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#mahler
Onze minutes et cinquante trois secondes Soit onze fois soixante plus cinquante trois qui font sept cent treize secondes C'est le temps de latence que je te demande, Alma, très lentement, en fa majeur Entre une petite mort et une nouvelle Le temps de prendre conscience Sur rythme de 4/4 De la Beauté de la Renaissance Sur un fond de Mahler S'il suffit d'une seconde pour que naisse une étincelle Et d'une autre seconde pour que le feu meure Sept cent treize secondes Quatre mots pour 3 chiffres Le temps d'un Adagietto Est suffisant et nécessaire Pour nous recueillir Et repartir de plus belle En route pour de nouveaux ébats...
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Aug 21, 2019
Aug 21, 2019 at 6:39 AM UTC
Onze minutes et cinquante trois secondes
He had brought the Mahler 5th and a bottle of wine. He sat in her dim lit lounge on her white sofa. She put the Mahler on her hi-fi, poured two glasses of wine. He gazed around the room: the paintings, low brow, a few photos of her family. She entered with the glasses of wine and put them down on the table. The music unfolded in the room. She sat beside him picking up a glass. He sipped his wine. They lay back together and kissed. She talked of her son a police officer. He talked of the psychology of ***** and the ****** revolution. They drained their glasses. She drew the curtains. They undressed ready for bed. The third movement of the symphony began; the theme familiar inside his head.
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Mar 5, 2018
Mar 5, 2018 at 2:15 PM UTC
Evening Out 1974
Myself and Mahler have a common mind, an overwhelming God that Man can't find. Thus, in the slow, long beating of our hearts listeners to the soul can sing their parts, when, in a mighty chorus, they submerge, and from the common realms of world diverge. We cry, whilst hanging from our mortal noose, 'Veni. Veni, creator spiritus
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Nov 20, 2017
Nov 20, 2017 at 5:25 PM UTC
Myself and Mahler 1966
I was working in a factory which made camping stuff; I was busy in different departments, when a young student started (a little bit younger than I was ) on the Monday. After a week or so he stopped me and said: I understand you like classical music? Yes, I do, I said, why? Have you heard any of Mahler's symphonies? He said. No, I haven't heard his stuff, I replied. You want to get his 7th symphony, he said, it's very good. I'll try and get it, I said. A few days later he slit his wrists with one of the knives they used for cutting twine; medics came and took him off. He never returned. I bought Mahler's 1st symphony; I gave the 7th a miss just in case it had an infectious kiss.
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Sep 5, 2017
Sep 5, 2017 at 11:48 AM UTC
Avoiding the Seventh 1969.
Line breaks within the piles of weeping wombs, where the deer and the antelope play Mozart and polish with brooms, when the maid has forgotten her day off and you're left stranded, perplexed within the certainty of your own death, and the flowers that were brought, too late. Keeping up with the cruelty of Time is no small affair; running ragged underneath a vagrant moon that remains impassive in the face of your demise, counting backward by tens, and the plumber has mastered the scream of the violin. It's better, perhaps, to not look into the sky, witnessing your life as it unravels amid the flotsam of clouds that melt like butter with the passing of the sun, fading like the day, along with the failing drumbeat of your own                      rebellious                          heart... R.C. Mandeville
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May 13, 2014
May 13, 2014 at 12:05 PM UTC
Mahler's Tenth