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#delving
Radiance by Michael R. Burch for Dylan Thomas The poet delves earth’s detritus—hard toil— for raw-edged nouns, barbed verbs, vowels’ lush bouquet; each syllable his pen excretes—dense soil, dark images impacted, rooted clay. The poet sees the sea but feels its meaning— the teeming brine, the mirrored oval flame that leashes and excites its turgid surface ... then squanders years imagining love’s the same. Belatedly he turns to what lies broken— the scarred and furrowed plot he fiercely sifts, among death’s sicksweet dungs and composts seeking one element that scorches and uplifts. Keywords/Tags: poet, words, delving, farming, sea, moon, tides, love, metaphor, earth, roots, plot, radiance, pitchblende, uranium
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Apr 9, 2020
Apr 9, 2020 at 4:41 AM UTC
Radiance, for Dylan Thomas
Writing is like jumping into a deep mountain lake to find some tiny piece of my soul submerged and floating there an immersive brooding wistful prayer or a flight into the blue thin air. It is a cinematic journey recording the fruits of noticing what is right in front of the eyes and finding what is deeper unseen underneath. Writing is looking into an old man’s eyes and discovering the person there just as much a spiritual venture digging toward his center as a physical sensation. It is a magical mystery tour taking the visible threads in hand and feeling my way to the roots or pausing and squeezing the fruit for its juice. It is fun it is a morning run or an evening rest pain, joy, and dreams expressed. Writing is moving, grooving, including taking a moment in time exploding it in rhythm and rhyme finding in the ordinary the sublime.
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Jul 13, 2019
Jul 13, 2019 at 12:11 PM UTC
Writing is diving
***extending thought and delving into intent (where the poems come from)*** *when I was younger, say five years ago, the summer poems breezed by ripe for plucking, airborne from the compost fat of sun, water and soiled nature and its intersecting creatures then winter poet soldiered on, past the easy season, seeing rhymes-in-city-fireplaces snap cracking pops, the wet dog smell of humans in overheated buses, the seasonal wet sock torture that debated suicide alternately and the early afternoon dark that closed doors, a jailing of the populace; when by the glow of reruns, we perform surgery upon ourselves and poems entitled all sad words begin with a D get composed now they don’t come that way now, wait for you to ***** my eyes into seeing what it’s that ails us all, what repeatedly fails us all, and what makes living more than just mere presentable, oh! your scrappy hints, chocolate covered mints and oatmeal raisin clues read now a word that exact interrupts* soloduo *and its timed arrival perfect, making my point too well, the poems come from you and we transmigrate into a duo, you are equally responsible for the fat places in the messages and texts, in the storied themes underlying all your writings, saying, see man, what the babies can’t say outright or keep in the studio crevices artfully partially hidden, the list so credibly lengthy, god sent B12 shots of extra strong caffe inspiration that’s why you co create the paintings we paint, I, paint, you, hang them in the place where they can’t be missed, in the exact spot when you walk in the door, or overhead, in bed-overhead ceiling, cursing that prayerful *********** you let slip making you mark, verified your, Hancock signatory in the lower corner so many pins becoming dagger stories, change is gonna come, and in every letter is the risk, that what will be brought, what needing saying, the penultimate penury, when you can’t pay the bills with monthly unsocial  insecurity for what is for the best, or worse, reliving the worst twice more, it cannot be helped in prevented, only reverted, what you tell me is the what, of the wherefore and where the poems come from so you force me to live in every season, “breathe the air, drink the drink, taste the fruit, and resign yourself to the influence of the earth.” (Henry David Thoreau, Walden)* and its inhabitants that inhabit my every seeing, which is why I am, is where you are... 1:33 pm April 6, 2019
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Apr 6, 2019
Apr 6, 2019 at 2:06 PM UTC
“extending thought and delving into intent” (where the poems come from)
***extending thought and delving into intent (where the poems come from)*** *when I was younger, say five years ago, the summer poems breezed by ripe for plucking, airborne from the compost fat of sun, water and soiled nature and its intersecting creatures then winter poet soldiered on, past the easy season, seeing rhymes-in-city-fireplaces snap cracking pops, the wet dog smell of humans in overheated buses, the seasonal wet sock torture that debated suicide alternately and the early afternoon dark that closed doors, a jailing of the populace; when by the glow of reruns, we perform surgery upon ourselves and poems entitled all sad words begin with a D get composed now they don’t come that way now, wait for you to ***** my eyes into seeing what it’s that ails us all, what repeatedly fails us all, and what makes living more than just mere presentable, oh! your scrappy hints, chocolate covered mints and oatmeal raisin clues read now a word that exact interrupts* soloduo *and its timed arrival perfect, making my point too well, the poems come from you and we transmigrate into a duo, you are equally responsible for the fat places in the messages and texts, in the storied themes underlying all your writings, saying, see man, what the babies can’t say outright or keep in the studio crevices artfully partially hidden, the list so credibly lengthy, god sent B12 shots of extra strong caffe inspiration that’s why you co create the paintings we paint, I, paint, you, hang them in the place where they can’t be missed, in the exact spot when you walk in the door, or overhead, in bed-overhead ceiling, cursing that prayerful *********** you let slip making you mark, verified your, Hancock signatory in the lower corner so many pins becoming dagger stories, change is gonna come, and in every letter is the risk, that what will be brought, what needing saying, the penultimate penury, when you can’t pay the bills with monthly unsocial  insecurity for what is for the best, or worse, reliving the worst twice more, it cannot be helped in prevented, only reverted, what you tell me is the what, of the wherefore and where the poems come from so you force me to live in every season, “breathe the air, drink the drink, taste the fruit, and resign yourself to the influence of the earth.” (Henry David Thoreau, Walden)* and its inhabitants that inhabit my every seeing, which is why I am, is where you are... 1:33 pm April 6, 2019
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