#fraynarte
My mother’s white, quiet patience sways,
tantalizing before me like a well-lit crystal chandelier in my grandmother’s house.
I never take a bite of it,
an ever so-careful child, my grandmother used to fondly describe me,
a picky eater;
I never grew bigger than I used to be — still so small and scrawny,
a shivering child left crying in our bahay kubo, awaiting my mother’s return.
She comes home and laughs at my innocent anxiety.
It is a promised heirloom, it seems,
my mother’s white, quiet patience — well-kept in my late grandmother’s bedroom
where my father can never find
for his hands to choke and tear like an old 90s letter —
I was in her womb and he was in Egypt
down with the mummified pharaohs; she sent him poems
and I got a tiny glass pyramid, a snow of gold dust
I spun it — turned it upside down
until it broke, bathing me golden like a tiny sun.
I hid in my late aunt’s room, next to my mother’s mute patience,
it spills like milk, drenches like tears, blinds like a ray of light.
I can never inherit my mother’s patience but I wear her skin now;
twenty years, I have grown bigger, taller
and her sorrows and regrets fit me well like a brown, fur coat,
a pocket full of resentment, of repressed aching, of fingers numb from writing poems;
my mother was a poet, I know this now;
my father — an ordinary man,
his chest is a hollow chamber in a pyramid far, far away in Giza.
Sometimes, I think he’s still there, lying next to pharaohs
for all of perpetuity.
Sometimes, I think I have inherited his mystery
his tendency to perplex the eye, like a pyramid of secrets and secrets,
the archaeologists have given up after unearthing empty chambers after empty chambers,
Maybe there is nothing here to see
but dead, young, unloving bones
next to earthworms burrowing on my mother’s poems.
I can never inherit my mother’s patience; sometimes I think
she has left her aching somewhere in our bahay kubo,
in my dollhouse, perhaps, and I have picked it up
like a spiral seashell,
like Barbie’s tiny suitcase looking pretty in glitter,
swallowed in a single gulp, it’s still here inside me,
growing and poking and tearing and disfiguring,
I refuse to spit it out.
How do I carry it when she herself has not?
I scratch my limbs at the injustice.
My mother’s white, quiet patience sits in Lola Glo’s room,
like a ghost that never haunts but I wish it did —
sometimes, I still wait for damning screams, for broken windows,
for love poems burning in hell for its sins,
taking me down with them.
Sometimes, I still wait for her to leave
like a Macedonian queen fleeing Egypt and never coming back.
Then, I would have nothing to carry, nothing to wear,
nothing to ache for at starless nights —
no poems to open and seal like a stone entrance to a pharaoh’s chamber.
My mother’s white, quiet patience is an unlit crystal chandelier,
a few feet on top of my head. I laugh and spin like a tornado,
like a mad girl, swinging and raising my arms like I was five —
I hit and shatter everything in sight
then blame it on the fairies.
I eat the fine, hand-cut, polished crystals, I bleed poison on my tongue,
and my mother is Cleopatra nowhere to be found.
Everything is an accident, even my intentional carelessness,
now paper-white and porcelain-clean.
Everything is forgiven, even my father’s loud, beer-laced cruelty,
even my hands, closed in a fist.
My mother’s smile was bright and comforting,
but everything is an earthworm feeding on her poems.
And every poem is a poem till it rots
beneath a far-off, sun-swept Egypt.
Mar 30, 2025
Mar 30, 2025 at 1:53 AM UTC
My love is the shape of canine teeth and claw marks
I leave around your neck,
the way I leave poems decaying in an unforgiving landfill —
the gods have turned away in disgust
as I sit and lick, like a rabid dog,
the maggots chipping away from the inside —
the entrails of my grief, all pulled out without mercy,
without a deathbed confession,
without a god to listen.
I long for something else to unfold;
something sacred and beautiful
when you turn my body inside out, but lo.
This is as deep and far as we go.
Tell me, I beseech, does my filth look better inside out,
uncovered, on display,
penetrating your very skin?
Take what you need, love, they are all yours —
my sins, my wounds, my impiety
in exchange for your darkened heart — I’ll spit it out
and swallow it back
down to my underbelly where no one can ever take it —
not you, not the gods, not their fallen, forsaken angels.
Forgive me — forgive me, forgive me, forgive me.
Forgive my unforgiving hands, forgive my unforgiving poems
if our sick, twisted, defilement is all they ever know.
Dec 13, 2022
Dec 13, 2022 at 9:41 PM UTC
Such a classic mortal blunder to lay
my spine as it erodes, graceless, inelegant
on Galatea’s cold, ivory arms;
such delicate carvings can never be human, look human,
feel human under my lonesome bones.
I long to see you flinch and break
into fine, liquid, rain of dust blinding me,
covering the walls of this room
in a blameless shade of white: a new asylum ward
for my kind of insanity,
you say.
It envelopes like light around my awe
and my forlorn limbs,
tangled with Galatea’s unmoving ones.
I look for comfort within brittle carcasses
scraped of everything they could ever give.
The quiet persists eerily.
But here, Pygmalion’s gifts remain untainted:
the apex of auger shells, the beak of a songbird
the blunted ceriths, the rusty chisels
all impaling my spinal bones.
Yet the sculptor’s kisses, long erased,
the careful carvings, long defaced,
long reduced into a Grecian ruin.
I bury my body on your arms yet they find no rest
against the ghostly pleas of mammalian tusks.
How many for your fingers?
How many for your hair?
Tell me, Galatea, were you carved to bear the weight of
all the sea salt I swallowed as I drowned?
Soften under my meandering thoughts; I long
to see you flinch and break — like all the dead elephants —
any reminder that you yield pliantly to the voice
of the love goddess, that you were once turned human.
Break now, your solid arms, under my own collapse
over the sea foam caught on fire.
I am no longer bending and weeping to pick myself up.
Here it all goes down and ends:
my bones,
and yours,
burning,
snapping.
Nothing —
nothing less glorious will last after us.
— Fray Narte
Dec 5, 2022
Dec 5, 2022 at 10:05 PM UTC
Find me tearing violets, my love,
in a manic daze; I am running out of softness and daylight,
like winter’s cruel hours
“but I will crown your hair with these torn violet tiaras
and your soft throat, twine with woven garlands”
and I will dig into my tongue for the remaining metaphors
beneath the bourbon, until odes drench my lips,
I will stitch my wounds shut and ready for your apricot kisses —
I ache to be kissed away,
to waste away before your sun-speckled eyes
like a tiny fae in your flower basket, I ache to settle
in your dainty hands,
in lithe fingers lost in my wind-blown hair.
My November, my gentlest love,
how I breathe you in like my grandmother’s letters —
how you consume me
in curious ways
and for the first time, I am not afraid of the softness
buried and warm inside my bone marrows.
Tell me, darling, will you stay?
Will we stay
this time
for more than a kiss?
Will we linger longer
than silhouettes in a dream?
Nov 11, 2022
Nov 11, 2022 at 11:28 PM UTC
Her eyes are sinkholes in a quiet, sleeping state
and I was a girl, lost and misplaced at twenty-one,
looking for love in infinitesimal spaces:
on her palm creases and chipped, ruby nails,
and in the blown-out ends of her lotus tattoo
I find myself tracing a secret,
at the spiked tips of her hair tamed by fairy lights
and on the slits of her skin — a rabbit hole of wonders,
I always fall like Alice in sworn careful tiptoes
and crash headfirst; a broken wishbone, a tainted wish
some habits you just can't quit.
like —
October and her obsidian eyes, and the sunless ways we kissed —
being lost and misplaced made sense for a while in the detached comfort
of her cold bed, colder hands,
warmth has become an oppression.
But this dalliance has always been a disaster waiting to happen
and I am a paramour, a memory, a face in the crowd
swallowed in a seismic fall —
and losing October has always been a disaster waiting to happen —
this bed, always a site of a losing battle
and I find myself in a soiled, torn dress,
lying helpless on the other side of her war.
Tonight, I light myself a candle;
maybe one day, I'll finally learn to run away from a girl made of disasters
and not towards her.
Oct 16, 2022
Oct 16, 2022 at 1:39 AM UTC
You still eat away at my chest
like a mole finding its way out of my body.
God, it’s been ten years now since you last wrote me a letter
sealed with a pressed, dead daisy
and a ghostly kiss mark,
yet they’re still dying under my thumb.
These days slip by and I can no longer write you poems,
my dearest, sweet September —
but still, I hope that you have in your chest
all my papercuts from unbridled letters,
all my quiet midnights,
and all of my unwritten words;
they are yours for missing.
Must you leave a girl then, darling,
whose only fault was being one?
Sep 20, 2022
Sep 20, 2022 at 9:43 PM UTC
My throat is heavy with August’s sorrows
I sit by the shore and wait for the weakest waves
to drown my little feet — I stagger over them like a clumsy giant.
But it’s seaborne sadness wraps, a constant, unrelenting embrace
like a mother’s grief,
a gentle creature’s death,
a rabid dog feasting on a poor, meatless bone.
I am alive — so cruelly alive for it all
as it falls
down my throat, down my chest like a child’s pained whisper.
My body is heavy with August’s weight as I retire to my filthy bed
and hold myself.
Cold are the nights in their quiet,
lackadaisical, taunting hours.
Come now, September. Come, kindly, if you please;
sweep me away into a million, invisible dust particles
suspended
under clueless, flickering lights.
Sep 1, 2022
Sep 1, 2022 at 1:19 AM UTC
I name all of my lovers after months now
and all roads lead to August and
the Roman cities we’ve burned —
how she walked on crumbling streets as I held the matches —
this poem is a page for burning at its tip:
a lone match, scalding — a firelit kiss
but the flames have always been a hypnotic sight
like a woman perched in your sunlit bed —
her hair, red as flames licking my neck,
red as love that bleeds on itself;
it leaves a stain on pretty things.
Now her skin has silk sheets burning away
like banners in a Roman cathedral,
her half-breath kisses, dying — now embers,
tainting my dress black where her lips had staked a claim.
Now her touch is wildfire crawling on my skin
and I am a wounded doe — waiting. waiting.
waiting.
The only world I know burns to the ground
before my very eyes
and we are no phoenixes, darling; all we do is burn.
Aug 25, 2022
Aug 25, 2022 at 6:26 AM UTC
I stick my fingers in my throat
and throw up a basket of swallowed suns;
under it, my tongue is parched and pinned in place
like a dried house moth on an entomologist’s hand
that nurses it back to life
and demands devotion in return,
a poem in return.
But I have purged the feeling being out of me
like a cold, cold man now averse to the ways of his younger lover
who is alive for all of it — the lust and the starving kisses
and the quiet deaths in the morning only to haunt at night.
I leave letters for my bitten nails without meaning a single word,
and go to lie with the superficiality, the hypocrisy nesting under my tongue.
I have started writing poems again — see where they take me this time
and find myself here, once more
where a fool unpacks her baggage and out I come rolling
like a dead body with a foaming mouth, a brown moth burning under the sun,
a leech that scurries under salt and needles,
slowly eroding like sanity.
She thinks, therefore, she is, they say,
but at what cost? She looks on and pens this poem
with a tiny smile on her lips.
Jul 18, 2022
Jul 18, 2022 at 8:24 PM UTC
my father pours his beer on my mother’s wounds.
i bet she rues the moment
god fashioned her out of his hollow ribs
and him, out of the twigs breaking
under her careless, tiny feet when she was fourteen.
hollow and broken, the walls fall
all over me like ancient, perishing twin cities
and lot’s wife never looks back; the angels never look back —
i crack like a lightless dawn that wants to disappear
but my brother has started to look like me —
wearing an all too familiar silence, an all too familiar sadness
wrapped around his neck like a cursed talisman.
my sister’s wrists are exposed; i check
for bitterness, and cigarettes, and boys —
maybe i hid them better and held them tighter away
until i was pale and white as a ghost i longed to be,
hollow and broken, the walls fall; the door flings open.
i no longer have to hide my wrists,
but i crouch to a cluttered corner of my room.
every sudden movement, every unchanging voice,
and i bow my head low for my father to pour his beer,
like a baptism of the heathen who accepts the words of god.
my mother’s wounds shine like biblical relics
kept in my body — too fragile and small
but i was not made for the word of god
who calls himself by my father’s name.
Jul 13, 2022
Jul 13, 2022 at 9:14 PM UTC
i still wait for my bed to dip beneath your weight —
70 days, 70 taunting moons still come and go
without a trace
the shape of your tiny body.
i know you are weightless now,
and the bed doesn’t dip — my heart does
until it resembles a blood-red, pink flesh quicksand;
i wish we had fallen here instead, within my reach;
you can reach for a rib, a branch, a lifeline,
i would’ve given you the whole cage —
warm enough to keep you home, each bone will bar the door
and keep death outside and eye to eye with me.
the first one to blink loses.
maybe he would’ve lost his patience
and taken my heart instead —
every dip, every beat, every pump that lasts,
no more now,
and all my angels will keep you safe,
and the bed will dip under your little pink paws,
and orange feet
as i watch from the other side:
you are all the living colors and the world is pale like a ghost.
Jul 11, 2022
Jul 11, 2022 at 1:40 AM UTC
“i set my deadfall hands on fire —
swallow the ashes,” i wrote and laughed
as these words turned black with rot
in two months,
i am no longer inside the skin
burning away vividly at the feet of the sun god.
i am not a body at the crematorium
with matchstick-fingers and gasoline;
my bones are whole, pure, pearly, quiet white.
i have been holding my breath, waiting
for the smoke to clear without choking.
i no longer want to write about the flames and the embers and live-coal hearts;
i put my poems down, my cigarettes and pitchfork
and step into a gentler flare,
and stick my tongue out to lick the sunbeams —
they’re warm against my taste buds,
like honeyed milk and hibiscus stews.
i am four years old once more,
sleeping soundly on my mother’s lap.
Jul 8, 2022
Jul 8, 2022 at 2:58 AM UTC
dearest stranger,
i am too abstract now for my own good. i feel and hold myself, in place, in my hands and i slip right through like sunlight, like tiny moth scales, like the delusions of a sauntering ghost, like all things unreal and untouchable, like a madwoman, laughing away in her free fall to an unsteady ground.
and all the flowers are cheering in their surreal, psychedelic scarlets, and all the rocks are breaking, and all the words are failing to capture what i truly feel.
am i still despairingly corporeal, like paper napkins and panes of glass? am i still in actual flesh, now that god doesn't exist? am i still as tangible as this last, frantic breath of a letter?
am i still actually here?
bidding my farewell now,
ginia
Mar 3, 2022
Mar 3, 2022 at 11:35 PM UTC
𝐼𝑓 𝐼 ℎ𝑎𝑣𝑒 𝑤𝑟𝑖𝑡𝑡𝑒𝑛 𝑖𝑡 𝑎𝑙𝑙 𝑜𝑢𝑡,
𝑎𝑛𝑑
𝑒𝑚𝑝𝑡𝑖𝑒𝑑 𝑚𝑦𝑠𝑒𝑙𝑓 —
𝑒𝑚𝑝𝑡𝑖𝑒𝑑 𝑚𝑦 𝑙𝑢𝑛𝑔𝑠 𝑜𝑓 𝑑𝑒𝑎𝑑 𝑟𝑜𝑠𝑒𝑠,
𝑒𝑚𝑝𝑡𝑖𝑒𝑑 𝑚𝑦 𝑡ℎ𝑟𝑜𝑎𝑡 𝑜𝑓 𝑒𝑙𝑒𝑔𝑖𝑎𝑐 𝑏𝑟𝑒𝑎𝑡ℎ𝑠,
𝑒𝑚𝑝𝑡𝑖𝑒𝑑 𝑚𝑦 𝑚𝑎𝑟𝑟𝑜𝑤𝑠 𝑜𝑓 𝑒𝑣𝑒𝑟𝑦𝑡ℎ𝑖𝑛𝑔
𝑡ℎ𝑒𝑟𝑒 𝑖𝑠 𝑡𝑜 𝑑𝑟𝑎𝑖𝑛 𝑎𝑛𝑑 𝑓𝑎𝑙𝑙,
𝑡ℎ𝑒𝑛
𝑤ℎ𝑦 𝑑𝑜𝑒𝑠 𝑖𝑡 𝑠𝑡𝑖𝑙𝑙 𝑓𝑒𝑒𝑙 𝑠𝑜 ℎ𝑒𝑎𝑣𝑦?
𝑊ℎ𝑦 𝑑𝑜 𝐼 𝑠𝑡𝑖𝑙𝑙 𝑓𝑒𝑒𝑙
𝑠𝑜 𝑒𝑥𝑐𝑟𝑢𝑐𝑖𝑎𝑡𝑖𝑛𝑔𝑙𝑦
𝒔𝒐𝒍𝒊𝒅?
Mar 2, 2022
Mar 2, 2022 at 3:07 AM UTC
when will the world quiet down into a throbbing, feeble ***** that i can so easily crush?
Mar 2, 2022
Mar 2, 2022 at 2:49 AM UTC
i spend my days sighing away, digging away at each layer of disillusionment. when will i get to the bottom of this? when do i get to see my bones, all bleached out to a lifeless tan? when do i get to poke them around like live coals, desperately reviving a dying fire? when do i get to see myself, in my highest, truest, most foolish form, and have the closure — both underwhelmed and overwhelmed?
i've lived longer than my younger self would've allowed; tell me, did she know me much better? did she live just long enough for me to inherit her despair? have i gone dancing too much with illusive lights, only to get home heavy, burning, and blinded? did she know it all along? did i know it all along?
tell me, was it all for this? tell me, in the name of all my splendid highs and in the drawn-out silence thereafter — is this it?
Mar 2, 2022
Mar 2, 2022 at 12:32 AM UTC
oh, to self-soothe like a wounded fawn. the hours are unmoving. the lights disorient. the city collapses on top of my head.
this world is too impatient with bewildered hearts like mine.
Feb 24, 2022
Feb 24, 2022 at 12:54 AM UTC
𝑡ℎ𝑒 𝑑𝑎𝑦𝑠 ℎ𝑎𝑣𝑒 𝑑𝑢𝑙𝑙𝑒𝑑 𝑚𝑦 𝑝𝑎𝑖𝑛 𝑡𝑜 𝑠𝑜𝑓𝑡𝑛𝑒𝑠𝑠. 𝑚𝑎𝑦𝑏𝑒 𝑡ℎ𝑖𝑠 𝑖𝑠 ℎ𝑜𝑤 𝑖𝑡 𝑠ℎ𝑜𝑢𝑙𝑑’𝑣𝑒 𝑎𝑙𝑤𝑎𝑦𝑠 𝑏𝑒𝑒𝑛.
Feb 23, 2022
Feb 23, 2022 at 11:04 PM UTC
i tire myself out. i bite on my heart and spit it out — press my fingers on the dents, the teeth marks, the parts that are supposed to hurt. and i watch as it breaks into a thousand glasses. dreams. futile daylights. i watch, ever so quietly. i watch, unfeeling.
Feb 23, 2022
Feb 23, 2022 at 9:15 PM UTC
in bed, shrinking to the smallest space my skin and bones will allow. in bed, with my sorrows growing, sprawling out in every direction, all for the world to see.
how can i go and fade quietly when my hurting is a loud, lurid spectacle under flashy, purple lights?
Feb 23, 2022
Feb 23, 2022 at 8:53 PM UTC
february is inside me like a cursed fetus. it eats away at my ribs, making a gap big enough for me to sink into a quicksand of motionless hours and crumbling bones. i hate myself for having written these words, but february beckons with ghostly arms and i shrink to myself like a well-trained beast — step into my hollow chest and crawl farther and farther than before never to be seen again.
Feb 12, 2022
Feb 12, 2022 at 5:29 AM UTC
someplace else, icarus has taken one look at the sun and recoils like a banished angel. lo, the cheerless shadows befogging. lo, the waxen wings he clipped — swallowed by solid ground. lo, the skies melt above the sea, in horror, as he falls in place over his bones and sinks into his sunless chest.
Feb 12, 2022
Feb 12, 2022 at 5:19 AM UTC
i disembody you in poetry:
thin scabs film over your bones,
i pick them until i find new skin to lay my kisses on —
a new land to baptize
with my own heathen hands,
i disembody you with them:
chest spread open like that of a dressed foul.
my body is too corrupted but it knows of intense longing,
piercing live-coal eyes, it burns
my neck like a crucifix,
like flames on a burning metal —
it heals, almost cleanses like holy fire
and with new bones,
i disembody you in poetry:
an attempt to see you, hold you, love you whole
without it consuming me:
a sight of pink lips, pink tongue,
pink columbines on your wrist;
i take apart your entirety,
press it, piece by piece on my fragile nail bed — hidden away
somewhere the world loses its sight.
and maybe now after all the cycles, it is the world's turn
to fumble far and wide, to despair in search for your hands —
your eyes
that unsettle and leave the cosmos
collapsing majestically
in its own harshest daylight
leaving us all disembodied
in blinding, vivid, solar colors.
forgive my compulsions to love you like this.
Feb 6, 2022
Feb 6, 2022 at 12:15 AM UTC
i can never love you the way i claim — delicately and without violence. i remember hating flowers and broken seashells, and my grandmother, hand-sewing pastel dresses. deep down, my bones are raised on stories of ancient wars and biblical battles carried from memory to memory, a string of generational blunders — i am made of my father's bitterness and my mother's denial. so i will love you with corruptions and apologies, with bled-out veins, giving in like an emptied river, with all the poems i have read and forgotten, and with everything that makes me finitely human.
Feb 6, 2022
Feb 6, 2022 at 12:05 AM UTC
i am sorry but my bones will always love you like hell, like it was war, like the world needs to end in the process, like the hand of god, taking you out of my ribs and now he needs to return it back where it rightfully belong. i will always love you, in godless sacrilege. i am sorry if i don’t know any other way.
Feb 5, 2022
Feb 5, 2022 at 11:56 PM UTC