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#lacan
He couldn’t take his eyes off of his living room’s mirror. His own reflection was staring back at him. Mesmerized by his self’s own image-re-presentation as he was. Wanting to see himself through an-other’s perspective. Desiring to be seen as somebody else. He went on to become one with the famous imago. In an endless arms race, an endless metonymy, drifting as it is called, He tried to achieve the unachievable. He tried to attempt the impossible. He wanted to do the non-doable. Always, from a young age, feeling inadequate and insecure. Because he deemed himself incapable of stretching his own existence, To make it fit with the family’s ideals. So he spent the rest of his life trying to be recognized as something. As something which he wasn’t at all? Yes. (How tragic. How sad.) That left him with nothing but rage, hopelessness and despair. A bipolar marionette of somebody Else’s deadly painful pleasure. Powerless as he was, he went on living while construing ******* solutions. So that he could just "get by". A coward hiding behind somebody Else’s wants. And then one day having said to everybody, everything that made him upset, he left this place. He never came back.
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Apr 15, 2020
Apr 15, 2020 at 8:55 AM UTC
The mirror stage and life
holdover from the air cools bitter awash of dark and a turning horizon without centre. where i entered an empty frame across distance and skin like smoke. ive been having nightmares of cosmic terror a sublime loss of control like paper tearing in the chaotic drifts of broken eddies and other everyday things an inward open mirror a sunlit line wavering to heat disintegration dispersal erosion and death. ive been reading uncanny fluctuations in the sign of things in a power too great and sparse to comprehend overwhelmed by haunting finitude as time veers into collision and the fleeting panic of yesterdays blood. i find myself shaking at the thought of contact the electromagnetic law of repulsion built into the fabric of my flesh eyes turned away like a promise all language from dead stars. dragged along these orbits my skin trembles and i am hateful. faces blur in passageways half-lit rooms smudge across the surface of my memory until i see nothing but the colour of what was tightening the cords of my ribs stumbling inflexion. in the precession of traffic light blurs through my sleeve and i realise i was invisible all along and that i did this to myself and that nobody can help me and that i did this to myself and that i will retreat further and further and further because if it hurts to be abandoned it hurts more to be approached and misunderstood. the masks the words the acts the plays and beneath it all fear cruel mounting hopeless wretched fear eyes turning fingers running over and over until they break the lines of my face a ******* i turn the clocks upside down. i take the batteries out of all my electronic devices. i break the locks on my door. only then does morning come.
0
Feb 7, 2018
Feb 7, 2018 at 10:51 AM UTC
faltering
holdover from the air cools bitter awash of dark and a turning horizon without centre. where i entered an empty frame across distance and skin like smoke. ive been having nightmares of cosmic terror a sublime loss of control like paper tearing in the chaotic drifts of broken eddies and other everyday things an inward open mirror a sunlit line wavering to heat disintegration dispersal erosion and death. ive been reading uncanny fluctuations in the sign of things in a power too great and sparse to comprehend overwhelmed by haunting finitude as time veers into collision and the fleeting panic of yesterdays blood. i find myself shaking at the thought of contact the electromagnetic law of repulsion built into the fabric of my flesh eyes turned away like a promise all language from dead stars. dragged along these orbits my skin trembles and i am hateful. faces blur in passageways half-lit rooms smudge across the surface of my memory until i see nothing but the colour of what was tightening the cords of my ribs stumbling inflexion. in the precession of traffic light blurs through my sleeve and i realise i was invisible all along and that i did this to myself and that nobody can help me and that i did this to myself and that i will retreat further and further and further because if it hurts to be abandoned it hurts more to be approached and misunderstood. the masks the words the acts the plays and beneath it all fear cruel mounting hopeless wretched fear eyes turning fingers running over and over until they break the lines of my face a ******* i turn the clocks upside down. i take the batteries out of all my electronic devices. i break the locks on my door. only then does morning come.
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1
canvas creep blown split idiot boy like amber fell che vuoi? che vuoi? haunt me, **** me whatever.
0
Aug 27, 2017
Aug 27, 2017 at 12:31 PM UTC
s'appeler
belated coward on the step shot break of dusk twilight receding into concrete packed on the alley wall cigarette ash and the suffocating mist of a lurid breath fade. in a dreamlike wake time collapses caught in the hybrid space of ambivalent mimicry a traumatic double which morphs recognition into terror. you smile i slip into La Frontera and learn to hate myself.
0
Mar 8, 2017
Mar 8, 2017 at 3:31 AM UTC
mimicry
the heat infects everything, muggy rain batter churning through murk i close my hand and    cut the fingers on the lip   we left the forms on the third floor, which is the fourth floor, really, english standard  i   always forget that the generator hums   they're     doing something with the piping      sounds like drills         but probably isn't we had to close up early when the vents broke and    water gushed all over the computers, washed away the paper screens, we were   told to vacate, but I just stand, you                 in baby blue  slacks, poke me   but i’m too busy   staring at my bleeding hand the envelope was addressed here but i didn’t recognize the name, no, wait, the other; it was to someone          i knew but                                          not from around here, i   think    there is much     and i fall,  though cushion and sponge           big eggplant river               remember when you were eighteen months and you ran and fell into the mirror? under a deep conviction that that was how you passed through, into the image beyond? but instead you just saw it shatter, and it gashed your arm up all the way up along the metal hinge? still have the scar, right? nowadays you don't trust reflections; you're always instead looking for that jagged lip, that latent violence of the edge, it's    probably a good attitude, really in the mirror    shattered birds,                break their necks on  bad design   too pathetic for tragedy    don’t worry, we’re all self-hating narcissists here, you’ll feel right at home-      chuggin  on woolf and plath            only seek wisdom from self willed death        it’s an indulgent bias              but the living are all such ******* suits, man   just, look, how         they are speaking, now, in a row, a flat screen, projected, and words filter out. the faces are blur, the words are static,  but the form is discernible. accusations. charges. prosecute; indite. plaintiff paper wrung. burn the body and pin it to itself. axiomatized sin. society as the codification of a hatred too bored to sustain itself.  i ask for a glass of water, but the words only form wheeze through the strain. Quiet. Your turn to speak is later. i'd run away, but i'm invested now. gotta see how it ends. the screen retches on. do you recognize this letter? i ask, but the words are wheeze- sorry, sorry, i know, even if it's all about you, i'm just carrying on about-    yeah.        Well!                 Then!                           So!    Do            do you-                         do you prefer to just embrace it?  wear it out, burn it all up at once?      the repulsive husk at the end is just confirms that there was something prior, after all. death is affirmation as well as negation.          or           do you prefer to hold it close, hide it away in dark spaces? i mean, that's fine too. a candle rarely lit never burns out. and only a few flickers are all you need for a wax seal; to drip your mark over sheathed words-         maybe it's the smell. it was sent from my hometown, after all. the name was never important, but the winter and coal. The olfactory of old factories. sorry. i know, but i couldn't resist                            how we'd we'd laugh in silence, moths flooding through broken glass, bodies only figured        as sparks in orbit      against the amber light   always      all too light light light   and colour. weightless as paper                a paper weight,   wait-    thrown through a window? no,   too                  long ago to recall   the post office says they'll take it back to the sender. they can retry, repeat. it'll find it's way from there. it's okay, your responsibility is over; hand it over, leave your body at the door. as long as it's still sealed; as long as the envelope's not too frayed to cut, it's still good enough to exchange. interchangeable.   i run, still clutching     and   they,     funnel us out, river down the concrete stairway,   those echoing closet tones, to the street below,   and stare back at the mess, they're    putting out cones,                        and handing out ponchos, for the typhoon rain of summer bare and- and that's it. so what do you do? it's not entirely rhetorical. what can you do? do you       just    scrawl a note, explaining yourself -everything this misplaced message became to you,- over the outside, and send it off? forcibly insert yourself into the conversation? and just, imagine, project some understanding, some insight, that they'll get from it, that you provided?     just break the seal? you can't open it, can you? it was never meant for you. hell, what answers would be found there, in words for another?   but   perhaps-     perhaps   there are secret codes; messages, not in the words themselves, or the letters, but only to be found and understood by the eavesdropper, the guilty. that outside, absent third party, on the boundary of it all; just gazing in, standing there, speechless, beyond the mirrors glare      but that's just fantasy
0
Mar 2, 2017
Mar 2, 2017 at 10:11 PM UTC
paper cut
the heat infects everything, muggy rain batter churning through murk i close my hand and    cut the fingers on the lip   we left the forms on the third floor, which is the fourth floor, really, english standard  i   always forget that the generator hums   they're     doing something with the piping      sounds like drills         but probably isn't we had to close up early when the vents broke and    water gushed all over the computers, washed away the paper screens, we were   told to vacate, but I just stand, you                 in baby blue  slacks, poke me   but i’m too busy   staring at my bleeding hand the envelope was addressed here but i didn’t recognize the name, no, wait, the other; it was to someone          i knew but                                          not from around here, i   think    there is much     and i fall,  though cushion and sponge           big eggplant river               remember when you were eighteen months and you ran and fell into the mirror? under a deep conviction that that was how you passed through, into the image beyond? but instead you just saw it shatter, and it gashed your arm up all the way up along the metal hinge? still have the scar, right? nowadays you don't trust reflections; you're always instead looking for that jagged lip, that latent violence of the edge, it's    probably a good attitude, really in the mirror    shattered birds,                break their necks on  bad design   too pathetic for tragedy    don’t worry, we’re all self-hating narcissists here, you’ll feel right at home-      chuggin  on woolf and plath            only seek wisdom from self willed death        it’s an indulgent bias              but the living are all such ******* suits, man   just, look, how         they are speaking, now, in a row, a flat screen, projected, and words filter out. the faces are blur, the words are static,  but the form is discernible. accusations. charges. prosecute; indite. plaintiff paper wrung. burn the body and pin it to itself. axiomatized sin. society as the codification of a hatred too bored to sustain itself.  i ask for a glass of water, but the words only form wheeze through the strain. Quiet. Your turn to speak is later. i'd run away, but i'm invested now. gotta see how it ends. the screen retches on. do you recognize this letter? i ask, but the words are wheeze- sorry, sorry, i know, even if it's all about you, i'm just carrying on about-    yeah.        Well!                 Then!                           So!    Do            do you-                         do you prefer to just embrace it?  wear it out, burn it all up at once?      the repulsive husk at the end is just confirms that there was something prior, after all. death is affirmation as well as negation.          or           do you prefer to hold it close, hide it away in dark spaces? i mean, that's fine too. a candle rarely lit never burns out. and only a few flickers are all you need for a wax seal; to drip your mark over sheathed words-         maybe it's the smell. it was sent from my hometown, after all. the name was never important, but the winter and coal. The olfactory of old factories. sorry. i know, but i couldn't resist                            how we'd we'd laugh in silence, moths flooding through broken glass, bodies only figured        as sparks in orbit      against the amber light   always      all too light light light   and colour. weightless as paper                a paper weight,   wait-    thrown through a window? no,   too                  long ago to recall   the post office says they'll take it back to the sender. they can retry, repeat. it'll find it's way from there. it's okay, your responsibility is over; hand it over, leave your body at the door. as long as it's still sealed; as long as the envelope's not too frayed to cut, it's still good enough to exchange. interchangeable.   i run, still clutching     and   they,     funnel us out, river down the concrete stairway,   those echoing closet tones, to the street below,   and stare back at the mess, they're    putting out cones,                        and handing out ponchos, for the typhoon rain of summer bare and- and that's it. so what do you do? it's not entirely rhetorical. what can you do? do you       just    scrawl a note, explaining yourself -everything this misplaced message became to you,- over the outside, and send it off? forcibly insert yourself into the conversation? and just, imagine, project some understanding, some insight, that they'll get from it, that you provided?     just break the seal? you can't open it, can you? it was never meant for you. hell, what answers would be found there, in words for another?   but   perhaps-     perhaps   there are secret codes; messages, not in the words themselves, or the letters, but only to be found and understood by the eavesdropper, the guilty. that outside, absent third party, on the boundary of it all; just gazing in, standing there, speechless, beyond the mirrors glare      but that's just fantasy
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77
1. The darkness fled before me While I stayed in the light The black covering both land and sea Destroying sight. Basking in the heat, burning in the sun We toasted the darkness, once it had gone. God had said, wringing out his curls, ‘let there be light’, Clearly, the dark came first. But god floundered at night And darkness he thunderingly accursed. It was sent temporarily away While god fashioned ‘Day’. Yet, the dark was firstborn The preferred planned child And visually undernourished and presciently worn Was the expected, the ideal, not the reviled; Day was only a change of mind God, the twister, making us see when we are blind. 2. It was of an infinite hue, purple not black Deepening towards the centre, consuming everything A materialisation of Lacan’s Lack Without substance, pleasure or pain. It delved in and out in senseless monotony Heightening sensation here, there performing a lobotomy. At times, it reflected me and then it reflected you Assembling features, and reassembling, But never with every ****** nuance true It shuffled several, naturally dissembling, Unable to be fixed. It pretended to be human, But like you and me, it shuffled like a golem. Flying away it came back with equal velocity Opening its imagined maw Emitting as it approached tongues of electricity Through time it tore. Past and future congealed into a putty-like mass Dying with the light, it disappeared up my ***
0
Apr 11, 2016
Apr 11, 2016 at 8:31 AM UTC
Darkness