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#katebush
Oh to be in love To be trapped by the water Of youth Oh to be imprisoned In my lovers heart Chains to make me safe Unable to run away Unable to cry for help To be suffocated Oh to be in love And never get out again
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Apr 21
Apr 21, 2026 at 7:30 AM UTC
Oh to be in love (and never get out again)
I Stacked green crates by the futon, records sealed as buried letters, each sleeve longing to be drawn out into daylight by her small, thoughtful hands. I just want to play that Nick Cave again teenager’s resolve in her voice, she drops the needle on "Tupelo", traces Peter Murphy with her thumb, holds Kate Bush to the light like stained glass. She laughs at the ****** box on the speaker. I tell her it’s never going to happen. She grins, unbothered, says she only came for the vinyl. I watch her tilt each sleeve, never touching the grooves, brush the dust, lay the needle like a secret, slide the disc back without a wrinkle. Each time I’m surprised by her precision. It’s the third time she’s dropped by. She makes mixtapes. Pressing pause, pressing record, stitching songs into a spine of hiss. Once, to me, or to herself, she said her father wanted a tape. She’d mail it when he had somewhere to send it. She follows me across the bridge, talking about her brother, an ex-best friend, mimicking her professor, how he wags his tongue when he writes on the chalkboard. I haul a duffel: apron, uniform, boots heavy with grease. She skips in the rain, strumming cables, humming the last song played, still in the air. II I unlock the door, steeped in garlic and kitchen sweat, boots leaving grime on the boards. She isn’t there- only the crates, stacked neater, jackets squared, spines aligned, as if her care was meant for me. The room settles with her absence, yet holds me upright in its small, thoughtful hands.
0
Sep 17, 2025
Sep 17, 2025 at 8:11 PM UTC
Crates
I Stacked green crates by the futon, records sealed as buried letters, each sleeve longing to be drawn out into daylight by her small, thoughtful hands. I just want to play that Nick Cave again teenager’s resolve in her voice, she drops the needle on "Tupelo", traces Peter Murphy with her thumb, holds Kate Bush to the light like stained glass. She laughs at the ****** box on the speaker. I tell her it’s never going to happen. She grins, unbothered, says she only came for the vinyl. I watch her tilt each sleeve, never touching the grooves, brush the dust, lay the needle like a secret, slide the disc back without a wrinkle. Each time I’m surprised by her precision. It’s the third time she’s dropped by. She makes mixtapes. Pressing pause, pressing record, stitching songs into a spine of hiss. Once, to me, or to herself, she said her father wanted a tape. She’d mail it when he had somewhere to send it. She follows me across the bridge, talking about her brother, an ex-best friend, mimicking her professor, how he wags his tongue when he writes on the chalkboard. I haul a duffel: apron, uniform, boots heavy with grease. She skips in the rain, strumming cables, humming the last song played, still in the air. II I unlock the door, steeped in garlic and kitchen sweat, boots leaving grime on the boards. She isn’t there- only the crates, stacked neater, jackets squared, spines aligned, as if her care was meant for me. The room settles with her absence, yet holds me upright in its small, thoughtful hands.
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