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#galatea
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
Galatea
Such a classic mortal blunder to lay my spine as it erodes, graceless, inelegant on Galatea’s cold, ivory arms; such delicate carvings can never be human, look human, feel human under my lonesome bones. I long to see you flinch and break into fine, liquid, rain of dust blinding me, covering the walls of this room in a blameless shade of white: a new asylum ward for my kind of insanity, you say. It envelopes like light around my awe and my forlorn limbs, tangled with Galatea’s unmoving ones. I look for comfort within brittle carcasses scraped of everything they could ever give. The quiet persists eerily. But here, Pygmalion’s gifts remain untainted: the apex of auger shells, the beak of a songbird the blunted ceriths, the rusty chisels all impaling my spinal bones. Yet the sculptor’s kisses, long erased, the careful carvings, long defaced, long reduced into a Grecian ruin. I bury my body on your arms yet they find no rest against the ghostly pleas of mammalian tusks. How many for your fingers? How many for your hair? Tell me, Galatea, were you carved to bear the weight of all the sea salt I swallowed as I drowned? Soften under my meandering thoughts; I long to see you flinch and break — like all the dead elephants — any reminder that you yield pliantly to the voice of the love goddess, that you were once turned human. Break now, your solid arms, under my own collapse over the sea foam caught on fire. I am no longer bending and weeping to pick myself up. Here it all goes down and ends: my bones, and yours, burning, snapping. Nothing — nothing less glorious will last after us. — Fray Narte
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Once again I am captured Struck by the rose, enraptured by the thorn. I see your reflection in ivory paper, and the crown of your sweet head like a blanket of fallen snow. Does it matter, I wonder, if you were truly alive or truly living? For in these pages I can see your image as truly as if it were a branding in my head. The gentle slope of your shoulders, the dark and twisted curls- Now see, you begin to see her too- the small & delicate hands, with crooked ring fingers, the intuitive eyes. And perhaps if I call Aphrodite, down from the sea foam and have her fair lips kiss these words, I can have you materialize in my breath and echo into my arms, a statue no more. Or perhaps I will lie a fool my thumbs and forefingers obscured by ink and your skin that of clay detached and resolute.
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Dec 27, 2020
Dec 27, 2020 at 2:09 PM UTC
Galatea: She Who is Ivory
pink plush lips against my clavicle breathe into me a life that i never knew before you
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Oct 16, 2020
Oct 16, 2020 at 12:38 AM UTC
pygmalion
She was a numinous beauty of eclectic ideals, body tall and slender, skin pale and smooth. She was…… My work of art She was everything a fool could want for but She was hard and unfeeling her body marble cold She was held aloft, aloof from this world Her eyes vacuous, vapid, and gray. But I liked her that way She was My perfect perfidy, My big **** you to the gods She made me a faithless man as I lost sight of all but her
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Mar 9, 2019
Mar 9, 2019 at 3:46 PM UTC
When a fool falls
he sculpts his perfect woman out of marble drapes her in silks and jewels fits his hands around her waist and kisses her cold lips venus blesses their union and one day she is warm underneath him and naked and afraid he asks her why- she was created by him for him why does she shy away from the hands that formed her? she puts the distance of a city-state between them "you created me to love you but you kissed me when i had no voice you dressed me when i had no choice you loved me, but never asked if you were lovable." and this was the hand of venus, then. love is not love when it has to be carved out of stone.
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Mar 2, 2018
Mar 2, 2018 at 12:46 PM UTC
galatea
You were so beautiful, Like a marble statue Behind millions of dollars of security. But now your insecurity Has defiled your purity; The glossy perfection Turned rotten At your crystal lips of limestone; You flawless face, now Fouled by fatality; And worst of all: Your once sweet words Are now rancid with Distaste of me, And it simply destroys The beauty I see in you, A beauty greater than Any Greek statue Carved eons ago. You don’t see that your ego Sped up time’s flow, Faded your glow. You’re rubble, my friend, You’re nothing but old. My fires of love Are suddenly cold.
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Jul 10, 2014
Jul 10, 2014 at 10:59 PM UTC
Galatea No More