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#monolith
Wisdom carved in stone is lost / what we know we know under an accumulation of moss
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Sep 19, 2020
Sep 19, 2020 at 8:09 PM UTC
Monument
Loading up my black mirror Skinner box to feel connected Growing in the recesses craft horrors have recollected Knowing when the tendrils attach more ascend to deck and Burrow with an aim to enact order and stay infected. Preying on desire with cracked swords a solemn gesture spills aboard aloft an impactful throne of sordid fester None adorn a thwarting reaction as a suit of armor Gunning for the floor the distraction of a warring vessel. Thunder isn’t half of the problem pouring ocean water. Nothing but an echo, the past it seems was scarcely special Wonder if the grip will relax if I can paddle harder Sunder every bridge in a gasp for the forgotten nestle Covered up in plastic, ******* thinks he’s just a farmer Wonder when the bones in my back will feed the mortar pestle. Fumble with a weapon enraptured in the frozen water Doesn’t change the fact that the ******** on another level
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Jan 10, 2020
Jan 10, 2020 at 1:49 PM UTC
The Depths
Consider a dandelion Consider a mountain peak Consider the ripples from a single drop or beat Consider a star explosion Consider space and blackhole son Consider even suns and moons are satellites of a greater U vision To father is to reach a view that stretches far beyond What you ever thought you could ever do The highest bell rung To father is to find what's true fill the gap and know what is out of ones control too To father is to make a splash and as you fade to the depths unknown grave the waves you made are all that's left to carry on infinitely To father is to be okay burning up yourself as you light the way holding glass minerals gas and stone without knowing exactly how or where the spinning turned a house to a home Just knowing that when you reach the top or your mass collapse drops it could break the very world you create and devistate the very plans woven to levitate SEW Fathers Mediate the space between The waves and dreams Winds and streams Pulling your seeds apart Stack mass and cash to pay attention to their heART Spinning webs of redemption Stitching wounds building arks So as I grasp the view of the present bestowed and I shiver in the vast unknown but no matter beating rain or interstellar hurricane The futures big enough for my echo to be heard again and again.
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Jun 18, 2017
Jun 18, 2017 at 10:13 PM UTC
Gravity of Fatherhood
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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Oct 3, 2014
Oct 3, 2014 at 10:33 AM UTC
Towards an Indigenous Science
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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A large headed being sat and he did stare, looking over my shoulder, looking at your lair. In the void he sat, and on its rim you perched looking upon that old monolith, larger than the earth. He looked and said: "Allow now that perchance your spirit will not allow you to end my life. Look downward upon my spiral and scream out whatever your strife." With a rage-filled yelp you leaped onto his stone head crying you struck again and again until as the soot settled the creature was dead, and you found the peace within.
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Jun 2, 2014
Jun 2, 2014 at 1:10 PM UTC
Monolith