Hello Poetry
Submit your work and get some sparkles! Create free account
#inhumanity
I have seen a lot in this life, The only thing I haven't seen is that which doesn't exist, I have seen a lot in this life, That which my mouth cannot explain. Tell us what you saw Mr. Stephen, What is it you saw that Troubles you, Did you see the rainbow or seven colours of madness, Tell us Mr. Ekemezie what exactly you saw? I saw people I saw inhumanity, I saw heartlessness in-love with wickedness, I saw bitterness wedding greediness, Callousness came to the wedding wearing injustice. I saw evil ruling the universe, Anger, dishonesty and falsehood are there with her, I saw a sick earth where everything goes, A world full of oppression and strife, No humanity at all which keeps me speechlessly mouthless.
0
Jul 14, 2025
Jul 14, 2025 at 7:07 PM UTC
Mouthless
night                                                         this is texture of apparition       a little restless heat the cat crosses between balconies the cardboard set of the backs of city houses stage of charming murders and secrets the skies speed and health dominates           there's a detonation of the half moon then the treads of clouds                                     and a sharp code of shooting star we have no right                                             bathed with loving context we should behave to earn such a view but our smarts aim                                     at now't but hazard and flirt war dooms at beat for thunder the night skies become ominous                                      with our ruined broach suspended under every breath
0
Jul 9, 2025
Jul 9, 2025 at 6:29 PM UTC
(an opposition to massacre)
They'll huddle in bunkers, when all's said and done the world now in ashes, and is no longer fun money to spare, worthless now to a dime somehow, and someway, it's partly their crime Living was so easy, high on the thrill hoarding the pennies, and the great dollar bill ignoring the masses, no food and no homes "that's not our problem" espoused from the thrones We've all been told, the meek, get the earth for everything, anything, that it may be worth worthless the wealth, when all's said and done no prayers for the dying, for nobody....won
0
Feb 13, 2025
Feb 13, 2025 at 5:42 PM UTC
Appocky-lipse
We are left speechless by man's inhumanity to man. These are poems about the Holocaust, Gaza, Hiroshima, 9-11, war, and other forms of human violence... Speechless by Ko Un translation by Michael R. Burch At Auschwitz piles of glasses mountains of shoes returning, we stared out different windows. “Speechless” is my translation of a Holocaust poem by Ko Un that has also been published as “Speechless at Auschwitz.” Ko Un was speechless at Auschwitz. Someday, when it’s too late, will we be speechless at Gaza? ―Michael R. Burch who, US? by Michael R. Burch jesus was born  a palestinian child where there’s no Room  for the meek and the mild ... and in bethlehem still  to this day, lambs are born to cries of “no Room!”  and Puritanical scorn ... under Herod, Trump, Bibi their fates are the same—  the slouching Beast mauls them and WE have no shame: “who’s to blame?” Published by Setu (India), Borderless Journal (Singapore), European Tribune, Archive Today, TV-India, Alois and The HyperTexts Such Tenderness by Michael R. Burch for the mothers of Gaza There was, in your touch, such tenderness—as only the dove on her mildest day has, when she shelters downed fledglings beneath a warm wing and coos to them softly, unable to sing. What songs long forgotten occur to you now— a babe at each breast? What terrible vow ripped from your throat like the thunder that day can never hold severing lightnings at bay? Time taught you tenderness—time, oh, and love. But love in the end is seldom enough ... and time?—insufficient to life’s brief task. I can only admire, unable to ask— what is the source, whence comes the desire of a woman to love as no God may require? Published by Borderless Journal (Singapore) and SindhuNews (India) War, the God by Michael R. Burch War lifts His massive head and turns … (The world upon its axis spins.) … His head held low from weight of horns, His hackles high. The sun He scorns and seeks the rose not, but its thorns. The sun must set, as night begins, while, unrepentant of our sins, we play His game, until He wins. For War, our God, our bellicose Mars still dominates our heavens, determines our Stars. Pfennig Postcard, Wrong Address by Michael R. Burch We saw their pictures: tortured out of Our imaginations like golems. We could not believe in their frail extremities or their gaunt faces, pallid as Our disbelief. they are not with us now; We have: huddled them  into the backroomsofconscience, consigned them to the ovensofsilence, buried them in the mass graves of circumstancesbeyondourcontrol. We have so little left of them, now, to remind US... Originally published in the Holocaust anthology Blood to Remember where it appears at the Library of Congress. Lucifer, to the Enola Gay by Michael R. Burch Go then,  and give them my meaning so that their teeming streets become my city. Bring back a pretty flower— a chrysanthemum, perhaps, to bloom if but an hour, within a certain room of mine where the sun does not rise or fall, and the moon, although it is content to shine, helps nothing at all. There, if I hear the wistful call of their voices regretting choices made or perhaps not made in time, I can look back upon it and recall, in all  its pale forms sublime, still Death will never be holy again. Published by Romantics Quarterly, Penny Dreadful, Warosu (Japan), Pela Poesia (Portugal), Borderless Journal (Singapore), ArtVilla, Poetry Life & Times, Let Justice Roll and Study.com Mending by Michael R. Burch for the survivors of 9-11 and their families I am besieged with kindnesses; sometimes I laugh, delighted for a moment, then resume the more seemly occupation of my craft. I do not taste the candies ... the perfume of roses is uplifted in a draft that vanishes into the ceiling’s fans which spin like old propellers till the room is full of ghostly bits of yarn . . . My task is not to knit, but not to end too soon. Published by Poetry SuperHighway and Poetry Life & Times Because Her Heart Is Tender by Michael R. Burch for Beth, on the first anniversary of 9-11 She scrawled soft words in soap: “Never Forget,” Dove-white on her car’s window, and the wren, because her heart is tender, might regret it called the sun to wake her.                                                 As I slept, she heard lost names recounted, one by one. She wrote in sidewalk chalk: “Never Forget,” and kept her heart’s own counsel.                                                        No rain swept away those words, no tear leaves them undone. Because her heart is tender with regret, bruised by razed towers’ glass and steel and stone that shatter on and on and on and on ... she stitches in damp linen: “NEVER FORGET,” and listens to her heart’s emphatic song. The wren might tilt its head and sing along because its heart once understood regret when fledglings fell beyond, beyond, beyond its reach, and still the boot-heeled world strode on. She writes in adamant: “NEVER FORGET” because her heart is tender with regret. Published by Neovictorian/Cochlea, The Villanelle, The Villanelle Blogspot, The Eclectic Muse (Canada), Nietzsche Twilight, Nutty Stories (South Africa), Poetry Renewal Magazine, Live Journal, Famous Poets and Poems, Inspirational Stories and Other Voices International; also the winner of a Poetry Nook contest Defenses by Michael R. Burch Beyond the silhouettes of trees stark, naked and defenseless there stand long rows of sentinels: these pert white picket fences. Now whom they guard and how they guard, the good Lord only knows; but savages would have to laugh observing the tidy rows. Nothing Returns by Michael R. Burch A wave implodes, impaled upon impassive rocks... this evening the thunder of the sea is a wild music filling my ear... you are leaving and the ungrieving  winds demur... telling me that nothing returns as it was before, here where you have left no mark upon this dark Heraclitean shore. Laughter’s Cry by Michael R. Burch Because life is a mystery, we laugh and do not know the half. Because death is a mystery, we cry when one is gone, our numbering thrown awry. Listen by Michael R. Burch writing as Immanuel A. Michael Listen to me now and heed my voice; I am a madman, alone, screaming in the wilderness, but listen now. Listen to me now, and if I say that black is black, and white is white, and in between lies gray, I have no choice. Does a madman choose his words? They come to him, the moon’s illuminations, intimations of the wind, and he must speak. But listen to me now, and if you hear the tolling of the judgment bell, and if its tone is clear, then do not tarry, but listen, or cut off your ears, for I Am weary. Published by Penny Dreadful, Formal Verse, The HyperTexts, Various Heresies, the Anthologise Committee and Nonsuch High School for Girls (Surrey, England) Saving Graces by Michael R. Burch for the Religious Right Life’s saving graces are love, pleasure, laughter (wisdom, it seems, is for the Hereafter). Published by Shot Glass Journal and Poem Today Am I really this old, so many ghosts beckoning? —Michael R. Burch Mother, I’ve made a terrible mess of things ... Is there grace in the world, as the nightingale sings? —Michael R. Burch Shattered by Vera Pavlova loose translation/interpretation by Michael R. Burch I shattered your heart; now I limp through the shards barefoot. Published by Poem Today, Brief Poems, Bauhaus Modernists, Rose in the Dark, Milam’s Musings, Twin Flame, BeatPort, Dark South, Wisdom Trove, My Gloomy Monster, University of Pennsylvania To Have Loved by Michael R. Burch Helen, bright accompaniment, accouterment of war as sure as all the polished swords of princes groomed to lie in mausoleums all eternity ... The price of love is not so high as never to have loved once in the dark beyond foreseeing. Now, as dawn gleams pale upon small wind-fanned waves, amid white sails ... Now all that war entails becomes as small, as though receding. Paris in your arms was never yours, nor were you his at all. And should gods call in numberless strange voices, should you hear, still what would be the difference? Men must die to be remembered. Fame, the shrillest cry, leaves all the world dismembered. Hold him, lie,  tell many pleasant tales of lips and thighs; enthrall him with your sweetness, till the pall  and ash lie cold upon him. Is this all? You saw fear in his eyes, and now they dim with fear’s remembrance. Love, the fiercest cry, becomes gasped sighs in his once-gallant hymn of dreamed “salvation.” Still, you do not care because you have this moment, and no man can touch you as he can ... and when he’s gone there will be other men to look upon your beauty, and have done. Smile—woebegone, pale, haggard. Will the tales paint this—your final portrait? Can the stars find any strange alignments, Zodiacs, to spell, or unspell, what held beauty lacks? Published by The Raintown Review, Triplopia, The Eclectic Muse (Canada), The Chained Muse, Borderless Journal, The Pennsylvania Review, and in a YouTube recital by David B. Gosselin Poppy by Michael R. Burch “It is lonely to be born.” – Dannie Abse,“The Second Coming” It is lonely to be born between the intimate ears of corn... the sunlit, flooded, shellshocked rows. The scarecrow flutters, listens, knows... Pale butterflies in staggering flight ascend the gauntlet winds and light before the scything harvester. The winsome buds of cornflowers prepare themselves to be airborne, and it is lonely to be shorn, decapitate, of eager life so early in love’s blinding maze of silks and tassels, goldened days when life’s renewed, gone underground. Sad confidante of worm and mound, how little stands to be regained of what is left.                        A tiny cleft now marks your birth, your reddening among the amber waves. O, sing! Another waits to be reborn among bent thistle, down and thorn. A hoofprint’s cleft, a ram’s curved horn curled inward, turned against the heart, a spoor like infamy. Depart. You came too late, the signs are clear: whose world this is, now watches, near. There is no ****** for the heart. Originally published by Borderless Journal (Singapore) The Lingering and the Unconsoled Heart by Michael R. Burch There is a silence— the last unspoken moment before death, when the moon, cratered and broken, is all madness and light, when the breath comes low and complaining, and the heart is a ruin of emptiness and night. There is a grief— the grief of a lover's embrace while faith still shimmers in a mother’s tears ... There is no dismaler time, nor place, while the faint glimmer of life is ours that the lingering and the unconsoled heart fears beyond this: seeing its own stricken face in eyes that drift toward some incomprehensible place. Sometimes the Dead by Michael R. Burch Sometimes we catch them out of the corners of our eyes—      the pale dead.           After they have fled the gourds of their bodies, like escaping fragrances they rise. Once they have become a cloud’s mist, sometimes like the rain      they descend;     they appear, sometimes silver like laughter, to gladden the hearts of men. Sometimes like a pale gray fog, they drift      unencumbered, yet lumbrously,           as if over the sea there was the lightest vapor even Atlas could not lift. Sometimes they haunt our dreams like forgotten melodies      only half-remembered.           Though they lie dismembered in black catacombs, sepulchers and dismal graves; although they have committed felonies, yet they are us. Someday soon we will meet them in the graveyard dust      blood-engorged, but never sated           since Cain slew Abel. But until we become them, let us steadfastly forget them, even as we know our children must ... grave request by michael r. burch come to ur doom in Tombstone; the stars stark and chill over Boot Hill care nothing for ur desire; still, imagine they wish u no ill, that u burn with the same antique fire; for there’s nothing to life but the thrill of living until u expire; so come, spend ur last hardearned bill on Tombstone. stones by michael r. burch circa age 16 i. far below me lies a village with its houses hewn from stone and though Everyman who lives there  bravely claims he’s not alone, i can tell him, yes u are! for u cannot touch the stars no matter how u try; nor can u tame the mountain, nor appease the darkening sky. ii. and late at night their flinty fires blazing cannot warm their stony hearts; though the villagers “believe” (in what?) the terror-fear departs them only at mid-day for they fear what Others say when their walls have shut them in. iii. and do they sin? who am i to say? most stones are shades of gray; what does it matter, anyway? iv. oh, i think that living is not easy and that dying is not hard ... as the stars above wink, meaningless, so they are; so we all are.  v. a legion without sound in dusky darkness drawing down to settle on the town, the Night is like a stone —  hard and dark and rolling on, hard and dark and rolling on. Less Heroic Couplets: Liquidity Crisis by Michael R. Burch And so I have loved you, and so I have lost, accrued disappointment, ledgered its cost, debited wisdom, credited pain . . . My assets remaining are liquid again. Published by ***** of Parnassus and Borderless Journal (Singapore); originally titled “Accounting” What the Poet Sees by Michael R. Burch What the poet sees, he sees as a swimmer  ~~~~underwater~~~~ watching the shoreline blur sees through his breath’s weightless bubbles ... Both worlds grow obscure. Published by ByLine, Mandrake Poetry Review, Bewildering Stories, E Mobius Pi, Underground Poets, Little Brown Poetry, Triplopia, Neovictorian/Cochlea, Muse Apprentice Guild, Poetry on Demand, Poet’s Haven, Famous Poets and Poems, and others Daredevil by Michael R. Burch There are days that I believe (and nights that I deny) love is not mutilation. Daredevil, dry your eyes. There are tightropes leaps bereave— taut wires strumming high brief songs, infatuations Daredevil, dry your eyes. There were cannon shots’ soirees, hearts barricaded, wise . . . and then . . . annihilation. Daredevil, dry your eyes. There were nights our hearts conceived dawns’ indiscriminate sighs. To dream was our consolation. Daredevil, dry your eyes. There were acrobatic leaves that tumbled down to lie at our feet, bright trepidations. Daredevil, dry your eyes. There were hearts carved into trees— tall stakes where you and I left childhood’s salt libations . . . Daredevil, dry your eyes. Where once you scraped your knees; love later bruised your thighs. Death numbs all, our sedation. Daredevil, dry your eyes. Each Color a Scar by Michael R. Burch What she left here, upon my cheek, is a tear. She did not speak, but her intention was clear, and I was meek, far too meek, and, I fear, too sincere. What she can never take from my heart is its ache; for now we, apart, are like leaves without weight, scattered afar by love, or by hate, each color a scar. Chloe by Michael R. Burch There were skies onyx at night ... moons by day ... lakes pale as her eyes ... breathless winds ********** tall elms ... she would say that we’d loved, but I figured we’d sinned. Soon impatiens too fiery to stay sagged; the crocus bells drooped, golden-limned; things of brightness, rinsed out, ran to gray ... all the light of that world softly dimmed. Where our feet were inclined, we would stray; there were paths where dead weeds stood untrimmed, distant mountains that loomed in our way, thunder booming down valleys dark-hymned. What I found, I found lost in her face by yielding all my virtue to her grace. Originally published by Romantics Quarterly as “A Dying Fall” Heat Lightening by Michael R. Burch Each night beneath the elms, we never knew which lights beyond dark hills might stall, advance, then lurch into strange headbeams tilted up like searchlights seeking contact in the distance . . . . . . quiescent unions . . . thoughts of bliss, of hope . . . long-dreamt appearances of wished-on stars . . . like childhood’s long-occluded, nebulous slow drift of half-formed visions . . . slip and bra . . . Wan moonlight traced your features, perilous, in danger of extinction, should your hair fall softly on my eyes, or should a kiss cause them to close, or should my fingers dare to leave off childhood for some new design of whiter lace, of flesh incarnadine. Published by The New Stylus and Love Poems and Poets Lozenge by Michael R. Burch When I was closest to love, it did not seem real at all, but a thing of such tenuous sweetness it might dissolve in my mouth like a lozenge of sugar. When I held you in my arms, I did not feel our lack of completeness, knowing how easy it was for us to cling to each other. And there were nights when the clouds sped across the moon’s face,  exposing such rarified brightness we did not witness so much as embrace love’s human appearance. Spring Was Delayed by Michael R. Burch Winter came early: the driving snows, the delicate frosts that crystallize all we forget or refuse to know, all we regret that makes us wise. Spring was delayed: the nubile rose, the tentative sun, the wind’s soft sighs, all we omit or refuse to show, whatever we shield behind guarded eyes. Originally published by Borderless Journal (Singapore) Almost by Michael R. Burch We had—almost—an affair. You almost ran your fingers through my hair. I almost kissed the almonds of your toes. We almost loved,                             that’s always how love goes. You almost contemplated using Nair and adding henna highlights to your hair, while I considered plucking you a Rose. We almost loved,                             that’s always how love goes. I almost found the words to say, “I care.” We almost kissed, and yet you didn’t dare. I heard coarse stubble grate against your hose. We almost loved,                             that’s always how love goes. You almost called me suave and debonair (perhaps because my chest is pale and bare?). I almost bought you edible underclothes. We almost loved,                             that’s always how love goes. I almost asked you where you kept your lair and if by chance I might ****** you there. You almost tweezed the redwoods from my nose. We almost loved,                             that’s always how love goes. We almost danced like Rogers and Astaire on gliding feet; we almost waltzed on air ... until I mashed your plain, unpolished toes. We almost loved,                             that’s always how love goes. I almost was strange Sonny to your Cher. We almost sat in love’s electric chair to be enlightninged, till our hearts unfroze. We almost loved,                             that’s always how love goes. Hearthside by Michael R. Burch “When you are old and grey and full of sleep...” — W. B. Yeats For all that we professed of love, we knew this night would come, that we would bend alone to tend wan fires’ dimming bars—the moan of wind cruel as the Trumpet, gelid dew an eerie presence on encrusted logs we hoard like jewels, embrittled so ourselves. The books that line these close, familiar shelves loom down like dreary chaperones. Wild dogs, too old for mates, cringe furtive in the park, as, toothless now, I frame this parchment kiss. I do not know the words for easy bliss and so my shriveled fingers clutch this stark, long-unenamored pen and will it: Move. I loved you more than words, so let words prove. Published by Sonnet Writers, Setu (India), Borderless Journal (Singapore), UlibM (Thailand) and Vallance Review (Canada) Remembering Not to Call by Michael R. Burch a villanelle permitting mourning, for my mother, Christine Ena Burch The hardest thing of all, after telling her everything, is remembering not to call. Now the phone hanging on the wall will never announce her ring: the hardest thing of all for children, however tall.  And the hardest thing this spring will be remembering not to call the one who was everything. That the songbirds will nevermore sing is the hardest thing of all for those who once listened, in thrall, and welcomed the message they bring, since they won’t remember to call. And the hardest thing this fall will be a number with no one to ring. No, the hardest thing of all is remembering not to call. Nun Fun Undone by Michael R. Burch for and after Richard Moore Abbesses’ recesses are not for excesses! Preposterous Eros by Michael R. Burch “Preposterous Eros” – Patricia Falanga Preposterous Eros shot me in the buttocks, with a Devilish grin, spent all my money in a rush then left my heart effete pink mush. Originally published by Snakeskin She bathes in silver by Michael R. Burch She bathes in silver ~~~~~afloat~~~~~ on her reflections ... Herons by Michael R. Burch The herons stand, sentry-like, at attention ... rigid observers of some unknown command. Merciles Beaute ("Merciless Beauty") by Geoffrey Chaucer loose translation/interpretation by Michael R. Burch Your eyes slay me suddenly; their beauty I cannot sustain, they wound me so, through my heart keen. Unless your words heal me hastily, my heart's wound will remain green;     for your eyes slay me suddenly;     their beauty I cannot sustain. By all truth, I tell you faithfully that you are of life and death, my queen; for at my death this truth shall be seen:     your eyes slay me suddenly;    their beauty I cannot sustain,    they wound me so, through my heart keen. Published by Better Than Starbucks I Loved You by Alexander Sergeyevich Pushkin loose translation/interpretation by Michael R. Burch I loved you ... perhaps I love you still ... perhaps for a while such emotions may remain. But please don’t let my feelings trouble you; I do not wish to cause you further pain. I loved you ... thus the hopelessness I knew ... The jealousy, the diffidence, the pain resulted in two hearts so wholly true the gods might grant us leave to love again. Published by Setu (India), Poetry Hub and The HyperTexts Erin by Michael R. Burch All that’s left of Ireland is her hair— bright carrot—and her milkmaid-pallid skin, her brilliant air of cavalier despair, her train of children—some conceived in sin, the others to avoid it. For nowhere is evidence of thought. Devout, pale, thin, gay, nonchalant, all radiance. So fair! How can men look upon her and not spin like wobbly buoys churned by her skirt’s brisk air? They buy. They ***** to pat her nyloned shin, to share her elevated, pale Despair ... to find at last two spirits ease no one’s. All that’s left of Ireland is the Care, her impish grin, green eyes like leprechauns’. The Sky Was Turning Blue by Michael R. Burch for Vicky Yesterday I saw you as the snow flurries died, spent winds becalmed. When I saw your solemn face alone in the crowd, I felt my heart, so long embalmed, begin to beat aloud. Was it another winter, another day like this? Was it so long ago? Where you the rose-cheeked girl who slapped my face, then stole a kiss? Was the sky this gray with snow, my heart so all a-whirl? How is it in one moment it was twenty years ago, lost worlds remade anew? When your eyes met mine, I knew you felt it too, as though we heard the robin's song and the sky was turning blue. Southern Icarus by Michael R. Burch Windborne, lover of heights, unspooled from the truck’s wildly lurching embrace you climb, skittish kite... What do you know of the world’s despair, gliding in vast solitariness there             so that all that remains is to                                       fall? Only a little longer the wind invests its sighs; you stall ... spread-eagled as the canvas snaps and ***** its white rebellious wings, and all the houses watch with baffled eyes. Published by Poetry Porch and The Chained Muse Con Artistry by Michael R. Burch The trick of life is like the sleight of hand of gamblers holding deuces by the glow of veiled back rooms, or aces; soon we’ll know who folds, who stands . . . The trick of life is like the pool shark’s shot— the wild massé across green velvet felt that leaves the winner loser. No, it’s not the rack, the hand that’s dealt . . . The trick of life is knowing that the odds are never in one’s favor, that to win is only to delay the acts of gods who’d ante death for sin . . . and death for goodness, death for in-between. The rules have never changed; the artist knows the oldest con is life; the chips he blows can’t be redeemed. Stay With Me Tonight by Michael R. Burch Stay with me tonight; be gentle with me as the leaves are gentle falling to the earth. And whisper, O my love, how that every bright thing, though scattered afar, retains yet its worth. Stay with me tonight; be as a petal long-awaited blooming in my hand. Lift your face to mine and touch me with your lips till I feel the warm benevolence of your breath’s heady fragrance like wine. That which we had when pale and waning as the dying moon at dawn, outshone the sun. And so lead me back tonight through bright waterfalls of light to where we shine as one. Originally published by The Lyric Tillage by Michael R. Burch What stirs within me is no great welling straining to flood forth, but an emptiness waiting to be filled. I am not an orchard ready to be harvested, but a field rough and barren waiting to be tilled. A Possible Argument for Mercy by Michael R. Burch Did heaven ever seem so far? Remember—we are as You were, but all our lives, from birth to death— Gethsemane in every breath. To Know You as Mary by Michael R. Burch To know you as Mary,  when you spoke her name and her world was never the same ... beside the still tomb where the spring roses bloom. O, then I would laugh  and be glad that I came, never minding the chill, the disconsolate rain ... beside the still tomb where the spring roses bloom. I might not think this earth  the sharp focus of pain if I heard you exclaim— beside the still tomb where the spring roses bloom my most unexpected, unwarranted name! But you never spoke. Explain? What Would Santa Claus Say? by Michael R. Burch What would Santa Claus say,  I wonder, about Jesus returning  to **** and plunder? For he’ll likely return on Christmas Day to blow the bad little boys away! When He flashes like lightning across the skies and many a homosexual dies, when the harlots and heretics are ripped asunder, what will the Easter Bunny think, I wonder? Published by Lucid Rhythms, Poet’s Corner and VYBRANÉ PREKLADY BÁSNÍ Z ANGLICTINY, where it was translated into Czech by Vaclav ZJ Pinkava A Child’s Christmas Prayer of Despair for a Hindu Saint by Michael R. Burch Santa Claus, for Christmas, please, don’t bring me toys, or games, or candy . . . just . . . Santa, please, I’m on my knees! . . . please don’t let Jesus torture Gandhi! Published by Philosophical Percolations and The HyperTexts fog by michael r. burch ur just a bit of fluff drifting out over the ocean, unleashing an atom of rain, causing a minor commotion, for which u expect awesome GODS to pay u SUPREME DEVOTION! ... but ur just a smidgen of mist unlikely to be missed ... where did u get the notion? brrExit or sigh(t) or final curtain by michael r. burch what would u give to simply not exist— for a painless exit?  he asked himself, uncertain. then from behind the hospital room curtain a patient screamed— "my life!" Originally published by Setu (India) no foothold by michael r. burch there is no hope; therefore i became invulnerable to love. now even god cannot move me: nothing to push or shove, no foothold. so let me live out my remaining days in clarity, mine being the only nativity, my death the final crucifixion and apocalypse, as far as the i can see ... u-turn: another way to look at religion by michael r. burch ... u were born(e) orphaned from Ecstasy into this lower realm: just one of the inching worms dreaming of Beatification; u’d love to make a u-turn back to Divinity,  but having misplaced ur chrysalis,  can only chant magical phrases,  like Circe luring ulysses back into the pigsty ... Less Heroic Couplets: Funding Fundamentals by Michael R. Burch “I found out that I was a Christian for revenue only and I could not bear the thought of that, it was so ignoble.” — Mark Twain Making sense from nonsense is quite sensible! Suppose you’re running low on moolah, need some cash to paint your toes ... Just invent a new religion; claim it saves lost souls from hell; have the converts write you checks; take major debit cards as well; take MasterCard and Visa and good-as-gold Amex; hell, lend and charge them interest, whether payday loan or flex. Thus out of perfect nonsense, glittery ores of this great mine, you’ll earn an easy living and your toes will truly shine! Originally published by Lighten Up Online In His Kingdom of Corpses by Michael R. Burch      1. In His kingdom of corpses, God has been heard to speak in many enraged discourses, aghast, from some mountain peak where He’s lectured men on “compassion” while the sparrows around Him fell and babes, for His meager ration of rain, died and went to hell, unbaptized, for that’s His fashion. 2. In His kingdom of corpses, God has been heard to vent in many obscure discourses on the need for man to repent, to admit he’s a lust-addled sinner; give up threesomes and riches and fame; to be disciplined at his dinner though always he dies the same, whether fatter or thinner.      3. In his kingdom of corpses, God has been heard to speak in many absurd discourses of man’s Ego, precipitous Peak!, while demanding praise and worship, and the bending of every knee. And though He sounds like the Devil, all good Christian men agree: He loves them, indubitably. Published by The Chimaera, Cyclamens and Swords and Lucid Rhythms thanksgiving prayer of the parasites by michael r. burch GODD is great; GODD is good; let us thank HIM for our food. by HIS hand we all are fed; give us now our daily dead: ah-men! (p.s., most gracious & salacious HEAVENLY LORD, we thank YOU in advance for meals galore of loverly gore: of precious delicious sumptuous scrumptious  human flesh!) Originally published by Setu (India) Siren Song by Michael R. Burch The Lorelei’s soft cries entreat mariners to save her... How can they resist her seductive voice through the mist? Soon she will savor the flavor of sweet human flesh. Sun Poem by Michael R. Burch I have suffused myself in poetry as a lizard basks, soaking up sun, scales nakedly glinting; its glorious light he understands—when it comes, it comes. A flood of light leaches down to his bones, his feral eye blinks—bold, curious, bright. Now night and soon winter lie brooding, damp, chilling; here shadows foretell the great darkness ahead. Yet he stretches in rapture, his hot blood thrilling, simple yet fierce on his hard stone bed, his tongue flicking rhythms, the sun—throbbing, spilling. Rounds by Michael R. Burch Solitude surrounds me though nearby laughter sounds; around me mingle men who think to drink their demons down, in rounds. Now agony still hounds me though elsewhere mirth abounds; hidebound I stand and try to think, not sink still further down, spellbound. Their ecstasy astounds me, though drunkenness compounds resounding laughter into joy; alloy such glee with beer and see bliss found. At the Natchez Trace by Michael R. Burch for Beth I. Solitude surrounds me though nearby laughter sounds; around me mingle men who think to drink their demons down, in rounds.  Beside me stands a woman, a stanza in the song that plays so low and fluting and bids me sing along. Beside me stands a woman whose eyes reveal her soul, whose cheeks are soft as eiderdown, whose hips and ******* are full. Beside me stands a woman who scarcely knows my name; but I would have her know my heart if only I knew where to start... II. Not every man is as he seems; not all are prone to poems and dreams. Not every man would take the time to meter out his heart in rhyme. But I am not as other men— my heart is sentenced to this pen. III. Men speak of their "ambition" but they only know its name . . . I never say the word aloud, but I have felt the Flame. IV. Now, standing here, I do not dare to let her know that I might care; I never learned the lines to use; I never worked the wolves' bold ruse. But if she looks my way again, perhaps I will, if only then. V. How can a man have come so far in searching after every star, and yet today, though miles away, look back upon the winding way, and see himself as he was then, a child of eight or nine or ten, and not know more? VI. My life is not empty; I have my desire . . . I write in a moment that few men can know, when my nerves are on fire and my heart does not tire though it pounds at my breast— wrenching blow after blow. VII. And in all I attempted, I also succeeded; few men have more talent to do what I do. But in one respect, I stand now defeated; In love I could never make magic come true. VIII. If I had been born to be handsome and charming, then love might have come to me easily as well. But if had that been, would I then have written? If not, I'd remain; **** that demon to hell! IX. Beside me stands a woman, but others look her way and in their eyes are eagerness . . . for passion and a wild caress? But who am I to say? Beside me stands a woman; she conjures up the night and wraps itself around her till others flit about her like moths drawn to firelight. X. And I, myself, am just as they, wondering when the light might fade, yet knowing should it not dim soon that I might fall and be consumed. XI. I write from despair in the silence of morning for want of a prayer and the need of the mourning. And loneliness grips my heart like a vise; my anguish is harsher and colder than ice. But poetry can bring my heart healing and deaden the pain, or lessen the feeling. And so I must write till at last sleep has called me and hope at that moment my pen has not failed me. XII. Beside me stands a woman, a mystery to me. I long to hold her in my arms; I also long to flee. Beside me stands a woman; how many has she known more handsome, charming, chic, alarming? I hope I never know. Beside me stands a woman; how many has she known who ever wrote her such a poem? I know not even one. Progress by Michael R. Burch There is no sense of urgency at the local Burger King. Birds and squirrels squabble outside for the last scraps of autumn: remnants of buns, goopy pulps of dill pickles, mucousy lettuce, sesame seeds. Inside, the workers all move with the same très-glamorous lethargy, conserving their energy, one assumes, for more pressing endeavors: concerts and proms, pep rallies, keg parties, reruns of Jenny McCarthy on MTV. The manager, as usual, is on the phone, talking to her boyfriend. She gently smiles, brushing back wisps of insouciant hair, ready for the cover of Glamour or Vogue. Through her filmy white blouse an indiscreet strap suspends a lace cup through which somehow the ****** still shows. Progress, we guess... and wait patiently in line, hoping the Pokémons hold out. Resurrecting Passion by Michael R. Burch Last night, while dawn was far away and rain streaked gray, tumescent skies, as thunder boomed and lightning railed, I conjured words, where passion failed... But, oh, that you were mine tonight, sprawled in this bed, held in these arms, your ******* pale baubles in my hands, our bodies bent to old demands... Such passions we might resurrect, if only time and distance waned and brought us back together;                                                 now I pray these things might be, somehow. But time has left us twisted, torn, and we are more apart than miles. How have you come to be so far— as distant as an unseen star? So that, while dawn is far away, my thoughts might not return to you, I feed your portrait to banked flames, but as they feast, I burn for you. Published by Songs of Innocence, The Chained Muse and New Lyre Shark by Michael R. Burch They are all unknowable, these rough pale men— haunting dim pool rooms like shadows, propped up on bar stools like scarecrows, nodding and sagging in the fraying light... I am not of them, as I glide among them— eliding the amorphous camaraderie they are as unlikely to spell as to feel, camouflaged in my own pale dichotomy... That there are women who love them defies belief— with their missing teeth, their hair in thin shocks where here and there a gap of scalp gleams like bizarre chrome, their smell rank as wet sawdust or mildewed laundry... And yet— and yet there is someone who loves me: She sits by the telephone  in the lengthening shadows and pregnant grief... They appreciate skill at pool, not words. They frown at massés, at the cue ***** contortions across green felt. They hand me their hard-earned money with reluctant smiles. A heart might melt at the thought of their children lying in squalor... At night I dream of them in bed, toothless, kissing. With me, it’s harder to say what is missing... Love Is Not Love by Michael R. Burch                              for Beth Love is not love that never looked within itself and questioned all, curled up like a zygote in a ball, throbbed, sobbed and shook. (Or went on a binge at a nearby mall, then would not cook.) Love is not love that never winced, then smiled, convinced that soar’s the prerequisite of fall. When all its wounds and scars have been saline-rinsed, where does Love find the wherewithal to try again, endeavor, when all that it knows is: O, because! Published by The Neovictorian/Cochlea, The Deronda Review, Better Than Starbucks and Stremez (translated into Macedonian by Marija Girevska) Aflutter by Michael R. Burch This rainbow is the token of the covenant, which I have established between me and all flesh.—Yahweh You are gentle now, and in your failing hour how like the child you were, you seem again, and smile as sadly as the girl                                                (age ten?) who held the sparrow with the mangled wing close to her heart.                             It marveled at your power but would not mend.                                  And so the world renews old vows it seemed to make: false promises spring whispers, as if nothing perishes that does not resurrect to wilder hues like rainbows’ eerie pacts we apprehend but cannot fail to keep.                                       Now in your eyes I see the end of life that only dies and does not care for bright, translucent lies. Are tears so precious? These few, let us spend together, as before, then lay to rest these sparrows’ hearts aflutter at each breast. Published by The Lyric, Poetry Life & Times and The Eclectic Muse (Canada) For Ali, Fighting Time by Michael R. Burch So now your speech is not as clear . . . time took its toll each telling year . . . and O how tragic that your art, so brutal, broke your savage heart. But we who cheered each blow that fell within that ring of torrent hell never dreamed to see you maimed, bowed and bloodied, listless, tamed. For you were not as other men as we cheered and cursed you then; no, you commanded dreams and time— blackgold Adonis, bold, sublime. And once your glory leapt like fire— pure and potent. No desire ever burned as fierce or bright. Oh Ali, Ali . . . win this fight! Fountainhead by Michael R. Burch I did not delight in love so much as in a kiss like linnets’ wings, the flutterings of a pulse so soft the heart remembers, as it sings: to bathe there was its transport, brushed by marble lips, or porcelain,— one liquid kiss, one cool outburst from pale rosettes. What did it mean ... to float awhirl on minute tides within the compass of your eyes, to feel your alabaster bust grow cold within? Ecstatic sighs seem hisses now; your eyes, serene, reflect the sun’s pale tourmaline. Published by Romantics Quarterly, Poetica Victorian, Nutty Stories (South Africa), Inspirational Stories, Famous Poets & Poems, Poetry Life & Times, English Poetry and Love Poems and Poets The Gardener’s Roses by Michael R. Burch Mary Magdalene, supposing him to be the gardener, saith unto him, “Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away.”  I too have come to the cave; within: strange, half-glimpsed forms and ghostly paradigms of things. Here, nothing warms this lightening moment of the dawn, pale tendrils spreading east. And I, of all who followed Him, by far the least... The women take no note of me; I do not recognize the men in white, the gardener, these unfamiliar skies... Faint scent of roses, then—a touch! I turn, and I see: You. My Lord, why do You tarry here: Another waits, Whose love is true? Although My Father waits, and bliss; though angels call—ecstatic crew!— I gathered roses for a Friend. I waited here, for You. Published by The CommonPlace, The Journals, Somewhere Along The Beaten Path, Museum of Learning, The Eclectic Muse (Canada), Borderless Journal (Singapore), FreeXpression (Australia) Loose Knit by Michael R. Burch She blesses the needle, fetches fine red stitches,  criss-crossing, embroidering dreams  in the delicate fabric. And if her hand jerks and twitches in puppet-like fits,  she tells herself reality is not as threadbare as it seems... that a little more darning may gather loose seams. She weaves an unraveling tapestry of fatigue and remorse and pain ... only the nervously pecking needle ****** her to motion, again and again. Published by The Chariton Review (as “The Knitter”), Penumbra, Black Bear Review, Triplopia If You Come to San Miguel by Michael R. Burch If you come to San Miguel before the orchids fall, we might stroll through lengthening shadows those deserted streets where love first bloomed... You might buy the same cheap musk     from that mud-spattered stall         where with furtive eyes the vendor watched his fragrant wares perfume your ******* Where lean men mend tattered nets, disgruntled sea gulls chide;         we might find that cafetucho where through grimy panes sunset implodes...                                                  Where tall cranes spin canvassed loads, the strange anhingas glide. Green brine laps splintered moorings, rusted iron chains grind, weighed and anchored in the past, held fast by luminescent tides... Should you come to San Miguel? Let love decide. Published by Romantics Quarterly, Poetry Life & Times and Muddy River Poetry Review Ivy by Michael R. Burch “Van trepando en mi viejo dolor como las yedras.” – Pablo Neruda “They climb on my old suffering like ivy.” Ivy winds around these sagging structures from the flagstones to the eave heights, and, clinging, holds intact what cannot be saved of their loose entrails. Through long, blustery nights of dripping condensation, cured in the humidors of innumerable forgotten summers, waxy, unguent, palely, indifferently fragrant, it climbs, pausing at last to see the alien sparkle of dew beading delicate sparrowgrass. Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse grow all around, and here remorse, things past, watch ivy climb and bend, and, in the end, we ask if grief is worth the gaps it leaps to mend. Originally published by Nisqually Delta Review Free Fall (II) by Michael R. Burch I have no earthly remembrance of you, as if we were never of earth, but merely white clouds adrift, frail cirri swirling through Himalayan altitudes— no more man and woman than exhausted breath—unable to fall back to solid existence, despite the air’s sparseness: all our being borne up, because of our lightness, toward the sun’s unendurable brightness... But since I touched you, fire consumes each wing! We who are unable to fly, stall contemplating disaster. Despair like an anchor, like an iron ball, heavier than ballast, sinks on its thick-looped chain toward the earth, and soon thereafter shall be sufficient pain to recall existence, to make the coming darkness everlasting.
0
Sep 5, 2024
Sep 5, 2024 at 10:58 PM UTC
Speechless
We are left speechless by man's inhumanity to man. These are poems about the Holocaust, Gaza, Hiroshima, 9-11, war, and other forms of human violence... Speechless by Ko Un translation by Michael R. Burch At Auschwitz piles of glasses mountains of shoes returning, we stared out different windows. “Speechless” is my translation of a Holocaust poem by Ko Un that has also been published as “Speechless at Auschwitz.” Ko Un was speechless at Auschwitz. Someday, when it’s too late, will we be speechless at Gaza? ―Michael R. Burch who, US? by Michael R. Burch jesus was born  a palestinian child where there’s no Room  for the meek and the mild ... and in bethlehem still  to this day, lambs are born to cries of “no Room!”  and Puritanical scorn ... under Herod, Trump, Bibi their fates are the same—  the slouching Beast mauls them and WE have no shame: “who’s to blame?” Published by Setu (India), Borderless Journal (Singapore), European Tribune, Archive Today, TV-India, Alois and The HyperTexts Such Tenderness by Michael R. Burch for the mothers of Gaza There was, in your touch, such tenderness—as only the dove on her mildest day has, when she shelters downed fledglings beneath a warm wing and coos to them softly, unable to sing. What songs long forgotten occur to you now— a babe at each breast? What terrible vow ripped from your throat like the thunder that day can never hold severing lightnings at bay? Time taught you tenderness—time, oh, and love. But love in the end is seldom enough ... and time?—insufficient to life’s brief task. I can only admire, unable to ask— what is the source, whence comes the desire of a woman to love as no God may require? Published by Borderless Journal (Singapore) and SindhuNews (India) War, the God by Michael R. Burch War lifts His massive head and turns … (The world upon its axis spins.) … His head held low from weight of horns, His hackles high. The sun He scorns and seeks the rose not, but its thorns. The sun must set, as night begins, while, unrepentant of our sins, we play His game, until He wins. For War, our God, our bellicose Mars still dominates our heavens, determines our Stars. Pfennig Postcard, Wrong Address by Michael R. Burch We saw their pictures: tortured out of Our imaginations like golems. We could not believe in their frail extremities or their gaunt faces, pallid as Our disbelief. they are not with us now; We have: huddled them  into the backroomsofconscience, consigned them to the ovensofsilence, buried them in the mass graves of circumstancesbeyondourcontrol. We have so little left of them, now, to remind US... Originally published in the Holocaust anthology Blood to Remember where it appears at the Library of Congress. Lucifer, to the Enola Gay by Michael R. Burch Go then,  and give them my meaning so that their teeming streets become my city. Bring back a pretty flower— a chrysanthemum, perhaps, to bloom if but an hour, within a certain room of mine where the sun does not rise or fall, and the moon, although it is content to shine, helps nothing at all. There, if I hear the wistful call of their voices regretting choices made or perhaps not made in time, I can look back upon it and recall, in all  its pale forms sublime, still Death will never be holy again. Published by Romantics Quarterly, Penny Dreadful, Warosu (Japan), Pela Poesia (Portugal), Borderless Journal (Singapore), ArtVilla, Poetry Life & Times, Let Justice Roll and Study.com Mending by Michael R. Burch for the survivors of 9-11 and their families I am besieged with kindnesses; sometimes I laugh, delighted for a moment, then resume the more seemly occupation of my craft. I do not taste the candies ... the perfume of roses is uplifted in a draft that vanishes into the ceiling’s fans which spin like old propellers till the room is full of ghostly bits of yarn . . . My task is not to knit, but not to end too soon. Published by Poetry SuperHighway and Poetry Life & Times Because Her Heart Is Tender by Michael R. Burch for Beth, on the first anniversary of 9-11 She scrawled soft words in soap: “Never Forget,” Dove-white on her car’s window, and the wren, because her heart is tender, might regret it called the sun to wake her.                                                 As I slept, she heard lost names recounted, one by one. She wrote in sidewalk chalk: “Never Forget,” and kept her heart’s own counsel.                                                        No rain swept away those words, no tear leaves them undone. Because her heart is tender with regret, bruised by razed towers’ glass and steel and stone that shatter on and on and on and on ... she stitches in damp linen: “NEVER FORGET,” and listens to her heart’s emphatic song. The wren might tilt its head and sing along because its heart once understood regret when fledglings fell beyond, beyond, beyond its reach, and still the boot-heeled world strode on. She writes in adamant: “NEVER FORGET” because her heart is tender with regret. Published by Neovictorian/Cochlea, The Villanelle, The Villanelle Blogspot, The Eclectic Muse (Canada), Nietzsche Twilight, Nutty Stories (South Africa), Poetry Renewal Magazine, Live Journal, Famous Poets and Poems, Inspirational Stories and Other Voices International; also the winner of a Poetry Nook contest Defenses by Michael R. Burch Beyond the silhouettes of trees stark, naked and defenseless there stand long rows of sentinels: these pert white picket fences. Now whom they guard and how they guard, the good Lord only knows; but savages would have to laugh observing the tidy rows. Nothing Returns by Michael R. Burch A wave implodes, impaled upon impassive rocks... this evening the thunder of the sea is a wild music filling my ear... you are leaving and the ungrieving  winds demur... telling me that nothing returns as it was before, here where you have left no mark upon this dark Heraclitean shore. Laughter’s Cry by Michael R. Burch Because life is a mystery, we laugh and do not know the half. Because death is a mystery, we cry when one is gone, our numbering thrown awry. Listen by Michael R. Burch writing as Immanuel A. Michael Listen to me now and heed my voice; I am a madman, alone, screaming in the wilderness, but listen now. Listen to me now, and if I say that black is black, and white is white, and in between lies gray, I have no choice. Does a madman choose his words? They come to him, the moon’s illuminations, intimations of the wind, and he must speak. But listen to me now, and if you hear the tolling of the judgment bell, and if its tone is clear, then do not tarry, but listen, or cut off your ears, for I Am weary. Published by Penny Dreadful, Formal Verse, The HyperTexts, Various Heresies, the Anthologise Committee and Nonsuch High School for Girls (Surrey, England) Saving Graces by Michael R. Burch for the Religious Right Life’s saving graces are love, pleasure, laughter (wisdom, it seems, is for the Hereafter). Published by Shot Glass Journal and Poem Today Am I really this old, so many ghosts beckoning? —Michael R. Burch Mother, I’ve made a terrible mess of things ... Is there grace in the world, as the nightingale sings? —Michael R. Burch Shattered by Vera Pavlova loose translation/interpretation by Michael R. Burch I shattered your heart; now I limp through the shards barefoot. Published by Poem Today, Brief Poems, Bauhaus Modernists, Rose in the Dark, Milam’s Musings, Twin Flame, BeatPort, Dark South, Wisdom Trove, My Gloomy Monster, University of Pennsylvania To Have Loved by Michael R. Burch Helen, bright accompaniment, accouterment of war as sure as all the polished swords of princes groomed to lie in mausoleums all eternity ... The price of love is not so high as never to have loved once in the dark beyond foreseeing. Now, as dawn gleams pale upon small wind-fanned waves, amid white sails ... Now all that war entails becomes as small, as though receding. Paris in your arms was never yours, nor were you his at all. And should gods call in numberless strange voices, should you hear, still what would be the difference? Men must die to be remembered. Fame, the shrillest cry, leaves all the world dismembered. Hold him, lie,  tell many pleasant tales of lips and thighs; enthrall him with your sweetness, till the pall  and ash lie cold upon him. Is this all? You saw fear in his eyes, and now they dim with fear’s remembrance. Love, the fiercest cry, becomes gasped sighs in his once-gallant hymn of dreamed “salvation.” Still, you do not care because you have this moment, and no man can touch you as he can ... and when he’s gone there will be other men to look upon your beauty, and have done. Smile—woebegone, pale, haggard. Will the tales paint this—your final portrait? Can the stars find any strange alignments, Zodiacs, to spell, or unspell, what held beauty lacks? Published by The Raintown Review, Triplopia, The Eclectic Muse (Canada), The Chained Muse, Borderless Journal, The Pennsylvania Review, and in a YouTube recital by David B. Gosselin Poppy by Michael R. Burch “It is lonely to be born.” – Dannie Abse,“The Second Coming” It is lonely to be born between the intimate ears of corn... the sunlit, flooded, shellshocked rows. The scarecrow flutters, listens, knows... Pale butterflies in staggering flight ascend the gauntlet winds and light before the scything harvester. The winsome buds of cornflowers prepare themselves to be airborne, and it is lonely to be shorn, decapitate, of eager life so early in love’s blinding maze of silks and tassels, goldened days when life’s renewed, gone underground. Sad confidante of worm and mound, how little stands to be regained of what is left.                        A tiny cleft now marks your birth, your reddening among the amber waves. O, sing! Another waits to be reborn among bent thistle, down and thorn. A hoofprint’s cleft, a ram’s curved horn curled inward, turned against the heart, a spoor like infamy. Depart. You came too late, the signs are clear: whose world this is, now watches, near. There is no ****** for the heart. Originally published by Borderless Journal (Singapore) The Lingering and the Unconsoled Heart by Michael R. Burch There is a silence— the last unspoken moment before death, when the moon, cratered and broken, is all madness and light, when the breath comes low and complaining, and the heart is a ruin of emptiness and night. There is a grief— the grief of a lover's embrace while faith still shimmers in a mother’s tears ... There is no dismaler time, nor place, while the faint glimmer of life is ours that the lingering and the unconsoled heart fears beyond this: seeing its own stricken face in eyes that drift toward some incomprehensible place. Sometimes the Dead by Michael R. Burch Sometimes we catch them out of the corners of our eyes—      the pale dead.           After they have fled the gourds of their bodies, like escaping fragrances they rise. Once they have become a cloud’s mist, sometimes like the rain      they descend;     they appear, sometimes silver like laughter, to gladden the hearts of men. Sometimes like a pale gray fog, they drift      unencumbered, yet lumbrously,           as if over the sea there was the lightest vapor even Atlas could not lift. Sometimes they haunt our dreams like forgotten melodies      only half-remembered.           Though they lie dismembered in black catacombs, sepulchers and dismal graves; although they have committed felonies, yet they are us. Someday soon we will meet them in the graveyard dust      blood-engorged, but never sated           since Cain slew Abel. But until we become them, let us steadfastly forget them, even as we know our children must ... grave request by michael r. burch come to ur doom in Tombstone; the stars stark and chill over Boot Hill care nothing for ur desire; still, imagine they wish u no ill, that u burn with the same antique fire; for there’s nothing to life but the thrill of living until u expire; so come, spend ur last hardearned bill on Tombstone. stones by michael r. burch circa age 16 i. far below me lies a village with its houses hewn from stone and though Everyman who lives there  bravely claims he’s not alone, i can tell him, yes u are! for u cannot touch the stars no matter how u try; nor can u tame the mountain, nor appease the darkening sky. ii. and late at night their flinty fires blazing cannot warm their stony hearts; though the villagers “believe” (in what?) the terror-fear departs them only at mid-day for they fear what Others say when their walls have shut them in. iii. and do they sin? who am i to say? most stones are shades of gray; what does it matter, anyway? iv. oh, i think that living is not easy and that dying is not hard ... as the stars above wink, meaningless, so they are; so we all are.  v. a legion without sound in dusky darkness drawing down to settle on the town, the Night is like a stone —  hard and dark and rolling on, hard and dark and rolling on. Less Heroic Couplets: Liquidity Crisis by Michael R. Burch And so I have loved you, and so I have lost, accrued disappointment, ledgered its cost, debited wisdom, credited pain . . . My assets remaining are liquid again. Published by ***** of Parnassus and Borderless Journal (Singapore); originally titled “Accounting” What the Poet Sees by Michael R. Burch What the poet sees, he sees as a swimmer  ~~~~underwater~~~~ watching the shoreline blur sees through his breath’s weightless bubbles ... Both worlds grow obscure. Published by ByLine, Mandrake Poetry Review, Bewildering Stories, E Mobius Pi, Underground Poets, Little Brown Poetry, Triplopia, Neovictorian/Cochlea, Muse Apprentice Guild, Poetry on Demand, Poet’s Haven, Famous Poets and Poems, and others Daredevil by Michael R. Burch There are days that I believe (and nights that I deny) love is not mutilation. Daredevil, dry your eyes. There are tightropes leaps bereave— taut wires strumming high brief songs, infatuations Daredevil, dry your eyes. There were cannon shots’ soirees, hearts barricaded, wise . . . and then . . . annihilation. Daredevil, dry your eyes. There were nights our hearts conceived dawns’ indiscriminate sighs. To dream was our consolation. Daredevil, dry your eyes. There were acrobatic leaves that tumbled down to lie at our feet, bright trepidations. Daredevil, dry your eyes. There were hearts carved into trees— tall stakes where you and I left childhood’s salt libations . . . Daredevil, dry your eyes. Where once you scraped your knees; love later bruised your thighs. Death numbs all, our sedation. Daredevil, dry your eyes. Each Color a Scar by Michael R. Burch What she left here, upon my cheek, is a tear. She did not speak, but her intention was clear, and I was meek, far too meek, and, I fear, too sincere. What she can never take from my heart is its ache; for now we, apart, are like leaves without weight, scattered afar by love, or by hate, each color a scar. Chloe by Michael R. Burch There were skies onyx at night ... moons by day ... lakes pale as her eyes ... breathless winds ********** tall elms ... she would say that we’d loved, but I figured we’d sinned. Soon impatiens too fiery to stay sagged; the crocus bells drooped, golden-limned; things of brightness, rinsed out, ran to gray ... all the light of that world softly dimmed. Where our feet were inclined, we would stray; there were paths where dead weeds stood untrimmed, distant mountains that loomed in our way, thunder booming down valleys dark-hymned. What I found, I found lost in her face by yielding all my virtue to her grace. Originally published by Romantics Quarterly as “A Dying Fall” Heat Lightening by Michael R. Burch Each night beneath the elms, we never knew which lights beyond dark hills might stall, advance, then lurch into strange headbeams tilted up like searchlights seeking contact in the distance . . . . . . quiescent unions . . . thoughts of bliss, of hope . . . long-dreamt appearances of wished-on stars . . . like childhood’s long-occluded, nebulous slow drift of half-formed visions . . . slip and bra . . . Wan moonlight traced your features, perilous, in danger of extinction, should your hair fall softly on my eyes, or should a kiss cause them to close, or should my fingers dare to leave off childhood for some new design of whiter lace, of flesh incarnadine. Published by The New Stylus and Love Poems and Poets Lozenge by Michael R. Burch When I was closest to love, it did not seem real at all, but a thing of such tenuous sweetness it might dissolve in my mouth like a lozenge of sugar. When I held you in my arms, I did not feel our lack of completeness, knowing how easy it was for us to cling to each other. And there were nights when the clouds sped across the moon’s face,  exposing such rarified brightness we did not witness so much as embrace love’s human appearance. Spring Was Delayed by Michael R. Burch Winter came early: the driving snows, the delicate frosts that crystallize all we forget or refuse to know, all we regret that makes us wise. Spring was delayed: the nubile rose, the tentative sun, the wind’s soft sighs, all we omit or refuse to show, whatever we shield behind guarded eyes. Originally published by Borderless Journal (Singapore) Almost by Michael R. Burch We had—almost—an affair. You almost ran your fingers through my hair. I almost kissed the almonds of your toes. We almost loved,                             that’s always how love goes. You almost contemplated using Nair and adding henna highlights to your hair, while I considered plucking you a Rose. We almost loved,                             that’s always how love goes. I almost found the words to say, “I care.” We almost kissed, and yet you didn’t dare. I heard coarse stubble grate against your hose. We almost loved,                             that’s always how love goes. You almost called me suave and debonair (perhaps because my chest is pale and bare?). I almost bought you edible underclothes. We almost loved,                             that’s always how love goes. I almost asked you where you kept your lair and if by chance I might ****** you there. You almost tweezed the redwoods from my nose. We almost loved,                             that’s always how love goes. We almost danced like Rogers and Astaire on gliding feet; we almost waltzed on air ... until I mashed your plain, unpolished toes. We almost loved,                             that’s always how love goes. I almost was strange Sonny to your Cher. We almost sat in love’s electric chair to be enlightninged, till our hearts unfroze. We almost loved,                             that’s always how love goes. Hearthside by Michael R. Burch “When you are old and grey and full of sleep...” — W. B. Yeats For all that we professed of love, we knew this night would come, that we would bend alone to tend wan fires’ dimming bars—the moan of wind cruel as the Trumpet, gelid dew an eerie presence on encrusted logs we hoard like jewels, embrittled so ourselves. The books that line these close, familiar shelves loom down like dreary chaperones. Wild dogs, too old for mates, cringe furtive in the park, as, toothless now, I frame this parchment kiss. I do not know the words for easy bliss and so my shriveled fingers clutch this stark, long-unenamored pen and will it: Move. I loved you more than words, so let words prove. Published by Sonnet Writers, Setu (India), Borderless Journal (Singapore), UlibM (Thailand) and Vallance Review (Canada) Remembering Not to Call by Michael R. Burch a villanelle permitting mourning, for my mother, Christine Ena Burch The hardest thing of all, after telling her everything, is remembering not to call. Now the phone hanging on the wall will never announce her ring: the hardest thing of all for children, however tall.  And the hardest thing this spring will be remembering not to call the one who was everything. That the songbirds will nevermore sing is the hardest thing of all for those who once listened, in thrall, and welcomed the message they bring, since they won’t remember to call. And the hardest thing this fall will be a number with no one to ring. No, the hardest thing of all is remembering not to call. Nun Fun Undone by Michael R. Burch for and after Richard Moore Abbesses’ recesses are not for excesses! Preposterous Eros by Michael R. Burch “Preposterous Eros” – Patricia Falanga Preposterous Eros shot me in the buttocks, with a Devilish grin, spent all my money in a rush then left my heart effete pink mush. Originally published by Snakeskin She bathes in silver by Michael R. Burch She bathes in silver ~~~~~afloat~~~~~ on her reflections ... Herons by Michael R. Burch The herons stand, sentry-like, at attention ... rigid observers of some unknown command. Merciles Beaute ("Merciless Beauty") by Geoffrey Chaucer loose translation/interpretation by Michael R. Burch Your eyes slay me suddenly; their beauty I cannot sustain, they wound me so, through my heart keen. Unless your words heal me hastily, my heart's wound will remain green;     for your eyes slay me suddenly;     their beauty I cannot sustain. By all truth, I tell you faithfully that you are of life and death, my queen; for at my death this truth shall be seen:     your eyes slay me suddenly;    their beauty I cannot sustain,    they wound me so, through my heart keen. Published by Better Than Starbucks I Loved You by Alexander Sergeyevich Pushkin loose translation/interpretation by Michael R. Burch I loved you ... perhaps I love you still ... perhaps for a while such emotions may remain. But please don’t let my feelings trouble you; I do not wish to cause you further pain. I loved you ... thus the hopelessness I knew ... The jealousy, the diffidence, the pain resulted in two hearts so wholly true the gods might grant us leave to love again. Published by Setu (India), Poetry Hub and The HyperTexts Erin by Michael R. Burch All that’s left of Ireland is her hair— bright carrot—and her milkmaid-pallid skin, her brilliant air of cavalier despair, her train of children—some conceived in sin, the others to avoid it. For nowhere is evidence of thought. Devout, pale, thin, gay, nonchalant, all radiance. So fair! How can men look upon her and not spin like wobbly buoys churned by her skirt’s brisk air? They buy. They ***** to pat her nyloned shin, to share her elevated, pale Despair ... to find at last two spirits ease no one’s. All that’s left of Ireland is the Care, her impish grin, green eyes like leprechauns’. The Sky Was Turning Blue by Michael R. Burch for Vicky Yesterday I saw you as the snow flurries died, spent winds becalmed. When I saw your solemn face alone in the crowd, I felt my heart, so long embalmed, begin to beat aloud. Was it another winter, another day like this? Was it so long ago? Where you the rose-cheeked girl who slapped my face, then stole a kiss? Was the sky this gray with snow, my heart so all a-whirl? How is it in one moment it was twenty years ago, lost worlds remade anew? When your eyes met mine, I knew you felt it too, as though we heard the robin's song and the sky was turning blue. Southern Icarus by Michael R. Burch Windborne, lover of heights, unspooled from the truck’s wildly lurching embrace you climb, skittish kite... What do you know of the world’s despair, gliding in vast solitariness there             so that all that remains is to                                       fall? Only a little longer the wind invests its sighs; you stall ... spread-eagled as the canvas snaps and ***** its white rebellious wings, and all the houses watch with baffled eyes. Published by Poetry Porch and The Chained Muse Con Artistry by Michael R. Burch The trick of life is like the sleight of hand of gamblers holding deuces by the glow of veiled back rooms, or aces; soon we’ll know who folds, who stands . . . The trick of life is like the pool shark’s shot— the wild massé across green velvet felt that leaves the winner loser. No, it’s not the rack, the hand that’s dealt . . . The trick of life is knowing that the odds are never in one’s favor, that to win is only to delay the acts of gods who’d ante death for sin . . . and death for goodness, death for in-between. The rules have never changed; the artist knows the oldest con is life; the chips he blows can’t be redeemed. Stay With Me Tonight by Michael R. Burch Stay with me tonight; be gentle with me as the leaves are gentle falling to the earth. And whisper, O my love, how that every bright thing, though scattered afar, retains yet its worth. Stay with me tonight; be as a petal long-awaited blooming in my hand. Lift your face to mine and touch me with your lips till I feel the warm benevolence of your breath’s heady fragrance like wine. That which we had when pale and waning as the dying moon at dawn, outshone the sun. And so lead me back tonight through bright waterfalls of light to where we shine as one. Originally published by The Lyric Tillage by Michael R. Burch What stirs within me is no great welling straining to flood forth, but an emptiness waiting to be filled. I am not an orchard ready to be harvested, but a field rough and barren waiting to be tilled. A Possible Argument for Mercy by Michael R. Burch Did heaven ever seem so far? Remember—we are as You were, but all our lives, from birth to death— Gethsemane in every breath. To Know You as Mary by Michael R. Burch To know you as Mary,  when you spoke her name and her world was never the same ... beside the still tomb where the spring roses bloom. O, then I would laugh  and be glad that I came, never minding the chill, the disconsolate rain ... beside the still tomb where the spring roses bloom. I might not think this earth  the sharp focus of pain if I heard you exclaim— beside the still tomb where the spring roses bloom my most unexpected, unwarranted name! But you never spoke. Explain? What Would Santa Claus Say? by Michael R. Burch What would Santa Claus say,  I wonder, about Jesus returning  to **** and plunder? For he’ll likely return on Christmas Day to blow the bad little boys away! When He flashes like lightning across the skies and many a homosexual dies, when the harlots and heretics are ripped asunder, what will the Easter Bunny think, I wonder? Published by Lucid Rhythms, Poet’s Corner and VYBRANÉ PREKLADY BÁSNÍ Z ANGLICTINY, where it was translated into Czech by Vaclav ZJ Pinkava A Child’s Christmas Prayer of Despair for a Hindu Saint by Michael R. Burch Santa Claus, for Christmas, please, don’t bring me toys, or games, or candy . . . just . . . Santa, please, I’m on my knees! . . . please don’t let Jesus torture Gandhi! Published by Philosophical Percolations and The HyperTexts fog by michael r. burch ur just a bit of fluff drifting out over the ocean, unleashing an atom of rain, causing a minor commotion, for which u expect awesome GODS to pay u SUPREME DEVOTION! ... but ur just a smidgen of mist unlikely to be missed ... where did u get the notion? brrExit or sigh(t) or final curtain by michael r. burch what would u give to simply not exist— for a painless exit?  he asked himself, uncertain. then from behind the hospital room curtain a patient screamed— "my life!" Originally published by Setu (India) no foothold by michael r. burch there is no hope; therefore i became invulnerable to love. now even god cannot move me: nothing to push or shove, no foothold. so let me live out my remaining days in clarity, mine being the only nativity, my death the final crucifixion and apocalypse, as far as the i can see ... u-turn: another way to look at religion by michael r. burch ... u were born(e) orphaned from Ecstasy into this lower realm: just one of the inching worms dreaming of Beatification; u’d love to make a u-turn back to Divinity,  but having misplaced ur chrysalis,  can only chant magical phrases,  like Circe luring ulysses back into the pigsty ... Less Heroic Couplets: Funding Fundamentals by Michael R. Burch “I found out that I was a Christian for revenue only and I could not bear the thought of that, it was so ignoble.” — Mark Twain Making sense from nonsense is quite sensible! Suppose you’re running low on moolah, need some cash to paint your toes ... Just invent a new religion; claim it saves lost souls from hell; have the converts write you checks; take major debit cards as well; take MasterCard and Visa and good-as-gold Amex; hell, lend and charge them interest, whether payday loan or flex. Thus out of perfect nonsense, glittery ores of this great mine, you’ll earn an easy living and your toes will truly shine! Originally published by Lighten Up Online In His Kingdom of Corpses by Michael R. Burch      1. In His kingdom of corpses, God has been heard to speak in many enraged discourses, aghast, from some mountain peak where He’s lectured men on “compassion” while the sparrows around Him fell and babes, for His meager ration of rain, died and went to hell, unbaptized, for that’s His fashion. 2. In His kingdom of corpses, God has been heard to vent in many obscure discourses on the need for man to repent, to admit he’s a lust-addled sinner; give up threesomes and riches and fame; to be disciplined at his dinner though always he dies the same, whether fatter or thinner.      3. In his kingdom of corpses, God has been heard to speak in many absurd discourses of man’s Ego, precipitous Peak!, while demanding praise and worship, and the bending of every knee. And though He sounds like the Devil, all good Christian men agree: He loves them, indubitably. Published by The Chimaera, Cyclamens and Swords and Lucid Rhythms thanksgiving prayer of the parasites by michael r. burch GODD is great; GODD is good; let us thank HIM for our food. by HIS hand we all are fed; give us now our daily dead: ah-men! (p.s., most gracious & salacious HEAVENLY LORD, we thank YOU in advance for meals galore of loverly gore: of precious delicious sumptuous scrumptious  human flesh!) Originally published by Setu (India) Siren Song by Michael R. Burch The Lorelei’s soft cries entreat mariners to save her... How can they resist her seductive voice through the mist? Soon she will savor the flavor of sweet human flesh. Sun Poem by Michael R. Burch I have suffused myself in poetry as a lizard basks, soaking up sun, scales nakedly glinting; its glorious light he understands—when it comes, it comes. A flood of light leaches down to his bones, his feral eye blinks—bold, curious, bright. Now night and soon winter lie brooding, damp, chilling; here shadows foretell the great darkness ahead. Yet he stretches in rapture, his hot blood thrilling, simple yet fierce on his hard stone bed, his tongue flicking rhythms, the sun—throbbing, spilling. Rounds by Michael R. Burch Solitude surrounds me though nearby laughter sounds; around me mingle men who think to drink their demons down, in rounds. Now agony still hounds me though elsewhere mirth abounds; hidebound I stand and try to think, not sink still further down, spellbound. Their ecstasy astounds me, though drunkenness compounds resounding laughter into joy; alloy such glee with beer and see bliss found. At the Natchez Trace by Michael R. Burch for Beth I. Solitude surrounds me though nearby laughter sounds; around me mingle men who think to drink their demons down, in rounds.  Beside me stands a woman, a stanza in the song that plays so low and fluting and bids me sing along. Beside me stands a woman whose eyes reveal her soul, whose cheeks are soft as eiderdown, whose hips and ******* are full. Beside me stands a woman who scarcely knows my name; but I would have her know my heart if only I knew where to start... II. Not every man is as he seems; not all are prone to poems and dreams. Not every man would take the time to meter out his heart in rhyme. But I am not as other men— my heart is sentenced to this pen. III. Men speak of their "ambition" but they only know its name . . . I never say the word aloud, but I have felt the Flame. IV. Now, standing here, I do not dare to let her know that I might care; I never learned the lines to use; I never worked the wolves' bold ruse. But if she looks my way again, perhaps I will, if only then. V. How can a man have come so far in searching after every star, and yet today, though miles away, look back upon the winding way, and see himself as he was then, a child of eight or nine or ten, and not know more? VI. My life is not empty; I have my desire . . . I write in a moment that few men can know, when my nerves are on fire and my heart does not tire though it pounds at my breast— wrenching blow after blow. VII. And in all I attempted, I also succeeded; few men have more talent to do what I do. But in one respect, I stand now defeated; In love I could never make magic come true. VIII. If I had been born to be handsome and charming, then love might have come to me easily as well. But if had that been, would I then have written? If not, I'd remain; **** that demon to hell! IX. Beside me stands a woman, but others look her way and in their eyes are eagerness . . . for passion and a wild caress? But who am I to say? Beside me stands a woman; she conjures up the night and wraps itself around her till others flit about her like moths drawn to firelight. X. And I, myself, am just as they, wondering when the light might fade, yet knowing should it not dim soon that I might fall and be consumed. XI. I write from despair in the silence of morning for want of a prayer and the need of the mourning. And loneliness grips my heart like a vise; my anguish is harsher and colder than ice. But poetry can bring my heart healing and deaden the pain, or lessen the feeling. And so I must write till at last sleep has called me and hope at that moment my pen has not failed me. XII. Beside me stands a woman, a mystery to me. I long to hold her in my arms; I also long to flee. Beside me stands a woman; how many has she known more handsome, charming, chic, alarming? I hope I never know. Beside me stands a woman; how many has she known who ever wrote her such a poem? I know not even one. Progress by Michael R. Burch There is no sense of urgency at the local Burger King. Birds and squirrels squabble outside for the last scraps of autumn: remnants of buns, goopy pulps of dill pickles, mucousy lettuce, sesame seeds. Inside, the workers all move with the same très-glamorous lethargy, conserving their energy, one assumes, for more pressing endeavors: concerts and proms, pep rallies, keg parties, reruns of Jenny McCarthy on MTV. The manager, as usual, is on the phone, talking to her boyfriend. She gently smiles, brushing back wisps of insouciant hair, ready for the cover of Glamour or Vogue. Through her filmy white blouse an indiscreet strap suspends a lace cup through which somehow the ****** still shows. Progress, we guess... and wait patiently in line, hoping the Pokémons hold out. Resurrecting Passion by Michael R. Burch Last night, while dawn was far away and rain streaked gray, tumescent skies, as thunder boomed and lightning railed, I conjured words, where passion failed... But, oh, that you were mine tonight, sprawled in this bed, held in these arms, your ******* pale baubles in my hands, our bodies bent to old demands... Such passions we might resurrect, if only time and distance waned and brought us back together;                                                 now I pray these things might be, somehow. But time has left us twisted, torn, and we are more apart than miles. How have you come to be so far— as distant as an unseen star? So that, while dawn is far away, my thoughts might not return to you, I feed your portrait to banked flames, but as they feast, I burn for you. Published by Songs of Innocence, The Chained Muse and New Lyre Shark by Michael R. Burch They are all unknowable, these rough pale men— haunting dim pool rooms like shadows, propped up on bar stools like scarecrows, nodding and sagging in the fraying light... I am not of them, as I glide among them— eliding the amorphous camaraderie they are as unlikely to spell as to feel, camouflaged in my own pale dichotomy... That there are women who love them defies belief— with their missing teeth, their hair in thin shocks where here and there a gap of scalp gleams like bizarre chrome, their smell rank as wet sawdust or mildewed laundry... And yet— and yet there is someone who loves me: She sits by the telephone  in the lengthening shadows and pregnant grief... They appreciate skill at pool, not words. They frown at massés, at the cue ***** contortions across green felt. They hand me their hard-earned money with reluctant smiles. A heart might melt at the thought of their children lying in squalor... At night I dream of them in bed, toothless, kissing. With me, it’s harder to say what is missing... Love Is Not Love by Michael R. Burch                              for Beth Love is not love that never looked within itself and questioned all, curled up like a zygote in a ball, throbbed, sobbed and shook. (Or went on a binge at a nearby mall, then would not cook.) Love is not love that never winced, then smiled, convinced that soar’s the prerequisite of fall. When all its wounds and scars have been saline-rinsed, where does Love find the wherewithal to try again, endeavor, when all that it knows is: O, because! Published by The Neovictorian/Cochlea, The Deronda Review, Better Than Starbucks and Stremez (translated into Macedonian by Marija Girevska) Aflutter by Michael R. Burch This rainbow is the token of the covenant, which I have established between me and all flesh.—Yahweh You are gentle now, and in your failing hour how like the child you were, you seem again, and smile as sadly as the girl                                                (age ten?) who held the sparrow with the mangled wing close to her heart.                             It marveled at your power but would not mend.                                  And so the world renews old vows it seemed to make: false promises spring whispers, as if nothing perishes that does not resurrect to wilder hues like rainbows’ eerie pacts we apprehend but cannot fail to keep.                                       Now in your eyes I see the end of life that only dies and does not care for bright, translucent lies. Are tears so precious? These few, let us spend together, as before, then lay to rest these sparrows’ hearts aflutter at each breast. Published by The Lyric, Poetry Life & Times and The Eclectic Muse (Canada) For Ali, Fighting Time by Michael R. Burch So now your speech is not as clear . . . time took its toll each telling year . . . and O how tragic that your art, so brutal, broke your savage heart. But we who cheered each blow that fell within that ring of torrent hell never dreamed to see you maimed, bowed and bloodied, listless, tamed. For you were not as other men as we cheered and cursed you then; no, you commanded dreams and time— blackgold Adonis, bold, sublime. And once your glory leapt like fire— pure and potent. No desire ever burned as fierce or bright. Oh Ali, Ali . . . win this fight! Fountainhead by Michael R. Burch I did not delight in love so much as in a kiss like linnets’ wings, the flutterings of a pulse so soft the heart remembers, as it sings: to bathe there was its transport, brushed by marble lips, or porcelain,— one liquid kiss, one cool outburst from pale rosettes. What did it mean ... to float awhirl on minute tides within the compass of your eyes, to feel your alabaster bust grow cold within? Ecstatic sighs seem hisses now; your eyes, serene, reflect the sun’s pale tourmaline. Published by Romantics Quarterly, Poetica Victorian, Nutty Stories (South Africa), Inspirational Stories, Famous Poets & Poems, Poetry Life & Times, English Poetry and Love Poems and Poets The Gardener’s Roses by Michael R. Burch Mary Magdalene, supposing him to be the gardener, saith unto him, “Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away.”  I too have come to the cave; within: strange, half-glimpsed forms and ghostly paradigms of things. Here, nothing warms this lightening moment of the dawn, pale tendrils spreading east. And I, of all who followed Him, by far the least... The women take no note of me; I do not recognize the men in white, the gardener, these unfamiliar skies... Faint scent of roses, then—a touch! I turn, and I see: You. My Lord, why do You tarry here: Another waits, Whose love is true? Although My Father waits, and bliss; though angels call—ecstatic crew!— I gathered roses for a Friend. I waited here, for You. Published by The CommonPlace, The Journals, Somewhere Along The Beaten Path, Museum of Learning, The Eclectic Muse (Canada), Borderless Journal (Singapore), FreeXpression (Australia) Loose Knit by Michael R. Burch She blesses the needle, fetches fine red stitches,  criss-crossing, embroidering dreams  in the delicate fabric. And if her hand jerks and twitches in puppet-like fits,  she tells herself reality is not as threadbare as it seems... that a little more darning may gather loose seams. She weaves an unraveling tapestry of fatigue and remorse and pain ... only the nervously pecking needle ****** her to motion, again and again. Published by The Chariton Review (as “The Knitter”), Penumbra, Black Bear Review, Triplopia If You Come to San Miguel by Michael R. Burch If you come to San Miguel before the orchids fall, we might stroll through lengthening shadows those deserted streets where love first bloomed... You might buy the same cheap musk     from that mud-spattered stall         where with furtive eyes the vendor watched his fragrant wares perfume your ******* Where lean men mend tattered nets, disgruntled sea gulls chide;         we might find that cafetucho where through grimy panes sunset implodes...                                                  Where tall cranes spin canvassed loads, the strange anhingas glide. Green brine laps splintered moorings, rusted iron chains grind, weighed and anchored in the past, held fast by luminescent tides... Should you come to San Miguel? Let love decide. Published by Romantics Quarterly, Poetry Life & Times and Muddy River Poetry Review Ivy by Michael R. Burch “Van trepando en mi viejo dolor como las yedras.” – Pablo Neruda “They climb on my old suffering like ivy.” Ivy winds around these sagging structures from the flagstones to the eave heights, and, clinging, holds intact what cannot be saved of their loose entrails. Through long, blustery nights of dripping condensation, cured in the humidors of innumerable forgotten summers, waxy, unguent, palely, indifferently fragrant, it climbs, pausing at last to see the alien sparkle of dew beading delicate sparrowgrass. Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse grow all around, and here remorse, things past, watch ivy climb and bend, and, in the end, we ask if grief is worth the gaps it leaps to mend. Originally published by Nisqually Delta Review Free Fall (II) by Michael R. Burch I have no earthly remembrance of you, as if we were never of earth, but merely white clouds adrift, frail cirri swirling through Himalayan altitudes— no more man and woman than exhausted breath—unable to fall back to solid existence, despite the air’s sparseness: all our being borne up, because of our lightness, toward the sun’s unendurable brightness... But since I touched you, fire consumes each wing! We who are unable to fly, stall contemplating disaster. Despair like an anchor, like an iron ball, heavier than ballast, sinks on its thick-looped chain toward the earth, and soon thereafter shall be sufficient pain to recall existence, to make the coming darkness everlasting.
Continue reading...
1337
~ *The name on my lips is a prophecy An unsustainable breath of life It sparks revolutions both for and against To say it is to pray it in a word, a phrase, a life sentence And it lies scattered on the beach Put your ear to a seashell and listen Listen for the sound of terrible canyons of static Of plastic birds decomposing trees Things we lost in the fire Listen for the starvation tapes For the voice of people who eat darkness and make big fires out every little syllable Listen for the work of reformatting spiders spinning social webs to burden and ensnare naïve reckless hearts Listen for the heartless aftermath and the building blocks of sheer madness Listen for the sound of weeping at the memory of peace* ~
0
Feb 5, 2023
Feb 5, 2023 at 10:27 PM UTC
Chapter 6
Aggrieved By The Ecological Loss Worried About The Nature They Say, "Vultures Are Now Extinct," Amused I Said, "No Friend, No. They Are Still There, The Difference Is Only This, They Have Grown Arms Instead Of Wings."
0
Apr 18, 2021
Apr 18, 2021 at 7:51 PM UTC
VULTURES
I keep having this haunting nightmare where are the children across the street A boy and girl whose or nameless and they were adopted but not for the right reasons for they were adopted for to be miss used for the name of God. I keep remembering seeing Islam art workor all over the place and seeing her beat her kids so very seriously. Every time I have the stream I just want to call the police or tell her to go away. there is greater evil in this world. ما زلت أعاني من هذا الكابوس المؤلم حيث الأطفال عبر الشارع ، فتى وفتاة تم تبنيهما أو بلا اسم وتم تبنيهما ولكن ليس للأسباب الصحيحة لتبنيهما حتى لا يتم استخدامهما باسم الله. ما زلت أتذكر رؤية عاملة فنون إسلامية في كل مكان ورؤيتها تضرب أطفالها بجدية شديدة. في كل مرة يكون لدي بث ، أريد فقط الاتصال بالشرطة أو إخبارها بالرحيل. هناك شر أعظم في هذا العالم.
0
Sep 1, 2020
Sep 1, 2020 at 8:57 PM UTC
House of horrors
The kingdom of inhumanity is injected with the poison of cruelty and brutality. The air around the kingdom smells of shadow and blood. The infernal weapons are vulnerable to the humane. The essence itself resembles a living entity. It seems as if the devil is watching over the cruel happenings of his demonic descendants.
0
Mar 26, 2020
Mar 26, 2020 at 8:15 AM UTC
Kingdom of Inhumanity
Auschwitz-Birkenau, Belzec, Bergen-Belsen, Buchenwald, Chelmno, Dachau, Dora-Mittebau, Flossenburg, Gross-Rosen, Janowska, Kaiserwald, Majdanek, Mauthausen, Natzweller-Struthof, Neuengamme, Oranienburg, Plaszow, Ravensbruck, Sachenhausen, Sobibor, Terezin, Treblinka, Westerbork. There were more than 15,000 of these death camps spread over Nazi-occupied Europe. In addition to Jews, other groups murdered were homosexuals, the physically and mentally infirm, political and religious dissidents, Gypsies, communists, socialists, Afro-Germans, Soviet POWS, intelligentsia, beggars, alchoholics, prostitutes, freemasons, and trade unionists. It is estimated that between 15,000,000 to 20,000,000 human beings were murdered by Nazis during the Holocaust. ****** assumed power in 1933, **** Trump in 2017. Copyright 2019 Tod Howard Hawks
0
Nov 8, 2019
Nov 8, 2019 at 3:07 PM UTC
AN ELEGY FOR **** TRUMP
With a little help from richer family and friends I could live on the high end. I could follow fashion trends, find a fabulous mansion and go dancing with actors and their model companions. Just three steps up on the social ladder, I could become a capitalistic champion and conquer all the lesser men who are barely managing to compete adequately. I could plant golden trees which spring financial gratuities in perpetuity, and my annual returns would cause others to yearn and burn in jealousy. I could leave all the human suffering, as I detach from the facts of human empathy taking all the pleasure for me and leaving nothing for the rest of humanity. Then I could run to become president and pretend to make America great while I continue to take more and more for me.
0
May 31, 2019
May 31, 2019 at 11:10 AM UTC
Untitled 216
The clone walks and enjoys such wrongful adulation, Urban myths, falsehoods, lies, such awful fabrications Knowledge is power make sure its transmogrification Smears and stench is vital to put our clone in isolation Defamation and slander in abundance not in moderation The real man looks awestruck at this nefarious transformation Sees truth murdered and honesty and decency held in toxic strangulation Humans have a greater propensity for lies, its has much richer fascination Lower minds desires basic mental gratification not tedious logical education They want no news about joy and do-gooders, more about sick disfiguration The Real Man sees his unblemished life soiled and tainted to sorrowful extinction To look innocently becomes wantonly ********** women and gals, a ridiculous insinuation Innocent speech to primed recipients takes on salacious unintended bent and corrosive modifications His just and precise actions mangled and their gross interpretations begets their erroneous  illustrations Clone now walks with character traits and form  far from nothing like The Real Man's true disposition Then news by lovers now state the Man is the best ever ***** passions without constatation Not one or two or three ex loves now talks of a smooth hard soft Dolphin and swimming in hot magical elation Passion, style, rhythm, rock and roll unsurpassed in lustful cool sexxy celebrations Alas, We can't damage this real prowess so just demonize and ********* and ruin his physical reputation Talk dirt, turds, talk stupidly about water and no ***** angry little men scream  and stomped in exasperations Well, Clone shares same as the Man's famed ding **** and even though hated lives in some females imaginations And became a guilty secrets and fantasy lover for some knowing ladies when in relaxations Think of that Charismatic clone with that  magnificent hard pole close and tight in amourous actions All ready a bone of envy and dread for their menfolk, their worst fears now lives in their women's vivid minds realisations My clone now makes sweet passionate love with my tool to different moisty **** ladies with my deft cool moves in delightful motions. While the real Man is banned to loneliness and sentenced to involuntary abstention My lucky clone is rampantly ******* licking and ******* in fantasy lands from imaginations to vivid imaginations There you go Clone..Yeah!..move it..darling, yah! move it!....that's it! Wow!!...Oh..Oh...Oh.....,!
0
Sep 19, 2018
Sep 19, 2018 at 9:09 PM UTC
A Sigh and A Throaty hearty Laugh......
The clone walks and enjoys such wrongful adulation, Urban myths, falsehoods, lies, such awful fabrications Knowledge is power make sure its transmogrification Smears and stench is vital to put our clone in isolation Defamation and slander in abundance not in moderation The real man looks awestruck at this nefarious transformation Sees truth murdered and honesty and decency held in toxic strangulation Humans have a greater propensity for lies, its has much richer fascination Lower minds desires basic mental gratification not tedious logical education They want no news about joy and do-gooders, more about sick disfiguration The Real Man sees his unblemished life soiled and tainted to sorrowful extinction To look innocently becomes wantonly ********** women and gals, a ridiculous insinuation Innocent speech to primed recipients takes on salacious unintended bent and corrosive modifications His just and precise actions mangled and their gross interpretations begets their erroneous  illustrations Clone now walks with character traits and form  far from nothing like The Real Man's true disposition Then news by lovers now state the Man is the best ever ***** passions without constatation Not one or two or three ex loves now talks of a smooth hard soft Dolphin and swimming in hot magical elation Passion, style, rhythm, rock and roll unsurpassed in lustful cool sexxy celebrations Alas, We can't damage this real prowess so just demonize and ********* and ruin his physical reputation Talk dirt, turds, talk stupidly about water and no ***** angry little men scream  and stomped in exasperations Well, Clone shares same as the Man's famed ding **** and even though hated lives in some females imaginations And became a guilty secrets and fantasy lover for some knowing ladies when in relaxations Think of that Charismatic clone with that  magnificent hard pole close and tight in amourous actions All ready a bone of envy and dread for their menfolk, their worst fears now lives in their women's vivid minds realisations My clone now makes sweet passionate love with my tool to different moisty **** ladies with my deft cool moves in delightful motions. While the real Man is banned to loneliness and sentenced to involuntary abstention My lucky clone is rampantly ******* licking and ******* in fantasy lands from imaginations to vivid imaginations There you go Clone..Yeah!..move it..darling, yah! move it!....that's it! Wow!!...Oh..Oh...Oh.....,!
Continue reading...
29
Raindrops forget to drop a drop dropping slowly the rain forgets to stop stop plop a plop of blood in the ocean of firestorm now death opened like an unturned boat in the middle of the world to receive the last plummet of hope, last blessing in a humane drop from above above the above has no rain for the next season the winds are afraid to return.
0
Mar 4, 2018
Mar 4, 2018 at 2:28 AM UTC
Syria
War is here War is everywhere For we refused to hear With our hearts' ear War is here and War is on our front yards Yet, we are still sleeping When it’s knocking too Hard on our front doors War is here and War is near Open your eyes for You might forever sleep When the fog is clear @jobiranyc (10/2/2017)
0
Oct 2, 2017
Oct 2, 2017 at 6:31 PM UTC
Everywhere
How did it happen? How did every human being on the planet become so broken, so ill equipped to deal with the realities of life? How did it happen? What turned me into one who cannot fathom bliss one who cannot see even a sliver of light on a dark, cloud filled day? How did it happen? I look everywhere for just ONE, just one positive, caring soul who has FAITH in this world that mankind will not consume me and all else that lives upon this earth of ours. How did it happen? No where is there relief from pain, from fright, from inhumanity and cruelty of heart-- all I see anymore is hate and fear and a collected effort to simply destroy all. How did it happen? by Ami Shae
0
Jul 31, 2016
Jul 31, 2016 at 9:34 AM UTC
How Did It Happen?
The atoms around me are exploding My body is eroding Every particle of me is floating It's all in my DNA coding Starting my ascent This I will not circumvent Now I'm out in outerspace Up to the great fates The vibrant colors around me swirl I'm no longer a person, no longer a girl I am particals, I am pieces, I am atoms Floating around like a phantom Ground down so much I am star dust Pushed along by the cosmic gust Destined to land in another galaxy Far away from all the inhumanity
0
May 9, 2016
May 9, 2016 at 5:24 PM UTC
Star Dust
There in the belly of the city Way down there where it's dark and gritty Lives a very complexe man There in his Window he stands Watching the atrocities that parade down his street He's seen the dealer's and the junkies meet The homeless that set at their feet The thugs that prey on the weak Children abused that turn them meek It plays out every day of the week He's seen it all He's watched humanity fall It's hard for him to digest On this life's problems his mind rest He knows there's not much that he can do He watches and writes it all down, he's one of the few Sent to bear witness to the inhumanity of man To make us think of where in this life we stand Yes he is a poet His watched it all and wrote it He has a big heart Which makes it hard to play his part Of watcher in the tower As those below cower But his calling he is sure of To watch the dying of love To watch the darkness closing in To watch all of man's sin To sound the alarm Of humanity going wrong He stands at his Window and cries out But no one pays attention to his shouts So he soaks the page with ink and tears Hoping that at last somebody hears
0
May 6, 2016
May 6, 2016 at 12:09 PM UTC
Poet in the City
**Neither there's a place i am willing to visit Nor there's a world i would love to be in. Honestly, I have found a mother's womb The safest place to be live in.**
0
May 3, 2016
May 3, 2016 at 11:51 PM UTC
"Womb" A safest place
dead bodies floating in our oceans from the Asian Pacific to the Mediterranean crumpled corpses lying on our beaches thousands drowned unknown overcrowded detention centers not unlike concentration camps behind barbed wires guarded by police and snarling dogs nobody feels responsible not  those who started wars destroyed whole cities made millions homeless and into refugees not those who take advantage of the chaos for their own gain abusing the names of their gods or some ancient figurehead to excuse their atrocities and greed not those who live in comfortable homes and wish the desperate crowds would just stay on the TV screen and not come close nor those who pretend to be the guardians of our great humanitarian heritage but show no backbone against nationalist fanatics it is the shame of the world to sit and talk and watch and not do enough those who turn away the needy and homeless could also quite suddenly lose their homes forced to rely on the kindness of strangers
0
Sep 6, 2015
Sep 6, 2015 at 7:43 PM UTC
THE SHAME OF THE WORLD (NOTHING has really changed since I wrote this poem on Sept. 6, 2015!!)
I see you, Drinking from the water of inhumanity Smoking the leaves of ingratitude And eating the seeds of hypocrisy. Observing you, I found myself drunk of sorrow. And it makes me, Drink from the water of insomnia Smoke the leaves of melancholy And eat the seeds of solitude So I can, finally, Be drunk of madness
0
Oct 19, 2015
Oct 19, 2015 at 3:16 PM UTC
Drunk of madness
Not near-sighted; not far-sighted Just blinded by stupidity By rich inhumanity Lack of love in society Absence of insight; omission of outsight Just censored curiosity Loss of credibility Condemned abnormality Futures foresighted; actions unsighted The past, no punctuality Death by immortality Buried from reality
0
May 7, 2015
May 7, 2015 at 7:33 PM UTC
Sightless
How inhumane is the human, Angels must be laughing The Globe is a mess, For them it must be shocking Every year the child celebrates Mother's  day , But the respect for her with every passing day is reducing What a great love for mother this is, angels must be mocking A law has been issued for everyone, But I don't see anybody following What's wrong with the human? Angels must be talking
0
Apr 12, 2015
Apr 12, 2015 at 12:11 AM UTC
The Double Standards