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There were two piano pieces of Rachmaninoff's: Love's Joy and Love's Sorrow. Now she, the musician who lets the instrument cry for her, always chooses to play the latter piece. And he, the musician who seeks to pursue happiness with his instrument, asks her, "Why do you stick to sorrow?" . . . "So I can get used to it."
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Apr 29, 2015
Apr 29, 2015 at 11:10 AM UTC
Kreisler