#hitchcock
follow her follow
her doubled in greenlit
rooms, golden bridges
possess her / she is possessed
of death: falling—. in love again.
Sep 14, 2021
Sep 14, 2021 at 12:14 AM UTC
i put on vertigo today
to relate to the slow flooding of green
i came to the circling score
remembering how I used to get slapped
when scotty embraces made-over judy
i couldn’t help but cry as i fear
i want to be made-over too
in someone else’s image
Oct 17, 2020
Oct 17, 2020 at 5:03 PM UTC
~
"Suspense is like a woman. The more left to the imagination, the more the excitement."
~
A mixture
of sinister and sweet,
smoking gun at your feet.
Reclining dead
in a meadow,
or wishing you were
as you gaze out your window.
Bottling undecided dark,
catching keyed-up light,
in random, misleading angles.
The uniform hour
holds Grace, Grant,
and the mystery
it entangles.
Don't look directly
at the camera,
icy blonde afterimage.
Everything you need
is written on the page.
Number 13,
Mrs. Peabody?
Don't you know
all contemporary
escapist entertainment
begins by turning your back?
Lingering on what
suspicious minds track.
The migrating voyeurism
sits as the crow,
wired and unfriendly.
The method is an organism,
an implication, a crossbow,
thought, but unseen.
He will push the girl,
until you succumb
to dream sequences.
It's snowing humiliation
at Winter's Grace,
for out of the male gaze,
invading your space,
you become gifted
at doing nothing well,
in sheer
under-things,
(for inner circles & triangles of fur
are all the rage in Europe).
Yes, he hates pregnant women,
because then they have children.
So leave him
to his work,
to analyze your handwriting,
and build that ramp
directly into your trailer.
His larger than life silhouette
will fill the silver screen
with tension,
trip wire,
and a ****** ambivalence,
that ends with
the violent sound
of someone
packing a suitcase.
He enters by virtue of this door,
and you leave through another,
and another,
and another,
until the final scene
alters your state of mind.
Your pretty little feet
dangling precariously
over the edge...
Sep 19, 2020
Sep 19, 2020 at 4:36 PM UTC
Wood you marry me?
I love you can't you see?
I hope you will agree
So please, please, please,
Marry me...
They say it's no good
Because you're made of wood
For me it's understood
So please, please, please,
Marry me...
Ventriloquist's
Wooden dummy
You give me fits
Please marry me!
Please take my hand
Together we can stand
Our life will be so grand
So please, please, please,
Marry me...
I'll have your back
You by my side
It's just like that
Please be my bride!
Life will be complete
My mouth closed when you speak
Our future bright not bleak
So please, please, please,
Marry me...
Nov 9, 2019
Nov 9, 2019 at 11:34 AM UTC
I see great ***** every day
in the subway
and, suddenly, my favorite Hitchcock movie changes from
Rear Window to Vertigo.
The movement of the train calms me down and I fall asleep quickly,
dreaming that I'm in Kerouac's car, quietly hitting the road
like ******* hit his canvas.
I see great ******* every day
on the bus that takes me home,
but not one single *****
for me to lay my ear on.
The dream comes to a crossroad where me and Jack have to part ways.
He'll go down in history like a great writer
and I'll quietly go down on memory lane in oblivion.
Memory disappointed me
and left a bad taste
in my mouth - literary *********** ain't what it used to be.
Jun 9, 2017
Jun 9, 2017 at 1:56 PM UTC
The look of sane
and perfect skin
Comes your way
well within
Take the step
but don't look down
Vertigo spinning
Madness sound
Beauty kills
with steps of cold
Off the edge
boldness goes
Insanity sinks
the devilish plot
Watch again
Alfred Hitchcock
Jul 13, 2015
Jul 13, 2015 at 3:21 PM UTC
I'm sat at my window the snow softly falling,when I hear the telltale "clickity clack" of a pair of heels.
I imagine the wearer, tall by the time lapse in clicks,
wearing warm well cut clothes, due to the weather.
Her heels beat a tattoo, loud in the night time silence.
Echoing into the dark.
Hush, do you hear it? A softer step, masking its existence in time with her heels. No? Listen at the deep silence, stabbed by the staccato stilettos,
there, a soft crush in the snow. Her heels have quickened their tap,tap, tap on the pavement, the snowfall has also quickened, and so has the soft crushing steps of a man.
My heart imitates her stilettos, dread clutches at my core.
There it is the muffled scream that stops the stilettos,
snow is voicing a struggle, it's fresh crispness creaking and crying.
These noises are not new, they're why I sit at the window,
listening for the female, the male, the footsteps, the scream,
knowing that in the morning the news will feature the man dubbed
"The stiletto shredder".
Me, go as a witness you say, how?
He does what he does outside my window knowing I can never tell,
I'm his perfect witness,
I'm blind.
Jan 20, 2015
Jan 20, 2015 at 10:04 PM UTC
I pondered the world around me
Looking
Staring
Around to what was seen,
Then I happened upon a bird
"Just sitting watching me"
I waved once,
I waved twice,
It just put it head to the side
Maybe to get a better angle on me,
It tweeted
And left, the last I thought to see,
But where one once was, now I count
Two
Three
Four
Five now perched upon the fence
On the tree, I was getting a
"Alfred Hitchcock"
Vibe, with all little eyes looking at me,
I smiled an awkward grin, teeth did show
Scattered to the wind,
I closed my eyes, noises
Singing awoke a slumbering me,
Six,
Seven,
Eight,
More birds, sitting on the fence,
But also congregating on the branches of the tree,
I waved once more,
Eyes watching upon me,
This is getting creepy
So I stood on all fours licking my teeth
And purred a
"QUESTION"
"Why do you congregate"
"And watch from a far upon me"
Tweeted words sung out to me,
"It just catches our attention that you being a cat"
Not once,
Not twice,
But three
"Times you have waved at us sitting"
Upon a fence,
Upon a tree,
"Childish games of youth"
I purred back,
I have a good life, I am not as wild
as you think, I wave to say hello
To listen to you sing,
"I walk up to the fence"
Pat once then two on the head you see,
"But there is a moral to this tale"
"What is that the birds sing"
As with reflects to fast to see
Not one
Not two
But three
Birds in mouth, they fly, flutter away
And with a mouth full I say
"Don't believe in what you hear or see"
"Were just more sneaky now"
Now shoo be gone, unless you wish
To all so taste my teeth upon your bodies.. and they flee.
Oct 23, 2014
Oct 23, 2014 at 10:09 AM UTC