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#freudian
Let's face it its more ******** warfare culturally they are used to faking it as thimbles and chipolatas in ninety seconds do not reach first base much less seeing stars on cloud nine hence they woke and fake the reality they chose be it feel or fright in woke solidarity against frustrations they cloned their made-up foe what better than sturdy shining Mandingo loaded and tied up there for the having to your heart's content presented to you the untamed beast the wild moor tooled hot and ready raw animalistic unfettered passion rock hard we can name him Rocky that goer that delivers every time the one that is all your men aren't and can never be cause he's gifted sleek like dolphin in rhythmic glide tasty like fresh clean mushroom Arabian stallion if ever there's one with absolute pedigree and class take a break from the mediocre from the wham bangs no can dos from the floppy quick-draws saps imagine the dark horse with the most in smooth soft pink leathery velvet tis your secret your guilty pleasure tis the obsession you made into a war the fantasy that plays in your heads tis behind fervours that haunts you that you so well disguise in hatred telling metaphors slip out Freud hold him down, grind him hard wear him out, let's wreck him so the sado masochistic 'punishing him' give him a hard time, it all says a lot you twist innocent sentences into ****** innuendos and innocent actions are falsely given ****** meanings as morn noon and night you toil you troll and agitate for attention yes you twist turn  bite and nibble in Freudian throes you talk love you glaze unrequited love relentlessly you close your eyes and dream sweet pain yeah! get real, its no psyche warfare its a flutters obsession, it's the classic ' "The lady doth protest too much, methinks." its how you float your boats and and get yer thrills you better face it you're all addicted It's an ******** War-fare and you all know so.....
0
Jun 22, 2021
Jun 22, 2021 at 7:11 AM UTC
My pinky for a horse.....
Let's face it its more ******** warfare culturally they are used to faking it as thimbles and chipolatas in ninety seconds do not reach first base much less seeing stars on cloud nine hence they woke and fake the reality they chose be it feel or fright in woke solidarity against frustrations they cloned their made-up foe what better than sturdy shining Mandingo loaded and tied up there for the having to your heart's content presented to you the untamed beast the wild moor tooled hot and ready raw animalistic unfettered passion rock hard we can name him Rocky that goer that delivers every time the one that is all your men aren't and can never be cause he's gifted sleek like dolphin in rhythmic glide tasty like fresh clean mushroom Arabian stallion if ever there's one with absolute pedigree and class take a break from the mediocre from the wham bangs no can dos from the floppy quick-draws saps imagine the dark horse with the most in smooth soft pink leathery velvet tis your secret your guilty pleasure tis the obsession you made into a war the fantasy that plays in your heads tis behind fervours that haunts you that you so well disguise in hatred telling metaphors slip out Freud hold him down, grind him hard wear him out, let's wreck him so the sado masochistic 'punishing him' give him a hard time, it all says a lot you twist innocent sentences into ****** innuendos and innocent actions are falsely given ****** meanings as morn noon and night you toil you troll and agitate for attention yes you twist turn  bite and nibble in Freudian throes you talk love you glaze unrequited love relentlessly you close your eyes and dream sweet pain yeah! get real, its no psyche warfare its a flutters obsession, it's the classic ' "The lady doth protest too much, methinks." its how you float your boats and and get yer thrills you better face it you're all addicted It's an ******** War-fare and you all know so.....
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A star-crossed son was born To the father whom he would **** And to the mother whom he would kiss In incestuous, marital vow one day Welts upon his feet Found in the forest, a baby crying, He grew wise and wrong Unaware of a conspired world When Oracles did speak to him As drunken men and and as pretty women He took their words upon his heart Without eyes gouged and necks broken Open eyes looking, truly seeing, He did bear the revolting truth Without nary complaint To the Gods who cursed him Thus, it was Laius who lived And it was Polybus who died And it was Jocasta who did not see Her son at the bejewelled altar Rather, it was Merope, with her head turned, Who saw dear Oedipus at the altar Obeying the Will of the Gods But to what ends? He was meant to punish; to defy; to incite all evils Not adhere to this cruel destiny And now it is the wrong mother-wife Whom he kisses, unravelling, in linen sheets
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Jul 23, 2020
Jul 23, 2020 at 12:17 AM UTC
Oedipus Redux
Doctor, tell me: What do you believe of a woman who envies not the placement of the ******* sword but the expectation placed upon the glorified weapon to penetrate the holy blossom positioned between two soft mounds of rosy flesh that she would die to run her mouth over? Faceless textbooks whisper of specialized jealousy that I, for a lifetime, will never comprehend— instead: Red rouge cheeks plastered against a clear pane, staring at the winged angel behind the counter; Doctor, I hate being a consumer— I would much rather use my hands to create a small squeal from behind her silver tongue revealing what she thinks about my manner of exclaiming desire: writhing lust, ***** thirst, with weighty spit and heavy breathing again an instrumental soundtrack: her movements, mattress creaking— But Doctor, do you think I am sick? What is my diagnosis if I can only find beauty in this societal No-No, if I have never been an artist but I always find myself painting wonderful masterpieces (a protégé’s standard) with a cut lock of her hair as a brush, dipped in white crushed powder, fresh from a plastic orange bottle that fell off my desk— Must I confess to another sin, as if this is the church of my grandmother’s rosary-laden hands? Yes, I am reluctantly in love with my Escitalopram so I have flirted with Acceptance but he did not seem to like me. Look here— Just yesterday I tried to sell her portrait to a blonde woman in a pristine art gallery who peered at my matted hair and how it fell over the sweater I was wearing, stained with dark muck, and I was sent away with the canvas clutched loosely by my trembling fingers so that it barely escaped being dropped. I do not have nails anymore, Doctor— What do you make of that? I have plucked them off their respective beds and that makes me feel a little sick but all is well because it is infinitely better for my girl's fragrant little blossoms when she comes into my arms and allows me to pick them, one by one, as I roam her field— Doctor, I would sooner live in the crumbling pavements of Hell for an eternity than lose the dreams that I freely, frequently dream regarding her and how my nubbed hands are held so dear. Anyway, Doctor, you need not worry: I will always have my Escitalopram.
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Apr 19, 2016
Apr 19, 2016 at 9:40 PM UTC
Sicko Analysis
Doctor, tell me: What do you believe of a woman who envies not the placement of the ******* sword but the expectation placed upon the glorified weapon to penetrate the holy blossom positioned between two soft mounds of rosy flesh that she would die to run her mouth over? Faceless textbooks whisper of specialized jealousy that I, for a lifetime, will never comprehend— instead: Red rouge cheeks plastered against a clear pane, staring at the winged angel behind the counter; Doctor, I hate being a consumer— I would much rather use my hands to create a small squeal from behind her silver tongue revealing what she thinks about my manner of exclaiming desire: writhing lust, ***** thirst, with weighty spit and heavy breathing again an instrumental soundtrack: her movements, mattress creaking— But Doctor, do you think I am sick? What is my diagnosis if I can only find beauty in this societal No-No, if I have never been an artist but I always find myself painting wonderful masterpieces (a protégé’s standard) with a cut lock of her hair as a brush, dipped in white crushed powder, fresh from a plastic orange bottle that fell off my desk— Must I confess to another sin, as if this is the church of my grandmother’s rosary-laden hands? Yes, I am reluctantly in love with my Escitalopram so I have flirted with Acceptance but he did not seem to like me. Look here— Just yesterday I tried to sell her portrait to a blonde woman in a pristine art gallery who peered at my matted hair and how it fell over the sweater I was wearing, stained with dark muck, and I was sent away with the canvas clutched loosely by my trembling fingers so that it barely escaped being dropped. I do not have nails anymore, Doctor— What do you make of that? I have plucked them off their respective beds and that makes me feel a little sick but all is well because it is infinitely better for my girl's fragrant little blossoms when she comes into my arms and allows me to pick them, one by one, as I roam her field— Doctor, I would sooner live in the crumbling pavements of Hell for an eternity than lose the dreams that I freely, frequently dream regarding her and how my nubbed hands are held so dear. Anyway, Doctor, you need not worry: I will always have my Escitalopram.
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70
Quoth the Ego: "What's wrong with you; why aren't you more like me?" Quoth the Id: "What's wrong with me; why am I so unlike you?" Both seem like Shadow to me, but then again   that may perhaps be simply my own projection.
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Dec 24, 2015
Dec 24, 2015 at 10:32 PM UTC
Psychoanalogy
the first time you have mistaken me for her i knew it wasn't just a freudian slip i mean i was aware of it for a while now i just chose not to comment on it but if i said i didn't mind at all i would be lying but i guess pretending i don't know anything is still sort of — kind of — lying. like that time you made me breakfast in bed and i was surprised you knew how i liked my coffee when you didn't even like caffeine — but i realized that it was the only thing you knew how to brew because she was the one who taught you. and that time i was so sure i caught the first syllable of her name trapped between the intersection of your lips and my skin and throughout that whole night i wondered if you were closing your eyes because of pleasure, or because of the pleasure of imagining her. but the last straw was on the day of our wedding, and we were saying our vows, and i said i (my name) take thee (your name) as my lawfully wedded husband and you were supposed to say i (your name) take thee (my name) but instead of my name you said hers while we were at the altar and you were holding my hands and i knew — and i have always known that it wasn't just a slip of the tongue. {g.c.q}
0
Dec 23, 2015
Dec 23, 2015 at 4:59 AM UTC
i knew and you didn't
What is it within the realm of my Self that has the nerve to question the divinity of this current, fleeting moment? Is it not the vessel of Life, itself, that is used to navigate these, the occluded Seas of Death? Could it not be that a Mind and Body are the very salvation over which we so toil? Would it not be an act of pure mercy to have the capacity to look around and to think, and create while, all the time, being pulled under by the inevitable tide of change we, in English, chose to call "Death?" That, in itself, should inspire me to carry on and to turn an eye up from the ground, back from the past; to within my self; this current moment; and on, upward: to the skies and, likewise, the future. What is it about my Mind that so enjoys, or perhaps requires some selfish sense of 'overlooking' for the sake of ephemeral comfort? Alas, I know what word I would use, but I dare yet not to use it; for, t'is that a word, itself, isn't the concept, itself; and it's use would be to misdirect from the nature of the experience, and to mistranslate what I feel. I realize the necessity for names; for words: we use them to facilitate communication. I also understand their limit: there is a great realm beyond the transparent restraints of our Languages. I would identify the culprit as either "Ego," or "Id." But, better yet, I would argue "both and neither." Freud had some great ideas, but I tend towards Jung- I could sooner call it the Shadow, or at least one aspect of it. The Shadow is semi-subconscious. It is an amalgam of fears and repression. It can only hold so much pressure before it erupts. So, I implore you to study your Shadow. It has great potential for change. Failing to utilize it is to be utilized by it. Make it work for you or you will work for it. Use your Shadow to your advantage, or it will use you to that of it's own. Pick apart your Self; put it back together. Sometimes that's easier said than done, but, with a proper mindset, it'll come and leave before you even know it. It happens all the time. Refuse the shackles of thy Shadow; break the chains and share with the world the fleeting feeling of self-liberation. That is, if someone doesn't misinterpret what you've said; looking through the Shadow, everything looks darker. Realize where you're going. Realize what you're doing. Heed what you feed, external or internal. Seek Balance. Explore Ideas. Gain Understanding no matter how slow: at all is far better than so many. No one may escape these Seas; but you can start some ripples that will propagate ad infinitum. Ask. Practice. Learn. Grow.
0
Jan 10, 2015
Jan 10, 2015 at 7:08 AM UTC
Seas of Death
What is it within the realm of my Self that has the nerve to question the divinity of this current, fleeting moment? Is it not the vessel of Life, itself, that is used to navigate these, the occluded Seas of Death? Could it not be that a Mind and Body are the very salvation over which we so toil? Would it not be an act of pure mercy to have the capacity to look around and to think, and create while, all the time, being pulled under by the inevitable tide of change we, in English, chose to call "Death?" That, in itself, should inspire me to carry on and to turn an eye up from the ground, back from the past; to within my self; this current moment; and on, upward: to the skies and, likewise, the future. What is it about my Mind that so enjoys, or perhaps requires some selfish sense of 'overlooking' for the sake of ephemeral comfort? Alas, I know what word I would use, but I dare yet not to use it; for, t'is that a word, itself, isn't the concept, itself; and it's use would be to misdirect from the nature of the experience, and to mistranslate what I feel. I realize the necessity for names; for words: we use them to facilitate communication. I also understand their limit: there is a great realm beyond the transparent restraints of our Languages. I would identify the culprit as either "Ego," or "Id." But, better yet, I would argue "both and neither." Freud had some great ideas, but I tend towards Jung- I could sooner call it the Shadow, or at least one aspect of it. The Shadow is semi-subconscious. It is an amalgam of fears and repression. It can only hold so much pressure before it erupts. So, I implore you to study your Shadow. It has great potential for change. Failing to utilize it is to be utilized by it. Make it work for you or you will work for it. Use your Shadow to your advantage, or it will use you to that of it's own. Pick apart your Self; put it back together. Sometimes that's easier said than done, but, with a proper mindset, it'll come and leave before you even know it. It happens all the time. Refuse the shackles of thy Shadow; break the chains and share with the world the fleeting feeling of self-liberation. That is, if someone doesn't misinterpret what you've said; looking through the Shadow, everything looks darker. Realize where you're going. Realize what you're doing. Heed what you feed, external or internal. Seek Balance. Explore Ideas. Gain Understanding no matter how slow: at all is far better than so many. No one may escape these Seas; but you can start some ripples that will propagate ad infinitum. Ask. Practice. Learn. Grow.
Continue reading...
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