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#lodz
"Thank you for writing to me in Polish. I have a feeling you'll visit the land of your ancestors again. Spring and summer are the most beautiful here, especially in Krakow, but there's also Zamość, Lublin, and Łódź. I think I understand what you meant with your words. Materiality holds us together, and spirit spreads across time and space. How can we reconcile this? Allow yourself to be rooted in culture and language while soaring high in your thoughts. I wish you and your loved ones all the best. *Peace, health, and fulfillment in your words and in your lives*" Best regards, Agnieszka
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Oct 20, 2025
Oct 20, 2025 at 9:24 PM UTC
Kindest Regards, from Agnieszka de Lodz (Agnes de Lods)
Agnes de Lods.writes: "Writing turns our thoughts inside out. We cut and suddenly join words to touch the essence of both human and non-human existence. I  allow myself not to be too sure whether what I write is a record of what I have seen, of my falls, or maybe a hallucination, trying to wear the veil of mysticism. I am only following the crumbs left by the undefined" <AoL> PREFACE Perhaps it's me, perhaps it's you. but I trip over the inspired insights you so oft slip in, share, and guilty feel you have commissioned me to write a poem for everyone but especially, for the poets here, who peer, preen and pepper their inside innards to find, "the undefined" <> I know well these crumbs, that once, tasted demand a full on British Baking real life escaping escapade of a unque episode god how I love the poetry of a glance askance, the invisible invitation to take a closer look, the hither in-a-come-closer god how i love the well hidden but tracing whiff of a smile, of an 8 year old when she's gifted an unexpected delight, a simple bracelet, which alway says please, little one, always, remember me? the pretense of irritation of an phony whiny 'I know, I know' just for her, a savory masking of the pleasured knowledge that you know her, so well, of what she'll next speak. just as well, hell! even better, before she knows herself the shock of a particular poem when first read, is a stone to temple, a knife to the breast, for the only first thought forever, is my guilty plea of "I should have written that!" Need I go on? perhaps one more, the very first time you accidentally intentionally touch each other's skin, hair or breast, and the shock equivalent is of an electric chair shared, that requires stoppage of breathing, allowing for the full on desire to fall to the ground, thinking I'm found, I'm found out, I'm revealed, unveiled, that comes out of your eyes silently beseeching if anything could ever be better, than a joy undefinable. and a memory memorized forever, that defines, that makes one fine, that comes crossed off that secret list, one more of the undefined of being alive and changes you for the entirety, and the subtlest shade meanings of the phrase. just for the rest of your life is immortalized <> now, here. I cease. quite pleased, that I do indeed! remember; begin again to recall how to breathe out, then in… and then, tho still off kilter,                                           again,  and a gain                                                                                        <nml> 7:58am Tuesday Sep 9 Twenty 25
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Sep 9, 2025
Sep 9, 2025 at 3:23 PM UTC
Agnes of Lods: "following the crumbs left by the undefined"
Agnes de Lods.writes: "Writing turns our thoughts inside out. We cut and suddenly join words to touch the essence of both human and non-human existence. I  allow myself not to be too sure whether what I write is a record of what I have seen, of my falls, or maybe a hallucination, trying to wear the veil of mysticism. I am only following the crumbs left by the undefined" <AoL> PREFACE Perhaps it's me, perhaps it's you. but I trip over the inspired insights you so oft slip in, share, and guilty feel you have commissioned me to write a poem for everyone but especially, for the poets here, who peer, preen and pepper their inside innards to find, "the undefined" <> I know well these crumbs, that once, tasted demand a full on British Baking real life escaping escapade of a unque episode god how I love the poetry of a glance askance, the invisible invitation to take a closer look, the hither in-a-come-closer god how i love the well hidden but tracing whiff of a smile, of an 8 year old when she's gifted an unexpected delight, a simple bracelet, which alway says please, little one, always, remember me? the pretense of irritation of an phony whiny 'I know, I know' just for her, a savory masking of the pleasured knowledge that you know her, so well, of what she'll next speak. just as well, hell! even better, before she knows herself the shock of a particular poem when first read, is a stone to temple, a knife to the breast, for the only first thought forever, is my guilty plea of "I should have written that!" Need I go on? perhaps one more, the very first time you accidentally intentionally touch each other's skin, hair or breast, and the shock equivalent is of an electric chair shared, that requires stoppage of breathing, allowing for the full on desire to fall to the ground, thinking I'm found, I'm found out, I'm revealed, unveiled, that comes out of your eyes silently beseeching if anything could ever be better, than a joy undefinable. and a memory memorized forever, that defines, that makes one fine, that comes crossed off that secret list, one more of the undefined of being alive and changes you for the entirety, and the subtlest shade meanings of the phrase. just for the rest of your life is immortalized <> now, here. I cease. quite pleased, that I do indeed! remember; begin again to recall how to breathe out, then in… and then, tho still off kilter,                                           again,  and a gain                                                                                        <nml> 7:58am Tuesday Sep 9 Twenty 25
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