way: i accepted it -   read it; then closed it; it had no substance. i could feel the turbulence getting louder; in my head, that is; there was a pressure difference, that didn’t feel any different: ‘twas just something that had to be dealt with; so i split the difference - i held my breath, and it let loose - my dread. the branded seats featured a slogan from a recent ad campaign by the airline celebrating its 18th anniversary - ‘clever…’, i thought - then turned a sour eye to the window,   having not written it myself. i saw the setting sun, past the surging clouds - flares galloping across their shifting terrain like little kids on a merry-go-round chasing each other - too young to realize it was never meant to be a race.   i couldn’t help but chuckle at that radiant sincerity. for all intents and purposes, ‘twas was a golden hour; fifty five minutes, to be precise.
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58
you can see my scars; my face is riddled with them. i often wonder, how anyone could miss them - yet, they always seem to. it takes a good look, i guess - to see how bad things really are. perhaps they’re blinded by the smile i put up; a slick smile, it is -   surgical - like a scar… a big scar, that hides the smaller ones. the other day, it hit me like a truck - while i was walking to the cigarette shop, my vanity still in awe of ‘how anyone could miss them…!’   a man, i saw. an old man -   with overgrown ****** hair, and a yellow mustard duffle coat,   walking my way. a flash of traffic light streaked across his face, and a feeling took over me; a strange feeling - like i had seen a ghost from my past, or perhaps, my future. as he passed me by, he smiled at me. ceremoniously, but still.   as did i. we timed it perfectly - like an ambidextrous artist were at work, drawing identical curves with their hands. i noticed, my smile had lasted longer than i expected. a few yards down the road, i stopped abruptly… and whimpered, ‘oh...’
0
Dec 12, 2024
Dec 12, 2024 at 12:57 PM UTC
scars
a fog, i saw, in the mist of night. humble, it led me to the ***** of the beast - who pet me, and held me, and licked me, until it, and i, were one.   my restless heart would not let the beast be at peace… ‘what lies into the night?’, i insisted. ‘i must know. tell me now, i say.’ and the beast shook its head - nay. ‘travel not, nor inquire, into the sea of despair’, it groaned, ‘it leads good men astray’. ‘but i’m not scared’, i said. ‘look at me… i’m you. i’m mighty.’ ‘what could possibly hurt you?’ ‘what could possibly hurt… us?’ ‘you mistake me for my appearance, young man’, the beast hummed from within. ‘i am but a vessel.’ ‘i do not possess the might you seek.’ ‘i was sculpted in your image, and scores of such valiant seekers who carrowed their poise for pride’. ‘but if you must -' 'i’m obliged to warn you, as they would -’ ‘you may not forget what you see;’ ‘you may not like what you hear;’ ‘the sea is not forgiving to men who trespass upon the realms of solitude’ ‘hope you’re ready - ’   ‘it gets colder as we get nearer.’ and as we passed the bay of deadly sins, where tales of woe would barren lay - sure enough, i heard a faint rallying cry from far away; ‘the captain must’ve lost his wits...’, sighed the beast - ‘his compass must’ve failed to obey.’ a requiem followed the shipwreck, as the shallow winds kissed the waters grey.
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Dec 10, 2024
Dec 10, 2024 at 3:40 PM UTC
the shipwreck (a story)
Too many stops. Too many pauses. Too many full stops. When moments could have flowed fluid Could have continued along time’s axis to unfurl experiences Now unknown, now wondered about, now pondered on. I’m not shaken. But it’s never cathartic. It is forever suspense. It is forever remembrance. It is not regret. I was who I was, and I am who I am. I cannot null that. It is, wishes, perhaps. It is, wanting, to exist as two, to stop, but to continue, to watch, to witness. I am full stops; given to elective ethos and jittering convictions. And given to these full stops, I wander, wonder, what, what if, should, should have. What? Happens? After?
0
Jan 3, 2024
Jan 3, 2024 at 1:21 PM UTC
Forever Suspense.
the first girl who ever kissed my neck had bones in her bedroom. like taxidermy, right? i asked, squeezing her hand, my thumb rubbing hers, innocently. the early days are always beautiful, mind. could i offer you some jam? the fruits of my labour, i said as she dipped the knife into my open wounds smiling wide, ‘i did this for you’ and i said it so proudly, at the time. i prettied myself up with doilies, a gingham tablecloth too, covering the unsightly parts of me. only for her to give me that look, that disappointed, never good enough look. its pithy. there’s too much substance. and she spat it back into my face, the red creating a clown-smile the only smile i could muster, at the time. and then she started to scream, and that’s where my memories lapse. hacking sounds, bones snapping. it happened kind of quickly. severed heads, severed hands, what does it matter? if your lover is thirsty, let them drink. it’s simpler that way, it keeps lovers as lovers, the naïve part of me said, like a mantra, over and over. deep inside, where my strength lay (and i wouldn’t usually tell people this but as you may have guessed, mere air particles don’t have much to lose) i wanted to scream, fight back give me that back, that’s not yours to take but the words are lost, her slickened hands over my mouth drowning out the nose, as she runs away. ******* coward. leech. parasite. i want my body back, i wheezed as the final breathe escaped my chest.
0
May 17, 2020
May 17, 2020 at 12:51 PM UTC
The Breakfast Table
Down the ****** Adventures of Feral Children If there has to be a gate, I suppose I have always had my own theory that “The ****** was one of those places through which God pulled Paradise inside out.  I was always wandering there, pretending-- playing sometimes or searching for something-- the exact moment that spring begins, or the place of my secret dwelling where I was in charge, where I was queen.  Always hoping for the constant surprise of beauty, a lady slipper-- stunning last year's leaves, a meadow of white violets-- May snow on green?  Or was the startle of of seeing my first scarlet tanager in the saplings-- still too cold for leaves? To the uninitiated The ****** was nothing more than the meaning of its name, a bending tube of woods with a brook tracing along it-- like snake's spine. Not a practical place for a housing development, it had an ether of history as some “Valentine Park” and playground, and I guess that was true, judging from the ruins of bridges, stone half-penny steps, and the overgrown lima-bean shaped pool.  Huge, stone block stairs had faced each other, lining the entrance of a spring-- a fountain once, covered now with moss.  It loomed at dusk like an ancient temple.  Even the course of the brook had been maintained by giant, redstone slabs-- long-since tumbled in the wake of hurricanes whose names I've forgotten.... ...Like a snake's spine... always there for a thousand years, wearing its steep banks ever-deeper into the guts of city till oaks, hemlocks and white pines became sentinel giants, far taller and older than their genes had ever intended.  In the war for sunlight, they through up an unwitting wall against all-- but the most daring encroachments... ...Like say-- like say half-grown people, cigarette butts, broken bottles, and underground “forts” with their smells of stale beer and musty clothes, old mattresses-- echos of giggling, the aura of explored forbiddens.  To us who knew her, The ****** could outlive remembrance but not rumor.  Like an old graveyard or an abandoned house, it was the place to go with our bags of candy, pea-shooters, and fire crackers!  We'd go there to fake-smoke punks-- we either were or wanted to be--    Somebody's parents always leaving their lights around.... We came there to delve into our made-up mysteries, like the one about that antique car that had rusted in “The Swamp” for centuries!  ...that someone's dead cousin drove off The Dingle's cliff side one night... drunk as a skunk!  ...right where The Diamond Match's got this big pipe that spews all that gray **** into the brook! ...right where we used to swim and play on the hottest days since we couldn't use the city's Paddle Pond (folks were scared of polio in those days), so we played at “The Pipe” --making “Indian pottery” with the neighbors,  Gary, Davy, Shelley, and Sandy.  Red clay cups and ashtrays on red hot afternoons-- making wild polluted Indians of Jew and Irish kids alike. Now I almost forgot.... I was telling you about that antique car-- the one some cousin of Ross was supposed to 'ave driven right off the cliff into the swamp and died... Well... His ghost still lurks there! ...and goes into 'iz cousin's body-- Ross, that is....  Let me tell ya!  Ross could sure mess up an afternoon's good time by his appearance!                                           _____________________    But The ****** wasn't just for spooks-- not if you were into spraying girls with rusted cans of rotten Reddi Whip, kicking skunk cabbage (same effect), or finding frogs eggs under lily pads,  Gary even discovered those curious old Italians picking water cress barefoot in The Frog Pond.  Intensely curious, he was not afraid of their funny speech and ways.  He had gallon cans and pickle jars for raising pollywogs-- so he was on a mission.  But best of all, Gary had a backyard that overhung The Dingle's swamp!  We could even view The Pipe hurling runoff ten feet out into the basin!  Our aberrant Niagara after a good storm. Then there was the time that Tarzan swing just appeared!-- Like one of those convenient vines in the jungle movies!  It hung from a pine on one of The Dingle's sheer sides, and was capable-- when wrapped around the trunk and given a running start, of providing one helluva-swooping-good ride-- out over the brook, into the sunlight and back-- with a thousand terrifying variations.  Took me a while to work-up my nerve-- a little longer to be really fine! Tommy Gireaux fell and broke his arm.  Our swing was nothing but a stump of rope next day.  Twenty feet up, dangling fun, cut off and left-- to remembrance of times so real Tarzan made personal appearances! _____________________
0
Apr 13, 2018
Apr 13, 2018 at 1:34 PM UTC
Down "The ******
Down the ****** Adventures of Feral Children If there has to be a gate, I suppose I have always had my own theory that “The ****** was one of those places through which God pulled Paradise inside out.  I was always wandering there, pretending-- playing sometimes or searching for something-- the exact moment that spring begins, or the place of my secret dwelling where I was in charge, where I was queen.  Always hoping for the constant surprise of beauty, a lady slipper-- stunning last year's leaves, a meadow of white violets-- May snow on green?  Or was the startle of of seeing my first scarlet tanager in the saplings-- still too cold for leaves? To the uninitiated The ****** was nothing more than the meaning of its name, a bending tube of woods with a brook tracing along it-- like snake's spine. Not a practical place for a housing development, it had an ether of history as some “Valentine Park” and playground, and I guess that was true, judging from the ruins of bridges, stone half-penny steps, and the overgrown lima-bean shaped pool.  Huge, stone block stairs had faced each other, lining the entrance of a spring-- a fountain once, covered now with moss.  It loomed at dusk like an ancient temple.  Even the course of the brook had been maintained by giant, redstone slabs-- long-since tumbled in the wake of hurricanes whose names I've forgotten.... ...Like a snake's spine... always there for a thousand years, wearing its steep banks ever-deeper into the guts of city till oaks, hemlocks and white pines became sentinel giants, far taller and older than their genes had ever intended.  In the war for sunlight, they through up an unwitting wall against all-- but the most daring encroachments... ...Like say-- like say half-grown people, cigarette butts, broken bottles, and underground “forts” with their smells of stale beer and musty clothes, old mattresses-- echos of giggling, the aura of explored forbiddens.  To us who knew her, The ****** could outlive remembrance but not rumor.  Like an old graveyard or an abandoned house, it was the place to go with our bags of candy, pea-shooters, and fire crackers!  We'd go there to fake-smoke punks-- we either were or wanted to be--    Somebody's parents always leaving their lights around.... We came there to delve into our made-up mysteries, like the one about that antique car that had rusted in “The Swamp” for centuries!  ...that someone's dead cousin drove off The Dingle's cliff side one night... drunk as a skunk!  ...right where The Diamond Match's got this big pipe that spews all that gray **** into the brook! ...right where we used to swim and play on the hottest days since we couldn't use the city's Paddle Pond (folks were scared of polio in those days), so we played at “The Pipe” --making “Indian pottery” with the neighbors,  Gary, Davy, Shelley, and Sandy.  Red clay cups and ashtrays on red hot afternoons-- making wild polluted Indians of Jew and Irish kids alike. Now I almost forgot.... I was telling you about that antique car-- the one some cousin of Ross was supposed to 'ave driven right off the cliff into the swamp and died... Well... His ghost still lurks there! ...and goes into 'iz cousin's body-- Ross, that is....  Let me tell ya!  Ross could sure mess up an afternoon's good time by his appearance!                                           _____________________    But The ****** wasn't just for spooks-- not if you were into spraying girls with rusted cans of rotten Reddi Whip, kicking skunk cabbage (same effect), or finding frogs eggs under lily pads,  Gary even discovered those curious old Italians picking water cress barefoot in The Frog Pond.  Intensely curious, he was not afraid of their funny speech and ways.  He had gallon cans and pickle jars for raising pollywogs-- so he was on a mission.  But best of all, Gary had a backyard that overhung The Dingle's swamp!  We could even view The Pipe hurling runoff ten feet out into the basin!  Our aberrant Niagara after a good storm. Then there was the time that Tarzan swing just appeared!-- Like one of those convenient vines in the jungle movies!  It hung from a pine on one of The Dingle's sheer sides, and was capable-- when wrapped around the trunk and given a running start, of providing one helluva-swooping-good ride-- out over the brook, into the sunlight and back-- with a thousand terrifying variations.  Took me a while to work-up my nerve-- a little longer to be really fine! Tommy Gireaux fell and broke his arm.  Our swing was nothing but a stump of rope next day.  Twenty feet up, dangling fun, cut off and left-- to remembrance of times so real Tarzan made personal appearances! _____________________
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The clock stops at 6:40 pm local time. I'm watching through the attic window as the hands stop. The moon's light reflects off ornate gray steel, stopped in precice alignment with faded roman numerals. Curious, I stand and push up the glass, scan the street below for any signs of movement. Nothing. Nothing's moving. Standstill. Then the outline of a falling leaf catches my eye. Heaven only knows where it came from. I certainly don't. It isn't moving anymore, isn't falling as it's supposed to. As I realize what I'm seeing, I notice even more discrepances - things so odd my eyes skipped over them at first: A large brown moth halted in place, wings frozen on a downstroke. Several candles, wicks lit but not burning, not flickering, visible behind my neighbor's curtain. As I stare at the world around me, eyes wide and definitely not heavy with sleep anymore, my heightened senses tingle. Heaviness travels, did you know? It's physics. Gravity. Something to do with lift, too, I think, chest heaving as invisible bands of iron tighten around my ribs. Time to sleep... Thud. Outside the window, the clock hands turn. 6:41.
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Oct 19, 2014
Oct 19, 2014 at 9:15 PM UTC
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