#iqbal
tire ishq kī intihā chāhtā huuñ
mirī sādgī dekh kyā chāhtā huuñ
Your infinite love, I desire
Look at my humility what I desire
sitam ** ki ** vada-e-be-hijābī
koī baat sabr-āzmā chāhtā huuñ
Fury or your audacious-unveiling
Something fortitude-testing I desire
ye jannat mubārak rahe zāhidoñ ko
ki maiñ aap kā sāmnā chāhtā huuñ
Heavens be favourable for the religious
But us ever-so close, facing each other is what I desire
zarā sā to dil huuñ magar shoḳh itnā
vahī lan-tarānī sunā chāhtā huuñ
A tiny heart but so spirited I am
To hear those words ‘’By no means canst thou see Me’’ I desire
koī dam kā mehmāñ huuñ ai ahl-e-mahfil
charāġh-e-sahar huuñ bujhā chāhtā huuñ
Determined guest I am O’ people of assembly
Morning lamp I am, quenching I desire
bharī bazm meñ raaz kī baat kah dī
baḌā be-adab huuñ sazā chāhtā huuñ
Within a full gathering I have disclosed the secret
So impolite I am, your punishment I desire
Note:
Moses prays to God for guidance and begs God to reveal himself to him. It is narrated in the Quran that God tells him that it would not be possible for Moses to perceive God, but that He would reveal himself to the mountain, stating: "By no means canst thou see Me (direct); But look upon the mount; if it abide in its place, then shalt thou see Me." When God reveals himself to the mountain, it instantaneously turns into ashes, and Moses loses consciousness. When he recovers, he goes down in total submission and asks forgiveness of God.
✒ Translated by ℐamil Hussain
Words of Muhammad Iqbal
Apr 18, 2022
Apr 18, 2022 at 11:14 PM UTC
I am your wish
travel between two milestones
in search of You
Lord!
May 4, 2020
May 4, 2020 at 7:21 AM UTC
Withered Roses
by Allama Iqbal
loose translation/interpretation by Michael R. Burch
What shall I call you,
but the nightingale's desire?
The morning breeze was your nativity,
an afternoon garden, your sepulchre.
My tears welled up like dew,
till in my abandoned heart your rune grew:
this memento of love,
this spray of withered roses.
Ehad-e-Tifli (“The Age of Infancy”)
by Allama Iqbal aka Muhammad Iqbal
loose translation/interpretation by Michael R. Burch
The earth and the heavens remained unknown to me,
My mother's ***** was my only world.
Her embraces communicated life's joys
While I babbled meaningless sounds.
During my infancy if someone alarmed me
The clank of the door chain consoled me.
At night I observed the moon,
Following its flight through distant clouds.
By day I pondered earth’s terrain
Only to be surprised by convenient explanations.
My eyes ingested light, my lips sought speech,
I was curiosity incarnate.
Excerpt from Rumuz-e bikhudi (“The Mysteries of Selflessness”)
by Allama Iqbal aka Muhammad Iqbal
loose translation/interpretation by Michael R. Burch
Like a candle fending off the night,
I consumed myself, melting into tears.
I spent myself, to create more light,
More beauty and joy for my peers.
Longing
by Allama Iqbal
loose translation by Michael R. Burch
Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!
Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch
This passive nature will not allow you to survive;
If you want to live, raise a storm!
Destiny
by Allama Iqbal
loose translation by Michael R. Burch
Isn't it futile to complain about God's will,
When indeed you are your own destiny?
O, Colorful Rose!
by Allama Iqbal
loose translation/interpretation by Michael R. Burch
You are not troubled with solving enigmas,
O, beautiful Rose! Nor do you express sublime feelings.
You ornament the assembly, and yet still flower apart.
(Alas, I’m not permitted such distance.)
Here in my garden, I conduct the symphony of longing
While your life is devoid of passionate warmth.
Why should I pluck you from your lonely perch?
(I am not deluded by mere appearances.)
O, colorful Rose! This hand is not your abuser!
(I am no callous flower picker.)
I am no intern to analyze you with dissecting eyes.
Like a lover, I see you with nightingale's eyes.
Despite your eloquent tongues, you prefer silence.
What secrets, O Rose, lie concealed within your *****
Like me you're a bloom from the garden of Ñër.
We’re both far from our original Edens!
You are complete, content, but I’m a scattered fragrance,
Pierced by love’s sword in my errant quest.
This turmoil within might be a means of fulfillment,
This torment, a source of illumination.
My frailty might be the beginning of strength,
My envy mirror Jamshid’s cup of divination.
My constant vigil might light a world-illuminating candle
And teach this steed, the human intellect, to gallop.
Bright Rose
by Allama Iqbal
loose translation/interpretation by Michael R. Burch
You cannot loosen the heart's knot;
perhaps you have no heart,
no share in the chaos
of this garden, where I yearn (for what?)
yet harvest no roses.
Of what use to me is wisdom?
Having abandoned Eden,
you are at peace, while I remain anxious,
disconsolate in my terror.
Perhaps Jamshid's empty cup
foretold the future, but may wine
never satisfy my desire
till I find you in the mirror.
Jamshid's empty cup: Jamshid saw the reflection of future events in a wine cup.
Coal to Diamond
by Allama Iqbal, after Nietzsche
loose translation/interpretation by Michael R. Burch
I am corrupt, less than dust
while your brilliance out-blazes the brightest mirror.
My darkness defiles the chafing-dish
before my cremation; a miner's boot
crushes my cranium; I end up soot.
Do you acknowledge my life's bleak essence?
Condensations of smoke, black clouds stillborn from a single spark,
while you with your starlike nature triumphantly adorn monarchs,
gleam of the king's crown, the scepter's centerpiece.
"Please, kin-friend, be wise," the diamond replied,
"Assume a gemlike dignity! Carbon must harden
before it can fill a ***** with radiance. Burn
because you yield warmth. Brighten the darkness.
Be adamant as stone, be diamond."
Iqbal’s poem was written after a passage in Nietzsche’s Twilight of the Idols in which a kitchen coal and diamond discuss hardness versus softness.
Keywords/Tags: Urdu, Hindi, translation, English, rose, roses, withered roses, nightingale, desire, breeze, garden, nativity, cradle, infancy, heart, tears, dew, rain, rainfall, longing, conflict, tumult, peace, life, life advice, live, nature, survive, survival, storm, destiny, God, God's will, silence
Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.
Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch
I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.
I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.
I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.
When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.
Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.
Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch
I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.
I have often been lost by the sea,
as I am lost in the hearts of children.
At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.
Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.
Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.
La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch
The sea
smiles in the distance:
foam-toothed,
heaven-lipped.
What do you sell, shadowy child
with your naked *******
Sir, I sell
the sea’s saltwater.
What do you bear, dark child,
mingled with your blood?
Sir, I bear
the sea’s saltwater.
Those briny tears,
where were they born, mother?
Sir, I weep
the sea’s saltwater.
Heart, this bitterness,
whence does it arise?
So very bitter,
the sea’s saltwater!
The sea
smiles in the distance:
foam-toothed,
heaven-lipped.
Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch
The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.
Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch
Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.
High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.
Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!
Cordoba. Distant and lone.
Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch
Sapling, sapling,
dry but green.
The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.
Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.
Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.
When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.
The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.
Sapling, sapling,
dry but green.
Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch
If I die,
leave the balcony open.
The boy eats oranges.
(I see him from my balcony.)
The reaper scythes barley.
(I feel it from my balcony.)
If I die,
leave the balcony open!
*
In the green morning
I longed to become a heart.
Heart.
In the ripe evening
I longed to become a nightingale.
Nightingale.
(Soul,
become the color of oranges.
Soul,
become the color of love.)
In the living morning
I wanted to be me.
Heart.
At nightfall
I wanted to be my voice.
Nightingale.
Soul,
become the color of oranges.
Soul,
become the color of love!
*
I want to return to childhood,
and from childhood to the darkness.
Are you going, nightingale?
Go!
I want return to the darkness
And from the darkness to the flower.
Are you leaving, aroma?
Go!
I want to return to the flower
and from the flower
to my heart.
Are you departing, love?
Depart!
(To my deserted heart!)
Apr 29, 2020
Apr 29, 2020 at 2:21 AM UTC
Smoke suffocating, screams letting deaf
babies’, moms’ and, old ones are helpless
Blood spreads everywhere, from the bodies.
Stop lynching, and give up hatefulness
look at world from Warsak Road, O man
Palestine, Kabul, Iraq, leave them
spirit is one, dialect is not same
His devotee doesn't accept defeat
think in hurry, when you find, morn, eve
your slaughterhouse, tactics are useless
they will not be able to withstand
and will welcome as the Berlin wall
Apr 10, 2020
Apr 10, 2020 at 11:36 PM UTC
Slaves exist only to be worked to death.
That is why all slaves are dead.
Feb 25, 2019
Feb 25, 2019 at 9:52 PM UTC
A day is coming, we shall hear
There will no loss, no wound no tear
No wall between the hope, despair
No will confuse in fair, unfair
All clouds of threat and mist of fear
Will go to hell and disappear
It can be done if only you
Have some time with the morning dew
Feb 16, 2015
Feb 16, 2015 at 8:47 AM UTC