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#disguises
Sometimes I watch the others, So comfortable in their skins Of whatever form they've chosen, Or miraculously been blessed with, And remain a passive observer Of the beauty before me. I view their spirit animal forms, Alongside the incarnations of gods, and goddesses, and other holy beings, Dance across their human flesh. When viewed closely I can see The smallest units of infinity Struggling to expand, sometimes succeeding, Other times dying and quickly vanishing, To be suddenly replaced by elements Of others, or the world around them. They are cloaked in visions My words can't comprehend, Which I have heard some call yugen. Other times I find myself Wanting to join in with the excitement; I flit between the disguises that I have made for myself, in An effort to seamlessly fit in Unzipping one skin as discreetly as possible, and hastily pulling on the next As I rush from group to group, Hoping nobody sees who lies within. I have no concept of my own beauty. Mirrors do nothing to help, being designed to only reflect a physical presence. I suppose that- to a piece of glass- An eyebrow is just an eyebrow, And lips are just lips. If you could see beneath the reflections Of your own selves I had tried to create, I am afraid of what you might see The bitterness that lies beneath. My multiple façades sometimes breaks free, And slowly breaks whoever is before me, Causing mouths to form wide O's of horror, Or else silences them completely. This skin I inhabit is not my home- I appreciate it's gloriousness and accept, As I do in others, the meanest emotions it conceals, And treat it as I would any other. I Wish it no harm, and would be loath To abandon it on some distant kerb Like an unloved pet. My Celtic forefathers had a word to describe this; "Hiraeth"- a longing for a home that never was, Or a place one can only recall in distant Memories; unrecountable to those who Never knew of its existence to begin with. Maybe the skins I wear are part Of my journey home; pupating like A moth who longs to search for the light, Yet lacking the wings to do so. Perhaps they are only walls of my Own devising, covering the window To my own soul, that writhes inside Like some contorted navel. All I know is that the parts of you I have stolen, or borrowed, or bought, Or acquired through other means Are the closest to home I have ever been, Enabling me, in those brief moments, To view the homes you keep within yourselves, Until you reach out and touch me, Causing me to run away, tail between legs, Before my true self can be seen.
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May 23, 2016
May 23, 2016 at 12:28 PM UTC
Hiraeth
Sometimes I watch the others, So comfortable in their skins Of whatever form they've chosen, Or miraculously been blessed with, And remain a passive observer Of the beauty before me. I view their spirit animal forms, Alongside the incarnations of gods, and goddesses, and other holy beings, Dance across their human flesh. When viewed closely I can see The smallest units of infinity Struggling to expand, sometimes succeeding, Other times dying and quickly vanishing, To be suddenly replaced by elements Of others, or the world around them. They are cloaked in visions My words can't comprehend, Which I have heard some call yugen. Other times I find myself Wanting to join in with the excitement; I flit between the disguises that I have made for myself, in An effort to seamlessly fit in Unzipping one skin as discreetly as possible, and hastily pulling on the next As I rush from group to group, Hoping nobody sees who lies within. I have no concept of my own beauty. Mirrors do nothing to help, being designed to only reflect a physical presence. I suppose that- to a piece of glass- An eyebrow is just an eyebrow, And lips are just lips. If you could see beneath the reflections Of your own selves I had tried to create, I am afraid of what you might see The bitterness that lies beneath. My multiple façades sometimes breaks free, And slowly breaks whoever is before me, Causing mouths to form wide O's of horror, Or else silences them completely. This skin I inhabit is not my home- I appreciate it's gloriousness and accept, As I do in others, the meanest emotions it conceals, And treat it as I would any other. I Wish it no harm, and would be loath To abandon it on some distant kerb Like an unloved pet. My Celtic forefathers had a word to describe this; "Hiraeth"- a longing for a home that never was, Or a place one can only recall in distant Memories; unrecountable to those who Never knew of its existence to begin with. Maybe the skins I wear are part Of my journey home; pupating like A moth who longs to search for the light, Yet lacking the wings to do so. Perhaps they are only walls of my Own devising, covering the window To my own soul, that writhes inside Like some contorted navel. All I know is that the parts of you I have stolen, or borrowed, or bought, Or acquired through other means Are the closest to home I have ever been, Enabling me, in those brief moments, To view the homes you keep within yourselves, Until you reach out and touch me, Causing me to run away, tail between legs, Before my true self can be seen.
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Somewhere is a coward still in the closet , or laying next to you in the bed. The biggest cowards are disguised in uniform Powerful cowards on pedal stools,hidden in congress. Most cowards often promise to be lovers but will run when you sing their name cowards holding hands rubbing their" happiness" in your face cowards who were supposed to be parents cowards who promised to be friends careless cowards who wanted commitment but never saw it through till the end cowards buying flowers cowards falling in love there are cowards 6 feet under yet some cowards make it above I see a coward in the mirror There is a coward in all of us
0
Nov 10, 2014
Nov 10, 2014 at 3:33 PM UTC
cowards
Some disguises aren't meant to be revealed Some thoughts aren't meant to be spared Some beasts aren't meant to be chaotic Some evenings aren't meant to be charming Some paintings aren't meant to be catchy Some belongings aren't meant to be buried Some flowers aren't meant to be favourites Some incidents aren't meant to be happening Some people aren't meant to be suffering
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May 31, 2019
May 31, 2019 at 9:40 AM UTC
Some of them
Entering the room, you'd notice the faces are young hopefuls, or old amateurs. Each know a handful of material, and are desperate to play the entirety of it. Eager to play jazz. Frantic cacophony in sweet harmony, confidence and innocence as common bedfellow. What they lack in form, meter, and style they fill with a pain hidden under confidence. Innocence.
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Jul 19, 2015
Jul 19, 2015 at 9:07 PM UTC
"Samurai Bandit."
Who am I? Who should I be? What makes me me, what do others see? Who am I? A broken man? Shattered and weak, unable to stand? Who am I? Lost and alone? Have I misplaced the light that You have shown? Who am I? Just a small, dreary soul? Have I given up hope; have I lost all control?
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Feb 11, 2014
Feb 11, 2014 at 4:27 AM UTC
A Man Wearing Faces Stolen From The Crowd
Fall is having something of a moment - in Paris - from what I hear. Me? I’m enjoying some large-group foundational instruction, small-group clinical tutorials, and what they call ‘dense-coursework’ because endless memorization and scientific concept acquisition isn’t dense at all. Peter’s in Paris for goods, Woot! And lucky him, he’s adjusting to waking up to ‘Betty (Get Money) by Yung Gravy,’ blasting from my Sonos One speaker at 6am right after Charles and I finish our morning 5k. I’m trying to be present for him, to atone for endless studies. My diary charts my intentions, anyway, like satirical epistolaries. Now that Peter’s in Paris, he seems “S” obsessed! I didn’t tell him, “Wait, isn’t that what A.I. is for?” No, I go to minimal lengths to discourage him, for we’re each other’s raw materials, are we not? Shakespeare, a man who obviously spent a lot of his time on the Internet. Wrote about that very specific, emotional-space and little else. He disguised it, of course, with ****** allusions, drunken sword fights, mistaken identities and sick-burns - but it’s all there. ****** gender-bending, sneaking around, and jesters spilling blunt truths about “appetites.” But he presented it all as real, human and normal - signaling pleasures full of breathing, tasting, feeling, and the overt-expression of ****** actions - he was a man ahead of his time - made for social media. Of course, you can’t trust what a poet writes of love. Not because of dissimulation, but because love is so exciting - that the happening is all-consuming - and in the after-pauses, much is forgotten. . . Songs for this: Betty (Get Money) by Yung Gravy [E] Man I Need by Olivia Dean Bad Dreams by Teddy Swims . Yung Gravy = uhh he’z SO g.d cute and funny. talking to Peter “If I didn’t have you, I’d stalk him to prove my love.”
0
Oct 3, 2025
Oct 3, 2025 at 9:44 AM UTC
moments
Fall is having something of a moment - in Paris - from what I hear. Me? I’m enjoying some large-group foundational instruction, small-group clinical tutorials, and what they call ‘dense-coursework’ because endless memorization and scientific concept acquisition isn’t dense at all. Peter’s in Paris for goods, Woot! And lucky him, he’s adjusting to waking up to ‘Betty (Get Money) by Yung Gravy,’ blasting from my Sonos One speaker at 6am right after Charles and I finish our morning 5k. I’m trying to be present for him, to atone for endless studies. My diary charts my intentions, anyway, like satirical epistolaries. Now that Peter’s in Paris, he seems “S” obsessed! I didn’t tell him, “Wait, isn’t that what A.I. is for?” No, I go to minimal lengths to discourage him, for we’re each other’s raw materials, are we not? Shakespeare, a man who obviously spent a lot of his time on the Internet. Wrote about that very specific, emotional-space and little else. He disguised it, of course, with ****** allusions, drunken sword fights, mistaken identities and sick-burns - but it’s all there. ****** gender-bending, sneaking around, and jesters spilling blunt truths about “appetites.” But he presented it all as real, human and normal - signaling pleasures full of breathing, tasting, feeling, and the overt-expression of ****** actions - he was a man ahead of his time - made for social media. Of course, you can’t trust what a poet writes of love. Not because of dissimulation, but because love is so exciting - that the happening is all-consuming - and in the after-pauses, much is forgotten. . . Songs for this: Betty (Get Money) by Yung Gravy [E] Man I Need by Olivia Dean Bad Dreams by Teddy Swims . Yung Gravy = uhh he’z SO g.d cute and funny. talking to Peter “If I didn’t have you, I’d stalk him to prove my love.”
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