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The Monster sits—bolts and plates, heavy on its tracks—“SP” tattooed across its face. Smoke puffs from its stacks stings my nose. We cling to Mother’s side, Brother and I, clutching our brown suitcases. A porter, sparkling with brass buttons, puts down a step box. Grandma presses sugar mints into my palm. Under her spell, I follow the wool scent of her coat as we board the beast. Grandma says, ride the line, boys—ride it while it lasts, one more whistle, one more call, one more echo from the valley’s past. Inside the crowded car, I complain, “It smells like cigarettes!” The floor rumbles—to people’s chatter, I listen, down the aisle. Grandma finds us empty seats. I wish to say, Mister Conductor Sir, please click-punch my ticket, so I can wave goodbye. Two short whistles echo on Maclay Street. The hulk shudders once, twice, then rolls forward. With big tears, my Brother leans into Grandma. She says, ride the line, boys—ride it while it lasts, one more tear, one more goodbye, one more echo from the valley’s past. At the first crossing, the whistle blows: long–long–short–long. Bored-looking adults sit behind steering wheels, while excited kids smush their faces against the glass, or hang from windows, whoo-wooing and waving back. Grandma says, ride the line, boys—ride it while it lasts, one more crossing, one more mile, one more echo from the valley’s past. Just outside town, our window turns pitch-black. My Brother holds his breath to avoid the deadly tunnel gas, his face reddening before daylight fills the windows at Saugus Station. Onward—we climb into smooth, sun-colored hills. Giants, I tell him, sleep beneath earth’s covers. He laughs, but his eyes stay big and wide, watching the hills as if they might awake. Grandma says, ride the line, boys—ride it while it lasts, one more climb, one more ridge, one more echo from the valley’s past. Higher, we climb; the train chuffs through tunnel after tunnel, over trestles that sway, circling like a merry-go-round. The dining car’s special: bologna and mustard on white bread with lukewarm milk. I push it away—Grandma doesn’t mind. But I eat every bite of the apple pie—its sweetness helps me forget the bologna taste. I lick the crumbs from my sweater sleeves. Grandma says, ride the line, boys—ride it while it lasts, one more sitting, one more taste, one more echo from the valley’s past. Down into the flat valley we went, rolling past brown fields with giant black grasshoppers, their longish heads see-sawing, and soon croplands in perfect rows: almond trees standing in formation; carrot fields neatly combed and parted. Like clockwork, the great wheels would clack and hiss—“Bakersfield, folks—next stop,” the conductor calls. Passengers grab suitcases; newcomers rush to fill the warm seats. Grandma says, ride the line, boys—ride it while it lasts, one more rumble, one more buzz, one more echo from the valley’s past. Grandma digs in her purse, “Oh—almost forgot.” She presents us kids with a bag full of plastic men and wild creatures and a yo-yo. I toss the yo-yo straight down, snapping the string so it climbs without a wobble, just like the Duncan instructions say. The Conductor calls out the stops: “All aboard!” Delano, Pixley, Tulare Station. Blackbirds on fences become specks in the smoke trail. And Grandma says, ride the line, boys—ride it while it lasts, two more flag stops, one more station, one more echo from the valley’s past. Grandma points out Pixley Park. “Your dad carved your mom’s name on that Valley Oak”—but I’m too busy shouting orders to look. “Cowboys charge—army men, cover them with fire!” My Brother lines up dinosaurs and growls, “We’ll crush your bazookas and eat all your men too!” His T-Rex, giraffes, elephants, and gorillas knock down the cavalry’s advance and the battle is on. Grandma says, ride the line, boys—ride it while it lasts, one more charge, one more battle, one more echo from the valley’s past. I don’t hear the Conductor announce the next stop, but in my heart, I know it’s Tulare—where I was born and where Grandma lives. Tulare comes out of the fog to show itself, the water tower floating in and out of sight—glimpses of the Tulare Theatre. I think I spot Ling Joe’s Café and Woolworth’s 5 and Dime. Brown-faced railroad men emerge from the iron gray. Grandma says, hammer hard, boys—keep that line alive, one more swing, one more try, secure that spike to the rail tie. I see the workers’ shacks—curtains waving as we go by. I wonder if the railroaders will retire the way my Ta-Ta Tony did—leftovers from the old days—like the bologna sandwiches they fed us on the last hurrah of the Southern Pacific, San Joaquin Daylight. Young men, old men dressed in denim shirts, looking up with blank stares—ants with hammers, making sure the trains don’t fall off the tracks. Grandma says, ride the line, boys—ride it while it lasts, one more whistle, one more blast, one more echo from the valley’s past.                                            —•0•—
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Nov 24, 2025
Nov 24, 2025 at 3:22 PM UTC
Last Hurrah of the Southern Pacific, March 16, 1971
The Monster sits—bolts and plates, heavy on its tracks—“SP” tattooed across its face. Smoke puffs from its stacks stings my nose. We cling to Mother’s side, Brother and I, clutching our brown suitcases. A porter, sparkling with brass buttons, puts down a step box. Grandma presses sugar mints into my palm. Under her spell, I follow the wool scent of her coat as we board the beast. Grandma says, ride the line, boys—ride it while it lasts, one more whistle, one more call, one more echo from the valley’s past. Inside the crowded car, I complain, “It smells like cigarettes!” The floor rumbles—to people’s chatter, I listen, down the aisle. Grandma finds us empty seats. I wish to say, Mister Conductor Sir, please click-punch my ticket, so I can wave goodbye. Two short whistles echo on Maclay Street. The hulk shudders once, twice, then rolls forward. With big tears, my Brother leans into Grandma. She says, ride the line, boys—ride it while it lasts, one more tear, one more goodbye, one more echo from the valley’s past. At the first crossing, the whistle blows: long–long–short–long. Bored-looking adults sit behind steering wheels, while excited kids smush their faces against the glass, or hang from windows, whoo-wooing and waving back. Grandma says, ride the line, boys—ride it while it lasts, one more crossing, one more mile, one more echo from the valley’s past. Just outside town, our window turns pitch-black. My Brother holds his breath to avoid the deadly tunnel gas, his face reddening before daylight fills the windows at Saugus Station. Onward—we climb into smooth, sun-colored hills. Giants, I tell him, sleep beneath earth’s covers. He laughs, but his eyes stay big and wide, watching the hills as if they might awake. Grandma says, ride the line, boys—ride it while it lasts, one more climb, one more ridge, one more echo from the valley’s past. Higher, we climb; the train chuffs through tunnel after tunnel, over trestles that sway, circling like a merry-go-round. The dining car’s special: bologna and mustard on white bread with lukewarm milk. I push it away—Grandma doesn’t mind. But I eat every bite of the apple pie—its sweetness helps me forget the bologna taste. I lick the crumbs from my sweater sleeves. Grandma says, ride the line, boys—ride it while it lasts, one more sitting, one more taste, one more echo from the valley’s past. Down into the flat valley we went, rolling past brown fields with giant black grasshoppers, their longish heads see-sawing, and soon croplands in perfect rows: almond trees standing in formation; carrot fields neatly combed and parted. Like clockwork, the great wheels would clack and hiss—“Bakersfield, folks—next stop,” the conductor calls. Passengers grab suitcases; newcomers rush to fill the warm seats. Grandma says, ride the line, boys—ride it while it lasts, one more rumble, one more buzz, one more echo from the valley’s past. Grandma digs in her purse, “Oh—almost forgot.” She presents us kids with a bag full of plastic men and wild creatures and a yo-yo. I toss the yo-yo straight down, snapping the string so it climbs without a wobble, just like the Duncan instructions say. The Conductor calls out the stops: “All aboard!” Delano, Pixley, Tulare Station. Blackbirds on fences become specks in the smoke trail. And Grandma says, ride the line, boys—ride it while it lasts, two more flag stops, one more station, one more echo from the valley’s past. Grandma points out Pixley Park. “Your dad carved your mom’s name on that Valley Oak”—but I’m too busy shouting orders to look. “Cowboys charge—army men, cover them with fire!” My Brother lines up dinosaurs and growls, “We’ll crush your bazookas and eat all your men too!” His T-Rex, giraffes, elephants, and gorillas knock down the cavalry’s advance and the battle is on. Grandma says, ride the line, boys—ride it while it lasts, one more charge, one more battle, one more echo from the valley’s past. I don’t hear the Conductor announce the next stop, but in my heart, I know it’s Tulare—where I was born and where Grandma lives. Tulare comes out of the fog to show itself, the water tower floating in and out of sight—glimpses of the Tulare Theatre. I think I spot Ling Joe’s Café and Woolworth’s 5 and Dime. Brown-faced railroad men emerge from the iron gray. Grandma says, hammer hard, boys—keep that line alive, one more swing, one more try, secure that spike to the rail tie. I see the workers’ shacks—curtains waving as we go by. I wonder if the railroaders will retire the way my Ta-Ta Tony did—leftovers from the old days—like the bologna sandwiches they fed us on the last hurrah of the Southern Pacific, San Joaquin Daylight. Young men, old men dressed in denim shirts, looking up with blank stares—ants with hammers, making sure the trains don’t fall off the tracks. Grandma says, ride the line, boys—ride it while it lasts, one more whistle, one more blast, one more echo from the valley’s past.                                            —•0•—
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11
Dear Patti, it has been three years Since you left us A lot of things have happened Many more have changed Yet, never can I forget you at all Always, did you stand tall As the head of our family Under you, were we all happy You were the kindest family member Your sheer compassion, will I forever remember My friends were your friends No relationship with you ever had an end Really, were you the height of altruism Through you, did God speak humanism You have appeared, in countless dreams of mine When you were alive, never did I feel alone At times, when all hope seemed lost You reminded me of my best Thus, did I develop resilience Very well, could you understand my silences Throughout my life, were you with me The good me as well as the bad me Your goodness had absolutely no limits Yet, rarely did you sugarcoat things Every time, did you speak your mind And let me know what I had to amend In order to become a better human being To you, could one go on listening And learn a lot about the world In spirit, never were you old Tremendous courage, strength and determination Provided you the ammunition To go on working, in spite of your numerous health issues Now, badly do I need a box of tissues Let me say it once more Never can I forget you at all, Dear Patti Rest, not in peace, but in power!
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Oct 23, 2024
Oct 23, 2024 at 1:52 AM UTC
Never Can I Forget You At All, Dear Patti
Abuela's eyes taught me so much, She didn't have to say much just look at me. She would often tell me tales that one day sounded like fantasy and eventually turned into reality. I froze at the age that many started to walk. To unlearn what I once learned even if to others I was a "misfit". Did not expect me to become the norm or what the entire world once predicted. Her eyes were a piece of heaven that are no longer on earth. Many knew her for her kind gestures but I knew her for her secret. She felt like she could give to everyone and never noticed what I noticed most, her eyes. so simple yet so mystic.
0
May 22, 2024
May 22, 2024 at 11:10 PM UTC
Mamita's Eyes
We’re in Paris, staying with my Grandmère (Grandmother) for a few days around Mother’s day. Peter (my bf) is getting to know my Grandmère. They’ve started to relax and enjoy each other. This time, when they met, they hugged. “You look great!” Peter said, “Have you had some work done?” She made a face that acknowledged the absurd, and shook her head ‘no’. “A rib removed?” He followed up. Last night she told him a story about the strict and regimented world she’d grown up in. When she was 8, she and her mom (‘GG’), had visited a friends' home for tea. Afterwards, GG asked her, “Did you see that?” In a horrified voice. “What?” Young Grandmère had asked. “When the houseman brought in that calling card?” GG asked, watching her daughter like she was taking a test. Grandmère thought about it - but couldn’t find the fault, “What about it?” she’d finally asked. “He just HANDED it to her - without a (silver) tray.” GG was scandalized at this debacle of civilized standards. “That’s what WE were up against,” Grandmère said, “It was a strict and judgmental world.. back then.” “But you were a strict-old-bird with my mom, right?” I asked (because I live to get a reaction from her). “Oh, nothing like the OLD days,” she sighed, looking to heaven in reverie. “Now YOU,” she said, (indicating me) like she was revealing some melodramatic truth, “get away with ****** “Yep,” I admitted, “That’s me - I’m guilty.” I shrugged. Every June, there’s a grand masked ball at Versailles Palace and it’s AMAZING. Like the MET Gala, there are only some 400 tickets and those are instantly sold out. This year, my Grandmère has four extra - in an envelope. “Give them to meeeeee!” I begged, shamelessly, stretching out a quivering arm, like a ****** in withdrawal. “We’ll see,” she said cruelly. “If you do,” I bargained, “I’ll buy you some land in Camargue (an area of worthless swampland in southern France)." When she didn’t give in immediately, I decided to try and keep her engaged with sparkling conversation. “Ever noticed that the word ‘perfect’ has 7 letters? So does meeeeee,” I said. “Coincidence? I think NOT” My mind searched for leverage. Grandmère had taken Peter and I to a horse jumping competition earlier that day. I love the smells of horse, hay and leather - you know - all that - but I can barely ride. I continued to bargain. “You know,” I began (like an actress on stage), in a shaky voice meant to convey extreme, past suffering, ”my parents never bought me a horse.” It felt like there were tears in my eyes. “Ok,” she said, boredly, tapping the envelope with two fingers then sliding it, my way, across her desk. I picked up the envelope - counting the tickets. Grandmère wasn’t above withholding one as a ‘business lesson.” “Can I bring Peter, Lisa, and Dave?” I asked innocently. ‘Bring’s’ the magic word - what I’m asking is whether she’ll pay for everything (airfare, hotels, cash cards, designer costumes - maybe €60k in all). She’s no fool, she’d offered those tickets knowing this - but it’s only polite to ask. (I could pay for it myself, dip-tha-fund as they say). “Of course,” she said, offhandedly, “call François.” She’d moved on to the next thing on her desk. François, a handsome, 27ish, perfectly tailored, hipster with straight blonde fringe-hair and a Sorbonne Université MBA, is one of my Grandmère’s conglomerate, executive-secretarial minions who’ll now coordinate all aspects of our travel and expenses. I came around that desk and gave her a big hug, which she endured as she read something. “You’re the Beatles,” I pronounced, before scurrying off to tell Peter. songs for this: Love Is Strange by Frenchy Depression Royale by De-Phazz Take Three by Club des Belugas Inesaurible Tu by St. Project
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May 16, 2024
May 16, 2024 at 2:17 PM UTC
the grand masked ball
We’re in Paris, staying with my Grandmère (Grandmother) for a few days around Mother’s day. Peter (my bf) is getting to know my Grandmère. They’ve started to relax and enjoy each other. This time, when they met, they hugged. “You look great!” Peter said, “Have you had some work done?” She made a face that acknowledged the absurd, and shook her head ‘no’. “A rib removed?” He followed up. Last night she told him a story about the strict and regimented world she’d grown up in. When she was 8, she and her mom (‘GG’), had visited a friends' home for tea. Afterwards, GG asked her, “Did you see that?” In a horrified voice. “What?” Young Grandmère had asked. “When the houseman brought in that calling card?” GG asked, watching her daughter like she was taking a test. Grandmère thought about it - but couldn’t find the fault, “What about it?” she’d finally asked. “He just HANDED it to her - without a (silver) tray.” GG was scandalized at this debacle of civilized standards. “That’s what WE were up against,” Grandmère said, “It was a strict and judgmental world.. back then.” “But you were a strict-old-bird with my mom, right?” I asked (because I live to get a reaction from her). “Oh, nothing like the OLD days,” she sighed, looking to heaven in reverie. “Now YOU,” she said, (indicating me) like she was revealing some melodramatic truth, “get away with ****** “Yep,” I admitted, “That’s me - I’m guilty.” I shrugged. Every June, there’s a grand masked ball at Versailles Palace and it’s AMAZING. Like the MET Gala, there are only some 400 tickets and those are instantly sold out. This year, my Grandmère has four extra - in an envelope. “Give them to meeeeee!” I begged, shamelessly, stretching out a quivering arm, like a ****** in withdrawal. “We’ll see,” she said cruelly. “If you do,” I bargained, “I’ll buy you some land in Camargue (an area of worthless swampland in southern France)." When she didn’t give in immediately, I decided to try and keep her engaged with sparkling conversation. “Ever noticed that the word ‘perfect’ has 7 letters? So does meeeeee,” I said. “Coincidence? I think NOT” My mind searched for leverage. Grandmère had taken Peter and I to a horse jumping competition earlier that day. I love the smells of horse, hay and leather - you know - all that - but I can barely ride. I continued to bargain. “You know,” I began (like an actress on stage), in a shaky voice meant to convey extreme, past suffering, ”my parents never bought me a horse.” It felt like there were tears in my eyes. “Ok,” she said, boredly, tapping the envelope with two fingers then sliding it, my way, across her desk. I picked up the envelope - counting the tickets. Grandmère wasn’t above withholding one as a ‘business lesson.” “Can I bring Peter, Lisa, and Dave?” I asked innocently. ‘Bring’s’ the magic word - what I’m asking is whether she’ll pay for everything (airfare, hotels, cash cards, designer costumes - maybe €60k in all). She’s no fool, she’d offered those tickets knowing this - but it’s only polite to ask. (I could pay for it myself, dip-tha-fund as they say). “Of course,” she said, offhandedly, “call François.” She’d moved on to the next thing on her desk. François, a handsome, 27ish, perfectly tailored, hipster with straight blonde fringe-hair and a Sorbonne Université MBA, is one of my Grandmère’s conglomerate, executive-secretarial minions who’ll now coordinate all aspects of our travel and expenses. I came around that desk and gave her a big hug, which she endured as she read something. “You’re the Beatles,” I pronounced, before scurrying off to tell Peter. songs for this: Love Is Strange by Frenchy Depression Royale by De-Phazz Take Three by Club des Belugas Inesaurible Tu by St. Project
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38
Just the other day I noticed little things Were going missing: Thimble, Spectacles, Needle, Fifty cent piece. I found it particularly queer How these objects disappeared. I don't think I misplaced them Perhaps my mind erased them. [Later that week] Today is my birthday. Tilly, my granddaughter, Presents me with a Needlepoint magpie. My heart finds incandescent joy.
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Nov 30, 2020
Nov 30, 2020 at 1:46 PM UTC
The Thief
Family Poems: Poems about Mothers, Fathers, Children, Sons, Daughters, Grandparents, Grandmothers and Grandfathers Mother's Smile by Michael R. Burch for my mother, Christine Ena Burch There never was a fonder smile than mother's smile, no softer touch than mother's touch. So sleep awhile and know she loves you more than "much." So more than "much, " much more than "all." Though tender words, these do not speak of love at all, nor how we fall and mother's there, nor how we reach from nightmares in the ticking night and she is there to hold us tight. There never was a stronger back than father's back, that held our weight and lifted us, when we were small, and bore us till we reached the gate, then held our hands that first bright mile till we could run, and did, and flew. But, oh, a mother's tender smile will leap and follow after you! Originally published by TALESetc Passionate One by Michael R. Burch for Beth Love of my life, light of my morning― arise, brightly dawning, for you are my sun. Give me of heaven both manna and leaven― desirous Presence, Passionate One. Success by Michael R. Burch for Jeremy We need our children to keep us humble between toast and marmalade; there is no time for a ticker-tape parade before bed, no award, no bright statuette to be delivered for mending skinned knees, no wild bursts of approval for shoveling snow. A kiss is the only approval they show; to leave us—the first great success they achieve. The Desk by Michael R. Burch for Jeremy There is a child I used to know who sat, perhaps, at this same desk where you sit now, and made a mess of things sometimes.I wonder how he learned at all... He saw T-Rexes down the hall and dreamed of trains and cars and wrecks. He dribbled phantom basketballs, shot spitwads at his schoolmates' necks. He played with pasty Elmer's glue (and sometimes got the glue on you!). He earned the nickname "teacher's PEST." His mother had to come to school because he broke the golden rule. He dreaded each and every test. But something happened in the fall— he grew up big and straight and tall, and now his desk is far too small; so you can have it. One thing, though— one swirling autumn, one bright snow, one gooey tube of Elmer's glue... and you'll outgrow this old desk, too. Originally published by TALESetc A True Story by Michael R. Burch for Jeremy Jeremy hit the ball today, over the fence and far away. So very, very far away a neighbor had to toss it back. (She thought it was an air attack!) Jeremy hit the ball so hard it flew across our neighbor's yard. So very hard across her yard the bat that boomed a mighty "THWACK! " now shows an eensy-teensy crack. Originally published by TALESetc Picturebook Princess by Michael R. Burch for Keira We had a special visitor. Our world became suddenly brighter. She was such a charmer! Such a delighter! With her sparkly diamond slippers and the way her whole being glows, Keira's a picturebook princess from the points of her crown to the tips of her toes! The Aery Faery Princess by Michael R. Burch for Keira There once was a princess lighter than fluff made of such gossamer stuff— the down of a thistle, butterflies' wings, the faintest high note the hummingbird sings, moonbeams on garlands, strands of bright hair... I think she's just you when you're floating on air! Tallen the Mighty Thrower by Michael R. Burch Tallen the Mighty Thrower is a hero to turtles, geese, ducks... they splash and they cheer when he tosses bread near because, you know, eating grass ***** Lullaby by Michael R. Burch for Jeremy Cherubic laugh; sly, impish grin; Angelic face; wild chimp within. It does not matter; sleep awhile As soft mirth tickles forth a smile. Gray moths will hum a lullaby Of feathery wings, then you and I Will wake together, by and by. Life's not long; those days are best Spent snuggled to a loving breast. The earth will wait; a sun-filled sky Will bronze lean muscle, by and by. Soon you will sing, and I will sigh, But sleep here, now, for you and I Know nothing but this lullaby. Sappho's Lullaby by Michael R. Burch for Jeremy Hushed yet melodic, the hills and the valleys sleep unaware of the nightingale's call, while the pale calla lilies lie listening, glistening... this is their night, the first night of fall. Son, tonight, a woman awaits you; she is more vibrant, more lovely than spring. She'll meet you in moonlight, soft and warm, all alone... then you'll know why the nightingale sings. Just yesterday the stars were afire; then how desire flashed through my veins! But now I am older; night has come, I’m alone... for you I will sing as the nightingale sings. NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies. Springtime Prayer by Michael R. Burch They’ll have to grow like crazy, the springtime baby geese, if they’re to fly to balmier climes when autumn dismembers the leaves ... And so I toss them loaves of bread, then whisper an urgent prayer: “Watch over these, my Angels, if there’s anyone kind, up there.” Keywords/Tags: Nature, spring, birth, baby animals, angels Limericks There once was a leopardess, Dot, who indignantly answered: "I'll not! The gents are impressed with the way that I'm dressed. I wouldn't change even one spot." —Michael R. Burch There once was a dromedary who befriended a crafty canary. Budgie said, "You can't sing, but now, here's the thing— just think of the tunes you can carry! " —Michael R. Burch Will There Be Starlight by Michael R. Burch Will there be starlight tonight while she gathers damask and lilac and sweet-scented heathers? And will she find flowers, or will she find thorns guarding the petals of roses unborn? Will there be starlight tonight while she gathers seashells and mussels and albatross feathers? And will she find treasure or will she find pain at the end of this rainbow of moonlight on rain? Originally published by Grassroots Poetry, Poetry Webring, TALESetc, The Word (UK) Keep Up by Michael R. Burch Keep Up! Daddy, I'm walking as fast as I can; I'll move much faster when I'm a man... Time unwinds as the heart reels, as cares and loss and grief plummet, as faith unfailing ascends the summit and heartache wheels like a leaf in the wind. Like a rickety cart wheel time revolves through the yellow dust, its creakiness revoking trust, its years emblazoned in cold hard steel. Keep Up! Son, I'm walking as fast as I can; take it easy on an old man. Poems for Older Children Reflex by Michael R. Burch for Jeremy Some intuition of her despair for her lost brood, as though a lost fragment of song torn from her flat breast, touched me there... I felt, unable to hear through the bright glass, the being within her melt as her unseemly tirade left a feather or two adrift on the wind-ruffled air. Where she will go, how we all err, why we all fear for the lives of our children, I cannot pretend to know. But, O!, how the unappeased glare of omnivorous sun over crimson-flecked snow makes me wish you were here. Happily Never After (the Second Curse of the ***** Toad) by Michael R. Burch He did not think of love of Her at all frog-plangent nights, as moons engoldened roads through crumbling stonewalled provinces, where toads (nee princes)ruled in chinks and grew so small at last to be invisible. He smiled (the fables erred so curiously), and thought bemusedly of being reconciled to human flesh, because his heart was not incapable of love, but, being cursed a second time, could only love a toad's... and listened as inflated frogs rehearsed cheekbulging tales of anguish from green moats... and thought of her soft croak, her skin fine-warted, his anemic flesh, and how true love was thwarted. Limericks There once was a mockingbird, Clyde, who bragged of his prowess, but lied. To his new wife he sighed, "When again, gentle bride? " "Nevermore! " bright-eyed Raven replied. —Michael R. Burch Autumn Conundrum by Michael R. Burch It's not that every leaf must finally fall, it's just that we can never catch them all. Epitaph for a Palestinian Child by Michael R. Burch I lived as best I could, and then I died. Be careful where you step: the grave is wide. War is Obsolete by Michael R. Burch Trump’s war is on children and their mothers. "An eye for an eye leaves the whole world blind." ― Gandhi War is obsolete; even the strange machinery of dread weeps for the child in the street who cannot lift her head to reprimand the Man who failed to countermand her soft defeat. But war is obsolete; even the cold robotic drone that flies far overhead has sense enough to moan and shudder at her plight (only men bereft of Light with hearts indurate stone embrace war’s Siberian night.) For war is obsolete; man’s tribal “gods,” long dead, have fled his awakening sight while the true Sun, overhead, has pity on her plight. O sweet, precipitate Light!― embrace her, reject the night that leaves gentle fledglings dead. For each brute ancestor lies with his totems and his “gods” in the slavehold of premature night that awaited him in his tomb; while Love, the ancestral womb, still longs to give birth to the Light. So which child shall we ****** tonight, or which Ares condemn to the gloom? Originally published by The Flea. While campaigning for president in 2016, Donald Trump said that, as commander-in-chief of the American military, he would order American soldiers to track down and ****** women and children as "retribution" for acts of terrorism. When aghast journalists asked Trump if he could possibly have meant what he said, he verified more than once that he did. Salat Days by Michael R. Burch Dedicated to the memory of my grandfather, Paul Ray Burch, Sr. I remember how my grandfather used to pick poke salat... though first, usually, he'd stretch back in the front porch swing, dangling his long thin legs, watching the sweat bees drone, talking about poke salat— how easy it was to find if you knew where to look for it... standing in dew-damp clumps by the side of a road, shockingly green, straddling fence posts, overflowing small ditches, crowding out the less-hardy nettles. "Nobody knows that it's there, lad, or that it's fit tuh eat with some bacon drippin's or lard." "Don't eat the berries. You see—the berry's no good. And you'd hav'ta wash the leaves a good long time." "I'd boil it twice, less'n I wus in a hurry. Lawd, it's tough to eat, chile, if you boil it jest wonst." He seldom was hurried; I can see him still... silently mowing his yard at eighty-eight, stooped, but with a tall man's angular gray grace. Sometimes he'd pause to watch me running across the yard, trampling his beans, dislodging the shoots of his tomato plants. He never grew flowers; I never laughed at his jokes about The Depression. Years later I found the proper name—"pokeweed"—while perusing a dictionary. Surprised, I asked why anyone would eat a **** I still can hear his laconic reply... "Well, chile, s'm'times them times wus hard." Of Civilization and Disenchantment by Michael R. Burch for Anais Vionet Suddenly uncomfortable to stay at my grandfather's house— actually his third new wife's, in her daughter's bedroom —one interminable summer with nothing to do, all the meals served cold, even beans and peas... Lacking the words to describe ah!, those pearl-luminous estuaries— strange omens, incoherent nights. Seeing the flares of the river barges illuminating Memphis, city of bluffs and dying splendors. Drifting toward Alexandria, Pharos, Rhakotis, Djoser's fertile delta, lands at the beginning of a new time and "civilization." Leaving behind sixty miles of unbroken cemetery, Alexander's corpse floating seaward, bobbing, milkwhite, in a jar of honey. Memphis shall be waste and desolate, without an inhabitant. Or so the people dreamed, in chains. Neglect by Michael R. Burch What good are your tears? They will not spare the dying their anguish. What good is your concern to a child sick of living, waiting to perish? What good, the warm benevolence of tears without action? What help, the eloquence of prayers, or a pleasant benediction? Before this day is gone, how many more will die with bellies swollen, wasted limbs, and eyes too parched to cry? I fear for our souls as I hear the faint lament of their souls departing... mournful, and distant. How pitiful our "effort, " yet how fatal its effect. If they died, then surely we killed them, if only with neglect. In My House by Michael R. Burch When you were in my house you were not free― in chains bound. Manifest Destiny? I was wrong; my plantation burned to the ground. I was wrong. This is my song, this is my plea: I was wrong. When you are in my house, now, I am not free. I feel the song hurling itself back at me. We were wrong. This is my history. I feel my tongue stilting accordingly. We were wrong; brother, forgive me. Published by Black Medina Passages on Fatherhood by Michael R. Burch for Jeremy He is my treasure, and by his happiness I measure my own worth. Four years old, with diamonds and gold bejeweled in his soul. His cherubic beauty is felicity to simplicity and passion— for a baseball thrown or an ice-cream cone or eggshell-blue skies. It's hard to be "wise" when the years career through our lives and bees in their hives test faith and belief while Time, the great thief, with each falling leaf foreshadows grief. The wisdom of the ages and prophets and mages and doddering sages is useless unless it encompasses this: his kiss. Boundless by Michael R. Burch for Jeremy Every day we whittle away at the essential solidity of him, and every day a new sharp feature emerges: a feature we'll spend creative years: planing, smoothing, refining, trying to find some new Archaic Torso of Apollo, or Thinker... And if each new day a little of the boisterous air of youth is deflated in him, if the hours of small pleasures spent chasing daffodils in the outfield as the singles become doubles, become triples, become unconscionable errors, become victories lost, become lives wasted beyond all possible hope of repair... if what he was becomes increasingly vague—like a white balloon careening into clouds; like a child striding away aggressively toward manhood, hitching an impressive rucksack over sagging, sloping shoulders, shifting its vaudevillian burden back and forth, then pausing to look back at us with an almost comical longing... if what he wants is only to be held a little longer against a forgiving ***** to chase after daffodils in the outfield regardless of scores; to sail away like a balloon on a firm string, always sure to return when the line tautens, till he looks down upon us from some removed height we cannot quite see, bursting into tears over us: what, then, of our aspirations for him, if he cannot breathe, cannot rise enough to contemplate the earth with his own vision, unencumbered, but never untethered, forsaken... cannot grow brightly, steadily, into himself—flying beyond us? Pan by Michael R. Burch ... Among the shadows of the groaning elms, amid the darkening oaks, we fled ourselves... ... Once there were paths that led to coracles that clung to piers like loosening barnacles... ... where we cannot return, because we lost the pebbles and the playthings, and the moss... ... hangs weeping gently downward, maidens' hair who never were enchanted, and the stairs... ... that led up to the Fortress in the trees will not support our weight, but on our knees... ... we still might fit inside those splendid hours of damsels in distress, of rustic towers... ... of voices of the wolves' tormented howls that died, and live in dreams' soft, windy vowels... Originally published by Sonnet Scroll Leaf Fall by Michael R. Burch Whatever winds encountered soon resolved to swirling fragments, till chaotic heaps of leaves lay pulsing by the backyard wall. In lieu of rakes, our fingers sorted each dry leaf into its place and built a high, soft bastion against earth's gravitron— a patchwork quilt, a trampoline, a bright impediment to fling ourselves upon. And nothing in our laughter as we fell into those leaves was like the autumn's cry of also falling. Nothing meant to die could be so bright as we, so colorful— clad in our plaids, oblivious to pain we'd feel today, should we leaf-fall again. Originally published by The Neovictorian/Cochlea The Folly of Wisdom by Michael R. Burch She is wise in the way that children are wise, looking at me with such knowing, grave eyes I must bend down to her to understand. But she only smiles, and takes my hand. We are walking somewhere that her feet know to go, so I smile, and I follow... And the years are dark creatures concealed in bright leaves that flutter above us, and what she believes— I can almost remember—goes something like this: the prince is a horned toad, awaiting her kiss. She wiggles and giggles, and all will be well if only we find him! The woodpecker's knell as he hammers the coffin of some dying tree that once was a fortress to someone like me rings wildly above us. Some things that we know we are meant to forget. Life is a bloodletting, maple-syrup-slow. Originally published by Romantics Quarterly Just Smile by Michael R. Burch We'd like to think some angel smiling down will watch him as his arm bleeds in the yard, ripped off by dogs, will guide his tipsy steps, his doddering progress through the scarlet house to tell his mommy "boo-boo!, " only two. We'd like to think his reconstructed face will be as good as new, will often smile, that baseball's just as fun with just one arm, that God is always Just, that girls will smile, not frown down at his thousand livid scars, that Life is always Just, that Love is Just. We do not want to hear that he will shave at six, to raze the leg hairs from his cheeks, that lips aren't easily fashioned, that his smile's lopsided, oafish, snaggle-toothed, that each new operation costs a billion tears, when tears are out of fashion. O, beseech some poet with more skill with words than tears to find some happy ending, to believe that God is Just, that Love is Just, that these are Parables we live, Life's Mysteries... Or look inside his courage, as he ties his shoelaces one-handed, as he throws no-hitters on the first-place team, and goes on dates, looks in the mirror undeceived and smiling says, "It's me I see. Just me." He smiles, if life is Just, or lacking cures. Your pity is the worst cut he endures. Originally published by Lucid Rhythms Child of 9-11 by Michael R. Burch a poem for Christina-Taylor Green, who was born on September 11, 2001 and died at the age of nine, shot to death... Child of 9-11, beloved, I bring this lily, lay it down here at your feet, and eiderdown, and all soft things, for your gentle spirit. I bring this psalm — I hope you hear it. Much love I bring — I lay it down here by your form, which is not you, but what you left this shell-shocked world to help us learn what we must do to save another child like you. Child of 9-11, I know you are not here, but watch, afar from distant stars, where angels rue the vicious things some mortals do. I also watch; I also rue. And so I make this pledge and vow: though I may weep, I will not rest nor will my pen fail heaven's test till guns and wars and hate are banned from every shore, from every land. Child of 9-11, I grieve your tender life, cut short... bereaved, what can I do, but pledge my life to saving lives like yours? Belief in your sweet worth has led me here... I give my all: my pen, this tear, this lily and this eiderdown, and all soft things my heart can bear; I bear them to your final bier, and leave them with my promise, here. Originally published by The Flea For a Sandy Hook Child, with Butterflies by Michael R. Burch Where does the butterfly go when lightning rails, when thunder howls, when hailstones scream, when winter scowls, when nights compound dark frosts with snow... Where does the butterfly go? Where does the rose hide its bloom when night descends oblique and chill beyond the capacity of moonlight to fill? When the only relief's a banked fire's glow, where does the butterfly go? And where shall the spirit flee when life is harsh, too harsh to face, and hope is lost without a trace? Oh, when the light of life runs low, where does the butterfly go? Frail Envelope of Flesh by Michael R. Burch ―for the mothers and children of the Holocaust and Gaza Frail envelope of flesh, lying cold on the surgeon's table with anguished eyes like your mother's eyes and a heartbeat weak, unstable... Frail crucible of dust, brief flower come to this— your tiny hand in your mother's hand for a last bewildered kiss... Brief mayfly of a child, to live two artless years! Now your mother's lips seal up your lips from the Deluge of her tears... To the boy Elis by Georg Trakl translation by Michael R. Burch Elis, when the blackbird cries from the black forest, it announces your downfall. Your lips sip the rock-spring's blue coolness. Your brow sweats blood recalling ancient myths and dark interpretations of birds' flight. Yet you enter the night with soft footfalls; the ripe purple grapes hang suspended as you wave your arms more beautifully in the blueness. A thornbush crackles; where now are your moonlike eyes? How long, oh Elis, have you been dead? A monk dips waxed fingers into your body's hyacinth; Our silence is a black abyss from which sometimes a docile animal emerges slowly lowering its heavy lids. A black dew drips from your temples: the lost gold of vanished stars. TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem. This is, I believe, the second poem I wrote. Or at least it's the second one that I can remember. I believe I was around 13 or 14 when I wrote it. Playmates by Michael R. Burch WHEN you were my playmate and I was yours, we spent endless hours with simple toys, and the sorrows and cares of our indentured days were uncomprehended... far, far away... for the temptations and trials we had yet to face were lost in the shadows of an unventured maze. Then simple pleasures were easy to find and if they cost us a little, we didn't mind; for even a penny in a pocket back then was one penny too many, a penny to spend. Then feelings were feelings and love was just love, not a strange, complex mystery to be understood; while "sin" and "damnation" meant little to us, since forbidden batter was our only lust! Then we never worried about what we had, and we were both sure-what was good, what was bad. And we sometimes quarreled, but we didn't hate; we seldom gave thought to injustice, or fate. Then we never thought about the next day, for tomorrow seemed hidden—adventures away. Though sometimes we dreamed of adventures past, and wondered, at times, why things didn't last. Still, we never worried about getting by, and we didn't know that we were to die... when we spent endless hours with simple toys, and I was your playmate, and we were boys. Children by Michael R. Burch There was a moment suspended in time like a swelling drop of dew about to fall, impendent, pregnant with possibility... when we might have made... anything, anything we dreamed, almost anything at all, coalescing dreams into reality. Oh, the love we might have fashioned out of a fine mist and the nightly sparkle of the cosmos and the rhythms of evening! But we were young, and what might have been is now a dark abyss of loss and what is left is not worth saving. But, oh, you were lovely, child of the wild moonlight, attendant tides and doting stars, and for a day, what little we partook of all that lay before us seemed so much, and passion but a force with which to play. Kindergarten by Michael R. Burch Will we be children as puzzled tomorrow— our lessons still not learned? Will we surrender over to sorrow? How many times must our fingers be burned? Will we be children sat in the corner over and over again? How long will we linger, playing Jack Horner? Or will we learn, and when? Will we be children wearing the dunce cap, giggling and playing the fool, re-learning our lessons forever and ever, never learning the golden rule? Life Sentence or Fall Well by Michael R. Burch ... I swim, my Daddy's princess, newly crowned, toward a gurgly Maelstrom... if I drown will Mommy stick the Toilet Plunger down to **** me up?... She sits upon Her Throne, Imperious (denying we were one), and gazes down and whispers "precious son"... ... the Plunger worked; i'm two, and, if not blessed, still Mommy got the Worst Stuff off Her Chest; a Vacuum Pump, They say, will do the rest... ... i'm three; yay! whee! oh good! it's time to play! (oh no, I think there's Others on the way; i'd better pray)... ... i'm four; at night I hear the Banging Door; She screams; sometimes there's Puddles on the Floor; She wants to **** us, or, She wants some More... ... it's great to be alive if you are five (unless you're me) : my Mommy says: "you're WRONG! don't disagree! don't make this HURT ME! "... ... i'm six; They say i'm tall, yet Time grows Short; we have a thriving Family; Abort! ; a tadpole's ripping Mommy's Room apart... ... i'm seven; i'm in heaven; it feels strange; I saw my life go gurgling down the Drain; another Noah built a Mighty Ark; God smiled, appeased, a Rainbow split the Dark; ... I saw Bright Colors also, when She slammed my head against the Tub, and then I swam toward the magic tunnel... last, I heard... is that She feels Weird. Resurrecting Passion by Michael R. Burch Last night, while dawn was far away and rain streaked gray, tumescent skies, as thunder boomed and lightning railed, I conjured words, where passion failed ... But, oh, that you were mine tonight, sprawled in this bed, held in these arms, your ******* pale baubles in my hands, our bodies bent to old demands ... Such passions we might resurrect, if only time and distance waned and brought us back together; now I pray that this might be, somehow. But time has left us twisted, torn, and we are more apart than miles. How have you come to be so far— as distant as an unseen star? So that, while dawn is far away, my thoughts might not return to you, I feed your portrait to the flames, but as they feast, I burn for you. Published in Songs of Innocence and The Chained Muse. Currents by Michael R. Burch How can I write and not be true to the rhythm that wells within? How can the ocean not be blue, not buck with the clapboard slap of tide, the clockwork shock of wave on rock, the motion creation stirs within? Originally published by The Lyric Villanelle: Hangovers by Michael R. Burch We forget that, before we were born, our parents had “lives” of their own, ran drunk in the streets, or half-stoned. Yes, our parents had lives of their own until we were born; then, undone, they were buying their parents gravestones and finding gray hairs of their own (because we were born lacking some of their curious habits, but soon would certainly get them). Half-stoned, we watched them dig graves of their own. Their lives would be over too soon for their curious habits to bloom in us (though our children were born nine months from that night on the town when, punch-drunk in the streets or half-stoned, we first proved we had lives of our own). Happily Never After (the Second Curse of the ***** Toad) by Michael R. Burch He did not think of love of Her at all frog-plangent nights, as moons engoldened roads through crumbling stonewalled provinces, where toads (nee princes) ruled in chinks and grew so small at last to be invisible. He smiled (the fables erred so curiously), and thought bemusedly of being reconciled to human flesh, because his heart was not incapable of love, but, being cursed a second time, could only love a toad’s . . . and listened as inflated frogs rehearsed cheekbulging tales of anguish from green moats . . . and thought of her soft croak, her skin fine-warted, his anemic flesh, and how true love was thwarted. Haunted by Michael R. Burch Now I am here and thoughts of my past mistakes are my brethren. I am withering and the sweetness of your memory is like a tear. Go, if you will, for the ache in my heart is its hollowness and the flaw in my soul is its shallowness; there is nothing to fill. Take what you can; I have nothing left. And when you are gone, I will be bereft, the husk of a man. Or stay here awhile. My heart cannot bear the night, or these dreams. Your face is a ghost, though paler, it seems when you smile. Published by Romantics Quarterly Have I been too long at the fair? by Michael R. Burch Have I been too long at the fair? The summer has faded, the leaves have turned brown; the Ferris wheel teeters ... not up, yet not down. Have I been too long at the fair? This is one of my earliest poems, written around age 15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again. hey pete by Michael R. Burch for Pete Rose hey pete, it's baseball season and the sun ascends the sky, encouraging a schoolboy's dreams of winter whizzing by; go out, go out and catch it, put it in a jar, set it on a shelf and then you'll be a Superstar. When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar." First Dance by Michael R. Burch for Sykes and Mary Harris Beautiful ballerina— so pert, pretty, poised and petite, how lightly you dance for your waiting Beau on those beautiful, elegant feet! How palely he now awaits you, although he’ll glow from the sparks when you meet! Keep the Body Well by Michael R. Burch for William Sykes Harris III Is the soul connected to the brain by a slender silver thread, so that when the thread is severed we call the body “dead” while the soul ― released from fear and pain ― is finally able to rise beyond earth’s binding gravity to heaven’s welcoming skies? If so ― no need to quail at death, but keep the body well, for when the body suffers the soul experiences hell. Dearly Beloved by Michael R. Burch for Suzan Blacksmith She was Dearly Beloved by her children, who gather to pay their respects; they remember her as they clung together through frightful weather, always learning that Love can persevere ... She was Dearly Beloved by family and friends who saw her great worth, even as she grew frail; for they saw with Love’s eyes how Love’s vision transcends, how her heart never faltered, through cyclones and hail ... She is Dearly Beloved, well-loved, sadly missed ... and, while we mourn the lost days of a life too-soon ended, we also rejoice that her suffering is past ... she now lives in the Light, by kind Angels befriended. And if others were greater in fortune and fame, and if some had iron wills when life’s pathways grew dark ... still, since Love’s the great goal, we now reaffirm her claim to the highest of honors: a mother’s Heart. Beyond the Tempest by Michael R. Burch for Martha Pilkington Johnson Martha Johnson was a formidable woman, like her namesake, Martha Washington— a woman like the Rock of Gibraltar, a sure and steadfast refuge for her children and grandchildren against the surging storms of life. But later in her life I beheld her transformation: her hair became like a corona of light, as if she were intent on becoming an angel and something in her visage brightened and softened, as if she were preparing to enter heaven where love and compassion rule and the troubles of earth are like a tempest in teapot. Birdsong by Rumi loose translation by Michael R. Burch Birdsong relieves my deepest griefs: now I'm just as ecstatic as they, but with nothing to say! Please universe, rehearse your poetry through me! Published as the collection "Family Poems" Keywords/Tags: Family, Mothers, Fathers, Children, Sons, Daughters, Grandparents, Grandmothers, Grandfathers, mrbch
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Jul 18, 2020
Jul 18, 2020 at 5:47 AM UTC
Family Poems
Family Poems: Poems about Mothers, Fathers, Children, Sons, Daughters, Grandparents, Grandmothers and Grandfathers Mother's Smile by Michael R. Burch for my mother, Christine Ena Burch There never was a fonder smile than mother's smile, no softer touch than mother's touch. So sleep awhile and know she loves you more than "much." So more than "much, " much more than "all." Though tender words, these do not speak of love at all, nor how we fall and mother's there, nor how we reach from nightmares in the ticking night and she is there to hold us tight. There never was a stronger back than father's back, that held our weight and lifted us, when we were small, and bore us till we reached the gate, then held our hands that first bright mile till we could run, and did, and flew. But, oh, a mother's tender smile will leap and follow after you! Originally published by TALESetc Passionate One by Michael R. Burch for Beth Love of my life, light of my morning― arise, brightly dawning, for you are my sun. Give me of heaven both manna and leaven― desirous Presence, Passionate One. Success by Michael R. Burch for Jeremy We need our children to keep us humble between toast and marmalade; there is no time for a ticker-tape parade before bed, no award, no bright statuette to be delivered for mending skinned knees, no wild bursts of approval for shoveling snow. A kiss is the only approval they show; to leave us—the first great success they achieve. The Desk by Michael R. Burch for Jeremy There is a child I used to know who sat, perhaps, at this same desk where you sit now, and made a mess of things sometimes.I wonder how he learned at all... He saw T-Rexes down the hall and dreamed of trains and cars and wrecks. He dribbled phantom basketballs, shot spitwads at his schoolmates' necks. He played with pasty Elmer's glue (and sometimes got the glue on you!). He earned the nickname "teacher's PEST." His mother had to come to school because he broke the golden rule. He dreaded each and every test. But something happened in the fall— he grew up big and straight and tall, and now his desk is far too small; so you can have it. One thing, though— one swirling autumn, one bright snow, one gooey tube of Elmer's glue... and you'll outgrow this old desk, too. Originally published by TALESetc A True Story by Michael R. Burch for Jeremy Jeremy hit the ball today, over the fence and far away. So very, very far away a neighbor had to toss it back. (She thought it was an air attack!) Jeremy hit the ball so hard it flew across our neighbor's yard. So very hard across her yard the bat that boomed a mighty "THWACK! " now shows an eensy-teensy crack. Originally published by TALESetc Picturebook Princess by Michael R. Burch for Keira We had a special visitor. Our world became suddenly brighter. She was such a charmer! Such a delighter! With her sparkly diamond slippers and the way her whole being glows, Keira's a picturebook princess from the points of her crown to the tips of her toes! The Aery Faery Princess by Michael R. Burch for Keira There once was a princess lighter than fluff made of such gossamer stuff— the down of a thistle, butterflies' wings, the faintest high note the hummingbird sings, moonbeams on garlands, strands of bright hair... I think she's just you when you're floating on air! Tallen the Mighty Thrower by Michael R. Burch Tallen the Mighty Thrower is a hero to turtles, geese, ducks... they splash and they cheer when he tosses bread near because, you know, eating grass ***** Lullaby by Michael R. Burch for Jeremy Cherubic laugh; sly, impish grin; Angelic face; wild chimp within. It does not matter; sleep awhile As soft mirth tickles forth a smile. Gray moths will hum a lullaby Of feathery wings, then you and I Will wake together, by and by. Life's not long; those days are best Spent snuggled to a loving breast. The earth will wait; a sun-filled sky Will bronze lean muscle, by and by. Soon you will sing, and I will sigh, But sleep here, now, for you and I Know nothing but this lullaby. Sappho's Lullaby by Michael R. Burch for Jeremy Hushed yet melodic, the hills and the valleys sleep unaware of the nightingale's call, while the pale calla lilies lie listening, glistening... this is their night, the first night of fall. Son, tonight, a woman awaits you; she is more vibrant, more lovely than spring. She'll meet you in moonlight, soft and warm, all alone... then you'll know why the nightingale sings. Just yesterday the stars were afire; then how desire flashed through my veins! But now I am older; night has come, I’m alone... for you I will sing as the nightingale sings. NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies. Springtime Prayer by Michael R. Burch They’ll have to grow like crazy, the springtime baby geese, if they’re to fly to balmier climes when autumn dismembers the leaves ... And so I toss them loaves of bread, then whisper an urgent prayer: “Watch over these, my Angels, if there’s anyone kind, up there.” Keywords/Tags: Nature, spring, birth, baby animals, angels Limericks There once was a leopardess, Dot, who indignantly answered: "I'll not! The gents are impressed with the way that I'm dressed. I wouldn't change even one spot." —Michael R. Burch There once was a dromedary who befriended a crafty canary. Budgie said, "You can't sing, but now, here's the thing— just think of the tunes you can carry! " —Michael R. Burch Will There Be Starlight by Michael R. Burch Will there be starlight tonight while she gathers damask and lilac and sweet-scented heathers? And will she find flowers, or will she find thorns guarding the petals of roses unborn? Will there be starlight tonight while she gathers seashells and mussels and albatross feathers? And will she find treasure or will she find pain at the end of this rainbow of moonlight on rain? Originally published by Grassroots Poetry, Poetry Webring, TALESetc, The Word (UK) Keep Up by Michael R. Burch Keep Up! Daddy, I'm walking as fast as I can; I'll move much faster when I'm a man... Time unwinds as the heart reels, as cares and loss and grief plummet, as faith unfailing ascends the summit and heartache wheels like a leaf in the wind. Like a rickety cart wheel time revolves through the yellow dust, its creakiness revoking trust, its years emblazoned in cold hard steel. Keep Up! Son, I'm walking as fast as I can; take it easy on an old man. Poems for Older Children Reflex by Michael R. Burch for Jeremy Some intuition of her despair for her lost brood, as though a lost fragment of song torn from her flat breast, touched me there... I felt, unable to hear through the bright glass, the being within her melt as her unseemly tirade left a feather or two adrift on the wind-ruffled air. Where she will go, how we all err, why we all fear for the lives of our children, I cannot pretend to know. But, O!, how the unappeased glare of omnivorous sun over crimson-flecked snow makes me wish you were here. Happily Never After (the Second Curse of the ***** Toad) by Michael R. Burch He did not think of love of Her at all frog-plangent nights, as moons engoldened roads through crumbling stonewalled provinces, where toads (nee princes)ruled in chinks and grew so small at last to be invisible. He smiled (the fables erred so curiously), and thought bemusedly of being reconciled to human flesh, because his heart was not incapable of love, but, being cursed a second time, could only love a toad's... and listened as inflated frogs rehearsed cheekbulging tales of anguish from green moats... and thought of her soft croak, her skin fine-warted, his anemic flesh, and how true love was thwarted. Limericks There once was a mockingbird, Clyde, who bragged of his prowess, but lied. To his new wife he sighed, "When again, gentle bride? " "Nevermore! " bright-eyed Raven replied. —Michael R. Burch Autumn Conundrum by Michael R. Burch It's not that every leaf must finally fall, it's just that we can never catch them all. Epitaph for a Palestinian Child by Michael R. Burch I lived as best I could, and then I died. Be careful where you step: the grave is wide. War is Obsolete by Michael R. Burch Trump’s war is on children and their mothers. "An eye for an eye leaves the whole world blind." ― Gandhi War is obsolete; even the strange machinery of dread weeps for the child in the street who cannot lift her head to reprimand the Man who failed to countermand her soft defeat. But war is obsolete; even the cold robotic drone that flies far overhead has sense enough to moan and shudder at her plight (only men bereft of Light with hearts indurate stone embrace war’s Siberian night.) For war is obsolete; man’s tribal “gods,” long dead, have fled his awakening sight while the true Sun, overhead, has pity on her plight. O sweet, precipitate Light!― embrace her, reject the night that leaves gentle fledglings dead. For each brute ancestor lies with his totems and his “gods” in the slavehold of premature night that awaited him in his tomb; while Love, the ancestral womb, still longs to give birth to the Light. So which child shall we ****** tonight, or which Ares condemn to the gloom? Originally published by The Flea. While campaigning for president in 2016, Donald Trump said that, as commander-in-chief of the American military, he would order American soldiers to track down and ****** women and children as "retribution" for acts of terrorism. When aghast journalists asked Trump if he could possibly have meant what he said, he verified more than once that he did. Salat Days by Michael R. Burch Dedicated to the memory of my grandfather, Paul Ray Burch, Sr. I remember how my grandfather used to pick poke salat... though first, usually, he'd stretch back in the front porch swing, dangling his long thin legs, watching the sweat bees drone, talking about poke salat— how easy it was to find if you knew where to look for it... standing in dew-damp clumps by the side of a road, shockingly green, straddling fence posts, overflowing small ditches, crowding out the less-hardy nettles. "Nobody knows that it's there, lad, or that it's fit tuh eat with some bacon drippin's or lard." "Don't eat the berries. You see—the berry's no good. And you'd hav'ta wash the leaves a good long time." "I'd boil it twice, less'n I wus in a hurry. Lawd, it's tough to eat, chile, if you boil it jest wonst." He seldom was hurried; I can see him still... silently mowing his yard at eighty-eight, stooped, but with a tall man's angular gray grace. Sometimes he'd pause to watch me running across the yard, trampling his beans, dislodging the shoots of his tomato plants. He never grew flowers; I never laughed at his jokes about The Depression. Years later I found the proper name—"pokeweed"—while perusing a dictionary. Surprised, I asked why anyone would eat a **** I still can hear his laconic reply... "Well, chile, s'm'times them times wus hard." Of Civilization and Disenchantment by Michael R. Burch for Anais Vionet Suddenly uncomfortable to stay at my grandfather's house— actually his third new wife's, in her daughter's bedroom —one interminable summer with nothing to do, all the meals served cold, even beans and peas... Lacking the words to describe ah!, those pearl-luminous estuaries— strange omens, incoherent nights. Seeing the flares of the river barges illuminating Memphis, city of bluffs and dying splendors. Drifting toward Alexandria, Pharos, Rhakotis, Djoser's fertile delta, lands at the beginning of a new time and "civilization." Leaving behind sixty miles of unbroken cemetery, Alexander's corpse floating seaward, bobbing, milkwhite, in a jar of honey. Memphis shall be waste and desolate, without an inhabitant. Or so the people dreamed, in chains. Neglect by Michael R. Burch What good are your tears? They will not spare the dying their anguish. What good is your concern to a child sick of living, waiting to perish? What good, the warm benevolence of tears without action? What help, the eloquence of prayers, or a pleasant benediction? Before this day is gone, how many more will die with bellies swollen, wasted limbs, and eyes too parched to cry? I fear for our souls as I hear the faint lament of their souls departing... mournful, and distant. How pitiful our "effort, " yet how fatal its effect. If they died, then surely we killed them, if only with neglect. In My House by Michael R. Burch When you were in my house you were not free― in chains bound. Manifest Destiny? I was wrong; my plantation burned to the ground. I was wrong. This is my song, this is my plea: I was wrong. When you are in my house, now, I am not free. I feel the song hurling itself back at me. We were wrong. This is my history. I feel my tongue stilting accordingly. We were wrong; brother, forgive me. Published by Black Medina Passages on Fatherhood by Michael R. Burch for Jeremy He is my treasure, and by his happiness I measure my own worth. Four years old, with diamonds and gold bejeweled in his soul. His cherubic beauty is felicity to simplicity and passion— for a baseball thrown or an ice-cream cone or eggshell-blue skies. It's hard to be "wise" when the years career through our lives and bees in their hives test faith and belief while Time, the great thief, with each falling leaf foreshadows grief. The wisdom of the ages and prophets and mages and doddering sages is useless unless it encompasses this: his kiss. Boundless by Michael R. Burch for Jeremy Every day we whittle away at the essential solidity of him, and every day a new sharp feature emerges: a feature we'll spend creative years: planing, smoothing, refining, trying to find some new Archaic Torso of Apollo, or Thinker... And if each new day a little of the boisterous air of youth is deflated in him, if the hours of small pleasures spent chasing daffodils in the outfield as the singles become doubles, become triples, become unconscionable errors, become victories lost, become lives wasted beyond all possible hope of repair... if what he was becomes increasingly vague—like a white balloon careening into clouds; like a child striding away aggressively toward manhood, hitching an impressive rucksack over sagging, sloping shoulders, shifting its vaudevillian burden back and forth, then pausing to look back at us with an almost comical longing... if what he wants is only to be held a little longer against a forgiving ***** to chase after daffodils in the outfield regardless of scores; to sail away like a balloon on a firm string, always sure to return when the line tautens, till he looks down upon us from some removed height we cannot quite see, bursting into tears over us: what, then, of our aspirations for him, if he cannot breathe, cannot rise enough to contemplate the earth with his own vision, unencumbered, but never untethered, forsaken... cannot grow brightly, steadily, into himself—flying beyond us? Pan by Michael R. Burch ... Among the shadows of the groaning elms, amid the darkening oaks, we fled ourselves... ... Once there were paths that led to coracles that clung to piers like loosening barnacles... ... where we cannot return, because we lost the pebbles and the playthings, and the moss... ... hangs weeping gently downward, maidens' hair who never were enchanted, and the stairs... ... that led up to the Fortress in the trees will not support our weight, but on our knees... ... we still might fit inside those splendid hours of damsels in distress, of rustic towers... ... of voices of the wolves' tormented howls that died, and live in dreams' soft, windy vowels... Originally published by Sonnet Scroll Leaf Fall by Michael R. Burch Whatever winds encountered soon resolved to swirling fragments, till chaotic heaps of leaves lay pulsing by the backyard wall. In lieu of rakes, our fingers sorted each dry leaf into its place and built a high, soft bastion against earth's gravitron— a patchwork quilt, a trampoline, a bright impediment to fling ourselves upon. And nothing in our laughter as we fell into those leaves was like the autumn's cry of also falling. Nothing meant to die could be so bright as we, so colorful— clad in our plaids, oblivious to pain we'd feel today, should we leaf-fall again. Originally published by The Neovictorian/Cochlea The Folly of Wisdom by Michael R. Burch She is wise in the way that children are wise, looking at me with such knowing, grave eyes I must bend down to her to understand. But she only smiles, and takes my hand. We are walking somewhere that her feet know to go, so I smile, and I follow... And the years are dark creatures concealed in bright leaves that flutter above us, and what she believes— I can almost remember—goes something like this: the prince is a horned toad, awaiting her kiss. She wiggles and giggles, and all will be well if only we find him! The woodpecker's knell as he hammers the coffin of some dying tree that once was a fortress to someone like me rings wildly above us. Some things that we know we are meant to forget. Life is a bloodletting, maple-syrup-slow. Originally published by Romantics Quarterly Just Smile by Michael R. Burch We'd like to think some angel smiling down will watch him as his arm bleeds in the yard, ripped off by dogs, will guide his tipsy steps, his doddering progress through the scarlet house to tell his mommy "boo-boo!, " only two. We'd like to think his reconstructed face will be as good as new, will often smile, that baseball's just as fun with just one arm, that God is always Just, that girls will smile, not frown down at his thousand livid scars, that Life is always Just, that Love is Just. We do not want to hear that he will shave at six, to raze the leg hairs from his cheeks, that lips aren't easily fashioned, that his smile's lopsided, oafish, snaggle-toothed, that each new operation costs a billion tears, when tears are out of fashion. O, beseech some poet with more skill with words than tears to find some happy ending, to believe that God is Just, that Love is Just, that these are Parables we live, Life's Mysteries... Or look inside his courage, as he ties his shoelaces one-handed, as he throws no-hitters on the first-place team, and goes on dates, looks in the mirror undeceived and smiling says, "It's me I see. Just me." He smiles, if life is Just, or lacking cures. Your pity is the worst cut he endures. Originally published by Lucid Rhythms Child of 9-11 by Michael R. Burch a poem for Christina-Taylor Green, who was born on September 11, 2001 and died at the age of nine, shot to death... Child of 9-11, beloved, I bring this lily, lay it down here at your feet, and eiderdown, and all soft things, for your gentle spirit. I bring this psalm — I hope you hear it. Much love I bring — I lay it down here by your form, which is not you, but what you left this shell-shocked world to help us learn what we must do to save another child like you. Child of 9-11, I know you are not here, but watch, afar from distant stars, where angels rue the vicious things some mortals do. I also watch; I also rue. And so I make this pledge and vow: though I may weep, I will not rest nor will my pen fail heaven's test till guns and wars and hate are banned from every shore, from every land. Child of 9-11, I grieve your tender life, cut short... bereaved, what can I do, but pledge my life to saving lives like yours? Belief in your sweet worth has led me here... I give my all: my pen, this tear, this lily and this eiderdown, and all soft things my heart can bear; I bear them to your final bier, and leave them with my promise, here. Originally published by The Flea For a Sandy Hook Child, with Butterflies by Michael R. Burch Where does the butterfly go when lightning rails, when thunder howls, when hailstones scream, when winter scowls, when nights compound dark frosts with snow... Where does the butterfly go? Where does the rose hide its bloom when night descends oblique and chill beyond the capacity of moonlight to fill? When the only relief's a banked fire's glow, where does the butterfly go? And where shall the spirit flee when life is harsh, too harsh to face, and hope is lost without a trace? Oh, when the light of life runs low, where does the butterfly go? Frail Envelope of Flesh by Michael R. Burch ―for the mothers and children of the Holocaust and Gaza Frail envelope of flesh, lying cold on the surgeon's table with anguished eyes like your mother's eyes and a heartbeat weak, unstable... Frail crucible of dust, brief flower come to this— your tiny hand in your mother's hand for a last bewildered kiss... Brief mayfly of a child, to live two artless years! Now your mother's lips seal up your lips from the Deluge of her tears... To the boy Elis by Georg Trakl translation by Michael R. Burch Elis, when the blackbird cries from the black forest, it announces your downfall. Your lips sip the rock-spring's blue coolness. Your brow sweats blood recalling ancient myths and dark interpretations of birds' flight. Yet you enter the night with soft footfalls; the ripe purple grapes hang suspended as you wave your arms more beautifully in the blueness. A thornbush crackles; where now are your moonlike eyes? How long, oh Elis, have you been dead? A monk dips waxed fingers into your body's hyacinth; Our silence is a black abyss from which sometimes a docile animal emerges slowly lowering its heavy lids. A black dew drips from your temples: the lost gold of vanished stars. TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem. This is, I believe, the second poem I wrote. Or at least it's the second one that I can remember. I believe I was around 13 or 14 when I wrote it. Playmates by Michael R. Burch WHEN you were my playmate and I was yours, we spent endless hours with simple toys, and the sorrows and cares of our indentured days were uncomprehended... far, far away... for the temptations and trials we had yet to face were lost in the shadows of an unventured maze. Then simple pleasures were easy to find and if they cost us a little, we didn't mind; for even a penny in a pocket back then was one penny too many, a penny to spend. Then feelings were feelings and love was just love, not a strange, complex mystery to be understood; while "sin" and "damnation" meant little to us, since forbidden batter was our only lust! Then we never worried about what we had, and we were both sure-what was good, what was bad. And we sometimes quarreled, but we didn't hate; we seldom gave thought to injustice, or fate. Then we never thought about the next day, for tomorrow seemed hidden—adventures away. Though sometimes we dreamed of adventures past, and wondered, at times, why things didn't last. Still, we never worried about getting by, and we didn't know that we were to die... when we spent endless hours with simple toys, and I was your playmate, and we were boys. Children by Michael R. Burch There was a moment suspended in time like a swelling drop of dew about to fall, impendent, pregnant with possibility... when we might have made... anything, anything we dreamed, almost anything at all, coalescing dreams into reality. Oh, the love we might have fashioned out of a fine mist and the nightly sparkle of the cosmos and the rhythms of evening! But we were young, and what might have been is now a dark abyss of loss and what is left is not worth saving. But, oh, you were lovely, child of the wild moonlight, attendant tides and doting stars, and for a day, what little we partook of all that lay before us seemed so much, and passion but a force with which to play. Kindergarten by Michael R. Burch Will we be children as puzzled tomorrow— our lessons still not learned? Will we surrender over to sorrow? How many times must our fingers be burned? Will we be children sat in the corner over and over again? How long will we linger, playing Jack Horner? Or will we learn, and when? Will we be children wearing the dunce cap, giggling and playing the fool, re-learning our lessons forever and ever, never learning the golden rule? Life Sentence or Fall Well by Michael R. Burch ... I swim, my Daddy's princess, newly crowned, toward a gurgly Maelstrom... if I drown will Mommy stick the Toilet Plunger down to **** me up?... She sits upon Her Throne, Imperious (denying we were one), and gazes down and whispers "precious son"... ... the Plunger worked; i'm two, and, if not blessed, still Mommy got the Worst Stuff off Her Chest; a Vacuum Pump, They say, will do the rest... ... i'm three; yay! whee! oh good! it's time to play! (oh no, I think there's Others on the way; i'd better pray)... ... i'm four; at night I hear the Banging Door; She screams; sometimes there's Puddles on the Floor; She wants to **** us, or, She wants some More... ... it's great to be alive if you are five (unless you're me) : my Mommy says: "you're WRONG! don't disagree! don't make this HURT ME! "... ... i'm six; They say i'm tall, yet Time grows Short; we have a thriving Family; Abort! ; a tadpole's ripping Mommy's Room apart... ... i'm seven; i'm in heaven; it feels strange; I saw my life go gurgling down the Drain; another Noah built a Mighty Ark; God smiled, appeased, a Rainbow split the Dark; ... I saw Bright Colors also, when She slammed my head against the Tub, and then I swam toward the magic tunnel... last, I heard... is that She feels Weird. Resurrecting Passion by Michael R. Burch Last night, while dawn was far away and rain streaked gray, tumescent skies, as thunder boomed and lightning railed, I conjured words, where passion failed ... But, oh, that you were mine tonight, sprawled in this bed, held in these arms, your ******* pale baubles in my hands, our bodies bent to old demands ... Such passions we might resurrect, if only time and distance waned and brought us back together; now I pray that this might be, somehow. But time has left us twisted, torn, and we are more apart than miles. How have you come to be so far— as distant as an unseen star? So that, while dawn is far away, my thoughts might not return to you, I feed your portrait to the flames, but as they feast, I burn for you. Published in Songs of Innocence and The Chained Muse. Currents by Michael R. Burch How can I write and not be true to the rhythm that wells within? How can the ocean not be blue, not buck with the clapboard slap of tide, the clockwork shock of wave on rock, the motion creation stirs within? Originally published by The Lyric Villanelle: Hangovers by Michael R. Burch We forget that, before we were born, our parents had “lives” of their own, ran drunk in the streets, or half-stoned. Yes, our parents had lives of their own until we were born; then, undone, they were buying their parents gravestones and finding gray hairs of their own (because we were born lacking some of their curious habits, but soon would certainly get them). Half-stoned, we watched them dig graves of their own. Their lives would be over too soon for their curious habits to bloom in us (though our children were born nine months from that night on the town when, punch-drunk in the streets or half-stoned, we first proved we had lives of our own). Happily Never After (the Second Curse of the ***** Toad) by Michael R. Burch He did not think of love of Her at all frog-plangent nights, as moons engoldened roads through crumbling stonewalled provinces, where toads (nee princes) ruled in chinks and grew so small at last to be invisible. He smiled (the fables erred so curiously), and thought bemusedly of being reconciled to human flesh, because his heart was not incapable of love, but, being cursed a second time, could only love a toad’s . . . and listened as inflated frogs rehearsed cheekbulging tales of anguish from green moats . . . and thought of her soft croak, her skin fine-warted, his anemic flesh, and how true love was thwarted. Haunted by Michael R. Burch Now I am here and thoughts of my past mistakes are my brethren. I am withering and the sweetness of your memory is like a tear. Go, if you will, for the ache in my heart is its hollowness and the flaw in my soul is its shallowness; there is nothing to fill. Take what you can; I have nothing left. And when you are gone, I will be bereft, the husk of a man. Or stay here awhile. My heart cannot bear the night, or these dreams. Your face is a ghost, though paler, it seems when you smile. Published by Romantics Quarterly Have I been too long at the fair? by Michael R. Burch Have I been too long at the fair? The summer has faded, the leaves have turned brown; the Ferris wheel teeters ... not up, yet not down. Have I been too long at the fair? This is one of my earliest poems, written around age 15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again. hey pete by Michael R. Burch for Pete Rose hey pete, it's baseball season and the sun ascends the sky, encouraging a schoolboy's dreams of winter whizzing by; go out, go out and catch it, put it in a jar, set it on a shelf and then you'll be a Superstar. When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar." First Dance by Michael R. Burch for Sykes and Mary Harris Beautiful ballerina— so pert, pretty, poised and petite, how lightly you dance for your waiting Beau on those beautiful, elegant feet! How palely he now awaits you, although he’ll glow from the sparks when you meet! Keep the Body Well by Michael R. Burch for William Sykes Harris III Is the soul connected to the brain by a slender silver thread, so that when the thread is severed we call the body “dead” while the soul ― released from fear and pain ― is finally able to rise beyond earth’s binding gravity to heaven’s welcoming skies? If so ― no need to quail at death, but keep the body well, for when the body suffers the soul experiences hell. Dearly Beloved by Michael R. Burch for Suzan Blacksmith She was Dearly Beloved by her children, who gather to pay their respects; they remember her as they clung together through frightful weather, always learning that Love can persevere ... She was Dearly Beloved by family and friends who saw her great worth, even as she grew frail; for they saw with Love’s eyes how Love’s vision transcends, how her heart never faltered, through cyclones and hail ... She is Dearly Beloved, well-loved, sadly missed ... and, while we mourn the lost days of a life too-soon ended, we also rejoice that her suffering is past ... she now lives in the Light, by kind Angels befriended. And if others were greater in fortune and fame, and if some had iron wills when life’s pathways grew dark ... still, since Love’s the great goal, we now reaffirm her claim to the highest of honors: a mother’s Heart. Beyond the Tempest by Michael R. Burch for Martha Pilkington Johnson Martha Johnson was a formidable woman, like her namesake, Martha Washington— a woman like the Rock of Gibraltar, a sure and steadfast refuge for her children and grandchildren against the surging storms of life. But later in her life I beheld her transformation: her hair became like a corona of light, as if she were intent on becoming an angel and something in her visage brightened and softened, as if she were preparing to enter heaven where love and compassion rule and the troubles of earth are like a tempest in teapot. Birdsong by Rumi loose translation by Michael R. Burch Birdsong relieves my deepest griefs: now I'm just as ecstatic as they, but with nothing to say! Please universe, rehearse your poetry through me! Published as the collection "Family Poems" Keywords/Tags: Family, Mothers, Fathers, Children, Sons, Daughters, Grandparents, Grandmothers, Grandfathers, mrbch
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928
My grandmother had the face of a duck My mother has the body of a duck And I am happy like a duck
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Jun 25, 2018
Jun 25, 2018 at 9:26 PM UTC
Duck
She spilled the wine, again My aunt says walking into the living room to get a towel She always spills her wine on her white pants Always the white pants You would think she would switch to white wine But she likes her Malbec I now see where I get it from I’m clumsy too Spilling glass after glass of water They banned me to plastic at one point But soon returned me to glass Last week I broke a glass in the trunk of my car It was my grandmothers Blue and covered in butterflies It hurt knowing I lost what could’ve been the only thing I had of hers It could be But it isn’t I cherish the moments I get to spend with her In the tiny apartment above the bay Her house sold in 5 days 400,000$ We couldn’t show her the house It would break her heart She loves the days she gets to see her dog When he comes up from mass I love her But at least I have something of hers Her love.
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Feb 23, 2018
Feb 23, 2018 at 11:19 AM UTC
Untitled #5
In my more misunderstood days, I once read up on how to speak to the dead The results were unsurprising; an article on Necromancy I read on and on, it went quite hard to my head It went quite hard to my memories Upon that aloof, summer day of boredom in which I was first clued in To the biggest secret kept away by grief and adulthood I read why unspeakable corpse magic is deemed a sin And why such things are sealed away with intentions good But ultimately useless Despite the misinformation’s efforts proven fruitless We do not reach out; we do not speak to the dead The dead reach out, they speak to us They reach out to us In dreams, in books, in stories With much fuss, They rise from the crypts and earth And they whisper sweet glories In their reeking, putrid breath exhaled from rotten lips The truth slips, the future slips For the dead, they can see the future For the dead, they have lived the past Necromancy, romantic for the living longing for the dead; suture Of misinformation; the ideation that the living cast A spell upon the dead, raising them for past loves and lives When in truth, they are merely here to set free our eyes from our lies The dead do not want us the living to die For they know how horrendous fate can be With screeching lungs rotting, they shriek of how the end is nigh And share wisdom mostly ghastly Willingly, they impart visions of future from bygone past As, they - the ungrateful dead - lusting for life to return With one last breath, I remind you so you may learn So, you may pass on from your own misunderstood days: That which colours our miserable, romantic haze... We do not talk to the dead That is why we believe it bad luck to speak ill of our passed-on people The dead talk to us and they talk to us of the future That is the truth of Necromancy That is the truth that you will now see Beyond misconstrued myth, it is not the raising of the dead for love, But for knowledge.
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Feb 8, 2018
Feb 8, 2018 at 6:50 PM UTC
Inspired By That Time I Saw My Grandmother’s Ghost In a Dream
In my more misunderstood days, I once read up on how to speak to the dead The results were unsurprising; an article on Necromancy I read on and on, it went quite hard to my head It went quite hard to my memories Upon that aloof, summer day of boredom in which I was first clued in To the biggest secret kept away by grief and adulthood I read why unspeakable corpse magic is deemed a sin And why such things are sealed away with intentions good But ultimately useless Despite the misinformation’s efforts proven fruitless We do not reach out; we do not speak to the dead The dead reach out, they speak to us They reach out to us In dreams, in books, in stories With much fuss, They rise from the crypts and earth And they whisper sweet glories In their reeking, putrid breath exhaled from rotten lips The truth slips, the future slips For the dead, they can see the future For the dead, they have lived the past Necromancy, romantic for the living longing for the dead; suture Of misinformation; the ideation that the living cast A spell upon the dead, raising them for past loves and lives When in truth, they are merely here to set free our eyes from our lies The dead do not want us the living to die For they know how horrendous fate can be With screeching lungs rotting, they shriek of how the end is nigh And share wisdom mostly ghastly Willingly, they impart visions of future from bygone past As, they - the ungrateful dead - lusting for life to return With one last breath, I remind you so you may learn So, you may pass on from your own misunderstood days: That which colours our miserable, romantic haze... We do not talk to the dead That is why we believe it bad luck to speak ill of our passed-on people The dead talk to us and they talk to us of the future That is the truth of Necromancy That is the truth that you will now see Beyond misconstrued myth, it is not the raising of the dead for love, But for knowledge.
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Death was in her lungs And it was imminent Every ******* gulping breath she took Came with a bedside beg Of release I couldn’t stay I couldn’t watch I’m a coward A traitor to the blood In my veins So alive, so healthy To the blood I received from her A kiss upon her forehead Her darkened skin Turned to paper Sickeningly soft To my rough lips Her suffering Not dulled By anything Spirituality, science People or family A painful, sputtering sleep In a clinical room By the murky sun’s graceless light On a cloudy afternoon I forgot to say I love you But words aren’t enough Words are meaningless It is our actions Which doth divine Our true intentions Our true emotions And mine Reveal only cruelty And the absence of courage
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Feb 8, 2018
Feb 8, 2018 at 6:19 PM UTC
Untitled 59
meanwhile, summer is not ours it is not a celebration, it is teddy bears on street corners, bodega flowers on makeshift graves, distorted faces of home-printed memorials on t-shirts the same color and texture as what the dead boy was selling, meanwhile, summer is nothing more than closed houses, decks with grandmothers scowling down at the teenagers who are not sure if they are even real
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Nov 1, 2017
Nov 1, 2017 at 5:04 PM UTC
meanwhile summer
Tonight I couldn't sleep, just like I couldn't sleep the last 5 nights in a row. Despite physically exhausting myself during the day, and brief calls of slumber come midnight, I never quite succumb. But that is beside the point. Tonight I couldn't sleep, so I made myself some tea chamomile and spearmint (ironically I hate spearmint, but in this particular tea it is good) hot water, and honey. And I was reminded of my grandmother's rose tea, the kind she bought in big boxes when I was little, with ceramic animal figurines inside and how I wished so dearly for the dog or the cat only ever getting a pony and a sleek grey goldfish I wonder what happened to those little dolls or those big boxes of rose tea have they passed with age, or remained strong, like I, lying in wait
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May 18, 2017
May 18, 2017 at 2:45 AM UTC
Tea
At the time Only a sing-song of words A small poem By a grandma Could not have been more loved By a young girl who got a ribee ‘A ribee A ribee Melissa got a ribee’ The poem chanted from the stands Of the small softball field A fleck in the eye of nature And the world in the eye of a young girl A young girl who had the love that Middle aged men wake up In the middle of the night Crying out For But all Melissa knew Was that she had a ribee And a few verses to praise such a small feat Which watered it into a moment of glory In this way Life’s moments of glory Are only so Because of great strokes of love Painted on their grain So a few years later And a few moments wiser And a few words more thoughtful A young girl thanks you For your great stokes of love Which have turned her life from a ribee Into a homerun For I hope you know How your soft curls and kind blue eyes Tell the story of a self-less love The kind of love So gentle that it sneaks up behind you And warms you up Like socks after ice skating and laughter after dinner and holding hands after a long day and a poem after a ribee the kind of love that tingles not burns and is steady not infrequent For you, my lovely grandma, Are fluent in a language That breathes in every country A language many labor for lifetimes to comprehend And for centuries to speak But, you speak this language In natural whispers A stream to a pond A horse to a field A chime to a summer’s afternoon You speak this language through Small actions and fluid motions Easing the stress of the world With yet another moment of love For even in a hospital bed You ask about my bed And my adventures My foolish problems of a young heart Running around the world Running into pretend issues Running into new nouns And wanting so much to run into your arms So you can welcome me home And so I can thank you For your thousands of moments With one small moment And I think of that moment A kiss on the cheek An ear for your words A moment with your love Because I love you And because I want to love Like you do
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May 23, 2016
May 23, 2016 at 6:35 PM UTC
Re: A Ribee
At the time Only a sing-song of words A small poem By a grandma Could not have been more loved By a young girl who got a ribee ‘A ribee A ribee Melissa got a ribee’ The poem chanted from the stands Of the small softball field A fleck in the eye of nature And the world in the eye of a young girl A young girl who had the love that Middle aged men wake up In the middle of the night Crying out For But all Melissa knew Was that she had a ribee And a few verses to praise such a small feat Which watered it into a moment of glory In this way Life’s moments of glory Are only so Because of great strokes of love Painted on their grain So a few years later And a few moments wiser And a few words more thoughtful A young girl thanks you For your great stokes of love Which have turned her life from a ribee Into a homerun For I hope you know How your soft curls and kind blue eyes Tell the story of a self-less love The kind of love So gentle that it sneaks up behind you And warms you up Like socks after ice skating and laughter after dinner and holding hands after a long day and a poem after a ribee the kind of love that tingles not burns and is steady not infrequent For you, my lovely grandma, Are fluent in a language That breathes in every country A language many labor for lifetimes to comprehend And for centuries to speak But, you speak this language In natural whispers A stream to a pond A horse to a field A chime to a summer’s afternoon You speak this language through Small actions and fluid motions Easing the stress of the world With yet another moment of love For even in a hospital bed You ask about my bed And my adventures My foolish problems of a young heart Running around the world Running into pretend issues Running into new nouns And wanting so much to run into your arms So you can welcome me home And so I can thank you For your thousands of moments With one small moment And I think of that moment A kiss on the cheek An ear for your words A moment with your love Because I love you And because I want to love Like you do
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83
In her rocking chair she sits, While she hums to herself and knits. She’s knitting a shawl to fend off the cold, For now she’s wrinkled, gray-haired and old. She used to run and have lots of fun, But that was way back when she was young. Now her arthritis is really bad, And she’s feeling very lonely and sad. Now she lives in a nursing home, Most of the time, she’s all alone. Her children don’t come to visit much, ‘Cause they’re always so busy with work and such. She stares out the window and she sighs, She watches the road with watery eyes. And wonders if they’ll come today, But they don’t; she knew they wouldn’t anyway. She lays her knitting on her lap, Then closes her eyes and has a nap. Down her cheek, there rolls a tear, As she dreams of yesteryear.
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Nov 18, 2015
Nov 18, 2015 at 8:05 PM UTC
Dreams of Yesteryear
While the other children were content To play jacks and skip rope She preffered the company of the old oak tree Towering in the back corner lot of the schoolyard She rested against it's mighty trunk Basking in the cool shade she loosened her bonnet Only the toes of her patent leather shoes Catching beams of wavering sunlight As they arched through the rustling leaves A sweet song of a robin whistled amongst the branches As she smoothed the pleats of her dress A leather bound book at rest on her thighs It's jacket so familiar and a comfort to the touch The scent of it's brown and curling pages Reminding her of late winter nights by the fire When her grandmother's kind smile shone so brightly As the flames from the hearth danced in her eyes While she spun the girl one of her many stories As deftly as her fingers could pull stitches From a mountain of patchwork piled on her lap The chiming of the bell marked the end of play And she shook herself from her daydream Dusting off the errant leaves and grasses She lined up at the entrance to the courtyard A sweet smile forming on her lips Though a measure of sorrow still lingered in her heart A bittersweet mix both of pleasure and mourning Her spirit pining for the solace of those precious days; of her past
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Sep 2, 2015
Sep 2, 2015 at 9:58 PM UTC
A Longing
Nana's house is on the market, Perfect location beside the woods, And a few hundred feet from the water. I can hear the patter of feet, The closing of doors, The squealing of feral animals Nana fed with peanuts, The condo bird houses And broken blue eggs. The cries and sirens and confusion. When Nana died, She was sealed in the wall of a mausoleum, But continues to escape In the eeriest of ways.
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May 19, 2015
May 19, 2015 at 8:36 AM UTC
Haunted House
I used to be about your age, and actually read words on a page. I would go climb hills and trees, and sometimes skin my elbows and knees. I would go outside and play, not sit around inside all day. I would have fun with friends, not text them until the day ends. If I wanted to tell something to my family far away, I'd write it down, it would get to them in a week and a day. Though that may be a sad thing about that life, the rest didn't have any strife. I was almost never bored, that will always be adored. So my child what would you rather choose? To sit inside and have the blues? Or to go outside and play, then come in side at the end of the day, and say, that you had fun for once, instead of sitting around like a dunce.
0
Apr 24, 2015
Apr 24, 2015 at 7:02 PM UTC
A Grandmother's Story
"Begin to work with the Net of Light," they say, **"by thinking of a vast lighted fishing net spread over the earth and stretching into the distance, as far as your eyes can see. This is the great Net of Light that will support the earth and all life on this planet during the times of change that have come. The Net of Life covers the earth from above, it covers it from below, and it bisects the earth like a great grid-penetrating, holding, and touching everything. This is the Net of Light that will hold the earth while the energies of yin and yang shift. And they will shift,"** the Grandmothers say; **"the change has already begun.      "Walk forward and take your place on the Net of Light. Somewhere where two of the strands come together forming an 'x' or a 't' is a place that will feel just right for you. Walk forward and take your place there. Here you can rest and allow the Net of Light to hold and support you while at the same time you support it.      "We have many times told you that the Net of Light is lit by the jewel of the heart. This is true,"** the Grandmothers say. **"Experience now as the radiant jewel of your own heart begins to open and broadcast its light along the strands of the Net. Every person who works with the Net of Light is linked in light with others who also work with it. Experience your union with people all over the glove who are now connected by the Net of Light. Some of them call it a Web of Light, some call it a lighted grid, some call it Indra's net, but whatever they call it, it is the same construct. This is the Net of Light that will hold the earth steady during these times of change that are upon you.      "As you call on the Net and find your place on it,"** they say, **"think of receiving and sending light throughout this vast network. And as you think this thought, instantly your energy will follow it, and you will feel the Net of Light working in you and through you.      "Experience your union with us and with all those who work with us. There are thousands of you all over the earth. Also experience your union with the sacred and holy places on this planet and the sacred and holy beings that have come at this time to avert the catastrophe that looms over the earth-the great saints, sages and avatars that have come now and gladly give their lives in service. Experience your union also with those of good heart who seek the highest good for life on earth. Know and feel the power of this union and let your body experience this force of and for good.      "Once you have strongly felt this power, begin to cast the Net of Light to those who do not know about it. Cast wherever there is suffering on earth,"** the say, **"to human beings, to animals, to conditions of every kind, to all forms of life, and to Mother Earth herself. Cast also to people who are longing to serve, but have not yet found a way to access the Divine and as you cast the Net of Light, many who have until this moment been asleep to the fundamental connection we all share, will begin to awaken and feel the spark of divinity within themselves coming to life. Now ask the radiant Net of Light to hold all life in its embrace and know that each time you work like this, you are adding to the reach and power of the great Net.      "Cast the Net to all women and men everywhere,"** they say. "Cast to the leaders of this world to remind them that they are a precious part of the Net of Light that holds and supports life. Cast to the animal kingdom, asking that every animal receive what it most needs. Cast to the plant kingdom and to the mineral kingdom as well. Cast to everything that lives," the Grandmothers say, "and when you have done this, ask, 'May everyone in all the worlds be happy.'
0
Dec 2, 2014
Dec 2, 2014 at 6:16 AM UTC
Meditation on the Net of Light from the Grandmothers via Sharon McErlane
"Begin to work with the Net of Light," they say, **"by thinking of a vast lighted fishing net spread over the earth and stretching into the distance, as far as your eyes can see. This is the great Net of Light that will support the earth and all life on this planet during the times of change that have come. The Net of Life covers the earth from above, it covers it from below, and it bisects the earth like a great grid-penetrating, holding, and touching everything. This is the Net of Light that will hold the earth while the energies of yin and yang shift. And they will shift,"** the Grandmothers say; **"the change has already begun.      "Walk forward and take your place on the Net of Light. Somewhere where two of the strands come together forming an 'x' or a 't' is a place that will feel just right for you. Walk forward and take your place there. Here you can rest and allow the Net of Light to hold and support you while at the same time you support it.      "We have many times told you that the Net of Light is lit by the jewel of the heart. This is true,"** the Grandmothers say. **"Experience now as the radiant jewel of your own heart begins to open and broadcast its light along the strands of the Net. Every person who works with the Net of Light is linked in light with others who also work with it. Experience your union with people all over the glove who are now connected by the Net of Light. Some of them call it a Web of Light, some call it a lighted grid, some call it Indra's net, but whatever they call it, it is the same construct. This is the Net of Light that will hold the earth steady during these times of change that are upon you.      "As you call on the Net and find your place on it,"** they say, **"think of receiving and sending light throughout this vast network. And as you think this thought, instantly your energy will follow it, and you will feel the Net of Light working in you and through you.      "Experience your union with us and with all those who work with us. There are thousands of you all over the earth. Also experience your union with the sacred and holy places on this planet and the sacred and holy beings that have come at this time to avert the catastrophe that looms over the earth-the great saints, sages and avatars that have come now and gladly give their lives in service. Experience your union also with those of good heart who seek the highest good for life on earth. Know and feel the power of this union and let your body experience this force of and for good.      "Once you have strongly felt this power, begin to cast the Net of Light to those who do not know about it. Cast wherever there is suffering on earth,"** the say, **"to human beings, to animals, to conditions of every kind, to all forms of life, and to Mother Earth herself. Cast also to people who are longing to serve, but have not yet found a way to access the Divine and as you cast the Net of Light, many who have until this moment been asleep to the fundamental connection we all share, will begin to awaken and feel the spark of divinity within themselves coming to life. Now ask the radiant Net of Light to hold all life in its embrace and know that each time you work like this, you are adding to the reach and power of the great Net.      "Cast the Net to all women and men everywhere,"** they say. "Cast to the leaders of this world to remind them that they are a precious part of the Net of Light that holds and supports life. Cast to the animal kingdom, asking that every animal receive what it most needs. Cast to the plant kingdom and to the mineral kingdom as well. Cast to everything that lives," the Grandmothers say, "and when you have done this, ask, 'May everyone in all the worlds be happy.'
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7
< - - Housekeeping - - > Why is there no checklist for life? Can you say … recipe for disaster … If you’re planning to fail … … then you’re failing to plan I cut my teeth in a house where we could eat off the floor if we so desired The floor was either that clean or some other innate wisdom was built into that statement And I thought my inane wisdom came from ... Do you, don’t you want me to love you? #9 #9 Now somewhere in the Black Mountain Hills of Dakota **** Sadie you broke the rules Singing in the dead of night Obla-di Why don’t you stare into your own Glass Onion … Beatles (My head is spinning, ooh... Ha ha ha, ha ha ha, alight! I got blisters on my fingers!)
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Sep 17, 2014
Sep 17, 2014 at 5:03 AM UTC
non incautus futuri
Julie, I can not be there with you now, But you'll always feel me near, my dear. Look deep into your heart and soul. Let the love around you forever grow. Turning sixteen is such a big milestone, Always know you're never alone. Grandma Kirby Thank you.. My sweet one.. I will always remember you, Grandma..
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May 16, 2014
May 16, 2014 at 9:16 AM UTC
A Message From Grandma