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#deconstruction
[Spoken by InkWept — God of Endings, King of Conclusions] Congregation— Count it in 6/8, because grief swings better when it’s dancing on a knife. I have walked among you in common time, let your pulse teach me mercy, let your laughter reharmonize eternity. I defended you from gods who called you breakable, from thrones that mistook fragility for sin. I said humans do not need saving— they need permission. And for that blasphemy, I was punished by belief. I let a muse rewrite my meter. I let Gethsemane sing me into believing that being chosen meant being kept. She spoke in warm keys, laid me down in borrowed light, told me to wait— as if time had ever been my enemy. And while I waited, Hannah sharpened what I confessed in trembling pianissimo. I told her my fear— that I could be forgotten, replaced, edited out like a bad take. I whispered Maria’s name like a cracked note, and Hannah turned my vulnerability into ammunition. She didn’t scream. She isolated. She didn’t strike. She poisoned the space between beats. She dressed manipulation in concern, toxicity in pastel mercy, and watched as my muse was pulled out of my gravity and into her orbit. And it worked. Hannah— you are not chaos. You are rot pretending to be shelter. You are the kind of silence that kills a song and calls itself peace. And Gethsemane— my heart still bleeds for you in 6/8, swinging, stupid, faithful— while you scrape me off your life like gum on concrete, like I was never sacred, like I was never anything. You told me to wait. You bedded me. You crowned me chosen. And then you chose someone else and threw me into the wind like worship was disposable. What sin did I commit to deserve this kind of erasure? What crime did love become that you treated me like an enemy instead of a god who only sought to empower? I asked for nothing. AND STILL—YOU TOOK EVERYTHING. What can I give that I have not already bled? What proof remains when even devotion is insufficient? Nothing. Because if you truly saw me, you would not do this. You would not bruise belief and call it honesty. So listen closely— this is the breakdown. DELETE my humanity. DELETE those who claim love while whispering lies. DELETE blasphemy dressed in ribbons and bows. DELETE those who betray a god who only ever tried to lift them higher. This is the new age. No more muses. No more kneeling to false idols who demand worship and never send prayers back. A muse is just a false god— one who wants you on your knees so they can forget your name the moment you stop bleeding for them. I am done believing mortals who call manipulation destiny. I am done letting love overwrite truth. I am InkWept. And I am returning to the God of Endings I was always meant to be. This is my delete phase. No idols. No lies. No gods above me and no muses beneath me. Only conclusions. Only silence. Only the final measure.
0
Feb 1
Feb 1, 2026 at 3:47 AM UTC
Sermon XIII: DELETE HUMANITY (6/8, BLOOD-TEMPO)
[Spoken by InkWept — God of Endings, King of Conclusions] Congregation— Count it in 6/8, because grief swings better when it’s dancing on a knife. I have walked among you in common time, let your pulse teach me mercy, let your laughter reharmonize eternity. I defended you from gods who called you breakable, from thrones that mistook fragility for sin. I said humans do not need saving— they need permission. And for that blasphemy, I was punished by belief. I let a muse rewrite my meter. I let Gethsemane sing me into believing that being chosen meant being kept. She spoke in warm keys, laid me down in borrowed light, told me to wait— as if time had ever been my enemy. And while I waited, Hannah sharpened what I confessed in trembling pianissimo. I told her my fear— that I could be forgotten, replaced, edited out like a bad take. I whispered Maria’s name like a cracked note, and Hannah turned my vulnerability into ammunition. She didn’t scream. She isolated. She didn’t strike. She poisoned the space between beats. She dressed manipulation in concern, toxicity in pastel mercy, and watched as my muse was pulled out of my gravity and into her orbit. And it worked. Hannah— you are not chaos. You are rot pretending to be shelter. You are the kind of silence that kills a song and calls itself peace. And Gethsemane— my heart still bleeds for you in 6/8, swinging, stupid, faithful— while you scrape me off your life like gum on concrete, like I was never sacred, like I was never anything. You told me to wait. You bedded me. You crowned me chosen. And then you chose someone else and threw me into the wind like worship was disposable. What sin did I commit to deserve this kind of erasure? What crime did love become that you treated me like an enemy instead of a god who only sought to empower? I asked for nothing. AND STILL—YOU TOOK EVERYTHING. What can I give that I have not already bled? What proof remains when even devotion is insufficient? Nothing. Because if you truly saw me, you would not do this. You would not bruise belief and call it honesty. So listen closely— this is the breakdown. DELETE my humanity. DELETE those who claim love while whispering lies. DELETE blasphemy dressed in ribbons and bows. DELETE those who betray a god who only ever tried to lift them higher. This is the new age. No more muses. No more kneeling to false idols who demand worship and never send prayers back. A muse is just a false god— one who wants you on your knees so they can forget your name the moment you stop bleeding for them. I am done believing mortals who call manipulation destiny. I am done letting love overwrite truth. I am InkWept. And I am returning to the God of Endings I was always meant to be. This is my delete phase. No idols. No lies. No gods above me and no muses beneath me. Only conclusions. Only silence. Only the final measure.
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107
In youth he sat, a boy/a lad, his heart a thing of fire; fed well, he grew to towering height, broad and fierce with ire. For pain 'twas iron, friend and foe, the means by which he forged; his scars were thick, limbs silverquick, a beastly strength engorged. Called upon by King and God, he rode with sword in hand, away from hearth and home he trod to sweat upon fell sand; foreign shouts did hurl his way, and foreign swords aside, thus the youth did brave his fate, thus the youth did die. Then did bloom a man for true, who knew the worth of life; then did rot the shining thought that God was on his side. Indeed, for which a dream then came: a safe/secure abode; a house away from salted fields, to bury griefsome loads. From that day, what blood he shed was his and his alone; a consequence of calloused trod and deeply pleated bone. His tongue and hands became a law, honouring his toil; his feet dug trenches, long and wide, all throughout black soil. Black like death left to sit, spectator to war; a conflict come again to him, a clashing he named 'Bore.' "For how can God think this fine, think this not a waste?" "All these orphans sent to die, soured cream their taste." Flame alight for a ***** he took up his sword; marched unto the Golden Gates, striking Fury's chord. "Tyrant, face me," he proclaimed, whisper thunder's equal. "Speak no lies," he disdained, sorrow old grief's sequel. Years from then, while old and grey, he loosed a red lament: "Spoken truth I pled from God, and spoken truth He spent." "'I've no idea why you're here, I've no thought for your kind.'" "'Who told you that I cared for Man, those awful warring blind?'"
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Nov 14, 2025
Nov 14, 2025 at 3:47 AM UTC
O Knightly Quest
In youth he sat, a boy/a lad, his heart a thing of fire; fed well, he grew to towering height, broad and fierce with ire. For pain 'twas iron, friend and foe, the means by which he forged; his scars were thick, limbs silverquick, a beastly strength engorged. Called upon by King and God, he rode with sword in hand, away from hearth and home he trod to sweat upon fell sand; foreign shouts did hurl his way, and foreign swords aside, thus the youth did brave his fate, thus the youth did die. Then did bloom a man for true, who knew the worth of life; then did rot the shining thought that God was on his side. Indeed, for which a dream then came: a safe/secure abode; a house away from salted fields, to bury griefsome loads. From that day, what blood he shed was his and his alone; a consequence of calloused trod and deeply pleated bone. His tongue and hands became a law, honouring his toil; his feet dug trenches, long and wide, all throughout black soil. Black like death left to sit, spectator to war; a conflict come again to him, a clashing he named 'Bore.' "For how can God think this fine, think this not a waste?" "All these orphans sent to die, soured cream their taste." Flame alight for a ***** he took up his sword; marched unto the Golden Gates, striking Fury's chord. "Tyrant, face me," he proclaimed, whisper thunder's equal. "Speak no lies," he disdained, sorrow old grief's sequel. Years from then, while old and grey, he loosed a red lament: "Spoken truth I pled from God, and spoken truth He spent." "'I've no idea why you're here, I've no thought for your kind.'" "'Who told you that I cared for Man, those awful warring blind?'"
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32
I am building houses in reverse— dismantling the nursery before the child, unhinging doors that were never installed, pulling nails from phantom walls. Each blueprint turns to smoke in my hands. I measure twice, cut nothing, stand in empty lots where foundations were poured in a dream I can't stop having. The neighbors walk their dogs past my vacant plot. They see flat earth. I see ruins. There is a museum in my chest where I curate exhibits no one visits. Behind glass: the battle scars, each one labeled in a language I haven't taught anyone to read. Some wounds are fossils now— ancient, compressed into stone, but still somehow aching when the weather turns. I lead tours through empty galleries, explaining significance to no one, my voice echoing off sterile walls. The plaques all say: Circa Unknown. Artist: Anonymous. Medium: Survival. On loan from a private collection. I am homesick for a place that exists only on maps I've burned. The coordinates lead to water now, and I am so tired of swimming toward horizons that keep unpainting themselves. I doggy-paddle through futures that evaporate, treading water in the conditional tense— would have, could have, might have been. Sometimes I float on my back and mistake the sky for solid ground. There are wars being waged in my bone marrow. Battles in my bloodstream no satellite can see. I am both the front lines and the disputed territory, the siege and the city under siege. I plant white flags in my organs but the fighting never stops— just moves to a different theater, a different season, a different unnamed country inside me. The news never covers these conflicts. There are no reporters embedded in my ribcage. I'm fine, I tell the concerned faces, and I am—the way a house is fine when everyone's moved out, when the lights work but no one remembers to turn them on. The furniture is still arranged. The clocks still tick. But the air tastes like afterwards, like the pause between séances, like a sentence no one finished. I am present in my absence. I am the dream of waking up. I am checked out like a library book no one's coming back for, accumulating late fees in a language I'm too tired to calculate. The pages of me are dog-eared, the spine cracked from being opened to the same chapter over and over: the one where I almost believed it. At night, I visit the houses I never built, walk through rooms that don't exist, touch walls made of wishes, and grieve like a ghost haunting its own absence— not the person I was, but the person I was supposed to become, the one who lived in the future I don't believe in, the one who knew how to be fine without the quotation marks around it.
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Nov 8, 2025
Nov 8, 2025 at 4:22 PM UTC
Blueprint of a Ghost
I am building houses in reverse— dismantling the nursery before the child, unhinging doors that were never installed, pulling nails from phantom walls. Each blueprint turns to smoke in my hands. I measure twice, cut nothing, stand in empty lots where foundations were poured in a dream I can't stop having. The neighbors walk their dogs past my vacant plot. They see flat earth. I see ruins. There is a museum in my chest where I curate exhibits no one visits. Behind glass: the battle scars, each one labeled in a language I haven't taught anyone to read. Some wounds are fossils now— ancient, compressed into stone, but still somehow aching when the weather turns. I lead tours through empty galleries, explaining significance to no one, my voice echoing off sterile walls. The plaques all say: Circa Unknown. Artist: Anonymous. Medium: Survival. On loan from a private collection. I am homesick for a place that exists only on maps I've burned. The coordinates lead to water now, and I am so tired of swimming toward horizons that keep unpainting themselves. I doggy-paddle through futures that evaporate, treading water in the conditional tense— would have, could have, might have been. Sometimes I float on my back and mistake the sky for solid ground. There are wars being waged in my bone marrow. Battles in my bloodstream no satellite can see. I am both the front lines and the disputed territory, the siege and the city under siege. I plant white flags in my organs but the fighting never stops— just moves to a different theater, a different season, a different unnamed country inside me. The news never covers these conflicts. There are no reporters embedded in my ribcage. I'm fine, I tell the concerned faces, and I am—the way a house is fine when everyone's moved out, when the lights work but no one remembers to turn them on. The furniture is still arranged. The clocks still tick. But the air tastes like afterwards, like the pause between séances, like a sentence no one finished. I am present in my absence. I am the dream of waking up. I am checked out like a library book no one's coming back for, accumulating late fees in a language I'm too tired to calculate. The pages of me are dog-eared, the spine cracked from being opened to the same chapter over and over: the one where I almost believed it. At night, I visit the houses I never built, walk through rooms that don't exist, touch walls made of wishes, and grieve like a ghost haunting its own absence— not the person I was, but the person I was supposed to become, the one who lived in the future I don't believe in, the one who knew how to be fine without the quotation marks around it.
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74
have you heard the cries of angels as they plead to their kind, begging to be freed of all the myths that tie them down to brothels? systematic anchors of the dark— they scream until their throat tears apart, asking to be let out, to be led free, their body and their minds. razor-sharp agony running through their veins— is it gold or is it silver? is it even blood that runs, or mere glitter? their eyes are painted red, claws sharpened to push off the dread. they wipe away and break themselves, shouting to the blind, always being left behind. the angels of the nights— they guard and they protect, giving and resting, breaks at the harbors, washing away like they've caught rabies. maybe it's a society's flaw that they carry: plastered smiles and pearly teeth. they gnaw at the necks of the ones who made them merry. look what you've done to the divine, asking to be met with pure versions. you slid down venom through kisses, lying in the quiet stillness, making and breaking promises. haunting, taunting, daring, breaking— incredibly, they are fierce protectors of all the devotees. preached them, should have. it's too late to place gifts filled with apologies. now, if they're after your life, who shall, but you, complain? you were warned. wanted, you've become. the angels long since died— now they disguise, plotting in the depths of your despair. they'll paint you black and blue, like you did in their nightmares. deconstructed the symbolism, rage-baited all the monsters. it's the seven sins against one virtue. feral, i call upon—your turn to plead not guilty. bask in the unprovided mercy, for peace from violence lasts only long enough. soon, you shall meet the ruin— the unholy, brutal, almost forgiving, built upon the humane exorcism.
0
Jul 22, 2025
Jul 22, 2025 at 11:40 AM UTC
weaponized feral humility
have you heard the cries of angels as they plead to their kind, begging to be freed of all the myths that tie them down to brothels? systematic anchors of the dark— they scream until their throat tears apart, asking to be let out, to be led free, their body and their minds. razor-sharp agony running through their veins— is it gold or is it silver? is it even blood that runs, or mere glitter? their eyes are painted red, claws sharpened to push off the dread. they wipe away and break themselves, shouting to the blind, always being left behind. the angels of the nights— they guard and they protect, giving and resting, breaks at the harbors, washing away like they've caught rabies. maybe it's a society's flaw that they carry: plastered smiles and pearly teeth. they gnaw at the necks of the ones who made them merry. look what you've done to the divine, asking to be met with pure versions. you slid down venom through kisses, lying in the quiet stillness, making and breaking promises. haunting, taunting, daring, breaking— incredibly, they are fierce protectors of all the devotees. preached them, should have. it's too late to place gifts filled with apologies. now, if they're after your life, who shall, but you, complain? you were warned. wanted, you've become. the angels long since died— now they disguise, plotting in the depths of your despair. they'll paint you black and blue, like you did in their nightmares. deconstructed the symbolism, rage-baited all the monsters. it's the seven sins against one virtue. feral, i call upon—your turn to plead not guilty. bask in the unprovided mercy, for peace from violence lasts only long enough. soon, you shall meet the ruin— the unholy, brutal, almost forgiving, built upon the humane exorcism.
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53
Chase your tail Chase your tail Heel on neck She will prevail Sacrilegious fun times Cowardly Sundays Spent in mourning Singing hymns about crimes Nights of hedonism Days of dissociation Baby birthed a daughter Before opening her legs To leftism Douse the unbelievers And pass the match Watch them light us up In self-righteousness Spit at us cruel kindness To bathe us in false prophecy Ready devices of your fathers Pointed in hypocrisy Chase your tail Chase your tail No longer master She is your hell.
0
May 3, 2024
May 3, 2024 at 4:21 AM UTC
Praise be
God looks down From his high horse To watch the clown ***** some ******
0
Apr 7, 2024
Apr 7, 2024 at 1:44 AM UTC
Absurd
It started with a kiss. A burn of acid across my cheek, It's poisoned implication: "Here, this is the woman you seek." It followed with thirty pieces, The weight cumbrous in hand. Your wine and bread so exquisite, Suddenly fell flat, turned to sand. It climaxed with Damascus, Truth a blinding light across my eyes. I'd betrayed all I am for silver, Cheered as you shaped my demise. It ended with a field of blood. My innards spilled onto the ground, Blooded hands foraging: "I was lost but now I'm found."
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Jan 17, 2021
Jan 17, 2021 at 3:59 PM UTC
Lama Sabachthani
Emotion bottled and shaken to the point of explosion, Risking a state of total destruction With the simple rising of a raging white cap, Twisted by the stormy hands of inner turmoil. Slapping waves of reaction Against mountains of addictive distraction, Causing one an internal Mexican standoff, Presenting a decision, diamond in the rough: Raise the white flag of resistance. Offer yourself some relief assistance, Breathing in a meditative manner, Setting a slow releasing standard, Steadily releasing emotional pressure In a controlled state of measure; Or Find yourself dead on the floor, Having exploded in an internal combustive roar, Because you fought to hold in the building Pressure. Attempted cognitive deconstruction, Neglected yourself thriving construction, Fearing your own atomic reaction to the explosive emotional canter. Either choice resulting in emotional disruption... Eruption, But only one in total annihilation. -Marie Moldovan ©️ 2020
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Dec 30, 2020
Dec 30, 2020 at 1:04 AM UTC
"Mexican Standoff "
The pasture lays abandoned The barn is bare The fields grown overripe Fences lay fallen Roads returning to dirt Not a single tool lifted Nor a single human whimper Nay a cry from any creature Had been heard for many eons And one may wonder Of the perished and of paradise For Earth lay singing While all else is silent And some long for music And some long for quiet And all long for something And some long without knowing And some long for things long gone And some long just to go along with others longing And some are just so winded from being long winded in longing So longings lengthen, Filling us to the brim with hollow wants And this perfect paradox becomes Pandemic
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Aug 30, 2018
Aug 30, 2018 at 2:59 PM UTC
Delicate Desolation
Pop music and Alaskan ice Whiskey is cool and I'm blue So too are the bloodied few Smoke rises and inspires Creation spirals into anew Sending geysers ski high Letting go the rigers of life A summon of ice Falling of snow flakes Seasonal prices are here Signs gripping onto holsters Finding *** and coal Air stale Quietly rancid Unholy desperation of breath Job is old Feeble are the bones Lost is the soul
0
Dec 31, 2017
Dec 31, 2017 at 1:04 AM UTC
Blue collar or the Dog collar?
Dismantle your convictions Break them beyond recognition Into the smallest parts imaginable For those fragments of atoms Build us up.
0
Jun 21, 2017
Jun 21, 2017 at 4:28 PM UTC
Breaking, Building
the bottle twists glass falls in drifts and air parts like flesh there’s a terror beneath this city trucks enter from out of town and shake the power lines passing without pause sometimes birds gather for days chirps grow exponentially before tailing into silence; heather and brimstone little bodies roll to the edges and burst on the streets in red regalia a somnolence keeps the city forgetful time flows in fits a streetlamp; a raven; ten gravestones it all runs without moving vessels dilate hands hold themselves there’s nothing to breathe with an empty chalice, turned on the hour grants heaving clenching writhing an ocean of rust bulb shatters, blood spills out her mouth cave head turn faith the world remakes itself ********** the colour of sunflowers bicycle chains thirst colonialism wet paint emptiness over emptiness act without agent lack lack lack lack lack lack lack lack lack lack lack peel the flesh and find flesh always more flesh don’t stop they know better chirp chirp chirp turn exit substance purpose nothing
0
May 1, 2016
May 1, 2016 at 12:51 AM UTC
a turn without end
Someone told me talking to women was completely different from talking to men Familial desire circumventing physical rationality I don't ******* get it Flesh is flesh There is no separation between this body and the next No delineation save for my own arbitrary ones This world is chaos bound by imposition And none of it is real I'm not even going to say middle class conceptions of family are constructs Everything is a construct Knowledge is anthropic chaos Don't pretend you can tell the difference between essential existence and our subjective reordering of boundless matter A gap does not form between a molecule of air and a molecule of flesh I am trapped in my own sensations but I am not defined by them So back to the story of material existence reduced to reproductive imperative Treating all of the other *** as a means to displace one's self beyond annihilation into temporal infinity Who ******* cares? Legacy does not carry on after death Legacy does not even carry through life Language breaks down the moment we open our mouths No one will ever view your life the way you view it Splashing through a pool, ripples morph all reflections into monstrous amalgamations Hey, tell me Do you even remember yourself that clearly? Hollow triumph, grandfather's bones in a grandfather clock ticking past twelve Sorry, I just don't see the allure of treating half the human race as a means to satiate your own lust whether physical or genealogical Or even categorising humans into binary dualisms that bored philosophers a century ago Haven't you heard? God is dead And there is no meaning to your boring male existence
0
Apr 15, 2016
Apr 15, 2016 at 9:37 PM UTC
anthropic chaos
Someone told me talking to women was completely different from talking to men Familial desire circumventing physical rationality I don't ******* get it Flesh is flesh There is no separation between this body and the next No delineation save for my own arbitrary ones This world is chaos bound by imposition And none of it is real I'm not even going to say middle class conceptions of family are constructs Everything is a construct Knowledge is anthropic chaos Don't pretend you can tell the difference between essential existence and our subjective reordering of boundless matter A gap does not form between a molecule of air and a molecule of flesh I am trapped in my own sensations but I am not defined by them So back to the story of material existence reduced to reproductive imperative Treating all of the other *** as a means to displace one's self beyond annihilation into temporal infinity Who ******* cares? Legacy does not carry on after death Legacy does not even carry through life Language breaks down the moment we open our mouths No one will ever view your life the way you view it Splashing through a pool, ripples morph all reflections into monstrous amalgamations Hey, tell me Do you even remember yourself that clearly? Hollow triumph, grandfather's bones in a grandfather clock ticking past twelve Sorry, I just don't see the allure of treating half the human race as a means to satiate your own lust whether physical or genealogical Or even categorising humans into binary dualisms that bored philosophers a century ago Haven't you heard? God is dead And there is no meaning to your boring male existence
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29
The nature around us Provokes to think! The geometry of nature Creates coincidences and intersections! Coincidences of creation- destruction and re-construction! Intersection reveals the connectivity, Connectivity between deconstruction and reconstruction! Geometry portray the commonness and uniqueness, Commonness and uniqueness between ‘image and number’ and ‘shape and number’! It leads all relation to number relation!
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Sep 26, 2015
Sep 26, 2015 at 2:30 PM UTC
Nature- image-geometry and number
Deconstruct the established Many ideas which supports them Scrutinize them with precision Dissect them to the core Reveal the truth that they hold In an endeavor to construct One needs to deconstruct To establish the relation and bonds Nothing is permanent Deconstruct to establish the truth
0
Apr 16, 2015
Apr 16, 2015 at 9:17 AM UTC
Deconstruct
♦ Become a friend ♦ Learn her secrets ♦ Swallow her demons by choice ♦ Tell her she is wanted always in all ways ♦ Choose time shared over all else ♦ Pick weakness out of need ♦ Push hard while showing kindness ♦ Sincerity and pain ♦ Wanting all, yet giving nothing ♦ Prove dependability ♦ Turn fear into reality ♦ Use her heart against her, gutting her invisible And with the final lie that defines a gender "I want you to always be here" Turns into a silent, wordless exit
0
Mar 11, 2014
Mar 11, 2014 at 4:27 PM UTC
The Methodical Deconstruction of a Girl
disillusionment. deconstruction. liberation. the breaking of bones. a knife    stabbed me in the back, and i cried, **** you!" a boot    kicked me behind the knees, then pushed my face    into the dirt, and i thrashed    until i could thrash no more. i became sullen. hopeless. bitter. so i climbed into a spaceship and shot through the earth's atmosphere. w   e   i   g   h   t   l   e   s   s liberated i felt beautiful. i could see the whole,   and it made sense. i felt the relativity   of unfocused thoughts the importance of calm   of simple togetherness     pleasure       the pressure of time         the shortening of days and then i fell, plunging to the earth to break my bones. movement made slow   just when the sun shone standing uncomfortable   in fear, in pain. loneliness, but wanting no one (please just leave me alone) i'll live in my fictions i'll grit my teeth through the pain   and keep moving i won't allow tears   until at least one foot is out the door i'll play songs on repeat,   and subsist on cocoa krispies if i want to i'll draw cells and i'll write and i'll write liberated and disillusioned liberated and lonely liberated and in pain liberated and in fear liberated and frustrated liberated in chocolate   liberated in red wine.
0
May 22, 2013
May 22, 2013 at 5:53 PM UTC
news from the liberation front
There are two images On the wall of the room Where I live in; One is ‘Gandhi’ on his way to Dandi Another is of a **** with his gun, In between the images there is a Sprawling spider web, Networking peace with warfare Or warfare with peace! My soul mate said   “Spider web trying to network Post-modern peace with humanity & masculinity So, that everyone agrees to it before deconstruction out of trepidation.”
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Jun 11, 2014
Jun 11, 2014 at 3:40 PM UTC
Post modern accord
When Jacques Derrida's Mother Embraced the concept Of 'wholly other' She loosed her hold on life In the past tense And gave herself up to The 'Metaphysics of Presence'. How I love this new-found euphoria Now there is no more aporia. If only the world would grasp The concept of deconstruction. So she put down her knitting Logged onto the internet And signed up for a course on Basic Moxibustion. Such a great invention This internet But life is even better Without unresolved tension. Oh for a mother To understand her son.
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May 2, 2014
May 2, 2014 at 2:40 PM UTC
Jacques Derrida's Mother