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#heroines
Ably, a convenient door Caution, I would esteem's vain Let with poorer light, a certain valor Has taken me, for a fate that prayed... Sweet order To a life, so lived So sent to wishes, foreign? In the name of love, given But persuasion remains Sour reasons, with a tongue Let in certain light anew, the stains Of lucre's rhetoric, has a voice that won Hatred, for a kiss Somehow profound Somehow blood, is our only wish? Breaking a promise, sympathy allowed A welcome turn of chaste Into a fate of simple regrets Made well, and in need, haste That stole life's reasons, where we never met...?
0
Jun 12, 2024
Jun 12, 2024 at 9:34 PM UTC
Dour Enough, To Notice Loves Pain...
You come from God's own country And radiate such a beautiful aura That, unless my eyes are deceived It seems that you are God herself Just kidding, you are a human being like any other A rather beautiful one, though Your smile is so divine That it can melt even the hardest of hearts Your laugh is so infectious That it can send the entire planet Into a fit of violent giggles Your glare is so intense That it can even **** Lord Voldemort Faster than it takes to utter the words "Avada Kedavra" !! Your Tamil accent is so cute That even a newborn baby would pale in comparison Your English is so brilliant That it would put even the Oxford dictionary to shame Your acting is so superlative That it would surpass even the drama of Shakespeare plays!! And finally, I have to shamelessly admit That I wish I were born in an alternate universe Where you and I could be together For the rest of our lives Because you are not only an accomplished actress But also a beautiful human being The heroine who captured my heart
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May 20, 2023
May 20, 2023 at 12:26 AM UTC
The Heroine Who Captured My Heart
I watched “Breakfast at Tiffany’s” last night - we’re going to be reading Truman Capote’s book after the break and I wanted to start thinking about it. The movie rewrites Truman Capote’s story, turning it into a romcom, completely eliminating the book's gay themes. I’d seen ‘Breakfast’ before, but now I’m a little older, and as a single woman, I can better appreciate it. I’m looking forward to studying its socio-sexual themes. These are some first thoughts. Let’s take the opening of “Breakfast at Tiffany’s.” The images are iconic and some of the most widely repeated in pop-culture today (Hello, ubiquitous dorm room decor), but they’re never used in a way consistent with their function in the film. Instead of seeing a horribly depressed girl who has nothing left in her life but pure escapism, people see a beautiful woman with apparent access to luxury. When “Breakfast” came out (in 1961) there was a sense, within the press and wider public, that even a neutered version of Holly Golightly represented a cinematic moral nadir that posed a threat to society. Whether Holly was a “moral character” was up for debate in countless reviews of the film. Today, this seems absurd. Today, Holly is seen as an aspirational figure. With her opera gloves, her intricate updo, pearls and Givenchy little black dress, she looks like someone who belongs at Tiffany’s (of course, the casting the euro-elegant Audrey Hepburn didn’t hurt). Truman Capote wanted Marilyn Monroe as Holly - that would have been a very different movie. Watching the film, I was struck with how contemporary Holly felt. She seems so familiar - so similar to the countless imitations we’ve seen since. People watching the movie for the first time today may be underwhelmed, but Holly seems so contemporary now, because she was so ahead of the curve back then (just over 60 years ago). If you look at the popular romantic comedies that surrounded ‘Breakfast at Tiffany’s’, like “Pillow talk,’ ‘Gigi,’ and ‘Giget’ - their leading ladies were nothing like Holly. Being a heroine in those films meant you strived for marriage, you saved yourself for your one true love and, as a woman, you avoided certain subjects altogether. They imply happiness only comes from following a certain good girl ethos. An example of what could happen to a girl, if she strayed from that path, was shown in Elia Kazan’s ‘Splendor in the Grass’ which also came out in ‘61. Its theme is the consequences of ****** repression, and it outlines a specific cinematic binary. There are good girls and bad girls. The bad girls were usually presented as sad and mentally unstable - and they paid for their sins in the end - usually by dying by some karmic punishment (car wrecks usually). Holly sits somewhere in between good and bad, complicating the cinematic binary. Because Audrey’s elegance plays her as classy, warm and accessible, she doesn’t come across as a dangerous wild child - although she makes all of the bad girl choices - like partying, drinking and having *** For women who grew up in the repressive 1950s, Holly represented a new path forward. Holly lived on her own, she didn’t crave marriage above all else, she didn’t want to live in a cage, and she managed to have a good time without being victimized or doomed. Holly was noticeably different. The pill came out in May of 1960 (one of the watershed events in human history). Holly was Hollywood's first post-pill heroine, representing the ****** revolution before Betty Friedan’s ‘Feminine Mystique’.
0
Mar 24, 2023
Mar 24, 2023 at 5:53 AM UTC
Breakfast at Tiffany’s
I watched “Breakfast at Tiffany’s” last night - we’re going to be reading Truman Capote’s book after the break and I wanted to start thinking about it. The movie rewrites Truman Capote’s story, turning it into a romcom, completely eliminating the book's gay themes. I’d seen ‘Breakfast’ before, but now I’m a little older, and as a single woman, I can better appreciate it. I’m looking forward to studying its socio-sexual themes. These are some first thoughts. Let’s take the opening of “Breakfast at Tiffany’s.” The images are iconic and some of the most widely repeated in pop-culture today (Hello, ubiquitous dorm room decor), but they’re never used in a way consistent with their function in the film. Instead of seeing a horribly depressed girl who has nothing left in her life but pure escapism, people see a beautiful woman with apparent access to luxury. When “Breakfast” came out (in 1961) there was a sense, within the press and wider public, that even a neutered version of Holly Golightly represented a cinematic moral nadir that posed a threat to society. Whether Holly was a “moral character” was up for debate in countless reviews of the film. Today, this seems absurd. Today, Holly is seen as an aspirational figure. With her opera gloves, her intricate updo, pearls and Givenchy little black dress, she looks like someone who belongs at Tiffany’s (of course, the casting the euro-elegant Audrey Hepburn didn’t hurt). Truman Capote wanted Marilyn Monroe as Holly - that would have been a very different movie. Watching the film, I was struck with how contemporary Holly felt. She seems so familiar - so similar to the countless imitations we’ve seen since. People watching the movie for the first time today may be underwhelmed, but Holly seems so contemporary now, because she was so ahead of the curve back then (just over 60 years ago). If you look at the popular romantic comedies that surrounded ‘Breakfast at Tiffany’s’, like “Pillow talk,’ ‘Gigi,’ and ‘Giget’ - their leading ladies were nothing like Holly. Being a heroine in those films meant you strived for marriage, you saved yourself for your one true love and, as a woman, you avoided certain subjects altogether. They imply happiness only comes from following a certain good girl ethos. An example of what could happen to a girl, if she strayed from that path, was shown in Elia Kazan’s ‘Splendor in the Grass’ which also came out in ‘61. Its theme is the consequences of ****** repression, and it outlines a specific cinematic binary. There are good girls and bad girls. The bad girls were usually presented as sad and mentally unstable - and they paid for their sins in the end - usually by dying by some karmic punishment (car wrecks usually). Holly sits somewhere in between good and bad, complicating the cinematic binary. Because Audrey’s elegance plays her as classy, warm and accessible, she doesn’t come across as a dangerous wild child - although she makes all of the bad girl choices - like partying, drinking and having *** For women who grew up in the repressive 1950s, Holly represented a new path forward. Holly lived on her own, she didn’t crave marriage above all else, she didn’t want to live in a cage, and she managed to have a good time without being victimized or doomed. Holly was noticeably different. The pill came out in May of 1960 (one of the watershed events in human history). Holly was Hollywood's first post-pill heroine, representing the ****** revolution before Betty Friedan’s ‘Feminine Mystique’.
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9
The next act, of adrenaline Supposed forces, to win a kinder stare Through the looking glass, as if shine Is a wall to itself, patience and their horses, fare A race to the more, ever and stone sore? Of a friends cleverer smile... Same to how, we found your quarrel With me, a simpler distance to while... Mean or main stay... This moment, made for the devil and the blue sea Meant, in time with sour notion, pain Is the only force we see, for a man or woman in love, deem... A hat of errors, that knew you for a wiser momentum A whine of distant feelings, that shares the known, to be A callous share in proof, that has the time to question a room A singing candle? awake at the touch of a lover, is my kiss anarchy? Hate a rhyme to begin, with a resolve in the rage of another? Spite, carnal license, and hopeful sycophants of a rule of thumb With your name on it, and my cares, the risks of loving a bother With your needs and vice, as a charity we will know is succinctly won... Heroines, with a table to eat from, timidly share a savior Heroin's, with a resolute few, is here to skip the wisdom of done who Hero's, with a tap to ply and explain, are a safety's warrior He, with an excused hand has a reason to be, to the patience we do too...
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Jan 4, 2023
Jan 4, 2023 at 8:11 PM UTC
Places In The Heart, For A Blind Childhood
Mic Hail Rough Hail A body made from the undying devotion was to be forgotten Built by the memory of devotion's husband. A swaying heritage Under the surface Resting On a sleepy cloud made of forceful courage. Her voice The forest hovering Above and all of life Hanging From her glass lips of The worldly wife. Her weightless gold of skin Running, My saviour is a Queen. Precious beyond anything, Hey! her love is in everything.
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Oct 10, 2018
Oct 10, 2018 at 11:39 PM UTC
Archangel Girl
On sandy land and muddy plains it appears A mark left for succeeding generations Carved with hands, sweat and blood Indelible a mark that cannot be erased You can find them on the various paths of life For very few have been careful to leave them behind And many careless if they mark their path They are heroes and heroines of songs They line the pages of books and poems They grace the walls of museums and temples Some are men and others are gods And all of them have walked the earth They discovered the heights of the sky And the depths of the seas They found the distances of lands And lengths of deserts They carved their names on stones and monuments of rocks With their blood, sweat and hands Marks the walls of earth with their names Heroes of wars Lords of science Kings of nations Queens of kingdoms Loved and hate, doubted and scorned but none was a fool Lords of art Kings of songs Telling their stories in pages with age Prose, Drama and Poems Today we sing memories of them And we have heard How they made war How they caused war to cease And we have heard How they shed blood How they saved lives And we have heard How they fought death And overcame reproach Great and small but none was a fool Some and have been found and their stories told Others are lost and the search is on But diligent as we may be Forever they may be lost In the heights of the sky In the depth of the sea In the dark alleys of the cave In the heavy sands of the desert In the deep belly of the Bermuda triangle And in the racist and hateful heart of men But still abide their footprint on the rock And the sands of time may tell it all Or never will their footprints reveal.
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Jul 28, 2018
Jul 28, 2018 at 3:40 AM UTC
FOOTPRINTS
On sandy land and muddy plains it appears A mark left for succeeding generations Carved with hands, sweat and blood Indelible a mark that cannot be erased You can find them on the various paths of life For very few have been careful to leave them behind And many careless if they mark their path They are heroes and heroines of songs They line the pages of books and poems They grace the walls of museums and temples Some are men and others are gods And all of them have walked the earth They discovered the heights of the sky And the depths of the seas They found the distances of lands And lengths of deserts They carved their names on stones and monuments of rocks With their blood, sweat and hands Marks the walls of earth with their names Heroes of wars Lords of science Kings of nations Queens of kingdoms Loved and hate, doubted and scorned but none was a fool Lords of art Kings of songs Telling their stories in pages with age Prose, Drama and Poems Today we sing memories of them And we have heard How they made war How they caused war to cease And we have heard How they shed blood How they saved lives And we have heard How they fought death And overcame reproach Great and small but none was a fool Some and have been found and their stories told Others are lost and the search is on But diligent as we may be Forever they may be lost In the heights of the sky In the depth of the sea In the dark alleys of the cave In the heavy sands of the desert In the deep belly of the Bermuda triangle And in the racist and hateful heart of men But still abide their footprint on the rock And the sands of time may tell it all Or never will their footprints reveal.
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52
Heroes and Heroines hold to what they know Honing, as they refine maintaining, status-quo No greater mission or quest protecting the innocent, and weak Passing each, and every test as honor and justice, seek Ever will the plague be passed as each and every time for damages, present and past the bill, for others crimes The cowardice and fear, of masses as the resolve and bravery, of the few for the dark, the light, surpasses persevering, and always coming through
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Jan 19, 2017
Jan 19, 2017 at 10:02 AM UTC
Heroically blamed
Your parade makes me purple, it makes me thin as an alphabet, I don't know, I don't wanna understand. I'm an estimation, I'm over and not in great abundance. Don't defend me, I'm not the header atop your letter. Open me, I'm like your chimney, inside your mouth I am the lips you dip your tongue through, growing with sensation. See me and seam me to threads and tow me through your ****** lines- little piece of flesh Just a little dance, Just a little romance Keep me in your pants let me be your postcard I'll float across your eyelids. Let me know your name You can taste my skin. You can see my seams bend, my hours grow a little tired Lifting up your dress, I can taste your pastes, your pastel belle comes floating at me sideways. Ours and again, you ask me, "is it a nightmare?" You ask me, "is it a car crash?" You say, "I can feel you breathing." This is not a spell, there's nothing left, not even a little lie I can play with in my fingers, you say, "is it the moon in the stars." And I stop you from ruining the sound of words to preserve a moment. Something a silence and a dollar doesn't buy you. I ask, " is this you my love? You're an imaginary process I'm never going to be interested in prosecuting perfectly. I'm not- an extroverted invert, a spirit floating in the corner of your eyes. I'm over zealous, a zealot, full of youth, using grief to keep your eyes
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Oct 30, 2016
Oct 30, 2016 at 10:15 PM UTC
Untitled
A restless fire burnt in her blue Aryan eyes And she wore a pretty dress Because she loved to be beautiful, Even though she was by then No more than a bird in a bunkered cage. But the man she loved did not see: He had other priorities, affairs of state, Still blindly fighting a lost war. The others in the bunker wanted to live And prayed they might escape to the world, Such as it was in those closing weeks; But Eva did not care, as she knew her destiny, Finally coming out of the shadows. She so much wanted to be young and happy Even when there was nothing to celebrate, Even when their world was disintegrating In those final doom-laden Berlin days. Eva wanted so to dance in the Spring, But there was nothing to dance about And no one to dance with. Eva had no fear of death’s sad sting As long as she was with her beloved. But as the dark days went by, Inevitable hopelessness set in; And then the very last hours came, When all hope of victory was finally gone, Destroyed by the roar of the conquerors’ barbarian guns And their wild revengeful **** and pillage. So kleine Eva finally married him, her Fuehrer, But to what avail and for what hopeless future? Soon they would be joined only in death, Despised by a scornful, hating world, Their corpses burned by devoted soldiers, And then fought over by divided allies. Little Eva was not very bright, But her eyes shone brightly as she died Happily, died for him whom she worshipped: To her, Adolf was her friend and lover And a shining hero, not the devil incarnate.
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Dec 28, 2015
Dec 28, 2015 at 1:43 PM UTC
Eva Transfigured
A restless fire burnt in her blue Aryan eyes And she wore a pretty dress Because she loved to be beautiful, Even though she was by then No more than a bird in a bunkered cage. But the man she loved did not see: He had other priorities, affairs of state, Still blindly fighting a lost war. The others in the bunker wanted to live And prayed they might escape to the world, Such as it was in those closing weeks; But Eva did not care, as she knew her destiny, Finally coming out of the shadows. She so much wanted to be young and happy Even when there was nothing to celebrate, Even when their world was disintegrating In those final doom-laden Berlin days. Eva wanted so to dance in the Spring, But there was nothing to dance about And no one to dance with. Eva had no fear of death’s sad sting As long as she was with her beloved. But as the dark days went by, Inevitable hopelessness set in; And then the very last hours came, When all hope of victory was finally gone, Destroyed by the roar of the conquerors’ barbarian guns And their wild revengeful **** and pillage. So kleine Eva finally married him, her Fuehrer, But to what avail and for what hopeless future? Soon they would be joined only in death, Despised by a scornful, hating world, Their corpses burned by devoted soldiers, And then fought over by divided allies. Little Eva was not very bright, But her eyes shone brightly as she died Happily, died for him whom she worshipped: To her, Adolf was her friend and lover And a shining hero, not the devil incarnate.
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39
where do you go when you lay your head to rest; upon the laurels in the canopy of breath, or to wildwood thickets and entangled pure excrement of excite; your supine tenderness blurs the lines of tremendousness into the minds' concupiscent forlorn worlds, Worlds for new Words, and tinders beautiful blues while the light's hum their tremulous cries, and the majesty of woman reigns hero and heroine, mused and amused, in the qu'ues of real crimes what all makes us feel so alive
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Dec 9, 2015
Dec 9, 2015 at 4:44 PM UTC
Untitled