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#massachusetts
In the year of twenty-six, when the shamrocks bloom once more, From Holyoke's old canals to the hills beyond the shore, Every town in western Mass has named its Colleen fair, To lead the Saint Patrick's march with flowers in their hair. Chicopee sends her daughter by the river's steady flow, Westfield brings her own from where the mountain breezes blow, Northampton's lass steps lively down the streets of brick and stone, Amherst crowns her scholar with the ivy overgrown. Greenfield calls her maiden from the meadows rich and wide, Pittsfield lifts her daughter where the Berkshires rise with pride, South Hadley, Easthampton, Longmeadow in their turn, Send their fairest forward for the green to brightly burn. With sashes tied in emerald, crowns of shamrock bright and true, They walk the Holyoke pavement where the crowds are gathered new, The daughters of the old country, the blood of Erin strong, Marching proud together in the parade so long. From Agawam to Ware, from Palmer down to Lee, Each valley town has chosen one to set the spirit free, Their eyes are bright as morning, their laughter clear and high, They carry all the beauty of the western Massachusetts sky. The drums beat out the rhythm, the pipes begin to wail, The banners wave above them like the green upon the gale, Through the streets of Holyoke where the paper mills once stood, These Colleens of twenty-six are marching for the good. They pass the old cathedral, the bridges arched and high, The factories now quiet beneath the winter sky, Yet on this day in March the city comes alive again, With every Colleen smiling, the past and future blend. So sing their names in honor from Deerfield to the south, From Shelburne Falls to Hadley, from the river to the mouth, The Pioneer Valley's daughters, crowned and standing tall, Lead the Saint Patrick's glory down the streets for one and all. In twenty-six they gather, the fairest of the land, A chain of western emerald held fast by loving hand, And when the last note echoes and the sun begins to fade, Their memory lingers softly in the green parade.
0
Feb 8
Feb 8, 2026 at 11:24 AM UTC
Pioneer Valley's Emerald Crowns
In the year of twenty-six, when the shamrocks bloom once more, From Holyoke's old canals to the hills beyond the shore, Every town in western Mass has named its Colleen fair, To lead the Saint Patrick's march with flowers in their hair. Chicopee sends her daughter by the river's steady flow, Westfield brings her own from where the mountain breezes blow, Northampton's lass steps lively down the streets of brick and stone, Amherst crowns her scholar with the ivy overgrown. Greenfield calls her maiden from the meadows rich and wide, Pittsfield lifts her daughter where the Berkshires rise with pride, South Hadley, Easthampton, Longmeadow in their turn, Send their fairest forward for the green to brightly burn. With sashes tied in emerald, crowns of shamrock bright and true, They walk the Holyoke pavement where the crowds are gathered new, The daughters of the old country, the blood of Erin strong, Marching proud together in the parade so long. From Agawam to Ware, from Palmer down to Lee, Each valley town has chosen one to set the spirit free, Their eyes are bright as morning, their laughter clear and high, They carry all the beauty of the western Massachusetts sky. The drums beat out the rhythm, the pipes begin to wail, The banners wave above them like the green upon the gale, Through the streets of Holyoke where the paper mills once stood, These Colleens of twenty-six are marching for the good. They pass the old cathedral, the bridges arched and high, The factories now quiet beneath the winter sky, Yet on this day in March the city comes alive again, With every Colleen smiling, the past and future blend. So sing their names in honor from Deerfield to the south, From Shelburne Falls to Hadley, from the river to the mouth, The Pioneer Valley's daughters, crowned and standing tall, Lead the Saint Patrick's glory down the streets for one and all. In twenty-six they gather, the fairest of the land, A chain of western emerald held fast by loving hand, And when the last note echoes and the sun begins to fade, Their memory lingers softly in the green parade.
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36
In Shelburne Falls the river keeps its own calendar. Spring announces itself before the leaves, before the town believes it. The Green River swells and speaks louder, a rough syllable rolling through open windows, water practicing its long memory on stone. When I lived nearby I learned to sleep inside that sound, the way you learn a friend's breathing, the way place becomes a body you trust. Years later the street remembers how to listen. Bridge Street, patient as a bench, holds a new quiet without erasing the old. A door opens where glass once caught light and the floor already knows what to do. You do not need much to begin, only room enough for breath to find its length. Harmony arrives without fanfare, as these things often do. A search that kept returning, a listing that waited, a timing that felt like being met halfway by the day. Green paint warms a wall. Mirrors learn humility. Shoes line up like good intentions. Inside, bodies come as they are and discover that balance is not a pose but a practice of staying. The teacher speaks with the steadiness of someone who has learned how care can exhaust itself. She invites others in, shares the floor, lets the work be distributed like sunlight. Vinyasa on a Monday evening, restorative when the week leans too hard, meditation early when the town is still rinsing sleep from its eyes. A dance class steps lightly into the story, Pilates and parents and small hands to come. The schedule is a living thing, a hedge you trim and tend, not a wall. Outside, the village keeps its agreements. The bridge carries flowers because someone decided that beauty was worth maintaining. The river is protected because people remembered that love can be organized. Conservation is not a slogan here, it is a habit, a way of saying this will still be here tomorrow if we behave as if tomorrow matters. I think of the house we kept near the water, how spring nights roared like encouragement. How mornings smelled of wet leaves and resolve. How the seasons did not hurry us and yet asked us to pay attention. Living there taught me that a place can be generous without being loud about it, that goodness grows when it is allowed to be ordinary and shared. Inside the studio a breath lifts, then settles. A body learns where it is, how to be strong without forcing, how to rest without quitting. This is the work of towns too, of streets that hold room for new uses, of leases that pass hand to hand without losing their grace. It is how a village keeps its balance, not by standing still, but by moving together, listening for the river, and choosing, again and again, to make space for what heals.
0
Feb 5
Feb 5, 2026 at 11:29 AM UTC
Bridge Street, Finding Balance
In Shelburne Falls the river keeps its own calendar. Spring announces itself before the leaves, before the town believes it. The Green River swells and speaks louder, a rough syllable rolling through open windows, water practicing its long memory on stone. When I lived nearby I learned to sleep inside that sound, the way you learn a friend's breathing, the way place becomes a body you trust. Years later the street remembers how to listen. Bridge Street, patient as a bench, holds a new quiet without erasing the old. A door opens where glass once caught light and the floor already knows what to do. You do not need much to begin, only room enough for breath to find its length. Harmony arrives without fanfare, as these things often do. A search that kept returning, a listing that waited, a timing that felt like being met halfway by the day. Green paint warms a wall. Mirrors learn humility. Shoes line up like good intentions. Inside, bodies come as they are and discover that balance is not a pose but a practice of staying. The teacher speaks with the steadiness of someone who has learned how care can exhaust itself. She invites others in, shares the floor, lets the work be distributed like sunlight. Vinyasa on a Monday evening, restorative when the week leans too hard, meditation early when the town is still rinsing sleep from its eyes. A dance class steps lightly into the story, Pilates and parents and small hands to come. The schedule is a living thing, a hedge you trim and tend, not a wall. Outside, the village keeps its agreements. The bridge carries flowers because someone decided that beauty was worth maintaining. The river is protected because people remembered that love can be organized. Conservation is not a slogan here, it is a habit, a way of saying this will still be here tomorrow if we behave as if tomorrow matters. I think of the house we kept near the water, how spring nights roared like encouragement. How mornings smelled of wet leaves and resolve. How the seasons did not hurry us and yet asked us to pay attention. Living there taught me that a place can be generous without being loud about it, that goodness grows when it is allowed to be ordinary and shared. Inside the studio a breath lifts, then settles. A body learns where it is, how to be strong without forcing, how to rest without quitting. This is the work of towns too, of streets that hold room for new uses, of leases that pass hand to hand without losing their grace. It is how a village keeps its balance, not by standing still, but by moving together, listening for the river, and choosing, again and again, to make space for what heals.
Continue reading...
69
The end of an era. …. If these walls could talk….. there are certain places Places that come alive just before the moon reflects brightest And out come the creatures of the night Until the cranes and wrecking ***** put an end to the parties full of passion and misery Fueled by fuel from Mexico and now China and the occasional trailer which escapes explosion in the Arizona desert And just like the destruction of the rainforest A different sort of habitat, yet one just as natural is destroyed Where do these creatures go ? In a country Where adapting and social jockeying has become harder and harder. At least from the bottom. Everything is harder from the bottom. Just ask someone who’s there. But somehow nature finds a way to survive and a place to go And Like the barnacles and clams taking over the great lakes so come to plagues on Massachusetts Avenue. Development . Progress. The incandescent red light bulb just went extinct on US 1
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Jan 12, 2024
Jan 12, 2024 at 1:56 AM UTC
End of the line for Town Line Inn Motel
The sun's setting, though it may leave you darkening, is the start of the burning far under your soles. The browning now crinkling of Summer's endlesseeming greening is but the start of Springtime's asylum in Xylem. Phloem's sweet ware will flow in 'em somewhere down the line. It’s pithy, I know but life is born in death. And though, come Fall, trees seem seemingly sapped, there's an inspiration transpiring. The firepit's cooling it's embers cast only shadows and shades of memories of warmth and story and light... None gather round, the gloomy. The dormant circle an ashen reduction of oak and of fir but its blackdust when wetted (yes, ink!) and dipped in by brush will one day, with luck, be the source of a poet's enlightening words. The monarchs have gone - a silent orange rustle and, all at once, the milkweeds go dry; the once-green stalks stand stock still, Rods of Asclepias whose seedlings are ever the earliest snows. Leaving home: wherever the Earthbreaths may take them - bleak, brokenhearted, hope in a coma... How unlike the joy of the flutterbys whose time now has fluttered by, a chorus as uttered by the ungiven hope who, though unasked, has wandered the winds to bring its daughters (each healing, each hopeful) a deathgiven panacea to lands now in their own limited unlimited Spring. And you! I know your (sic) fiercely pretending not to be crying. Hell, to never've cried. I know your lifework is 'manly' (your words) or some other idiocy (my words) and unbroken. Hell, unbent. But think on this: if she's gone far enough, far enough along, far enough away; enough time gone by since you broke into One ('broke in two' is NOT how it feels), if enough not enough Her has passed, then she's also more than halfway back to you, to Whole. Nothing can go, nothing is lost for there is no 'away' within this Here. No one now, either at a loss - for the knowing is nigh. Even the knowing cannot be going for long 'fore returning; the yearning is turning from far-off to nearby. The Sky lives as well in every dark puddle. Its blues, now on Earth where all even All is at Home.
0
Nov 2, 2018
Nov 2, 2018 at 1:31 PM UTC
Hall’s Pond
The sun's setting, though it may leave you darkening, is the start of the burning far under your soles. The browning now crinkling of Summer's endlesseeming greening is but the start of Springtime's asylum in Xylem. Phloem's sweet ware will flow in 'em somewhere down the line. It’s pithy, I know but life is born in death. And though, come Fall, trees seem seemingly sapped, there's an inspiration transpiring. The firepit's cooling it's embers cast only shadows and shades of memories of warmth and story and light... None gather round, the gloomy. The dormant circle an ashen reduction of oak and of fir but its blackdust when wetted (yes, ink!) and dipped in by brush will one day, with luck, be the source of a poet's enlightening words. The monarchs have gone - a silent orange rustle and, all at once, the milkweeds go dry; the once-green stalks stand stock still, Rods of Asclepias whose seedlings are ever the earliest snows. Leaving home: wherever the Earthbreaths may take them - bleak, brokenhearted, hope in a coma... How unlike the joy of the flutterbys whose time now has fluttered by, a chorus as uttered by the ungiven hope who, though unasked, has wandered the winds to bring its daughters (each healing, each hopeful) a deathgiven panacea to lands now in their own limited unlimited Spring. And you! I know your (sic) fiercely pretending not to be crying. Hell, to never've cried. I know your lifework is 'manly' (your words) or some other idiocy (my words) and unbroken. Hell, unbent. But think on this: if she's gone far enough, far enough along, far enough away; enough time gone by since you broke into One ('broke in two' is NOT how it feels), if enough not enough Her has passed, then she's also more than halfway back to you, to Whole. Nothing can go, nothing is lost for there is no 'away' within this Here. No one now, either at a loss - for the knowing is nigh. Even the knowing cannot be going for long 'fore returning; the yearning is turning from far-off to nearby. The Sky lives as well in every dark puddle. Its blues, now on Earth where all even All is at Home.
Continue reading...
96
If spirits can walk the earth after life ends, Or even before, to soar in flights unhindered By physics, let me dance then! To reel, arms out, on a vivid green lawn In a garden before a comfortable house, Where lush flowers grow and summer reigns, Touching rows of Constable trees that tower, emerald, And violet-shadowed even at noon or painted In twilight, soft before a rising moon. I would skip over roads and find that field That lies, protective, above the Connecticut, Watching as it winds lazily northward. Then, being sure that all is right, That the corn is tall and full, I would speed up to a rounded hill Above a Victorian barn in Leyden, Ten acres of rye grass for the cows. I would stand at the summit and gaze Far away, down the sleeping valley in its haze, To the little towns and glittering in The sun, my alma mater, towers Of attempted wisdom, of spires and dreams. Then I might then bathe in a little lake Where I once romped with friends After a wedding, **** and laughing While puzzled farmers watched and leered. As before I would flee to the river that wound Down between the hills, splashing through Pools in shade and sun, basking on smooth stone Whose marbled veins glow in the canyon light, Remnants of an ancient era, of pressure and time. Then on I’d go, bounding from one hilltop to another, Turning north from the cesium-laced Deerfield, Passing Vermont’s border to stroll the streets Of Brattleboro, Putney and Newfane. I might find a canoe and glide up the West River, Somehow floating above the rapids and dam, To rest on the flat water as the sun sets, Skimming lightly, watching the trout rise To sip dancing insects or hear the splash Of a bass as it flicks the surface with its tail. And then I would sit with the ones I love, Silently, breathing in the mist that rises As the sun slips below the hills; Sunset-colored, elliptical echoes Catch the low swells like waving glass. I would wait here until morning returns, Not ready to leave this beauty or the world.
0
Sep 8, 2018
Sep 8, 2018 at 12:09 PM UTC
If Spirits Can Walk the Earth
If spirits can walk the earth after life ends, Or even before, to soar in flights unhindered By physics, let me dance then! To reel, arms out, on a vivid green lawn In a garden before a comfortable house, Where lush flowers grow and summer reigns, Touching rows of Constable trees that tower, emerald, And violet-shadowed even at noon or painted In twilight, soft before a rising moon. I would skip over roads and find that field That lies, protective, above the Connecticut, Watching as it winds lazily northward. Then, being sure that all is right, That the corn is tall and full, I would speed up to a rounded hill Above a Victorian barn in Leyden, Ten acres of rye grass for the cows. I would stand at the summit and gaze Far away, down the sleeping valley in its haze, To the little towns and glittering in The sun, my alma mater, towers Of attempted wisdom, of spires and dreams. Then I might then bathe in a little lake Where I once romped with friends After a wedding, **** and laughing While puzzled farmers watched and leered. As before I would flee to the river that wound Down between the hills, splashing through Pools in shade and sun, basking on smooth stone Whose marbled veins glow in the canyon light, Remnants of an ancient era, of pressure and time. Then on I’d go, bounding from one hilltop to another, Turning north from the cesium-laced Deerfield, Passing Vermont’s border to stroll the streets Of Brattleboro, Putney and Newfane. I might find a canoe and glide up the West River, Somehow floating above the rapids and dam, To rest on the flat water as the sun sets, Skimming lightly, watching the trout rise To sip dancing insects or hear the splash Of a bass as it flicks the surface with its tail. And then I would sit with the ones I love, Silently, breathing in the mist that rises As the sun slips below the hills; Sunset-colored, elliptical echoes Catch the low swells like waving glass. I would wait here until morning returns, Not ready to leave this beauty or the world.
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48
the fishtank is whispering to me i tell it i want to go home the filter shudders a laugh i am throwing myself against concrete barriers to feel blood gasping for breath but i drown it in the shower punishing tender flesh with the faucet if this place is supposed to be beautiful no one told my heart and I feel the weight of my ugliness in the pit of my stomach an egg hatching, shredding insides, fully deserved.
0
Oct 17, 2017
Oct 17, 2017 at 5:31 PM UTC
dead end
Do you hear it? The hiraeth Here it lies City lights The shining bokeh behind your eyes Can you hear it? The hiraeth Here it lies The rustling leaves Of Franklin’s oak trees Will you hear it? The hiraeth Here it lies The snow knee deep Childhood friendships we shall keep Can you hear it? The hiraeth Here it lies The ducks of bronze and feather Make memories of hometown brighter
0
Jun 13, 2017
Jun 13, 2017 at 9:37 AM UTC
Hometown
A glorious hstory of jew in his array of spirit today that rose on a dream where bona fide with proprietorship it posted its golden way in a suburban place near the bay. This glorious monument of her time with mayoral sublime and a museum grew a Buckminster Tavern extemporizing resound she lie in midst of my siren that denizen Yankees.
0
Jun 4, 2017
Jun 4, 2017 at 8:46 AM UTC
Framingham
The hills peek Their heads out above Still clear waters, Tombstones tall and Tremendous enough To stand for the loss Of five whole towns Beneath the calm lies Rusted railroads, Crumbling foundations, Fading blueprints of a History long forgotten It’s quiet on the Quabbin, Silent front and stark divide, Monument in mourning Flooded, forlorn, fated To be forgotten
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Apr 16, 2016
Apr 16, 2016 at 2:58 PM UTC
Quiet On the Quabbin
You are a waterfall Cascade out of open Berkshire mountain faces, Stone lips painted red by your words. They say red is the color of love but I can't feel anything but Empty Indifferent Inside when I see the blood in the corner of your mouth. You don't care Chase your narcotics with tequila, Follow your *** smoke with an inhaler, I watch you drift. Do you remember 5 year old me Hugging you round your knees and The way you ran to grab me when I tumbled into the creek behind your house? I do Your hands are warm where they brush mine When you ask me to refill your glass I didn't know you drank ***** by the travel mug now. 4 ice cubes. I lean in the bedroom doorway and watch the mice scurry beneath your couch And I think about how those same warm, now-swollen hands Built this place. Forgive me. I have intruded on your aging privacy, Gray hairs in the 3-day stubble on your bloated chin As you gasp quietly, eyes shut over decades of memories. Your steroids have inflated your stomach more than the lungs they were Supposed to heal and You shuffle so slowly down the stairs I Shift uncomfortably as I wait impatiently to get around you to the car Fleeing the air of decay and the whiskey on your breath. New England roads are good for thinking. Surrounded by ageless forests I think of my aging family, Of you, Grandfather, Your hacking cough sounding like the Massachusetts thunder Across the lake. 2 hour car ride to see the rest of the Degrading homes once owned by My father's father's family; Your family. I see a waterfall in the distant Berkshires. We are part of 1 family, But I can't feel the love I see in my father's eyes, red from tears at your impending funeral.
0
Jul 28, 2014
Jul 28, 2014 at 7:48 PM UTC
New England Love
You are a waterfall Cascade out of open Berkshire mountain faces, Stone lips painted red by your words. They say red is the color of love but I can't feel anything but Empty Indifferent Inside when I see the blood in the corner of your mouth. You don't care Chase your narcotics with tequila, Follow your *** smoke with an inhaler, I watch you drift. Do you remember 5 year old me Hugging you round your knees and The way you ran to grab me when I tumbled into the creek behind your house? I do Your hands are warm where they brush mine When you ask me to refill your glass I didn't know you drank ***** by the travel mug now. 4 ice cubes. I lean in the bedroom doorway and watch the mice scurry beneath your couch And I think about how those same warm, now-swollen hands Built this place. Forgive me. I have intruded on your aging privacy, Gray hairs in the 3-day stubble on your bloated chin As you gasp quietly, eyes shut over decades of memories. Your steroids have inflated your stomach more than the lungs they were Supposed to heal and You shuffle so slowly down the stairs I Shift uncomfortably as I wait impatiently to get around you to the car Fleeing the air of decay and the whiskey on your breath. New England roads are good for thinking. Surrounded by ageless forests I think of my aging family, Of you, Grandfather, Your hacking cough sounding like the Massachusetts thunder Across the lake. 2 hour car ride to see the rest of the Degrading homes once owned by My father's father's family; Your family. I see a waterfall in the distant Berkshires. We are part of 1 family, But I can't feel the love I see in my father's eyes, red from tears at your impending funeral.
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43
Boston, land of the Big Dig, home of tight knit groups who call each other family with no blood relation. Winter teaches you how to shovel your car out of snow banks with red raw hands and a pizza box. Teaches you balance as you slip and skid your way down city sidewalks laced with ice, black like onyx. Girls with big **** and short dresses shiver on the T, their puffy white breaths begging for warmth while their counterparts stand snuggled in down jackets zipped up to their nose. Spring brings rain and the snow becomes muddy slush splashing against your car that can never really be clean. But then the flowers come and you forget about the cold as the humidity sinks in like a fat man into his favorite recliner. The swamp is ever noticeable in Summer as everyone walks in knee high mud, trudging slowly to the Boston Pops. Fall is perfect. Crisp colors and the sweet smell of apples and pumpkins last for months as cheeks turn rosy and hands find safe harbor in pockets.   Boston land of men and women not boys and girls Home of seasons at spectrums end and the only place that will always be home.
0
Jul 17, 2014
Jul 17, 2014 at 12:56 PM UTC
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